I-Bc Q.1

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

choirbook fragment: Early-15th century: 1410-30

Archive Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark Q.1
Surface Parchment
Measurements 195 x 212 mm
Other Identifiers
  • RISM: 1-Bc 1
  • CCM: BolC Q1
Notations
  • black full mensural
External Links
Provenance
  • Italy
Contents Contains 2 compositions from 2 composers.
General Description

This is the only remaining folio from a manuscript contemporary with and probably similar to BolC Q15. It was trimmed from its original larger size to serve as a cover for a later book. Probably from northern Italy.

DIAMM, 2017
Notation

Black full mensural

DIAMM, 2017
Foliation

23rv

DIAMM, 2017
Surface

parchment

DIAMM, 2017
RISM Description

RISM

Ms. Q 1 (Cod. 12) n* 23

XVe s. 1 f. Parchemin, 192x212 mm.

Pas de foliotation. Notation mesurée noire et rouge sur portées rouges. 6 portées par p. Capitales ornées en coul.

Ce ms. consiste en un seul f. très rogné à sa partie inférieure, tiré par le P. Martini d'une reliure ancienne. Il porte le n° 23 dans un recueil musical factice maintenant coté Q 1 (Cod. 12 par Martini) dont il constitue le seul exemple de musique polyphonique et dans lequel il a été relié à l'envers par erreur, le r° actuel étant en réalité le v* du f. original. Il contient au r° du f. 1e Ct d'un Gloria et au v° le Sup. et le T d'un autre Gloria que l'on trouve aussi, complet de ses 3vx. aux ff. 78v-79 du Ms. Q 15 du Civico museo (I-Bc 15) avec le nom de Hubertus de Salinis. L'écriture, très semblable à celle de Q 15, pour la musique comme pour le texte et les ornements, permet de dater aussi Q 1 de ca. 1430-1440.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Glorias (both incomplete)

(Salinis)-1, anon-1

1 parchment folio, 195 x 212. Black mensural notation. This is the only remaining folio from a manuscript contemporary with and probably similar to BolC Q15. It was trimmed from its original larger size to serve as a cover for a later book.

1430-40 (Hamm). Probably from northern Italy.

Vol 4

Composers: Add "(Zachara da Teramo)-1"; delete "anon-1."

Date: Ca. 1410-20 (BentNS).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

23v

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Et in terra pax [Gloria] 'Micinella' -
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)

Et in terra pax [Gloria] 'Micinella'

Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
Appears on: 1
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Ct only
1v Et in terra pax [Gloria] -
Salinis, Hymbert de (ca. 1378–)

Et in terra pax [Gloria]

Salinis, Hymbert de (ca. 1378–)
Appears on: 1v
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: [Gloria] Et in terra
General Note

Sup and T only
Composer Compositions
Salinis, Hymbert de (ca. 1378)
Zacara da Teramo, Antonio (ca. 1350-ca. 1413)
Composition Composers (? Uncertain) Folios / Pages
Et in terra pax [Gloria]
Salinis, Hymbert de (ca. 1378–)
1v
Et in terra pax [Gloria] 'Micinella'
Zacara da Teramo, Antonio (ca. 1350–ca. 1413)
1

Images © Museo Internazionale e Biblioteca della Musica di Bologna (formerly Civico Museo Bibliografico Musicale; earlier Liceo Musicale), Bologna

‡ denotes primary source study

Di Bacco, Giuliano, and John Nadas. 1998. The Papal Chapels and Italian Sources of Polyphony during the Great Schism. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Giuliano Di Bacco and John Nadas, 44-92. Oxford: Clarendon Press.

Bent, Margaret. 1980. New Sacred Polyphonic Fragments of the Early Quattrocento. Studi Musicali, 9: 171-89.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Notes: physical description; contents list; concordances (partial).

Mischiati, Oscar. 1966. Uno Sconosciuto Frammento di Codice Polifonico Quattrocentesco nella Biblioteca 'G. B. Martini' di Bologna. Collectanea Historiae Musicae IV, 179-83. Notes: physical description; contents list; concordances; mention of MS; discussion.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description