D-HO Paed. 3713 Sbd.

Jean-Paul-Gymnasium, Hof an der Saale, Germany

theory treatise with polyphonic examples: c. 1548-9 (StrouxMP; date 1548 on f. E4 and f. [G4'])

Archive	Jean-Paul-Gymnasium, Hof an der Saale, Germany (D-HO)
Shelfmark	Paed. 3713 Sbd.
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	320 x 210 mm
Other Identifiers	CCM: HofG 3713
Copyists	? Faber, Heinrich (ca. 1500–1552) Text and Music
Relationships	Medler, Nicolaus (owner) Faber, Heinrich (ca. 1500–1552) (author (of treatise))
Provenance	Braunschweig, Bavaria, Germany
Contents	67 pieces from 7 composers

General Description

Heinrich Faber's Secunda pars Musicae practicae et poetica; the penultimate item in series of seven treatises on the liberal arts, now bound together as composite volume. Copied by one main scribe and one additional scribe (latter possibly Faber himself— StrouxMP). Some polyphonic examples are in choirbook format; others are in quasi-score format. Some anonymous examples were presumably composed by Heinrich Faber. Copied in Braunschweig (inscription on f. [G4']). Sent to Hof Gymnasium by the theologian and educator Nicolaus Medler (1502-51).

DIAMM, 2017

Binding

Original covers of light brown leather over wooden boards, with brass corners and boss; remnants of brass clasps.

DIAMM, 2017

Watermark

(1) shield with diagonal band (not in Briquet); (2) generally resembles Briquet #910.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

staff height 17 (choirbook format); 10-1ine staves (quasi-score format)

DIAMM, 2017

Foliation

Original ink foliation on lower right rectos, Al-[A 10], Bl-[B8] … G1-[G4] (letters designate gatherings; numbers designate folios within each gathering).

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

Paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Treatise on music, with polyphonic examples: 101 textless pieces *

*36 are short cadential formulas. Excerpts from 1 Mass, 6 Mass Ordinary sections, and 6 motets identified by titles in manuscript or from concordant sources. Other examples unidentified.

Hähnel [Ioannis Galliculij-1, Hähnel/(Förster)-1, Isaac-2, Josquin -9, Moulu-1, Senfl-2, anon-85*

'Some anonymous examples presumably composed by Heinrich Faber.

54 paper folios, 320 x 210, containing Heinrich Faber's Secunda pars Musicae practicae et poetica. Original ink foliation on lower right rectos, Al-[A 10], Bl-[B8] . . . G1-[G4] (letters designate gatherings; numbers designate folios within each gathering). Original covers of light brown leather over wooden boards, with brass corners and boss; remnants of brass clasps. Faber treatise, copied by one main scribe and one additional scribe (latter possibly Faber himself— StrouxMP), is penultimate item in series of seven treatises on the liberal arts, now bound together as composite volume. Most polyphonic examples in choirbook format (staff height 17); a few examples copied in quasi-score format on 10-1ine staves. No initials or decoration. Watermarks: (1) shield with diagonal band (not in Briquet); (2) generally resembles Briquet #910.

