CH-EN 314 (Codex Engelberg)

Stiftsbibliothek, Engelberg, Switzerland

manuscript of polyphony: 14th century

Archive	Stiftsbibliothek, Engelberg, Switzerland (CH-EN)
Shelfmark	314 (Codex Engelberg)
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	220 x 145 mm
Other Identifiers	RISM: CH-EN314 RISM: Eng
Notations	Gothic neumes
Provenance	Bavaria, Germany
Contents	31 pieces from 1 composers

General Description

A Troper and Sequentiary containing both monody and polyphony. The Easter play on f. 75v-78 was published by Schubiger (s. Bibl.) and was written (or acted) on the vigil of Easter by Fr. Walther Mirer together with Johannes Grebler and Werner Stouffacher. Walther Mirer is also the author of the calendar. The pieces in German at the beginning and end of the manuscript (examined by K. Bartsch) consist mainly of sacred songs and hymns and sequences translated into the vernacular. Occasional omissions of music, or text, are rare. The polyphonic forms represented are varied: this codex is one of the principal sources of German medieval part-music. There are 2 troped Kyries, 2 troped Sanctus, 1 troped Agnus, 2 untroped Benedicamus dominos, 3 troped Benedicamus dominos, 2 Responsory verses, 3 lessons, 3 lesson tropes, 4 conductus and 11 motets. The music is missing for one Responsory verse and a motet.

DIAMM, 2017

Physical Description

ff. 1-3, 7, 12-15, 26, 149, 170 and 178 are missing (originally 182 leaves)

DIAMM, 2017

Binding

original leather (presumably white) over wooden boards. The spine has been strengthened with parchment which runs over on to the front and back covers. A piece of paper stuck on the spine has the title "Hymni cum cantu chorali saec. 14" printed in black capitals. Most of a clasp once attached to the front cover is now missing.

DIAMM, 2017

Notation

Gothic neumes

DIAMM, 2017

Date

The Easter play on f. 75v-78 dates the ms 1372, as does the calendar on f.98.

DIAMM, 2017

Ruling

Staves are ruled for music almost throughout: 9-12 four-line and 7-9 five-line staves per page.

DIAMM, 2017

Foliation

An old foliation in brown ink at t.r.r. appears to be more or less contemporary with the manuscript. Fol. 167 appears twice.

DIAMM, 2017

Foliation

1-171

DIAMM, 2017

Decoration

initials in red, black, or black with red ornament.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

RISM B/IV 2: A 14th century paper manuscript meas. 220 x 145 mm. and consisting of 171 folios plus 1 relatively modern blank unnumbered paper flyleaf at each end. Originally there were 182 folios, but now ff. 1-3, 7, 12-15, 26, 149, 170 and 178 are missing. Fol. 167 appears twice. The binding is original leather (presumably white) over wooden boards. The spine has been strengthened with parchment which runs over on to the front and back covers. A piece of paper stuck on the spine bears the following title printed in black capitals: "Hymni cum cantu chorali saec. 14". At one time there was a clasp attached to the front cover, but most of this is now missing. An old foliation in brown ink at t.r.r. appears to be more or less contemporary with the manuscript. The script is a slightly Gothic minuscule with initials in red, black, or black with red ornament. The notation consists of typical 14th century Gothic neumes on 4-line or 5-line brown staves. There are 9-12 four-line and 7-9 five-line staves per page. Essentially the volume is a Troper and Sequentiary containing both monody and polyphony. The Easter play on f. 75v-78 dates the ms 1372, as does the calendar on f.98. The Easter play was published by Schubiger (s. Bibl.) and was written (or acted) on the vigil of Easter by Fr. Walther Mirer together with Johannes Grebler and Werner Stouffacher. Walther Mirer is also the author of the calendar. K. Bartsch examined the pieces written in German at the beginning and end of the manuscript. These consist mainly of sacred songs and hymns and sequences translated into the vernacular. Staves are ruled for music almost throughout, and occasional omissions of music, or text, are rare. The polyphonic forms to be found in EN 314 are extremely varied, for the codex is one of the principal sources of German medieval part-music. There are 2 troped Kyries, 2 troped Sanctus, 1 troped Agnus, 2 untroped Benedicamus dominos, 3 troped Benedicamus dominos, 2 Responsory verses, 3 lessons, 3 lesson tropes, 4 conductus and 11 motets. This list includes a Responsory verse and a motet for which the music is missing.

