I-CFm Cod. LXIII

Museo Archeologico Nazionale, Cividale del Friuli, Italy

flyleaf: Late 14th - Early 15th century

Archive Museo Archeologico Nazionale, Cividale del Friuli, Italy (I-CFm)
Shelfmark Cod. LXIII
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Parchment
Numbering System Foliation
Measurements 358 x 240 mm
Other Identifiers
  • RISM: I-CF63
  • CCM: CivMA63
Notations
  • black full mensural
Relationships
External Links
Provenance
Contents 2 pieces from 2 composers
General Description

The polyphonic pieces are found on the flyleaf at the end of this 13th/14th-century collection of liturgical chants. This flyleaf belonged originally to the same manuscript as the flyleaves in CivMA 98. From the Collegiate Church of Santa Maria Assunta, in Cividale del Friuli.

DIAMM, 2017
Binding

Original brown leather covers

DIAMM, 2017
Liminary Note

'Heading of 'Forseulement' on ff. [38'-39] reads 'Andreas pleni.' Setting not concordant with 'Fors seulement' attributed to Andreas de Silva in BolC Q19, and 'Andreas' in present manuscript is probably not to be identified with Silva.

DIAMM, 2017
Notation

Black full mensural

DIAMM, 2017
Ruling

6-line staves

DIAMM, 2017
Foliation

1rv

DIAMM, 2017
Foliation

Original foliation.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
RISM Description

13th century Homiliary and (from f.217) Lectionary. 259 folios in total. Music only on endpaper. 15th century leather binding with blind tooling.

RISM B/IV 4: 13./15. Jh.; 259 Blätter Pergament + 1 Nachstoblätter Pergament, 364 x 250 mm. Foliierung von f. 1-259. - Einband: 15. Jh.; Ledereinband mit Blindpressung.

Diese aus dem Dom von Cividale stammende Handschrift enthält ein Homiliar des 13. Jh. und ab f. 217 ein Lektionar, das vermutlich im 14. Jh. geschrieben worden ist. Mehrstimmige Musik enthält nur das Pergament-Nachstoßblätter, das ursprünglich in den hinteren Deckel geklebt war: Format 358 x 240 mm, schwarze Mensuralnotation auf Sechsliniensystemen; das Blatt gehörte zu einer Handschriften des späten 14. oder frühen 15. Jh. - vermutlich zur gleichen wie die Blätter von I-CF98.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Glorias {both incomplete)

Rendus de Ponte Curvo-1, anon-1

259 + i parchment folios, 364 x 250. Original foliation. Original brown leather covers. No index. The polyphonic pieces, in black mensural notation, are found on the flyleaf at the end of this 13th/14th-century collection of litur-gical chants; this flyleaf belonged originally to the same manuscript as the flyleaves in CivMA 98.

Early 15th century. From the Collegiate Church of Santa Maria Assunta, in Cividale del Friuli.

Vol 4

Contents: 3 Masses (1 incomplete), 1 Credo, 8 Magnificats, 1 hymn, 28 motets, 1 French secular piece, 1 Latin secular piece = 43

Composers: (A. Agrícola)-1, Andreas-1,* (Barra/Elimon)-1, (Brumel)-1, (Car-pentras)-1, (Compère)-1, (Craen/C. Festa/A. Févin/Morales/Josquin)-1, (Isaac)-1, (Jaquet of Mantua)-5, (Jaquet of Mantua/Senfl)-1, Josquin-1, (Josquin/Mouton)-1, (La Rue)-1, Lurano-2, (Mouton)-2, (Notens)-1, (Rein)-1, (Weerbecke)-1, anon-19

'Heading of "Forseulement" on ff. [38'-39] reads "Andreas pleni." Setting not concordant with "Fors seulement" attributed to Andreas de Silva in BolC Q19, and "Andreas" in present manuscript is probably not to be identified with Silva.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
verso Laudamus te benedicimus te - Anonymous
Appears on: verso
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Clef: [f3]
Voice Text: [L]audamus te benedicimus te ...
Layout

parts

recto Et in terra pax [Gloria] [Tro] Descendit Angelus Domini. Rentius de Ponte Curvo
Appears on: recto
Genres: Gloria (et in terra pax), Mass Ordinary
Source Attribution: Rentius de Ponte Curvo
Voice: [no designation]
Languages: Latin
Clef: c2
Voice Text: [E]t in terra ...

Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Descendit Angelus domini.
Layout

parts

Composition Composers (? Uncertain) Folios / Pages
Et in terra pax [Gloria] [Tro] Descendit Angelus Domini. recto
Laudamus te benedicimus te Anonymous verso

denotes primary source study

Lockwood, Lewis Henry, Pierluigi Petrobelli, and Nino Pirrotta. None. La storia della musica a Cividale nel tardo Medioevo e nel primo Rinascimento.

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Di Bacco, Giuliano, and John Nadas. 1998. The Papal Chapels and Italian Sources of Polyphony during the Great Schism. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Giuliano Di Bacco and John Nadas, 44-92. Oxford: Clarendon Press.

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 420-1,796. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II.  Bern and Stuttgart. Pages: I,xxi,29,62. Notes: physical description; contents list (partial); concordances (partial).

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I.  Kassel. Pages: B IV/4,749. Notes: physical description; contents list; incipits.

Hewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh. Pages: 93. Notes: mention of MS; contents list (partial).

Gallo, Franco Alberto, and Giuseppe Vecchi (editors). 1968. I più antichi monumenti sacri italiani. I: Edizione fotografica, Monumenta Lyrica Medii Aevi Italica, 3: Mensurabilia, 1.  Bologna: Universita degli studi di Bologna. Pages: (Faks.).

[No Author] 1966. Topographie der historischen und Kunst-Denkmale im Königreiche Böhmen. Der politische Bezirk: Salzburg, 1964.  Kassel. Pages: 79f.

Petrobelli, Pierluigi. 1965. Nuovo materiale polifonico del Medioevo e del Rinascimento a Cividale. Memorie Storiche Forogiuliesi, 213-5.

Martinez, Marie Louise. 1963. Die Musik des Frühen Trecento. Münchner Veröffentlichungen zur Musikgeschichte.  Tutzing: Schneider.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description