Ca. 1548-9 (StrouxMP; date 1548 on f. E4 and f. [G4']). Copied in Braunschweig (inscription on f. [G4']). Sent to Hof Gymnasium by the theologian and educator Nicolaus Medler (1502-51).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
A4–[A5]	Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus	Iosquini	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus Despres, Josquin (ca. 1450–1521) Appears on: A4–[A5] Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Iosquini Voice: [no designation] Languages: Latin Voice Text: [Osanna from Missa L'homme armé super voces musicales] 6.3
[A5]–[A5v]	untexted example	Anon.	-
untexted example Appears on: [A5]–[A5v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[A6]	untexted example	Anon.	-
untexted example Appears on: [A6] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[A6v]–[A7]	untexted example	Anon.	-
untexted example Appears on: [A6v]–[A7] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[A7]	untexted example	Anon.	-
untexted example Appears on: [A7] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[A8v]–[A9]	untexted example	Anon.	-
untexted example Appears on: [A8v]–[A9] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[A10]	untexted example	Anon.	-
untexted example Appears on: [A10] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[A10v]	untexted example	Anon.	-
untexted example Appears on: [A10v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[A10v]–B1	untexted example	Anon.	-
untexted example Appears on: [A10v]–B1 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
B1–B1v	untexted example	Anon.	-
untexted example Appears on: B1–B1v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
B3v–[B5]	Missa Rosina 9.4 (Excerpt)	Iosquini	Despres, Josquin (ca. 1450–1521)
Missa Rosina 9.4 (Excerpt) Despres, Josquin (ca. 1450–1521) Appears on: B3v–[B5] Genres: Mass Ordinary Source Attribution: Iosquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Missa Rosina] 9.4
[B5v]–[B6]	untexted example	Anon.	-
untexted example Appears on: [B5v]–[B6] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[B6v]–[B7v]	untexted example	Anon.	-
untexted example Appears on: [B6v]–[B7v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[B7v]–[B8]	untexted example	Anon.	-
untexted example Appears on: [B7v]–[B8] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[B8]–[B8v]	untexted example	Anon.	-
untexted example Appears on: [B8]–[B8v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
C1	untexted canon	Anon.	-
untexted canon Appears on: C1 Source Attribution: Anon. Voice: Canon Languages: none
C1	untexted canon	Anon.	-
untexted canon Appears on: C1 Source Attribution: Anon. Voice: Canon Languages: none
C1–C1v	untexted canon	Anon.	-
untexted canon Appears on: C1–C1v Source Attribution: Anon. Voice: Canon Languages: none
C1v	untexted canon	Anon.	-
untexted canon Appears on: C1v Source Attribution: Anon. Voice: Canon Languages: none
C2–C3	Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo]	Iosquini	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo] Despres, Josquin (ca. 1450–1521) Appears on: C2–C3 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Iosquini Voice: [no designation] Languages: Latin Voice Text: [Et in spiritum sanctum from Credo of Missa Hercules dux Ferrariae] 11.1 General Note Dedicatee: Hercules, Duc of Ferrara
C3–C3v	Missa Alma Redemptoris mater = Missa Duarum facierum: Sanctus	Petri Molu [= Moulu]	Moulu, Pierre (ca. 1484–ca. 1550)
Missa Alma Redemptoris mater = Missa Duarum facierum: Sanctus Moulu, Pierre (ca. 1484–ca. 1550) Appears on: C3–C3v Genres: Alma redemptoris mater, BVM, Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Petri Molu [= Moulu] Voice: [no designation] Languages: Latin Voice Text: [Sanctus from] Missa Duarum facierum [= Missa Alma redemptoris mater]
C3v–C4	Crux fidelis inter omnes arbor una nobilis II: Ecce lignum crucis in quo salus III: O crux ave spes unica hoc	Ludovici Senfelii [= Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Crux fidelis inter omnes arbor una nobilis II: Ecce lignum crucis in quo salus III: O crux ave spes unica hoc Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: C3v–C4 Genres: Motet Source Attribution: Ludovici Senfelii [= Senfl] Voice: [no designation] Languages: Latin Voice Text: Crux fidelis [inter omnes arbor]
[C5]	Missa L'homme armé super voces musicales 6.3: Agnus Dei	Iosquini	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: [C5] Genres: Agnus Dei, Mass Ordinary Source Attribution: Iosquini Voice: [no designation] Languages: Latin Voice Text: [Agnus II from Missa] Lhomme arme [super voces musicales] 6.3
[C5v]	untexted canon	Ludovici Senfelii [= Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
untexted canon Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: [C5v] Genres: Canon, textless Source Attribution: Ludovici Senfelii [= Senfl] Voice: Canon Languages: none
[C5v]–[C6]	untexted example	Anon.	-
untexted example Appears on: [C5v]–[C6] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[C6]–[C6v]	untexted example	Anon.	-
untexted example Appears on: [C6]–[C6v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[C7]–[C7v]	untexted example	Anon.	-
untexted example Appears on: [C7]–[C7v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[C8]	untexted example	Anon.	-
untexted example Appears on: [C8] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
D1–D1v	untexted example	Anon.	-
untexted example Appears on: D1–D1v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
D2–D3	untexted example	Anon.	-
untexted example Appears on: D2–D3 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
D3	untexted example	Anon.	-
untexted example Appears on: D3 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
D3v	Missa Pascale: Sanctus	Heynrici Isaci [= Isaac]	Isaac, Heinrich (ca. 1450–1517)
Missa Pascale: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: D3v Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Heynrici Isaci [= Isaac] Voice: [no designation] Languages: Latin Voice Text: [Sanctus from Missa Pachalis]