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Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
53v–54v	Jube Domine benedicere. Primo tempore alleviata	-	Anonymous
Jube Domine benedicere. Primo tempore alleviata Anonymous Appears on: 53v–54v Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: Iube domne benedicere. Primo tempore alleviata General Note in 3-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 53'-54. Göllner, Theodor. 1969. Die mehrstimmigen liturgischen Lesungen. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 36-38. Handschin, Jacques. 1928. Angelomontana polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64-96. Pages: 8-9.
79	Gaudens in Domino in hoc sollemnio	-	Anonymous
Gaudens in Domino in hoc sollemnio Anonymous Appears on: 79 Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: Gaudens in domino in hoc sollempnio General Note in 2-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 79. Göllner, Theodor. 1969. Die mehrstimmigen liturgischen Lesungen. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 137. Handschin, Jacques. 1928. Angelomontana polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64-96. Pages: 10-11.
79v	Hodie progreditur radius ex sole	-	Anonymous
Hodie progreditur radius ex sole Anonymous Appears on: 79v Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: Hodie progreditur radius ex sole General Note in 2-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 79. Göllner, Theodor. 1969. Die mehrstimmigen liturgischen Lesungen. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 141. Handschin, Jacques. 1928. Angelomontana polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64-96. Pages: 10-11.
80–80v	Universi populi omnes jam gaudete	-	Anonymous
Universi populi omnes jam gaudete Anonymous Appears on: 80–80v Genres: Liturgical work Voice: [no designation] Languages: Latin Voice Text: Universi populi omnes iam gaudete General Note in 2-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 80-80'. Göllner, Theodor. 1969. Die mehrstimmigen liturgischen Lesungen. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 142-143.
93–94	Kyrie [Tro] magne Deus potentiae	-	Anonymous
Kyrie [Tro] magne Deus potentiae Anonymous Appears on: 93–94 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Clef: f2 Voice Text: Kyrie [Tro] magne deus potentie Voice: [no designation] Languages: none Clef: f2 General Note in 2-part score: the involcations 7-9 are monodic. The two parts are reversed from the version seen in the incipit Layout score
94v–97	Kyrie [Tro] fons bonitatis	-	Anonymous
Kyrie [Tro] fons bonitatis Anonymous Appears on: 94v–97 Genres: Mass Ordinary, Troped Kyrie Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie [Tro] fons bonitatis General Note in 2-part score: music for invocation 1, 4 and 7 only Layout score
106v–107	Sanctus [Tro] Phos patris, karitatis lux	-	Anonymous
Sanctus [Tro] Phos patris, karitatis lux Anonymous Appears on: 106v–107 Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus [Tro] P[h]os patris, karitatis lux General Note in 2-part score Layout score
107–107v	Sanctus [Tro] Pater ingenitus cosmo divinitus	-	Anonymous
Sanctus [Tro] Pater ingenitus cosmo divinitus Anonymous Appears on: 107–107v Genres: Mass Ordinary, Troped Sanctus Voice: [no designation] Languages: Latin Voice Text: Sanctus [Tro] Pater ingenitus cosmo divinitus General Note in 2-part score Layout score
113	Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore ingressus Jesus Zacheus	-	Anonymous
Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore ingressus Jesus Zacheus Anonymous Appears on: 113 Genres: Dominus vobiscum, Liturgical work Voice: [no designation] Languages: Latin Voice Text: Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore ingressus Jhesus … Zacheus General Note monodic except for the word ‘Zacheus’ in 3-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 113. Göllner, Theodor. 1969. Die mehrstimmigen liturgischen Lesungen. Münchner Veröffentlichungen zur Musikgeschichte. Tutzing. Pages: 272.
117	Agnus Dei [Tro] Mortis dira ferens	-	Anonymous
Agnus Dei [Tro] Mortis dira ferens Anonymous Appears on: 117 Genres: Mass Ordinary, Troped Agnus Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Agnus dei [Tro] Mortis dira ferens Voice: [no designation] Languages: none Clef: c3 General Note in 2-part score Layout score
127	Benedicamus Domino. Alleluia	-	Anonymous
Benedicamus Domino. Alleluia Anonymous Appears on: 127 Genres: Alleluia, Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Voice Text: Benedicamus domino, alleluia, alleluia, alleluia General Note in 2-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 127. Handschin, Jacques. 1928. Angelomontana polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64-96. Pages: 4-5.
127–127v	Procedentem sponsum de thalamo	-	Anonymous
Procedentem sponsum de thalamo Anonymous Appears on: 127–127v Genres: Benedicamus Domino Voice: [no designation] Languages: none Clef: c4 Voice: [no designation] Languages: Latin Clef: c4 Voice Text: Procedentem sponsum de thalamo General Note in 2-part score Layout score Position on Page staves 7-8, 9-10 Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 127-127'. Handschin, Jacques. 1928. Angelomontana polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64-96. Pages: 5-6.
135v	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 135v Genres: Benedicamus Domino, Motet Voice: [no designation] Languages: Latin Clef: c3 Voice Text: Benedicamus domino General Note in 2-part score Layout score Position on Page staves 6-7 Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 135. Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: (52), [facs.] no. 21. Handschin, Jacques. 1928. Angelomontana polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64-96. Pages: no. 5. Wolf, Johannes. 1926. Eine neue Quelle zur mehrstimmigen kirchlichen Praxis des 14. bis 15. Jahrhunderts. Festschrift Peter Wagner zum 60. Geburtstag, 222-37. Leipzig. Pages: 222ff.
135v–136v	Illibata virgo castaque / Egregia sponsa Christi	-	Anonymous
Illibata virgo castaque / Egregia sponsa Christi Anonymous Appears on: 135v–136v Genres: Motet Voice: Tenor Languages: Latin Voice Text: Egregia sponsa Christi Voice: [no designation] Languages: Latin Voice Text: Illibata virgo castaque General Note in two separate parts Layout parts Position on Page staves 9-10 (end) Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: facs.] 135'-136'.
136v–137v	Haec est domus Domini firmiter / Terribilis est locus iste	-	Anonymous
Haec est domus Domini firmiter / Terribilis est locus iste Anonymous Appears on: 136v–137v Genres: Motet Voice: Tenor Languages: Latin Voice Text: Terribilis est locus iste Voice: [no designation] Languages: Latin Voice Text: Hec est domus domini firmiter General Note in two separate parts Layout parts Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 136'-137'.
137v–138	Inter natos mulierum non surrexit / O Johannes, doce nos hodie	-	Anonymous
Inter natos mulierum non surrexit / O Johannes, doce nos hodie Anonymous Appears on: 137v–138 Genres: Motet Voice: Tenor Languages: Latin Voice Text: O Johannes, doce nos hodie Voice: [no designation] Languages: Latin Voice Text: Inter natos mulierum non surrexit General Note in two separate parts Layout parts Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 137'-138.
