Despite the French texts, the sheet is probably of Italian origin. The paper served as a cover for a manuscript with the Latin Orationen Stefano da Pescia.
| Archive | Biblioteca Universitaria, Bologna, Italy (I-Bu) |
|---|---|
| Shelfmark | MS 596 busta HH2.1 |
| Surface | Parchment |
| Measurements | 362 x 261 mm |
| Other Identifiers |
|
| Notations |
|
| External Links | |
| Provenance |
|
| Contents | Contains 4 compositions, 1 from 1 composer, 3 are anonymous. |
General Description
Physical Description
Severely faded, especially on one side (presumably recto); the composer's name is only partially decipherable.
Notation
black full and black void mensural
Ruling
9 red 6-line staves per side
Foliation
1rv
Surface
Parchment
DIAMM Note
Single folio only. 9 red 6-line staves per side.
RISM Description
RISM B/IV 4: 14. Jh.; 1 Blatt Pergament, 362 x 261 mm. Je Seite 9 rote Sechsliniensysteme mit schwarzer und schwarzhohler Mensuralnotation des 14. Jh.
Das besonders auf der einen Seite (vermutlich recto) stark verblaßte Blatt ist trotz der französischen Texte wahrscheinlich italienischer Herkunft. Die Komponistennamen sind leider nur noch teilweise entzifferbar. Das Blatt diente als Deckblatt zu einer Handschrift mit lateinischen Orationen des Stefano da Pescia.
[Translation] 1 sheet of parchment measuring 362 x 261 mm. 9 red six-line systems with black and black void mensuration of the 14th Century
Despite the French texts, the sheet - which is severely faded, especially on one side (presumably recto) - is probably of Italian origin. The composer's name is unfortunately only partially decipherable. The paper served as a cover for a manuscript with the Latin Orationen Stefano da Pescia.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
recto
Loading inventory…
The inventory could not be loaded.
‡ denotes primary source study
Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.
Silbiger, Alexander. 2004. Keyboard Music before 1700. New York and London: Routledge. Pages: 4 fig. 1.1; Riproduzione della c. 2 del nr. 4, databile al tardo XV sec.
Baroffio, Giacomo (compiler). 1999. Iter liturgicum Italicum a cura di Giacomo Baroffio. Padova: CLEUP. Pages: 28; Frammenti di libri liturgici di varie epoche e provenienze, con notazione musicale.
Fallows, David. 1999. 15th.-century Tablatures for Plucked Instruments: A Summary, a Revision and a Suggestion. Songs and Musicians in the Fifteenth century, 7-33. Aldershot: Variorum. Pages: 188 n. 746; Ms. analizzato nel saggio.
Baroffio, Bonifacio. 1992. Le grafie musicali nei manoscritti liturgici del secolo XII nell'Italia settentrionale. Avvio a una ricerca. nternational Musical Society. Study Group Cantus Planus. Papers read at the fourth Meeting, Pécs, Hungary, 3-8 september 1990, edited by Bonifacio Baroffio, 1-16. Budapest: Hungarian Academy of sciences. Institute of Musicology. Pages: 12; Graduale del sec. XII con notazione ravennate.
Nadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova, vol. 1. Lucca: Libreria musicale italiana. Pages: 39 n. 57; Citato il nr. 1 in relazione al ms. 184 dell'Archivio di Stato di Lucca.
Dolezalek, Gero. 1985. Repertorium manuscriptorum veterum codicis Iustiniani. Frankfurt am Main: Klostermann. Pages: 82; Inserito in un elenco di mss. contenenti frammenti del Codex Iustiniani.
Grégoire, Réginald. 1968. Repertorium liturgicum italicum. Studi medievali, 3a serie, 9: 465-592. Pages: 483; Breve descrizione e bibliografia.
Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: I, 206 f.
Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 7: 417ff. Pages: II, 22.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 285/286 (Anm. 1).
Frati, Lodovico. 1916. Codici musicali della R. Biblioteca Universitaria di Bologna. Rivista Musicale Italiana, 23: 219-42. Pages: 223 fig., 237-239, 241; Era la copertina di un ms. di orazioni latine di Stefano da Pescia.
Frati, Lodovico. 1915. Frammenti di un antico canzoniere musicale francese. Rivista Musicale Italiana, 22: 237ff. Pages: 15 ff.; 237 ff.
Bethmann, Ludwig. 1872. Nachrichten über die von ihm für die Monumenta Germaniae Historica benutzen Sammlungen von Handschriften und Urkunden Italiens, aus dem Jahre 1854. Archiv der Gesellschaft für ältere deutsche Geschichtskunde, 12: 474-801. Pages: 575, Citato.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
andres
Monday, 11 March, 2019
Spelling corrected in inventory (f. 1v).
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Ruling Note; Foliation Note; Surface Note; DIAMM Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description