D-WGp ss 2181

Bibliothek des evangelischen Predigerseminars, Wittenberg, Germany

partbook: c. 1524-38 (dates in manuscript)

Archive	Bibliothek des evangelischen Predigerseminars, Wittenberg, Germany (D-WGp)
Shelfmark	ss 2181
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Pagination
Measurements	c. 129 x 160 mm
Other Identifiers	CCM: WittenL 1048 olim (Former shelfmark): Often incorrectly cited as S 404/1048 olim (Former shelfmark): S 403/1048
Provenance	Bavaria, Germany
Contents	78 pieces from 23 composers

General Description

A Tenor partbook consisting of the print RISM W167, with manuscript additions. Copied by several scribes. Probably of central German origin.

DIAMM, 2017

Binding

Original leather covers, in poor condition.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Original ink pagination

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

Paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

*Often incorrectly cited as S 404/1048.

1 Latin/German plenary Mass, 1 Kyrie, 1 Gloria, 1 Sanctus, 2 Mass Proper sections, 9 Magnificats, 1 Te Deum, 2 office hymns, 1 processional hymn, 25 motets, 1 set of responses, 10 German sacred pieces, 19 German secular pieces, 1 Latin secular piece, 3 textless pieces = 78

(Bauldeweyn/Büchner/La Rue)-1, (Bauldeweyn/Grefinger)-1, Cigneo-1, (Ducis/Maffoni)-1, (C. Festa)-1, (Ghiselin)-1, (Isaac)-3, (Jaquet of Mantua/Verdelot/Willaert)-1, (Josquin)-1, (Richafort) -^Senfl-1ô + 1?, (Spengler)-1, C. Steffen^, Stoltzer-2, (Stoltzer/ Wolff)-1, Walter^, anon-40

1 paper partbook, consisting of the print RISM W167, with manuscript additions (T-71 folios), ca. 129 x 160. Original ink pagination. Original leather covers, in poor condition. No index. Copied by several scribes. No initials or decoration.