138–138v	Voce cordis et oris in laudem / Pulchre Sion filia inclita	-	Anonymous
Voce cordis et oris in laudem / Pulchre Sion filia inclita Anonymous Appears on: 138–138v Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Voce cordis et oris in laudem Voice: Tenor Languages: Latin Voice Text: Pulchre Syon filia inclita General Note in two separate parts Layout parts Position on Page 1 Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 138-138'.
138v–140	Gamautare me per solfare - 1a pars (of 2): Gamautare me per solfare	-	Anonymous
Gamautare me per solfare - 1a pars (of 2): Gamautare me per solfare Anonymous Appears on: 138v–140 Genres: Motet Voice: Tenor Languages: Latin Voice Text: O felix et pia virgo Maria Voice: [no designation] Languages: Italian Voice Text: Gamautare me per solfare General Note in two separate parts Layout parts Position on Page 2 Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 138'-140.
140–141	Veni, sancte spiritus, et emitte / Veni, pater divine spiritus	-	Anonymous
Veni, sancte spiritus, et emitte / Veni, pater divine spiritus Anonymous Appears on: 140–141 Genres: Motet, Veni sancte spiritus Voice: [no designation] Languages: Latin Voice Text: Veni, sancte spiritus, et emitte / Veni, pater divine spiritus Voice: Tenor Languages: Latin Voice Text: Veni, pater divine spiritus General Note in two separate parts Layout parts Position on Page middle of top system Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 140-141. Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: [facs.] 140-141. Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: (52/53/I), [facs.] no 59.
141	Aparuerunt illis disperate lingue / Omnium est artifex omnem	-	Anonymous
Aparuerunt illis disperate lingue / Omnium est artifex omnem Anonymous Appears on: 141 Genres: Motet Voice: Tenor Languages: Latin Voice Text: Omnium est artifex omnem Voice: [no designation] Languages: Latin Voice Text: Aparuerunt illis disperate lingue General Note in two separate parts Layout parts Position on Page second system? Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 141.
141–142	Salve, pater nomunim omnium / Exaudi nos, mundi dos, caeli ros	-	Anonymous
Salve, pater nomunim omnium / Exaudi nos, mundi dos, caeli ros Anonymous Appears on: 141–142 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: salve, pater nomunim omnium Voice: Tenor Languages: Latin Voice Text: Exaudi nos, mundi dos, celi ros General Note in two separate parts Layout parts Position on Page middle of third complete system Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 141-142. Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: (52), [facs.] no. 65.
142–142v	Ad regnum epulentum in quo nil / Noster cetus canat laetus tot beatis	-	Anonymous
Ad regnum epulentum in quo nil / Noster cetus canat laetus tot beatis Anonymous Appears on: 142–142v Genres: Motet Voice: Tenor Languages: Latin Voice Text: Noster cetus canat letus tot beatis Voice: [no designation] Languages: Latin Voice Text: Ad regnum epulentum in quo nil General Note in two separate parts Layout parts Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 142-142'.
142v–143	O primaverum veri sacrarium / Haec est domus Domini sacrata	-	Anonymous
O primaverum veri sacrarium / Haec est domus Domini sacrata Anonymous Appears on: 142v–143 Genres: Motet Voice: Tenor Languages: Latin Voice Text: Hec est domus domini sacrata Voice: [no designation] Languages: Latin Voice Text: O primaverum veri sacrarium General Note in two separate parts Layout parts Position on Page last two systems Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 142'-143'. Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: (52), [facs.] no. 77.
148v	Dominus vobiscum	-	Anonymous
Dominus vobiscum Anonymous Appears on: 148v Genres: Dominus vobiscum, Liturgical work Voice: [no designation] Languages: Latin Voice Text: Dominus vobiscum General Note in 3-part score: monodic except for two short passages ‘et ubera que suxisti’ and ‘et custodiunt illud’ Layout score Position on Page nr beginning of second complete system Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 148'.
150–150v	Ortus dignis Christi signis	-	Anonymous
Ortus dignis Christi signis Anonymous Appears on: 150–150v Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Ortus dignis Cristi signis General Note in 2-part score Layout score Position on Page end of 3rd complete system Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 150-150'.
150v–152	Unicornis captivatur, aule regum	-	Anonymous
Unicornis captivatur, aule regum Anonymous Appears on: 150v–152 Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Unicornis captivatur, aule regum General Note in 2-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 150'-152.
152–153	Haec est turris quam vallavit	-	Anonymous
Haec est turris quam vallavit Anonymous Appears on: 152–153 Genres: Conductus Voice: [no designation] Languages: Latin Clef: no clef Voice Text: Hec est turris quam vallavit General Note in 2-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 152-153. Handschin, Jacques. 1928. Angelomontana polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64-96. Pages: 12.
153–153v	Ovans chorus scolarium almum	-	Anonymous
Ovans chorus scolarium almum Anonymous Appears on: 153–153v Genres: Conductus Voice: [no designation] Languages: Latin Voice Text: Ovans chorus scolarium almum General Note in 2-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 153-154'. Handschin, Jacques. 1928. Angelomontana polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64-96. Pages: 13.
179v	Constantes estote, videbitis … Gloria patri	-	Anonymous
Constantes estote, videbitis … Gloria patri Anonymous Appears on: 179v Genres: Doxology, Response Voice: [no designation] Languages: Latin Voice Text: Constantes estote, videbitis. . . Gloria patri General Note in 2-part score; V to Responsory ‘Iudea et Iherusalem’ Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 179'. Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: (52) [facs.] no. 38. Wolf, Johannes (editor). 1931. Sing- und Spielmusik aus älterer Zeit. Beispielband zur allgemeinen Musikgeschichte. 2nd edition Leipzig. Pages: 214.
180–180v	Congaudeat turba fidelium	-	Anonymous
Congaudeat turba fidelium Anonymous Appears on: 180–180v Genres: Benedicamus Domino Voice: [no designation] Languages: Latin Voice Text: Congaudeat turba fidelium General Note in 2-part score Layout score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: 180-180'.
180v–181	Procedentem sponsum de thalamo	-	Anonymous
Procedentem sponsum de thalamo Anonymous Appears on: 180v–181 Genres: Benedicamus Domino Voice: [no designation] Languages: Latin Voice Text: Procedentem sponsum de thalamo General Note in 2-part score Layout 2-part score score Item Bibliography Arlt, Wulf, and Mathias Stauffacher (editors). 1986. Engelberg Stiftsbibliothek Codex 314, edited in facsimile with commentary. Schweizerische Musikdenkmäler. Winterthur/Switzerland: Amadeus Verlag. Pages: [facs.] 180'-181;.

