S-Sk Holm. S 229:1

Kungliga Biblioteket, Stockholm, Sweden

partbook: 1560-70

Archive	Kungliga Biblioteket, Stockholm, Sweden (S-Sk)
Shelfmark	Holm. S 229:1
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None / Unknown
Format	landscape
Measurements	198 x 213 mm
Other Identifiers	CCM: StockKB 229 olim (Former shelfmark): see also StockKM 45
Relationships	Dusterbach, Hans (–1591) (binder) Erik XIV (1533–1577) (patron) ? Heyde, Jorgen (compiler) Paston, Johann (compiler)
External Links	CMME online edition
Provenance	Sweden
Contents	243 pieces from 44 composers

General Description

A Discantus II partbook from a set originally of eight volumes; the Tenor II partbook is now S-Skma 45, the Bassus I is shelved with this volume. Copied by several scribes. Many pieces have text incipits or titles only. Copied in Stockholm, for use at court of Erik XIV, King of Sweden. Compilation possibly associated with Jorgen Heyde and Johann Paston, who came to Stockholm in 1556 and 1559 respectively, following service at Danish royal court in Copenhagen. D2 & B1 partbooks apparently in Kungliga Biblioteket since time of compilation.

DIAMM, 2017

Binding

Original covers of brown leather, blind tooled with voice designations, ornamental designs, representations of Christ, the four Evangelists, St. John the Baptist, St. Peter, and St. Paul, each with appropriate motto inscriptions, and several female figures personifying 'Spes,' 'Fides,' 'Iusticia,' and 'Charitas.' Binding and covers probably from workshop of Hans Düsterbach (d. 1591), of Stockholm (HedbergSB)

DIAMM, 2017

Watermark

(1) resembles Briquet #13996; (2) generally resembles Briquet #3009; (3) Briquet #1258

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Ruling

Printed staves.

DIAMM, 2017

Foliation

No foliation or pagination. Other numberings: Original numbering of pieces, in four series: 1-129 (6-voice works); 1-67 (dances, probably for 6 voices); 1-37 (7-voice works); 1-48 (mostly 8-voice works). Piece numbering counts motet partes as separate items; several pieces not numbered.

DIAMM, 2017

Foliation

No foliation or pagination

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Magnificat section, 1 hymn, 66 motets (2 without text), 11 German sacred pieces, 35 French secular pieces (6 without text), 34 Italian secular pieces, 4 German secular pieces, 1 Dutch secular piece, 90 textless pieces (mostly dances and other instrumental works) = 243

(Appenzeller)-1, (Arcadelt)-2, (Berchem)-2, (Buissons)-1, (Canis)-1, Clemens non Papa-15, (Clemens non Papa/Crecquillon)-1, (Crecquillon)-1, Crespel-2, (Donato)-2, (Gombert)-7, (Gombert/Josquin)-1, (Guyot)-1, (Heugel)-1, (Jacotin/Jaquet of Mantua)-1, (Janequin-anon)-1, (Jaquet of Mantua)-1, (Jhan of Ferrara)-2, (Josquin/Senfl)-1, (L'Archier)-2, (Le Cocq)-2, (Mahu)-1, (Manchicourt)-4, Meiland-1, (Morales)-1, (Nasco)-10, (Nollet)-1, (Pathie)-1, (Phinot)-7, (Pionnier)-1, (Portinaro)-1, (Presten)-6, (Richafort)-1,(Rivulo)-2, (Vaet)-1, (Veggio)-2, (Verdelot)-1 + 1?, (Walter)-1, (Willaert)-8, (Wismes)-1, anon-143

2 paper partbooks of an original 8 (D2-128 folios, B1-117), 198 x 213. T2 book from same set now StockKM 45; other books apparently lost. No foliation or pagination. Original numbering of pieces, in four series: 1-129 (6-voice works); 1-67 (dances, probably for 6 voices); 1-37 (7-voice works); 1-48 (mostly 8-voice works). Piece numbering counts motet partes as separate items; several pieces not numbered. Original covers of brown leather, blind tooled with voice designations, ornamental designs, representations of Christ, the four Evangelists, St. John the Baptist, St. Peter, and St. Paul, each with appropriate motto inscriptions, and several female figures personifying "Spes," "Fides," "Iusticia," and "Charitas." Binding and covers probably from workshop of Hans Düsterbach (d. 1591), of Stockholm (HedbergSB). No index.

Copied by several scribes. Printed staves. No initials or decoration. Watermarks: (1) resembles Briquet #13996; (2) generally resembles Briquet #3009; (3) Briquet #1258. Many pieces have text incipits or titles only.