Ca. 1524-38 (dates in manuscript). Probably of central German origin.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[ii]	Set of responses Amen. Et cum spiritu tuo	Anon.	Anonymous
Set of responses Amen. Et cum spiritu tuo Anonymous Appears on: [ii] Genres: Response Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Set of responses] Amen. Et cum spiritu tuo
1	In pace in idipsum dormiam	Anon.	Anonymous
In pace in idipsum dormiam Anonymous Appears on: 1 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In pace in idipsum dormiam et requiescam General Note Setting has a canonic tenor voice. Not the Josquin setting.
2	Sing ich nit wol das ist mir laÿd (S280)	Anon.	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Sing ich nit wol das ist mir laÿd (S280) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 2 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Sing ich nit woll [das ist mir layd]
3	In meinem sinne hadde ick vercoren	Anon.	Anonymous
In meinem sinne hadde ick vercoren Anonymous Appears on: 3 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: In meinem sinne [hadde ick vercoren]
4–5	In meinem sinn hadde ick vercoren (I)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
In meinem sinn hadde ick vercoren (I) Isaac, Heinrich (ca. 1450–1517) Appears on: 4–5 Genres: Song Source Attribution: [Isaac] Voice: [no designation] Languages: German Voice Text: In meinem sinne [hadde ick vercoren]
5–6	In meinem sinn hadde ick vercoren (II)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
In meinem sinn hadde ick vercoren (II) Isaac, Heinrich (ca. 1450–1517) Appears on: 5–6 Genres: Song Source Attribution: [Isaac] Voice: [no designation] Languages: German Voice Text: In meinem sinne [hadde ick vercoren]
6–7	In mynem sinn hadde ick vercoren 28.13 (= Entre je suis)	[Josquin]	Despres, Josquin (ca. 1450–1521)
In mynem sinn hadde ick vercoren 28.13 (= Entre je suis) Despres, Josquin (ca. 1450–1521) Appears on: 6–7 Genres: Contrafactum, Lied Source Attribution: [Josquin] Voice: [no designation] Languages: German Voice Text: In meinem sinne [= Entré je suis en grant pensée pour faire] 28.13
8	Ach Gott wem soll ichs klagen das heimliche leiden	[Bauldeweyn/Grefinger]	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)
Ach Gott wem soll ichs klagen das heimliche leiden Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Appears on: 8 Genres: Song Source Attribution: [Bauldeweyn/Grefinger] Voice: [no designation] Languages: German Voice Text: Ach Got wem sal ichs clagenn
9–10	L'amour de moi si est enclosé	Anon.	Anonymous
L'amour de moi si est enclosé Anonymous Appears on: 9–10 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: [L'amour de moy si est enclosé]
10–11	Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) Isaac, Heinrich (ca. 1450–1517) Appears on: 10–11 Genres: Motet Source Attribution: [Isaac] Voice: [no designation] Languages: Latin Voice Text: Sustinuamus [= Sustinuimus pacem et non invenimus/En l'ombre d'ung buissonet]
11–12	Tandernack uf dem Rhein lag	[Alamire]	Alamire, Petrus (ca. 1470–1536)
Tandernack uf dem Rhein lag Alamire, Petrus (ca. 1470–1536) Appears on: 11–12 Genres: Song Source Attribution: [Alamire] Voice: [no designation] Languages: German Voice Text: [Tandernack auf dem Rhein]
13	Constrituerunt! (remaining text illegible)	Anon.	Anonymous
Constrituerunt! (remaining text illegible) Anonymous Appears on: 13 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Constrituerunt(!) [remaining text illegible]
14–15	Ach hulf mich leid und sendlich Klag 28.2	[Bauldeweyn/Buchner/Josquin/La Rue]	Buchner, Hans (?) Rue, Pierre de la (ca. 1452–1518) (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Despres, Josquin (ca. 1450–1521) (?)
Ach hulf mich leid und sendlich Klag 28.2 Buchner, Hans (?) Rue, Pierre de la (ca. 1452–1518) (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 14–15 Genres: Song Source Attribution: [Bauldeweyn/Buchner/Josquin/La Rue] Voice: [no designation] Languages: German Voice Text: Ach hulff mich leidt [und sehnlich klag] 28.2
15	Will niemand singen, so sing aber ich	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Will niemand singen, so sing aber ich Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 15 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Wil niemants singen [so sing aber ich]
16–17	[untexted]	Anon.	-
[untexted] - Appears on: 16–17 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
18	O du armer Judas was hast du getan	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
O du armer Judas was hast du getan Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 18 Genres: Motet, Sacred Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: O du armer Judas [was hast du gethan]
19	Es taget vor dem walde steh auff [S92]	[Senfl]	Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Es taget vor dem walde steh auff [S92] Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 19 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Es taget vor dem walde [stand auff]
20–21	Dort nieden in dem Dorfe	Anon.	Anonymous
Dort nieden in dem Dorfe Anonymous Appears on: 20–21 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Dort nieden in dem dorffe
22–23	Es hat ein biderman ein weib ir tuck	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Es hat ein biderman ein weib ir tuck Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 22–23 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Es hat ein biderman ein weib ir tuck
24–25	Ach Maidlein rein ich hab allein	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543) Grefinger, Wolfgang (?)
Ach Maidlein rein ich hab allein Senfl, Ludwig (ca. 1486–ca. 1543) Grefinger, Wolfgang (?) Appears on: 24–25 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Ach meydlein rein ich hab allein