Composer	Compositions
Anonymous	Ad regnum epulentum in quo nil / Noster cetus canat laetus tot beatis – 142–142v Agnus Dei [Tro] Mortis dira ferens – 117 Aparuerunt illis disperate lingue / Omnium est artifex omnem – 141 Benedicamus Domino – 135v Benedicamus Domino. Alleluia – 127 Congaudeat turba fidelium – 180–180v Constantes estote, videbitis … Gloria patri – 179v Dominus vobiscum – 148v Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore ingressus Jesus Zacheus – 113 Gamautare me per solfare - 1a pars (of 2): Gamautare me per solfare – 138v–140 Gaudens in Domino in hoc sollemnio – 79 Haec est domus Domini firmiter / Terribilis est locus iste – 136v–137v Haec est turris quam vallavit – 152–153 Hodie progreditur radius ex sole – 79v Illibata virgo castaque / Egregia sponsa Christi – 135v–136v Inter natos mulierum non surrexit / O Johannes, doce nos hodie – 137v–138 Jube Domine benedicere. Primo tempore alleviata – 53v–54v Kyrie [Tro] fons bonitatis – 94v–97 Kyrie [Tro] magne Deus potentiae – 93–94 O primaverum veri sacrarium / Haec est domus Domini sacrata – 142v–143 Ortus dignis Christi signis – 150–150v Ovans chorus scolarium almum – 153–153v Procedentem sponsum de thalamo – 127–127v Procedentem sponsum de thalamo – 180v–181 Salve, pater nomunim omnium / Exaudi nos, mundi dos, caeli ros – 141–142 Sanctus [Tro] Pater ingenitus cosmo divinitus – 107–107v Sanctus [Tro] Phos patris, karitatis lux – 106v–107 Unicornis captivatur, aule regum – 150v–152 Universi populi omnes jam gaudete – 80–80v Veni, sancte spiritus, et emitte / Veni, pater divine spiritus – 140–141 Voce cordis et oris in laudem / Pulchre Sion filia inclita – 138–138v

