S-Skma Tyska Kyrkans Samling 15 [Discantus]

Musik- och teaterbiblioteket, Stockholm, Sweden

partbook: 16th century

Archive Musik- och teaterbiblioteket, Stockholm, Sweden (S-Skma)
Shelfmark Tyska Kyrkans Samling 15 [Discantus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None / Unknown
Format landscape
Measurements 145 x 200 mm
Other Identifiers
  • CCM: StockKM 15
Copyists
Relationships
Provenance
  • Stockholm? Sweden
Contents 59 pieces from 12 composers
General Description

A Discantus partbook from a set of six volumes. Main layer copied by three scribes; later additions by three different scribes, including Torstenius Rhyacander, who copied B. Cellarius Mass. Copied in Stockholm? Owned by German Church in Stockholm, whose collection (=Tyska Kyrkans Samling) was donated to present library in 1874.

DIAMM, 2017
Binding

Original covers of parchment cut from liturgical manuscript, inscribed with voice designations.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

No foliation or pagination

DIAMM, 2017
Foliation

Other numberings: Main layer has original ink numbering of pieces, 1-32; last four pieces unnumbered.

DIAMM, 2017
Decoration

Some small inked initials

DIAMM, 2017
Index

Original index at beginning of each book lists motets of main layer, in order of appearance, with attributions.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass, 35 motets = 36

Canis/Clemens non Papa-1,* B. Cellarius-1, Clemens non Papa -4, Händl-2, Knöfel [Iohannes Knevelius]-5, Lassus-14, Meiland-5, C. Porta-1, Rivulo-2, Simonides [Montanus]-1

*Motet "Ego dormio et cor meum" (#13) originally attributed to "Canis" in all books. In B index, later hand crossed out "Canis" and added "Clemens non Papa."

6 paper partbooks (D-82 folios, A-66, T-69, B-69, Q-46, S-78), 145 x 200 (S book measures 155 x 205). No foliation or pagination. Main layer has original ink numbering of pieces, 1-32; last four pieces unnumbered. Each book has section of folios (D-32, A-13, T-17, B-22, Q-3, S-52) which are blank, or have blank staves only. Original covers of parchment cut from liturgical manuscript, inscribed with voice designations. Original index at beginning of each book lists motets of main layer, in order of appearance, with attributions. Main layer copied by three scribes; later additions by three different scribes, including Torstenius Rhyacander, who copied B. Cellarius Mass. Some small inked initials. Late 16th century (dates 1581 and 1598 in manuscript). Copied in Stockholm? Owned by German Church in Stockholm, whose collection [= Tyska Kyrkans Samling] was donated to present library in 1874.