26	Patientiam muss ich han [S263]	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Patientiam muss ich han [S263] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 26 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Pacientia mus ich hann [wol kan]
26–27	Entlaubet ist uns der Wald gen diesen Winter	[Stoltzer]	Stoltzer, Thomas (ca. 1480–1526)
Entlaubet ist uns der Wald gen diesen Winter Stoltzer, Thomas (ca. 1480–1526) Appears on: 26–27 Genres: Song Source Attribution: [Stoltzer] Voice: [no designation] Languages: German Voice Text: Entlaubet ist der walde [gegen disem winter]
27–28	So wunsch ich ihr eine gute nacht	[Stoltzer/Wolff]	Wolff, Martin Stoltzer, Thomas (ca. 1480–1526) (?)
So wunsch ich ihr eine gute nacht Wolff, Martin Stoltzer, Thomas (ca. 1480–1526) (?) Appears on: 27–28 Genres: Song Source Attribution: [Stoltzer/Wolff] Voice: [no designation] Languages: German Voice Text: So wunsch ich ihr eÿne gute nacht
29–30	Herzeyniges lib dich nicht betrub	Anon.	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Herzeyniges lib dich nicht betrub Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 29–30 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Herzeyniges lib dich nicht betrub
30–31	Mit ganzem elendenn Herzenn	Anon.	Anonymous
Mit ganzem elendenn Herzenn Anonymous Appears on: 30–31 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mit ganzem elendenn hertzenn
31–32	Quis dabit capite meo aquam quis oculis II: Sic turtur viduus solet sic cignus	Anon.	Anonymous
Quis dabit capite meo aquam quis oculis II: Sic turtur viduus solet sic cignus Anonymous Appears on: 31–32 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Quis dabit capite meo aquam quis oculis II: Sic turtur viduus solet sic cignus
32–33	Dieweil umsonst jetz alle Kunst am Tag	[Spengler]	Spengler, Lazarus
Dieweil umsonst jetz alle Kunst am Tag Spengler, Lazarus Appears on: 32–33 Genres: Song Source Attribution: [Spengler] Voice: [no designation] Languages: German Voice Text: Dieweil umbsunst izo alle kunst am tag
34	Nun bittenn wir denn heiligenn geist	Anon.	Anonymous
Nun bittenn wir denn heiligenn geist Anonymous Appears on: 34 Genres: Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Nun bittenn wir denn heiligenn geist
34–35	Wir glauben all an einen Gott, Schöpfer	Anon.	Anonymous
Wir glauben all an einen Gott, Schöpfer Anonymous Appears on: 34–35 Genres: Chorale, Credo (patrem omnipotentem), Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wir gleubenn all ann einen Got
36	Christ ist erstanden [S37]	L.S. [= Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Christ ist erstanden [S37] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 36 Genres: Sacred Song Source Attribution: L.S. [= Senfl] Voice: [no designation] Languages: German, Greek Voice Text: Christ ist erstandenn [von der marter alle]
36	Christ ist erstanden [S38]	[Senfl?]	Senfl, Ludwig (ca. 1486–ca. 1543)
Christ ist erstanden [S38] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 36 Genres: Sacred Song Source Attribution: [Senfl?] Voice: [no designation] Languages: German, Greek Voice Text: Christ ist erstandenn [von der marter alle]
37–39	Magnificat primi toni: Et exultavit spiritus meus	Lud. Senfel	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat primi toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 37–39 Genres: BVM, Canticle, Magnificat Source Attribution: Lud. Senfel Voice: [no designation] Languages: Latin Voice Text: Magnificat Primi thoni: Et exultavit spiritus meus
40–42	Magnificat secundi toni: Et exultavit spiritus meus	L.S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat secundi toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 40–42 Genres: BVM, Canticle, Magnificat Source Attribution: L.S. Voice: [no designation] Languages: Latin Voice Text: Magnificat Secundi thoni: Et exultavit spiritus meus
43–45	Magnificat tertii toni: Et exultavit spiritus meus	L.S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat tertii toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 43–45 Genres: BVM, Canticle, Magnificat Source Attribution: L.S. Voice: [no designation] Languages: Latin Voice Text: Magnificat Tercii Thoni: Et exultavit spiritus meus
45–48	Magnificat quarti toni: Et exultavit spiritus meus	L.S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat quarti toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 45–48 Genres: BVM, Canticle, Magnificat Source Attribution: L.S. Voice: [no designation] Languages: Latin Voice Text: Magnificat 4. Thoni: Et exultavit spiritus meus
48–51	Magnificat quinti toni: Et exultavit spiritus meus	L.S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat quinti toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 48–51 Genres: BVM, Canticle, Magnificat Source Attribution: L.S. Voice: [no designation] Languages: Latin Voice Text: Magnificat Quinti thoni: Et exultavit spiritus meus
52–55	Magnificat sexti toni: Et exultavit spiritus meus	L:S.	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat sexti toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 52–55 Genres: BVM, Canticle, Magnificat Source Attribution: L:S. Voice: [no designation] Languages: Latin Voice Text: Magnificat Sexti thoni: Et exultavit spiritus meus
55–56	Magnificat septimi toni: Et exultavit spiritus meus	L:S:	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat septimi toni: Et exultavit spiritus meus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 55–56 Genres: BVM, Canticle, Magnificat Source Attribution: L:S: Voice: [no designation] Languages: Latin Voice Text: Magni[ficat] 7 thoni: Et exultavit spiritus meus
57–61	Magnificat octavi toni: Et exultavit	L:S:	Senfl, Ludwig (ca. 1486–ca. 1543)
Magnificat octavi toni: Et exultavit Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 57–61 Genres: BVM, Canticle, Magnificat Source Attribution: L:S: Voice: [no designation] Languages: Latin Voice Text: Magnificat Octavi thoni: Et exultavit spiritus meus