Composer

Compositions

Anonymous

Ad regnum epulentum in quo nil / Noster cetus canat laetus tot beatis – 142–142v
Agnus Dei [Tro] Mortis dira ferens – 117
Aparuerunt illis disperate lingue / Omnium est artifex omnem – 141
Benedicamus Domino – 135v
Benedicamus Domino. Alleluia – 127
Congaudeat turba fidelium – 180–180v
Constantes estote, videbitis … Gloria patri – 179v
Dominus vobiscum – 148v
Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore ingressus Jesus Zacheus – 113
Gamautare me per solfare - 1a pars (of 2): Gamautare me per solfare – 138v–140
Gaudens in Domino in hoc sollemnio – 79
Haec est domus Domini firmiter / Terribilis est locus iste – 136v–137v
Haec est turris quam vallavit – 152–153
Hodie progreditur radius ex sole – 79v
Illibata virgo castaque / Egregia sponsa Christi – 135v–136v
Inter natos mulierum non surrexit / O Johannes, doce nos hodie – 137v–138
Jube Domine benedicere. Primo tempore alleviata – 53v–54v
Kyrie [Tro] fons bonitatis – 94v–97
Kyrie [Tro] magne Deus potentiae – 93–94
O primaverum veri sacrarium / Haec est domus Domini sacrata – 142v–143
Ortus dignis Christi signis – 150–150v
Ovans chorus scolarium almum – 153–153v
Procedentem sponsum de thalamo – 127–127v
Procedentem sponsum de thalamo – 180v–181
Salve, pater nomunim omnium / Exaudi nos, mundi dos, caeli ros – 141–142
Sanctus [Tro] Pater ingenitus cosmo divinitus – 107–107v
Sanctus [Tro] Phos patris, karitatis lux – 106v–107
Unicornis captivatur, aule regum – 150v–152
Universi populi omnes jam gaudete – 80–80v
Veni, sancte spiritus, et emitte / Veni, pater divine spiritus – 140–141
Voce cordis et oris in laudem / Pulchre Sion filia inclita – 138–138v