Vol 4

Composers: Change "Simonides [Montanus]-1" to "Simonides [Montanus]/ (Joachimus de Monte)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel Orlandi
Appears on: (1)
Genres: Motet
Source Attribution: Orlandi
(1) Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos -
Appears on: (1)
Genres: Motet
(2) Omnia quae fecisti nobis Domine in vero Orlandi
Appears on: (2)
Genres: Motet
Source Attribution: Orlandi
(3) Videntes stellam magi - 1a pars (of 2): Videntes stellam magi Orlandi
Appears on: (3)
Genres: Motet
Source Attribution: Orlandi
(3) Videntes stellam magi - 2a pars (of 2): Et apertis thesauris suis -
Appears on: (3)
Genres: Motet
(4) Veni in hortum meum Orlandi
Appears on: (4)
Genres: Motet
Source Attribution: Orlandi
(5) Angelus ad pastores ait annuntio vobis Orlandi
Appears on: (5)
Genres: Motet
Source Attribution: Orlandi
(6) Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus Orlandi
Appears on: (6)
Genres: Motet
Source Attribution: Orlandi
(6) Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores -
Appears on: (6)
Genres: Motet
(7) Legem pone - 1a pars (of 2): Legem pone mihi Domine viam justificationum Orlandi
Appears on: (7)
Genres: Motet
Source Attribution: Orlandi
(7) Legem pone - 2a pars (of 2): Da mihi intellectum et scrutabor legem -
Appears on: (7)
Genres: Motet
(8) Surrexit pastor bonus qui animam suam Orlandi
Appears on: (8)
Genres: Motet
Source Attribution: Orlandi
(9) Caeleste beneficium - 1a pars (of 2): Caeleste beneficium Clemens non Papa
Appears on: (9)
Genres: Motet
Source Attribution: Clemens non Papa
(9) Caeleste beneficium - 2a pars (of 2): Tu nos Anna pia -
Appears on: (9)
Genres: Motet
(11) Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum alleluia captivam Clemens non Papa
Appears on: (11)
Genres: Motet
Source Attribution: Clemens non Papa
(11) Ascendens Christus - 2a pars (of 2): Ascendo ad patrem meum Deum meum -
Appears on: (11)
Genres: Motet
(12) Deus in adjutorium - 1a pars (of 2): Deus in adjutorium meum intende Domine Clemens non Papa
Appears on: (12)
Genres: Motet
Source Attribution: Clemens non Papa
(12) Deus in adjutorium - 2a pars (of 2): Ecce in tenebris sedeo et lumen -
Appears on: (12)
Genres: Motet
(13) Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti Canis (crossed out & 'Clemens non Papa' added by later hand)
Appears on: (13)
Genres: Motet
Source Attribution: Canis (crossed out & 'Clemens non Papa' added by later hand)
(13) Ego dormio - 2a pars (of 2): Surrexi ut aperirem -
Appears on: (13)
Genres: Motet
(14) Beati omnes (5vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Orlandi
Appears on: (14)
Genres: Motet
Source Attribution: Orlandi
(14) Beati omnes (5vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet -
Appears on: (14)
Genres: Motet
(15) Factus est repente de caelo Meilandus
Appears on: (15)
Genres: Motet
Source Attribution: Meilandus
(16) Mane nobiscum Domine quoniam advesperascit Meilandus
Appears on: (16)
Genres: Motet
Source Attribution: Meilandus
(17) Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque Meilandus
Appears on: (17)
Genres: Motet
Source Attribution: Meilandus
(17) Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino -
Appears on: (17)
Genres: Motet
(18) Gaudete filiae Jerusalem nam flores apparuerunt Meilandus
Appears on: (18)
Genres: Motet
Source Attribution: Meilandus
(19) Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes Meilandus
Appears on: (19)
Genres: Motet
Source Attribution: Meilandus
(19) Exultent et laetentur - 2a pars (of 2): Ego vero egenus -
Appears on: (19)
Genres: Motet
(20) Ego flos campi et lilium convalium Clemens non Papa
Appears on: (20)
Genres: Motet
Source Attribution: Clemens non Papa
(21) Vias tuas Domine demonstra mihi et semitas Franziscus de Rivulo
Appears on: (21)
Genres: Motet
Source Attribution: Franziscus de Rivulo
(22) Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum Orlandi
Appears on: (22)
Genres: Motet
Source Attribution: Orlandi
(22) Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae -
Appears on: (22)
Genres: Motet
(22) Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet -
Appears on: (22)
Genres: Motet
(22) Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi -
Appears on: (22)
Genres: Motet
(23) Surge propera - 1a pars (of 2): Surge propera amica mea columba mea Orlandi
Appears on: (23)
Genres: Motet
Source Attribution: Orlandi
(23) Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: (23)
Genres: Motet
(24) Concupiscendo concupiscit - 1a pars (of 2): Concupiscendo concupiscit Orlandi
Appears on: (24)
Genres: Motet
Source Attribution: Orlandi
(24) Concupiscendo concupiscit - 2a pars (of 2): Exaltabo te Deus meus -
Appears on: (24)
Genres: Motet
(25) Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me Orlandi
Appears on: (25)
Genres: Motet
Source Attribution: Orlandi
(25) Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam -
Appears on: (25)
Genres: Motet
(26) Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum Rivulo
Appears on: (26)
Genres: Motet
Source Attribution: Rivulo
General Note

Quinta vox missing

(26) Sic deus dilexit - 2a pars (of 2): Venite ad me omnes -
Appears on: (26)
Genres: Motet
General Note

Quinta vox missing

[-] Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis jam non Montanus
Appears on: [-]
Genres: Motet
Source Attribution: Montanus
General Note

attributed to 'Montanus' - though this cannot be Johannes Simonides 'Montanus', who worked entirely in what is now Czechia; therefore likely to be a setting by Joachimus de Monte - though RISM suggests perhaps Joannes vom Berg.

[-] Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta -
Appears on: [-]
Genres: Motet
[-] Orationem meam audi Domine (= Mirate che m'ha fatto) Jacob: Handel (wrongly)
Appears on: [-]
Genres: Contrafactum, Motet
Source Attribution: Jacob: Handel (wrongly)
[-] Jerusalem surge J: Hand:
Appears on: [-]
Genres: Motet
Source Attribution: J: Hand:
[-] Missa Lauda Jerusalem (6vv): Kyrie B. Cellarius (=Kellner)
Appears on: [-]
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: B. Cellarius (=Kellner)
[-] Missa Lauda Jerusalem (6vv): Gloria -
Appears on: [-]
Genres: Gloria (et in terra pax), Mass Ordinary
[-] Missa Lauda Jerusalem (6vv): Credo -
Appears on: [-]
Genres: Credo (patrem omnipotentem), Mass Ordinary
[-] Missa Lauda Jerusalem (6vv): Sanctus -
Appears on: [-]
Genres: Mass Ordinary, Sanctus [& Benedictus]
[-] Missa Lauda Jerusalem (6vv): Agnus Dei -
Appears on: [-]
Genres: Agnus Dei, Mass Ordinary
[-] (Surrexit Dominus vere?) Johannes Knevelius
Appears on: [-]
Genres: Motet
Source Attribution: Johannes Knevelius
[-] Christus factus est Johannes Knevelius
Appears on: [-]
Genres: Motet
Source Attribution: Johannes Knevelius
[-] Contingat illis Johannes Knevelius
Appears on: [-]
Genres: Motet
Source Attribution: Johannes Knevelius
[-] Sic Deus dilexit mundum ut filium suum Johannes Knevelius
Appears on: [-]
Genres: Motet
Source Attribution: Johannes Knevelius
[-] Viri diligite uxores vestras in Domino Johannes Knevelius
Appears on: [-]
Genres: Motet
Source Attribution: Johannes Knevelius
[-] Susanne un jour d'amour solicitée par deux viellards Orlandi
Appears on: [-]
Genres: Chanson
Source Attribution: Orlandi
General Note