61	Domine ad adjuvandam me festina gloria	Anon.	Anonymous
Domine ad adjuvandam me festina gloria Anonymous Appears on: 61 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandam me festina gloria
62–63	Judea et Jerusalem - 1a pars (of 3): Judea et Jerusalem noli timere	Anon.	Anonymous
Judea et Jerusalem - 1a pars (of 3): Judea et Jerusalem noli timere Anonymous Appears on: 62–63 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Judea et Jherusalem noli timere II: Cras egredemini et dominus erit III: Constantes estote videbitis auxilium
64–66	Warumb toben dii heiden und dii leuthe	Anon.	Anonymous
Warumb toben dii heiden und dii leuthe Anonymous Appears on: 64–66 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Warumb toben dii heiden und dii leuthe
66–67	Judaea et Jerusalem nolite timere 2 Cras egrediemini 4 Constantes estote 6 Gloria patri	Anon.	Anonymous
Judaea et Jerusalem nolite timere 2 Cras egrediemini 4 Constantes estote 6 Gloria patri Anonymous Appears on: 66–67 Genres: Responsory Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Judea et Jherusalem nolite timere
67	De fructu ventris tui ponam super	Anon.	Anonymous
De fructu ventris tui ponam super Anonymous Appears on: 67 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: De fructu ventris tui ponam super
68–69	In principio erat verbum et verbum erat (2p. Plenum gratia et veritate)	Anon.	Anonymous
In principio erat verbum et verbum erat (2p. Plenum gratia et veritate) Anonymous Appears on: 68–69 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In principio erat verbum et verbum erat II: Plenum gracia et veritate
70	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus	Anon.	Anonymous
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus Anonymous Appears on: 70 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [A solus ortus cardine ad usque terrae] 2 Beatus auctor seculi servile corpus
71–72	Magnificat: Et exultavit spiritus meus	Anon.	Anonymous
Magnificat: Et exultavit spiritus meus Anonymous Appears on: 71–72 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] Et exultavit spiritus meus
73	Et procedens homo sue semine	Anon.	Anonymous
Et procedens homo sue semine Anonymous Appears on: 73 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Et procedens homo sue semine
74–75	Resonet in laudibus cum jocundis plausibus	Anon.	Anonymous
Resonet in laudibus cum jocundis plausibus Anonymous Appears on: 74–75 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Resonet in laudibus cum jocundis plausibus
75	Dann sprachen wir Gott unsrem Herrn	Anon.	Anonymous
Dann sprachen wir Gott unsrem Herrn Anonymous Appears on: 75 Genres: Motet, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Dann sprachen wir Goth unszrem Herr
76	Dies est laetitiae in ortu regali	Anon.	Anonymous
Dies est laetitiae in ortu regali Anonymous Appears on: 76 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Dies est leticie [in ortu regali]
77	Grates nunc omnes reddamus Domino deo II: Huic oportet ut canamus cum angelis	Anon.	Anonymous
Grates nunc omnes reddamus Domino deo II: Huic oportet ut canamus cum angelis Anonymous Appears on: 77 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes reddamus domino [deo] II: Huic oportet ut canamus cum angelis
78–79	Sanctus	Anon.	Anonymous
Sanctus Anonymous Appears on: 78–79 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sanctus
80–81	Dies est laetitiae in ortu regali	D. Nicolao .N. Cigneo	Cigneo, N
Dies est laetitiae in ortu regali Cigneo, N Appears on: 80–81 Genres: Motet Source Attribution: D. Nicolao .N. Cigneo Voice: [no designation] Languages: Latin Voice Text: Dies est leticie in ortu regali
82–83	Joseph, lieber Joseph mein - Eia virgo Deum genuit	Walter	Walter, Johann (1496–1570)
Joseph, lieber Joseph mein - Eia virgo Deum genuit Walter, Johann (1496–1570) Appears on: 82–83 Genres: Sacred Song Source Attribution: Walter Voice: [no designation] Languages: German Voice Text: Joseph lieber Joseph mein [hilff mir wiegen]
83–84	Gloria. Gratias agimus tibi propter	Conrade: Stheffen	Steffen, Conrade
Gloria. Gratias agimus tibi propter Steffen, Conrade Appears on: 83–84 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Conrade: Stheffen Voice: [no designation] Languages: Latin Voice Text: [Gloria] Gracias agimus tibi propter
85–94	Missa Pascale: Kyrie eleison, Gloria Gratias agimus tibi propter Alleluia Pascha nostrum immolatus est Victime paschali laudes Mors et vita Wir glauben alle an einen Goth; untexted sections = Sanctus and Agnus?	Anon.	Anonymous
Missa Pascale: Kyrie eleison, Gloria Gratias agimus tibi propter Alleluia Pascha nostrum immolatus est Victime paschali laudes Mors et vita Wir glauben alle an einen Goth; untexted sections = Sanctus and Agnus? Anonymous Appears on: 85–94 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus], textless Source Attribution: Anon. Voice: [no designation] Languages: Latin, Greek Voice Text: [Missa] Pascale Kirie eleison [Gloria] Gracias agimus tibi propter Alleluia. Pascha nostrum immolatus est [Victime paschali laudes] Mors et vita Wir gleuben alle an einen Goth Textless sections [= Sanctus and Agnus?]
95–96	Kyrie eleison Paschale	Conradus Steffen	Steffen, Conrade
Kyrie eleison Paschale Steffen, Conrade Appears on: 95–96 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Conradus Steffen Voice: [no designation] Languages: Latin, Greek Voice Text: Kyrie eleyson Paschale
97	Chant	-	Anonymous
Chant Anonymous Appears on: 97 Genres: Chant Voice: [no designation] Languages: none Voice Text: Chant only
98–99	Festum nunc celebre magnaque gaudia (5vv)	[Walter]	Walter, Johann (1496–1570)
Festum nunc celebre magnaque gaudia (5vv) Walter, Johann (1496–1570) Appears on: 98–99 Genres: Motet Source Attribution: [Walter] Voice: [no designation] Languages: Latin Voice Text: [Festum nunc celebre magnaque gaudia] 2 Conscendit iubilans [laetus ad aethera]
