I-Bu MS 596 busta HH2.1

Biblioteca Universitaria, Bologna, Italy

fragment: 14th century

Archive Biblioteca Universitaria, Bologna, Italy (I-Bu)
Shelfmark MS 596 busta HH2.1
Surface Parchment
Measurements 362 x 261 mm
Other Identifiers
  • RISM: I-BU596
  • RISM: Bol H
Notations
  • black full mensural
  • black void mensural
External Links
Provenance
  • Italy
Contents Contains 4 compositions, 1 from 1 composer, 3 are anonymous.
General Description

Despite the French texts, the sheet is probably of Italian origin. The paper served as a cover for a manuscript with the Latin Orationen Stefano da Pescia.

DIAMM, 2017
Physical Description

Severely faded, especially on one side (presumably recto); the composer's name is only partially decipherable.

DIAMM, 2017
Notation

black full and black void mensural

DIAMM, 2017
Ruling

9 red 6-line staves per side

DIAMM, 2017
Foliation

1rv

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
DIAMM Note

Single folio only. 9 red 6-line staves per side.

DIAMM, 2017
RISM Description

RISM B/IV 4: 14. Jh.; 1 Blatt Pergament, 362 x 261 mm. Je Seite 9 rote Sechsliniensysteme mit schwarzer und schwarzhohler Mensuralnotation des 14. Jh.

Das besonders auf der einen Seite (vermutlich recto) stark verblaßte Blatt ist trotz der französischen Texte wahrscheinlich italienischer Herkunft. Die Komponistennamen sind leider nur noch teilweise entzifferbar. Das Blatt diente als Deckblatt zu einer Handschrift mit lateinischen Orationen des Stefano da Pescia.

[Translation] 1 sheet of parchment measuring 362 x 261 mm. 9 red six-line systems with black and black void mensuration of the 14th Century

Despite the French texts, the sheet - which is severely faded, especially on one side (presumably recto) - is probably of Italian origin. The composer's name is unfortunately only partially decipherable. The paper served as a cover for a manuscript with the Latin Orationen Stefano da Pescia.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

recto

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
recto ... ard ... or ... ord ... / La grant biaute 2 - Anonymous

... ard ... or ... ord ... / La grant biaute

Anonymous
Appears on: recto
Genres: Virelai
Number of voices: 2
Voice: [no designation]
Languages: French, insufficient
Voice Text: [...] ard [...] or [...] ord [...]
Voice: [no designation]
Languages: French
Voice Text: La grant biaute ...
Layout

parts
recto Nulle pitie ma dame n'a de moi 2 Tanel[...]
Tanel

Nulle pitie ma dame n'a de moi

Tanel
Appears on: recto
Genres: Virelai
Source Attribution: Tanel[...]
Number of voices: 2
Voice: [no designation]
Languages: French
Clef: c1
Voice Text: Nulle pitie ma dame n'a de moy ...
Voice: Tenor
Languages: French
Clef: c3
Voice Text: [Nulle pitie ma dame]
Layout

parts
verso Or m'assaut paour desconfort dellour 3 - Anonymous

Or m'assaut paour desconfort dellour

Anonymous
Appears on: verso
Genres: Tristani
Number of voices: 3
Voice: [no designation]
Languages: French
Clef: c1
Voice Text: Or m'assant paou desconfort dellour ...
Voice: Tenor
Languages: French
Clef: c3
Voice Text: Or m'assant.
Voice: Contratenor
Languages: French
Clef: c3
Voice Text: Or m'assant.
Layout

parts
verso En esperant que de vous ames soy 2 - Anonymous

En esperant que de vous ames soy

Anonymous
Appears on: verso
Genres: Rondeau
Number of voices: 2
Voice: [no designation]
Languages: French
Clef: c3
Voice Text: En esperant que de vous ames soy ...
Voice: Tenor
Languages: French
Clef: f3
Voice Text: En esperant que de vous.
Layout

parts
Composer Compositions
Anonymous
Tanel
Composition Composers (? Uncertain) Folios / Pages
... ard ... or ... ord ... / La grant biaute Anonymous recto
En esperant que de vous ames soy Anonymous verso
Nulle pitie ma dame n'a de moi
Tanel
recto
Or m'assaut paour desconfort dellour Anonymous verso

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‡ denotes primary source study

Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.

Silbiger, Alexander. 2004. Keyboard Music before 1700.  New York and London: Routledge. Pages: 4 fig. 1.1; Riproduzione della c. 2 del nr. 4, databile al tardo XV sec.

Baroffio, Giacomo (compiler). 1999. Iter liturgicum Italicum a cura di Giacomo Baroffio.  Padova: CLEUP. Pages: 28; Frammenti di libri liturgici di varie epoche e provenienze, con notazione musicale.

Fallows, David. 1999. 15th.-century Tablatures for Plucked Instruments: A Summary, a Revision and a Suggestion. Songs and Musicians in the Fifteenth century, 7-33. Aldershot: Variorum. Pages: 188 n. 746; Ms. analizzato nel saggio.

Baroffio, Bonifacio. 1992. Le grafie musicali nei manoscritti liturgici del secolo XII nell'Italia settentrionale. Avvio a una ricerca. nternational Musical Society. Study Group Cantus Planus. Papers read at the fourth Meeting, Pécs, Hungary, 3-8 september 1990, edited by Bonifacio Baroffio, 1-16. Budapest: Hungarian Academy of sciences. Institute of Musicology. Pages: 12; Graduale del sec. XII con notazione ravennate.

Nadas, John, and Agostino Ziino. 1990. The Lucca Codex. Codice Mancini. Lucca, Archivio di Stato, ms. 184. Perugia, Biblioteca comunale Augusta, ms. 3065. Introductory Study and Facsimile Edition. Ars Nova, vol. 1.  Lucca: Libreria musicale italiana. Pages: 39 n. 57; Citato il nr. 1 in relazione al ms. 184 dell'Archivio di Stato di Lucca.

Dolezalek, Gero. 1985. Repertorium manuscriptorum veterum codicis Iustiniani.  Frankfurt am Main: Klostermann. Pages: 82; Inserito in un elenco di mss. contenenti frammenti del Codex Iustiniani.

Grégoire, Réginald. 1968. Repertorium liturgicum italicum. Studi medievali, 3a serie, 9: 465-592. Pages: 483; Breve descrizione e bibliografia.

Besseler, Heinrich. 1925. Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts. Archiv für Musikwissenschaft, 7: 167-252. Pages: I, 206 f.

Ludwig, Friedrich. 1925. Die mehrstimmige Messe des 14. Jahrhunderts. Archiv für Musikwissenschaft, 7: 417ff. Pages: II, 22.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 285/286 (Anm. 1).

Frati, Lodovico. 1916. Codici musicali della R. Biblioteca Universitaria di Bologna. Rivista Musicale Italiana, 23: 219-42. Pages: 223 fig., 237-239, 241; Era la copertina di un ms. di orazioni latine di Stefano da Pescia.

Frati, Lodovico. 1915. Frammenti di un antico canzoniere musicale francese. Rivista Musicale Italiana, 22: 237ff. Pages: 15 ff.; 237 ff.

Bethmann, Ludwig. 1872. Nachrichten über die von ihm für die Monumenta Germaniae Historica benutzen Sammlungen von Handschriften und Urkunden Italiens, aus dem Jahre 1854. Archiv der Gesellschaft für ältere deutsche Geschichtskunde, 12: 474-801. Pages: 575, Citato.

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andres

Monday, 11 March, 2019

Spelling corrected in inventory (f. 1v).

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Ruling Note; Foliation Note; Surface Note; DIAMM Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description