Composition	Composers (? Uncertain)	Folios / Pages
Ad regnum epulentum in quo nil / Noster cetus canat laetus tot beatis	Anonymous	142–142v
Agnus Dei [Tro] Mortis dira ferens	Anonymous	117
Aparuerunt illis disperate lingue / Omnium est artifex omnem	Anonymous	141
Benedicamus Domino	Anonymous	135v
Benedicamus Domino. Alleluia	Anonymous	127
Congaudeat turba fidelium	Anonymous	180–180v
Constantes estote, videbitis … Gloria patri	Anonymous	179v
Dominus vobiscum	Anonymous	148v
Dominus vobiscum. Sequentia sancti ewangelii secundum Lucam. In illo tempore ingressus Jesus Zacheus	Anonymous	113
Gamautare me per solfare - 1a pars (of 2): Gamautare me per solfare	Anonymous	138v–140
Gaudens in Domino in hoc sollemnio	Anonymous	79
Haec est domus Domini firmiter / Terribilis est locus iste	Anonymous	136v–137v
Haec est turris quam vallavit	Anonymous	152–153
Hodie progreditur radius ex sole	Anonymous	79v
Illibata virgo castaque / Egregia sponsa Christi	Anonymous	135v–136v
Inter natos mulierum non surrexit / O Johannes, doce nos hodie	Anonymous	137v–138
Jube Domine benedicere. Primo tempore alleviata	Anonymous	53v–54v
Kyrie [Tro] fons bonitatis	Anonymous	94v–97
Kyrie [Tro] magne Deus potentiae	Anonymous	93–94
O primaverum veri sacrarium / Haec est domus Domini sacrata	Anonymous	142v–143
Ortus dignis Christi signis	Anonymous	150–150v
Ovans chorus scolarium almum	Anonymous	153–153v
Procedentem sponsum de thalamo	Anonymous	127–127v
Procedentem sponsum de thalamo	Anonymous	180v–181
Salve, pater nomunim omnium / Exaudi nos, mundi dos, caeli ros	Anonymous	141–142
Sanctus [Tro] Pater ingenitus cosmo divinitus	Anonymous	107–107v
Sanctus [Tro] Phos patris, karitatis lux	Anonymous	106v–107
Unicornis captivatur, aule regum	Anonymous	150v–152
Universi populi omnes jam gaudete	Anonymous	80–80v
Veni, sancte spiritus, et emitte / Veni, pater divine spiritus	Anonymous	140–141
Voce cordis et oris in laudem / Pulchre Sion filia inclita	Anonymous	138–138v

‡ denotes primary source study

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XXXIX and passim.

Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert. Bern. Pages: appendix, no. 6 (transcription of no. 8); Iff, 10 and passim.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: I, 103, 117, 129, 135f, 140, 310f.

Handschin, Jacques. 1928. Angelomontana Polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 64ff. Pages: appendix, nos. 1—18 (tran-scription of nos. 5, 7, 10,11, 13, 12, 30, 1, 24, 2, 3, 26, 27, 28, 18, 21, 22).

Wolf, Johannes. 1926. Eine neue Quelle zur mehrstimmigen kirchlichen Praxis des 14. bis 15. Jahrhunderts. Festschrift Peter Wagner zum 60. Geburtstag, 222-37. Leipzig. Pages: 228ff (transcription of no. 6 after Berlin, Deutsche Staatsbibliothek, mus. 4° 40580, A-Iu 457 and D-Mbs 11764).

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 303f, 309.

Sigl, M. 1911. Zur Geschichte des Ordinarium Missae in der deutschen Choralilberlieferung. Pages: Beilage, 13ff (transcription of no. 6 after D-Mbs 11764).

Ludwig, Friedrich. 1908. Die mehrstimmigen Werke der Handschrift Engelberg 314. Kirchenmusikalisches Jahrbuch, 48ff.

Schubiger, A. 1876. Musikalische SpicUegien. Pages: 56ff.

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