100–102	Apparuerunt apostoli dispertitae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli)	Ioan. Walther	Walter, Johann (1496–1570)
Apparuerunt apostoli dispertitae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) Walter, Johann (1496–1570) Appears on: 100–102 Genres: Motet Source Attribution: Ioan. Walther Voice: [no designation] Languages: Latin Voice Text: Apparuerunt apostolis dispertite linguae II: Seditque supra singulos eorum spiritus III: Loquebantur variis linguis apostoli
103	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Anon.	Anonymous
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Anonymous Appears on: 103 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Puer natus est nobis] Et filius datus est Vs: [Cantate domino] Quia mirabilia fecit
104–105	Videns Dominus flentes sorores Lazari	[Jaquet of Mantua/Verdelot/Willaert]	Willaert, Adrian (ca. 1490–1562) (?) Mantua, Jacquet de (1483–1559) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Videns Dominus flentes sorores Lazari Willaert, Adrian (ca. 1490–1562) (?) Mantua, Jacquet de (1483–1559) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 104–105 Genres: Motet Source Attribution: [Jaquet of Mantua/Verdelot/Willaert] Voice: [no designation] Languages: Latin Voice Text: Videns dominus flentes sorores Lazari
106–107	Esz sage Israel alszo szo verschlangen	Anon.	Anonymous
Esz sage Israel alszo szo verschlangen Anonymous Appears on: 106–107 Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Esz sage Israel alszo szo verschlangen
108	Florentia tempus est convertere ad Dominum Deum	[C. Festa]	Festa, Costanzo (ca. 1485–1545)
Florentia tempus est convertere ad Dominum Deum Festa, Costanzo (ca. 1485–1545) Appears on: 108 Genres: Motet Source Attribution: [C. Festa] Voice: [no designation] Languages: Latin Voice Text: [Florentia tempus est] Florencia convertere ad dominum deum
109–115	Te Deum laudamus	Anon.	Anonymous
Te Deum laudamus Anonymous Appears on: 109–115 Genres: Liturgical work, Te Deum Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Te deum laudamus] Te eternum patrem
115–119	Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclita; 3p. Coetus in excelsis Et mortalis; 4p. Plebs Hebrea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio)	To: Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclita; 3p. Coetus in excelsis Et mortalis; 4p. Plebs Hebrea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio) Stoltzer, Thomas (ca. 1480–1526) Appears on: 115–119 Genres: Hymn Source Attribution: To: Stoltzer Voice: [no designation] Languages: Latin Voice Text: Gloria laus et honor tibi sit rex Christe II: Israel es tu rex Davi[dis et inclita] III: [Coetus in excelsis] Et mor[talis] IV: Ple[b]s Hebre[a] tibi cum palmis V: Hi tibi passuro sol[vebant munia] VI: Hi placu[ere] tibi pla[ceat] de[votio]
120–124	Collegerunt pontifices et Pharisaei concilium (2p. Unus autem ex ipsis Caiphas nomine)	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Collegerunt pontifices et Pharisaei concilium (2p. Unus autem ex ipsis Caiphas nomine) Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 120–124 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Collegerunt pontifices et Pharisei II: Unus autem ex ipsis Cayphas nomine
125–126	Imperatorem maiestatem non solis armis	Anon.	Anonymous
Imperatorem maiestatem non solis armis Anonymous Appears on: 125–126 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Imperatorem maiestatem non solis armis
127–129	Mein mutter zeiget mich zwolff knaben	Anon.	Anonymous
Mein mutter zeiget mich zwolff knaben Anonymous Appears on: 127–129 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mein mutter zeiget mich zwolff knaben
129–132	Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens)	[Richafort]	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 129–132 Genres: Motet Source Attribution: [Richafort] Voice: [no designation] Languages: Latin Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondit
132	Dulces exuviae dum fata Deusque	[Ghiselin]	Ghiselin (Verbonnet), Johannes
Dulces exuviae dum fata Deusque Ghiselin (Verbonnet), Johannes Appears on: 132 Genres: Motet Source Attribution: [Ghiselin] Voice: [no designation] Languages: Latin Voice Text: Dulces exuviae dum fata deusque
133–135	Dilexi quoniam exaudiet Dominus vocem (2p. O Domine libera animam meam)	[Ducis/Maffoni]	Ducis, Benedictus (?) Maffoni, Hieronymus (?)
Dilexi quoniam exaudiet Dominus vocem (2p. O Domine libera animam meam) Ducis, Benedictus (?) Maffoni, Hieronymus (?) Appears on: 133–135 Genres: Motet Source Attribution: [Ducis/Maffoni] Voice: [no designation] Languages: Latin Voice Text: Dilexi quoniam exaudiet dominus vocem II: O domine libera animam meam
135	Maria autem conservabat omnia verba	Anon.	Anonymous
Maria autem conservabat omnia verba Anonymous Appears on: 135 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Maria autem conservabat omnia verba
135–136	Christe der du bist tag und licht	Anon.	Anonymous
Christe der du bist tag und licht Anonymous Appears on: 135–136 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Criste der du bist tag und licht
137	Vos ad septeneri primis invitatabanis	Anon.	Anonymous
Vos ad septeneri primis invitatabanis Anonymous Appears on: 137 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vos ad septeneri primis invitatabanis
138–139	Surrexit Christus hodie dicite humano	Anon.	Anonymous
Surrexit Christus hodie dicite humano Anonymous Appears on: 138–139 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Surrexit Christus hodie dicite humano
140–142	Ecce cruci affixum quo cuncta movente	Anon.	Anonymous
Ecce cruci affixum quo cuncta movente Anonymous Appears on: 140–142 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce cruci affixum quo cuncta movente