D4–D4v	untexted example	Anon.	-
untexted example Appears on: D4–D4v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
D4v–[D5]	Missa L'homme armé super voces musicales 6.3: Christe	Iosquini	Despres, Josquin (ca. 1450–1521)
Missa L'homme armé super voces musicales 6.3: Christe Despres, Josquin (ca. 1450–1521) Appears on: D4v–[D5] Genres: Kyrie eleison, Mass Ordinary Source Attribution: Iosquini Voice: [no designation] Languages: Latin Voice Text: [Christe from Missa L'homme armé super voces musicales] 6.3
[D5]–[D5v]	untexted example	Anon.	-
untexted example Appears on: [D5]–[D5v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[D6v]–[D7v]	untexted example	Anon.	-
untexted example Appears on: [D6v]–[D7v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[D7v]–[D8]	untexted example	Anon.	-
untexted example Appears on: [D7v]–[D8] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[D8]–[D8v]	untexted example	Anon.	-
untexted example Appears on: [D8]–[D8v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[D8v]–E1	untexted example	Anon.	-
untexted example Appears on: [D8v]–E1 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
E1–E1v	untexted example	Anon.	-
untexted example Appears on: E1–E1v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
E1v–E2	untexted example	Anon.	-
untexted example Appears on: E1v–E2 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
E2–E2v	untexted example	Anon.	-
untexted example Appears on: E2–E2v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
E3–E3v	untexted example	Anon.	-
untexted example Appears on: E3–E3v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[E5v]	untexted example	Anon.	-
untexted example Appears on: [E5v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[E5v]	untexted example	Anon.	-
untexted example Appears on: [E5v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[E6]	untexted example	Anon.	-
untexted example Appears on: [E6] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[E6]	untexted example	Anon.	-
untexted example Appears on: [E6] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[E8]	Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me)	Iosquini	Despres, Josquin (ca. 1450–1521)
Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me) Despres, Josquin (ca. 1450–1521) Appears on: [E8] Genres: Motet Source Attribution: Iosquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars III of Domine exaudi orationem meam] 16.5
[E8v]	untexted example	Heynrici Isaci [= Isaac]	Isaac, Heinrich (ca. 1450–1517)
untexted example Isaac, Heinrich (ca. 1450–1517) Appears on: [E8v] Genres: textless Source Attribution: Heynrici Isaci [= Isaac] Voice: [no designation] Languages: none Voice Text: Textless example
F1	untexted example	Anon.	-
untexted example Appears on: F1 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
F1–F1v	Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est	Iosquini	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est Despres, Josquin (ca. 1450–1521) Appears on: F1–F1v Genres: Motet Source Attribution: Iosquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars II of Domine ne in furore tuo] 16.7
F1v	untexted example	Anon.	-
untexted example Appears on: F1v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
F2	untexted example	Anon.	-
untexted example Appears on: F2 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
F2	Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus)	Iosquini	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) Despres, Josquin (ca. 1450–1521) Appears on: F2 Genres: Motet Source Attribution: Iosquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from] Praeter rerum [seriem parit deum] 24.12
F2–F2v	untexted example	Anon.	-
untexted example Appears on: F2–F2v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
F2v	Domine ne in furore 16.7 (excerpt)	Iosquini	Despres, Josquin (ca. 1450–1521)
Domine ne in furore 16.7 (excerpt) Despres, Josquin (ca. 1450–1521) Appears on: F2v Genres: Motet Source Attribution: Iosquini Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Domine ne in furore tuo] 16.7
F2v–F3	Quare fremuerunt - 2a pars (of 3): Dirumpamus vincula eorum et proiiciamus	Galliculi [= Hähnel]/[Förster]	Galliculus, Johannes (?) Forster, Johannes (?)
Quare fremuerunt - 2a pars (of 3): Dirumpamus vincula eorum et proiiciamus Galliculus, Johannes (?) Forster, Johannes (?) Appears on: F2v–F3 Genres: Motet Source Attribution: Galliculi [= Hähnel]/[Förster] Voice: [no designation] Languages: Latin Voice Text: [Excerpt from Pars II of Quare fremuerunt gentes]
F3	untexted example	Anon.	-
untexted example Appears on: F3 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
F4v–[F5]	untexted example	Anon.	-
untexted example Appears on: F4v–[F5] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[F5v]	untexted example	Anon.	-
untexted example Appears on: [F5v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[F6]–[F7]	29 short cadential formulas	Anon.	Anonymous
29 short cadential formulas Anonymous Appears on: [F6]–[F7] Genres: formula Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: 29 short cadential formulas
[F7]–[F7v]	untexted example	Anon.	-
untexted example Appears on: [F7]–[F7v] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
[F7v]–[F8]	7 short cadential formulas	Anon.	Anonymous
7 short cadential formulas Anonymous Appears on: [F7v]–[F8] Genres: formula Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: 7 short cadential formulas
G1v	untexted example	Anon.	-
untexted example Appears on: G1v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
G1v	untexted example	Anon.	-
untexted example Appears on: G1v Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
G2–G3	untexted example	Anon.	-
untexted example Appears on: G2–G3 Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless example
G3	untexted example	Ioannis Galliculi [= Hähnel]	Galliculus, Johannes
untexted example Galliculus, Johannes Appears on: G3 Genres: textless Source Attribution: Ioannis Galliculi [= Hähnel] Voice: [no designation] Languages: none Voice Text: Textless example

