The polyphonic pieces are found on the flyleaf at the end of this 13th/14th-century collection of liturgical chants. This flyleaf belonged originally to the same manuscript as the flyleaves in CivMA 98. From the Collegiate Church of Santa Maria Assunta, in Cividale del Friuli.
I-CFm Cod. LXIII
Museo Archeologico Nazionale, Cividale del Friuli, Italy
flyleaf: Late 14th - Early 15th century
| Archive | Museo Archeologico Nazionale, Cividale del Friuli, Italy (I-CFm) |
|---|---|
| Shelfmark | Cod. LXIII |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 358 x 240 mm |
| Other Identifiers |
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| Notations |
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| Relationships | |
| External Links | |
| Provenance |
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| Contents | Contains 2 compositions, 1 from 1 composer, 1 is anonymous. |
General Description
Binding
Original brown leather covers
Liminary Note
'Heading of 'Forseulement' on ff. [38'-39] reads 'Andreas pleni.' Setting not concordant with 'Fors seulement' attributed to Andreas de Silva in BolC Q19, and 'Andreas' in present manuscript is probably not to be identified with Silva.
Notation
Black full mensural
Ruling
6-line staves
Foliation
1rv
Foliation
Original foliation.
Surface
Parchment
RISM Description
13th century Homiliary and (from f.217) Lectionary. 259 folios in total. Music only on endpaper. 15th century leather binding with blind tooling.
RISM B/IV 4: 13./15. Jh.; 259 Blätter Pergament + 1 Nachstoblätter Pergament, 364 x 250 mm. Foliierung von f. 1-259. - Einband: 15. Jh.; Ledereinband mit Blindpressung.
Diese aus dem Dom von Cividale stammende Handschrift enthält ein Homiliar des 13. Jh. und ab f. 217 ein Lektionar, das vermutlich im 14. Jh. geschrieben worden ist. Mehrstimmige Musik enthält nur das Pergament-Nachstoßblätter, das ursprünglich in den hinteren Deckel geklebt war: Format 358 x 240 mm, schwarze Mensuralnotation auf Sechsliniensystemen; das Blatt gehörte zu einer Handschriften des späten 14. oder frühen 15. Jh. - vermutlich zur gleichen wie die Blätter von I-CF98.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Glorias {both incomplete)
Rendus de Ponte Curvo-1, anon-1
259 + i parchment folios, 364 x 250. Original foliation. Original brown leather covers. No index. The polyphonic pieces, in black mensural notation, are found on the flyleaf at the end of this 13th/14th-century collection of litur-gical chants; this flyleaf belonged originally to the same manuscript as the flyleaves in CivMA 98.
Early 15th century. From the Collegiate Church of Santa Maria Assunta, in Cividale del Friuli.
Vol 4
Contents: 3 Masses (1 incomplete), 1 Credo, 8 Magnificats, 1 hymn, 28 motets, 1 French secular piece, 1 Latin secular piece = 43
Composers: (A. Agrícola)-1, Andreas-1,* (Barra/Elimon)-1, (Brumel)-1, (Car-pentras)-1, (Compère)-1, (Craen/C. Festa/A. Févin/Morales/Josquin)-1, (Isaac)-1, (Jaquet of Mantua)-5, (Jaquet of Mantua/Senfl)-1, Josquin-1, (Josquin/Mouton)-1, (La Rue)-1, Lurano-2, (Mouton)-2, (Notens)-1, (Rein)-1, (Weerbecke)-1, anon-19
'Heading of "Forseulement" on ff. [38'-39] reads "Andreas pleni." Setting not concordant with "Fors seulement" attributed to Andreas de Silva in BolC Q19, and "Andreas" in present manuscript is probably not to be identified with Silva.
The inventory could not be loaded.
‡ denotes primary source study
Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.
Di Bacco, Giuliano, and John Nadas. 1998. The Papal Chapels and Italian Sources of Polyphony during the Great Schism. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Giuliano Di Bacco and John Nadas, 44-92. Oxford: Clarendon Press.
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 420-1,796. Notes: contents list (partial); concordances (partial).
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xxi,29,62. Notes: physical description; contents list (partial); concordances (partial).
Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: B IV/4,749. Notes: physical description; contents list; incipits.
Hewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh. Pages: 93. Notes: mention of MS; contents list (partial).
Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1, vol. 3, Mensurabilia, 1. Bologna: Universita degli studi di Bologna. Pages: (Faks.).
[No Author] 1966. Topographie der historischen und Kunst-Denkmale im Königreiche Böhmen. Der politische Bezirk: Salzburg, 1964. Kassel. Pages: 79f.
Petrobelli, Pierluigi. 1965. Nuovo materiale polifonico del Medioevo e del Rinascimento a Cividale. Memorie Storiche Forogiuliesi, 46: 213-5.
Martinez, Marie Louise. 1963. Die Musik des Frühen Trecento. Münchner Veröffentlichungen zur Musikgeschichte, vol. 9. Tutzing: Schneider.
Lockwood, Lewis Henry, Pierluigi Petrobelli, and Nino Pirrotta. None. La storia della musica a Cividale nel tardo Medioevo e nel primo Rinascimento.
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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description