Composer	Compositions
Alamire, Petrus (ca. 1470–1536)	Tandernack uf dem Rhein lag – 11–12
Anonymous	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus – 70 Chant – 97 Christe der du bist tag und licht – 135–136 Constrituerunt! (remaining text illegible) – 13 Dann sprachen wir Gott unsrem Herrn – 75 De fructu ventris tui ponam super – 67 Dies est laetitiae in ortu regali – 76 Domine ad adjuvandam me festina gloria – 61 Dort nieden in dem Dorfe – 20–21 Ecce cruci affixum quo cuncta movente – 140–142 Esz sage Israel alszo szo verschlangen – 106–107 Et procedens homo sue semine – 73 Grates nunc omnes reddamus Domino deo II: Huic oportet ut canamus cum angelis – 77 Imperatorem maiestatem non solis armis – 125–126 In meinem sinne hadde ick vercoren – 3 In pace in idipsum dormiam – 1 In principio erat verbum et verbum erat (2p. Plenum gratia et veritate) – 68–69 Judaea et Jerusalem nolite timere 2 Cras egrediemini 4 Constantes estote 6 Gloria patri – 66–67 Judea et Jerusalem - 1a pars (of 3): Judea et Jerusalem noli timere – 62–63 L'amour de moi si est enclosé – 9–10 Magnificat: Et exultavit spiritus meus – 71–72 Maria autem conservabat omnia verba – 135 Mein mutter zeiget mich zwolff knaben – 127–129 Missa Pascale: Kyrie eleison, Gloria Gratias agimus tibi propter Alleluia Pascha nostrum immolatus est Victime paschali laudes Mors et vita Wir glauben alle an einen Goth; untexted sections = Sanctus and Agnus? – 85–94 Mit ganzem elendenn Herzenn – 30–31 Nun bittenn wir denn heiligenn geist – 34 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit – 103 Quis dabit capite meo aquam quis oculis II: Sic turtur viduus solet sic cignus – 31–32 Resonet in laudibus cum jocundis plausibus – 74–75 Sanctus – 78–79 Set of responses Amen. Et cum spiritu tuo – [ii] Surrexit Christus hodie dicite humano – 138–139 Te Deum laudamus – 109–115 Vos ad septeneri primis invitatabanis – 137 Warumb toben dii heiden und dii leuthe – 64–66 Wir glauben all an einen Gott, Schöpfer – 34–35 [untexted] – 16–17
Bauldeweyn, Noel (ca. 1480–1529)	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 8 (?) Ach hulf mich leid und sendlich Klag 28.2 – 14–15
Buchner, Hans	(?) Ach hulf mich leid und sendlich Klag 28.2 – 14–15
Cigneo, N	Dies est laetitiae in ortu regali – 80–81
Despres, Josquin (ca. 1450–1521)	(?) Ach hulf mich leid und sendlich Klag 28.2 – 14–15 In mynem sinn hadde ick vercoren 28.13 (= Entre je suis) – 6–7
Ducis, Benedictus	(?) Dilexi quoniam exaudiet Dominus vocem (2p. O Domine libera animam meam) – 133–135
Festa, Costanzo (ca. 1485–1545)	Florentia tempus est convertere ad Dominum Deum – 108
Ghiselin (Verbonnet), Johannes	Dulces exuviae dum fata Deusque – 132
Grefinger, Wolfgang	(?) Ach Gott wem soll ichs klagen das heimliche leiden – 8 (?) Ach Maidlein rein ich hab allein – 24–25 (?) Es taget vor dem walde steh auff [S92] – 19
Isaac, Heinrich (ca. 1450–1517)	In meinem sinn hadde ick vercoren (I) – 4–5 In meinem sinn hadde ick vercoren (II) – 5–6 Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse) – 10–11
Maffoni, Hieronymus	(?) Dilexi quoniam exaudiet Dominus vocem (2p. O Domine libera animam meam) – 133–135
Mantua, Jacquet de (1483–1559)	(?) Videns Dominus flentes sorores Lazari – 104–105
Richafort, Jean (ca. 1480–ca. 1550)	Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens) – 129–132
Rue, Pierre de la (ca. 1452–1518)	(?) Ach hulf mich leid und sendlich Klag 28.2 – 14–15
Senfl, Ludwig (ca. 1486–ca. 1543)	Ach Maidlein rein ich hab allein – 24–25 Christ ist erstanden [S37] – 36 Christ ist erstanden [S38] – 36 Collegerunt pontifices et Pharisaei concilium (2p. Unus autem ex ipsis Caiphas nomine) – 120–124 Es hat ein biderman ein weib ir tuck – 22–23 (?) Es taget vor dem walde steh auff [S92] – 19 (?) Herzeyniges lib dich nicht betrub – 29–30 Magnificat octavi toni: Et exultavit – 57–61 Magnificat primi toni: Et exultavit spiritus meus – 37–39 Magnificat quarti toni: Et exultavit spiritus meus – 45–48 Magnificat quinti toni: Et exultavit spiritus meus – 48–51 Magnificat secundi toni: Et exultavit spiritus meus – 40–42 Magnificat septimi toni: Et exultavit spiritus meus – 55–56 Magnificat sexti toni: Et exultavit spiritus meus – 52–55 Magnificat tertii toni: Et exultavit spiritus meus – 43–45 O du armer Judas was hast du getan – 18 Patientiam muss ich han [S263] – 26 (?) Sing ich nit wol das ist mir laÿd (S280) – 2 Will niemand singen, so sing aber ich – 15
Spengler, Lazarus	Dieweil umsonst jetz alle Kunst am Tag – 32–33
Steffen, Conrade	Gloria. Gratias agimus tibi propter – 83–84 Kyrie eleison Paschale – 95–96
Stoltzer, Thomas (ca. 1480–1526)	Entlaubet ist uns der Wald gen diesen Winter – 26–27 Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclita; 3p. Coetus in excelsis Et mortalis; 4p. Plebs Hebrea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio) – 115–119 (?) So wunsch ich ihr eine gute nacht – 27–28
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Videns Dominus flentes sorores Lazari – 104–105
Walter, Johann (1496–1570)	Apparuerunt apostoli dispertitae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli) – 100–102 Festum nunc celebre magnaque gaudia (5vv) – 98–99 Joseph, lieber Joseph mein - Eia virgo Deum genuit – 82–83
Willaert, Adrian (ca. 1490–1562)	(?) Videns Dominus flentes sorores Lazari – 104–105
Wolff, Martin	So wunsch ich ihr eine gute nacht – 27–28