Composer	Compositions
Anonymous	29 short cadential formulas – [F6]–[F7] 7 short cadential formulas – [F7v]–[F8] [No description] – D3 [No description] – [A5]–[A5v] [No description] – [A7] [No description] – [A8v]–[A9] [No description] – [A10] [No description] – [A10v] [No description] – [A10v]–B1 [No description] – B1–B1v [No description] – [B5v]–[B6] [No description] – [B6v]–[B7v] [No description] – [B7v]–[B8] [No description] – [B8]–[B8v] [No description] – G1v [No description] – G1v [No description] – [F7]–[F7v] [No description] – [F5v] [No description] – F3 [No description] – C1 [No description] – C1 [No description] – C1–C1v [No description] – C1v [No description] – F2–F2v [No description] – F2 [No description] – F1v [No description] – [C6]–[C6v] [No description] – [C7]–[C7v] [No description] – [C8] [No description] – D1–D1v [No description] – D2–D3 [No description] – D4–D4v [No description] – [D5]–[D5v] [No description] – [D6v]–[D7v] [No description] – [D7v]–[D8] [No description] – [D8]–[D8v] [No description] – [D8v]–E1 [No description] – E1–E1v [No description] – E1v–E2 [No description] – F1 [No description] – E3–E3v [No description] – [E5v] [No description] – [E5v] [No description] – [E6] [No description] – [E6] [No description] – E2–E2v [No description] – [A6v]–[A7] [No description] – G2–G3 [No description] – [A6] [No description] – F4v–[F5] [No description] – [C5v]–[C6]
Despres, Josquin (ca. 1450–1521)	Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me) – [E8] Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est – F1–F1v Domine ne in furore 16.7 (excerpt) – F2v Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo] – C2–C3 Missa L'homme armé super voces musicales 6.3: Agnus Dei – [C5] Missa L'homme armé super voces musicales 6.3: Christe – D4v–[D5] Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus – A4–[A5] Missa Rosina 9.4 (Excerpt) – B3v–[B5] Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus) – F2
Forster, Johannes	(?) Quare fremuerunt - 2a pars (of 3): Dirumpamus vincula eorum et proiiciamus – F2v–F3
Galliculus, Johannes	(?) Quare fremuerunt - 2a pars (of 3): Dirumpamus vincula eorum et proiiciamus – F2v–F3 untexted example – G3
Isaac, Heinrich (ca. 1450–1517)	Missa Pascale: Sanctus – D3v untexted example – [E8v]
Moulu, Pierre (ca. 1484–ca. 1550)	Missa Alma Redemptoris mater = Missa Duarum facierum: Sanctus – C3–C3v
Senfl, Ludwig (ca. 1486–ca. 1543)	Crux fidelis inter omnes arbor una nobilis II: Ecce lignum crucis in quo salus III: O crux ave spes unica hoc – C3v–C4 untexted canon – [C5v]