5vv but copied only in books 1-4

[-] Dilectus meus mihi et ego illi Constantinus à Porta
Appears on: [-]
Genres: Motet
Source Attribution: Constantinus à Porta
General Note

The piece is attributed to 'Franciscus a Porta Patavinus' in ms Molér 69 (26), written between 1619 and 1625. (RISM)

Composer Compositions
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ferretti, Giovanni
Handl (Gallus), Jacobus (1550–1591)
Kellner, Bartholomaeus
Knöfel, Johannes (ca. 1525–1617)
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Monte, Joachimus de
Porta, Costanzo
Porta, Franciscus
Rivulo, Franziscus de
Composition Composers (? Uncertain) Folios / Pages
(Surrexit Dominus vere?) [-]
Angelus ad pastores ait annuntio vobis (5)
Ascendens Christus - 1a pars (of 2): Ascendens Christus in altum alleluia captivam (11)
Ascendens Christus - 2a pars (of 2): Ascendo ad patrem meum Deum meum (11)
Beati omnes (5vv) - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant (14)
Beati omnes (5vv) - 2a pars (of 2): Ecce sic benedicetur homo qui timet (14)
Caeleste beneficium - 1a pars (of 2): Caeleste beneficium (9)
Caeleste beneficium - 2a pars (of 2): Tu nos Anna pia (9)
Christus factus est [-]
Christus resurgens - 1a pars (of 2): Christus resurgens ex mortuis jam non [-]
Christus resurgens - 2a pars (of 2): Mortuus est enim propter delicta [-]
Concupiscendo concupiscit - 1a pars (of 2): Concupiscendo concupiscit (24)
Concupiscendo concupiscit - 2a pars (of 2): Exaltabo te Deus meus (24)
Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel (1)
Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos (1)
Contingat illis [-]
Deus in adjutorium - 1a pars (of 2): Deus in adjutorium meum intende Domine (12)
Deus in adjutorium - 2a pars (of 2): Ecce in tenebris sedeo et lumen (12)
Dilectus meus mihi et ego illi [-]
Ego dormio - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti (13)
Ego dormio - 2a pars (of 2): Surrexi ut aperirem (13)
Ego flos campi et lilium convalium (20)
Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes (19)
Exultent et laetentur - 2a pars (of 2): Ego vero egenus (19)
Factus est repente de caelo (15)
Gaudete filiae Jerusalem nam flores apparuerunt (18)
Jerusalem surge [-]
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum (22)
Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae (22)
Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet (22)
Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi (22)
Legem pone - 1a pars (of 2): Legem pone mihi Domine viam justificationum (7)
Legem pone - 2a pars (of 2): Da mihi intellectum et scrutabor legem (7)
Mane nobiscum Domine quoniam advesperascit (16)
Missa Lauda Jerusalem (6vv): Agnus Dei [-]
Missa Lauda Jerusalem (6vv): Credo [-]
Missa Lauda Jerusalem (6vv): Gloria [-]
Missa Lauda Jerusalem (6vv): Kyrie [-]
Missa Lauda Jerusalem (6vv): Sanctus [-]
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque (17)
Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino (17)
Omnia quae fecisti nobis Domine in vero (2)
Orationem meam audi Domine (= Mirate che m'ha fatto) [-]
Quam benignus es - 1a pars (of 2): Quam benignus es O Domine Deus omnibus (6)
Quam benignus es - 2a pars (of 2): O beatum hominem cui tu protectores (6)
Sic deus dilexit - 1a pars (of 2): Sic deus dilexit mundum ut filium suum (26)
Sic deus dilexit - 2a pars (of 2): Venite ad me omnes (26)
Sic Deus dilexit mundum ut filium suum [-]
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea (23)
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea (23)
Surrexit pastor bonus qui animam suam (8)
Susanne un jour d'amour solicitée par deux viellards [-]
Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me (25)
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (25)
Veni in hortum meum (4)
Vias tuas Domine demonstra mihi et semitas (21)
Videntes stellam magi - 1a pars (of 2): Videntes stellam magi (3)
Videntes stellam magi - 2a pars (of 2): Et apertis thesauris suis (3)
Viri diligite uxores vestras in Domino [-]

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David Wyatt

Wednesday, 25 May, 2022

S-Skma updated to reference the Musik- och teaterbiblioteket (rather than Kungliga Musikaliska Akademiens Biblioteket)

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description