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	-	16–17
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi servile corpus	Anonymous	70
Ach Gott wem soll ichs klagen das heimliche leiden	Grefinger, Wolfgang (?) Bauldeweyn, Noel (ca. 1480–1529) (?)	8
Ach hulf mich leid und sendlich Klag 28.2	Buchner, Hans (?) Rue, Pierre de la (ca. 1452–1518) (?) Bauldeweyn, Noel (ca. 1480–1529) (?) Despres, Josquin (ca. 1450–1521) (?)	14–15
Ach Maidlein rein ich hab allein	Senfl, Ludwig (ca. 1486–ca. 1543) Grefinger, Wolfgang (?)	24–25
Apparuerunt apostoli dispertitae linguae (2p. Seditque supra singulos eorum; 3p. Loquebantur variis linguis apostoli)	Walter, Johann (1496–1570)	100–102
Chant	Anonymous	97
Christ ist erstanden [S37]	Senfl, Ludwig (ca. 1486–ca. 1543)	36
Christ ist erstanden [S38]	Senfl, Ludwig (ca. 1486–ca. 1543)	36
Christe der du bist tag und licht	Anonymous	135–136
Collegerunt pontifices et Pharisaei concilium (2p. Unus autem ex ipsis Caiphas nomine)	Senfl, Ludwig (ca. 1486–ca. 1543)	120–124
Constrituerunt! (remaining text illegible)	Anonymous	13
Dann sprachen wir Gott unsrem Herrn	Anonymous	75
De fructu ventris tui ponam super	Anonymous	67
Dies est laetitiae in ortu regali	Anonymous	76
Dies est laetitiae in ortu regali	Cigneo, N	80–81
Dieweil umsonst jetz alle Kunst am Tag	Spengler, Lazarus	32–33
Dilexi quoniam exaudiet Dominus vocem (2p. O Domine libera animam meam)	Ducis, Benedictus (?) Maffoni, Hieronymus (?)	133–135
Domine ad adjuvandam me festina gloria	Anonymous	61
Dort nieden in dem Dorfe	Anonymous	20–21
Dulces exuviae dum fata Deusque	Ghiselin (Verbonnet), Johannes	132
Ecce cruci affixum quo cuncta movente	Anonymous	140–142
Entlaubet ist uns der Wald gen diesen Winter	Stoltzer, Thomas (ca. 1480–1526)	26–27
Es hat ein biderman ein weib ir tuck	Senfl, Ludwig (ca. 1486–ca. 1543)	22–23
Es taget vor dem walde steh auff [S92]	Grefinger, Wolfgang (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	19
Esz sage Israel alszo szo verschlangen	Anonymous	106–107
Et procedens homo sue semine	Anonymous	73
Festum nunc celebre magnaque gaudia (5vv)	Walter, Johann (1496–1570)	98–99
Florentia tempus est convertere ad Dominum Deum	Festa, Costanzo (ca. 1485–1545)	108
Gloria laus et honor tibi sit rex Christe (2p. Israel es tu rex Davidis et inclita; 3p. Coetus in excelsis Et mortalis; 4p. Plebs Hebrea tibi cum palmis; 5p. Hi tibi passuro solvebant munia; 6p. Hi placuere tibi placeat devotio)	Stoltzer, Thomas (ca. 1480–1526)	115–119
Gloria. Gratias agimus tibi propter	Steffen, Conrade	83–84
Grates nunc omnes reddamus Domino deo II: Huic oportet ut canamus cum angelis	Anonymous	77
Herzeyniges lib dich nicht betrub	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	29–30
Imperatorem maiestatem non solis armis	Anonymous	125–126
In meinem sinn hadde ick vercoren (I)	Isaac, Heinrich (ca. 1450–1517)	4–5
In meinem sinn hadde ick vercoren (II)	Isaac, Heinrich (ca. 1450–1517)	5–6
In meinem sinne hadde ick vercoren	Anonymous	3
In mynem sinn hadde ick vercoren 28.13 (= Entre je suis)	Despres, Josquin (ca. 1450–1521)	6–7
In pace in idipsum dormiam	Anonymous	1
In principio erat verbum et verbum erat (2p. Plenum gratia et veritate)	Anonymous	68–69
Joseph, lieber Joseph mein - Eia virgo Deum genuit	Walter, Johann (1496–1570)	82–83
Judaea et Jerusalem nolite timere 2 Cras egrediemini 4 Constantes estote 6 Gloria patri	Anonymous	66–67
Judea et Jerusalem - 1a pars (of 3): Judea et Jerusalem noli timere	Anonymous	62–63
Kyrie eleison Paschale	Steffen, Conrade	95–96
L'amour de moi si est enclosé	Anonymous	9–10
Magnificat octavi toni: Et exultavit	Senfl, Ludwig (ca. 1486–ca. 1543)	57–61
Magnificat primi toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	37–39
Magnificat quarti toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	45–48
Magnificat quinti toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	48–51
Magnificat secundi toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	40–42
Magnificat septimi toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	55–56
Magnificat sexti toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	52–55
Magnificat tertii toni: Et exultavit spiritus meus	Senfl, Ludwig (ca. 1486–ca. 1543)	43–45
Magnificat: Et exultavit spiritus meus	Anonymous	71–72
Maria autem conservabat omnia verba	Anonymous	135
Mein mutter zeiget mich zwolff knaben	Anonymous	127–129
Missa Pascale: Kyrie eleison, Gloria Gratias agimus tibi propter Alleluia Pascha nostrum immolatus est Victime paschali laudes Mors et vita Wir glauben alle an einen Goth; untexted sections = Sanctus and Agnus?	Anonymous	85–94
Mit ganzem elendenn Herzenn	Anonymous	30–31
Nun bittenn wir denn heiligenn geist	Anonymous	34
O du armer Judas was hast du getan	Senfl, Ludwig (ca. 1486–ca. 1543)	18
Patientiam muss ich han [S263]	Senfl, Ludwig (ca. 1486–ca. 1543)	26
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Anonymous	103
Quem dicunt homines esse filium hominis (2p. Petre diligis me qui respondens)	Richafort, Jean (ca. 1480–ca. 1550)	129–132
Quis dabit capite meo aquam quis oculis II: Sic turtur viduus solet sic cignus	Anonymous	31–32
Resonet in laudibus cum jocundis plausibus	Anonymous	74–75
Sanctus	Anonymous	78–79
Set of responses Amen. Et cum spiritu tuo	Anonymous	[ii]
Sing ich nit wol das ist mir laÿd (S280)	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	2
So wunsch ich ihr eine gute nacht	Wolff, Martin Stoltzer, Thomas (ca. 1480–1526) (?)	27–28
Surrexit Christus hodie dicite humano	Anonymous	138–139
Sustinuimus pacem Domine et ecce turbatio (cantus firmus: En l'ombre/Une mousse)	Isaac, Heinrich (ca. 1450–1517)	10–11
Tandernack uf dem Rhein lag	Alamire, Petrus (ca. 1470–1536)	11–12
Te Deum laudamus	Anonymous	109–115
Videns Dominus flentes sorores Lazari	Willaert, Adrian (ca. 1490–1562) (?) Mantua, Jacquet de (1483–1559) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?)	104–105
Vos ad septeneri primis invitatabanis	Anonymous	137
Warumb toben dii heiden und dii leuthe	Anonymous	64–66
Will niemand singen, so sing aber ich	Senfl, Ludwig (ca. 1486–ca. 1543)	15
Wir glauben all an einen Gott, Schöpfer	Anonymous	34–35