Composition	Composers (? Uncertain)	Folios / Pages
29 short cadential formulas	Anonymous	[F6]–[F7]
7 short cadential formulas	Anonymous	[F7v]–[F8]
Crux fidelis inter omnes arbor una nobilis II: Ecce lignum crucis in quo salus III: O crux ave spes unica hoc	Senfl, Ludwig (ca. 1486–ca. 1543)	C3v–C4
Domine exaudi orationem meam auribus 16.5 (2p. Memor fui dierum antiquorum; 3p. Spiritus tuus bonus deducet me)	Despres, Josquin (ca. 1450–1521)	[E8]
Domine ne in furore 16.6 - 2a pars (of 2): Cor meum conturbatum est	Despres, Josquin (ca. 1450–1521)	F1–F1v
Domine ne in furore 16.7 (excerpt)	Despres, Josquin (ca. 1450–1521)	F2v
Missa Alma Redemptoris mater = Missa Duarum facierum: Sanctus	Moulu, Pierre (ca. 1484–ca. 1550)	C3–C3v
Missa Hercules dux Ferrariae 11.1: Patrem omnipotentem [Credo]	Despres, Josquin (ca. 1450–1521)	C2–C3
Missa L'homme armé super voces musicales 6.3: Agnus Dei	Despres, Josquin (ca. 1450–1521)	[C5]
Missa L'homme armé super voces musicales 6.3: Christe	Despres, Josquin (ca. 1450–1521)	D4v–[D5]
Missa L'homme armé super voces musicales 6.3: Sanctus & Benedictus	Despres, Josquin (ca. 1450–1521)	A4–[A5]
Missa Pascale: Sanctus	Isaac, Heinrich (ca. 1450–1517)	D3v
Missa Rosina 9.4 (Excerpt)	Despres, Josquin (ca. 1450–1521)	B3v–[B5]
Praeter rerum seriem 24.12 (2p. Virtus sancti spiritus)	Despres, Josquin (ca. 1450–1521)	F2
Quare fremuerunt - 2a pars (of 3): Dirumpamus vincula eorum et proiiciamus	Galliculus, Johannes (?) Forster, Johannes (?)	F2v–F3
untexted canon	Senfl, Ludwig (ca. 1486–ca. 1543)	[C5v]
untexted example	Isaac, Heinrich (ca. 1450–1517)	[E8v]
untexted example	Galliculus, Johannes	G3

‡ denotes primary source study

Ward, Tom Robert. 1983. A Newly-Discovered Josquin Attribution. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 29-48.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II. Bern and Stuttgart. Pages: I,xxv,35,72 11,117-20.

Stroux, Christoph. 1976. Die Musica Poetica des Magisters Heinrich Faber. Albert-Ludwigs-Universität (Freiburg im Breisgau), Unpublished Ph.D. dissertation. Pages: 24-7,147ff, passim.

Meier, Bernhard. 1958. Eine weitere Quelle der 'Musica poetica' von Heinrich Faber. Die Musikforschung, 76.

Kätzel, Heinrich. 1957. Musikpflege und Musikerziehung im Reformationsjahrhundert, Dargestellt am Beispiel der Stadt Hof. Berlin. Pages: 84-7, plate between 80/81) GurBS:Dp(198-9.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-HO Paed. 3713 Sbd.

Jean-Paul-Gymnasium, Hof an der Saale, Germany

theory treatise with polyphonic examples: c. 1548-9 (StrouxMP; date 1548 on f. E4 and f. [G4'])

General Description

Binding

Watermark

Notation

Ruling

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017