‡ denotes primary source study

Schlüter, Marie. 2010. Musikgeschichte Wittenbergs im 16. Jahrhundert: quellenkundliche und sozialgeschichtliche Untersuchungen. Göttingen. Pages: 123-146.

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 333-8.

Hoffmann-Erbrecht, Lothar. 1974. Stoltzeriana. Die Musikforschung, 18-36. Pages: 3O.

Cattin, Giulio. 1973. Nuova Fonte Italiana della Polifonia intorno al 1500 (MS. Cape Town, Grey 3.b.l2). Acta Musicologica, 165-221. Pages: 217.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München. Wiesbaden. Pages: 87ff.

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 169.

Brown, Howard Mayer. 1963. Music in the French secular theater 1400-1550. Cambridge, Mass. Pages: 197,235.

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V,110,112 VI,52,95,100).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X,125ff XV,143ff).

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Eric Jas

Friday, 5 June, 2020

In pace in idipsum (f.1) is not the setting that is attributed to Josquin elsewhere (NJE 17.5); the incipit (in Das Tenorlied volume 2) has a canonic tenor voice, which the setting attributed to Josquin does not. Composer as yet unidentified.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-WGp ss 2181

Bibliothek des evangelischen Predigerseminars, Wittenberg, Germany

partbook: c. 1524-38 (dates in manuscript)

General Description

Binding

Notation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note