Ca. 1560-70. Copied in Stockholm, for use at court of Erik XIV, King of Sweden. Compilation possibly associated with Jorgen Heyde and Johann Paston, who came to Stockholm in 1556 and 1559 respectively, following service at Danish royal court in Copenhagen. Partbooks apparently in Kungliga Biblioteket since time of compilation.

Vol 4

Composers: Change "(Richafort)-1 " to "(Phinot/Richafort/Verdelot)-1. "

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
[-]	Omnium in te sperant domine II: Qui edunt me adhuc esuriunt	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Omnium in te sperant domine II: Qui edunt me adhuc esuriunt Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: [-] Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: omnium [in te sperant domine] II: Qui edunt me [adhuc esuriunt]
[-]	Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari)	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Fremuit spiritus [Jesu et turbavit seipsum] II: Videns dominus [flentes sorores Lazari]
[-]	Quae est ista quae ascendit sicut sol (2p. Ista est speciosa inter filias)	[Manchicourt]	Manchicourt, Pierre de
Quae est ista quae ascendit sicut sol (2p. Ista est speciosa inter filias) Manchicourt, Pierre de Appears on: [-] Genres: Motet Source Attribution: [Manchicourt] Voice: [no designation] Languages: Latin Voice Text: Que est ista [que ascendit sicut sol] II: Ista est speciosa [inter filias]
[-]	Illuminare Jerusalem quia venit lumen tuum (2p. Filii tui de longe venient)	[Manchicourt]	Manchicourt, Pierre de
Illuminare Jerusalem quia venit lumen tuum (2p. Filii tui de longe venient) Manchicourt, Pierre de Appears on: [-] Genres: Motet Source Attribution: [Manchicourt] Voice: [no designation] Languages: Latin Voice Text: Illuminare Hierusalem [quia venit lumen tuum] II: Filii tui de longe venient
[-]	Levavi oculos meos in montes unde veniet (2p. Anima nostra sicut passer erepta est)	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Levavi oculos meos in montes unde veniet (2p. Anima nostra sicut passer erepta est) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Levavi oculos [meos in montes unde veniet] II: Anima nostra sicut [passer erepta est]
[-]	Veniat dilectus meus in ortum suum II: Qualis est dilectus tuus O pulcherrima	[Manchicourt]	Manchicourt, Pierre de
Veniat dilectus meus in ortum suum II: Qualis est dilectus tuus O pulcherrima Manchicourt, Pierre de Appears on: [-] Genres: Motet Source Attribution: [Manchicourt] Voice: [no designation] Languages: Latin Voice Text: Veniat dilectus [meus in hortum suum] II: Qualis est dilectus tuus [O pulcherrima]
[-]	Clemens et benigna jugi laude digna (2p. Nos a miseria perduc ad gaudia)	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Clemens et benigna jugi laude digna (2p. Nos a miseria perduc ad gaudia) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Clemens et benigna [jugi laude digna] II: Nos a miseria [perduc ad gaudia]
[-]	Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna)	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Ave martÿr [gloriosa Barbaraque generosa] II: Ave Barbara [serena pulchra quasi luna]
[-]	Benedic domine domum istam quam aedificavi II: Audi [Exaudi] preces domine quas fundit populus	[Wismes]	Wisme (Vuismes), Nicholas de
Benedic domine domum istam quam aedificavi II: Audi [Exaudi] preces domine quas fundit populus Wisme (Vuismes), Nicholas de Appears on: [-] Genres: Motet Source Attribution: [Wismes] Voice: [no designation] Languages: Latin Voice Text: Benedic domine [domum istam quam edificavi] II: Audi preces domine [quas fundit populus]
[-]	Jubilate Deo omnis terra servite Domino (2p. Populus eius et oves pascuae)	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jubilate Deo omnis terra servite Domino (2p. Populus eius et oves pascuae) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Jubilate deo omnis [terra servite deo] II: Populus eius et oves [pascue eius]
[-]	Homo quidam fecit nuptias filio suo II: Gaudeamus et exultemus et demus	[Manchicourt]	Manchicourt, Pierre de
Homo quidam fecit nuptias filio suo II: Gaudeamus et exultemus et demus Manchicourt, Pierre de Appears on: [-] Genres: Motet Source Attribution: [Manchicourt] Voice: [no designation] Languages: Latin Voice Text: Homo quidam [fecit nuptias filio suo] II: Gaudeamus [et exultemus et demus]
[-]	In illo tempore dicebat Jesus ei (2p. Sed cum facis convivium voca pauperes)	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
In illo tempore dicebat Jesus ei (2p. Sed cum facis convivium voca pauperes) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: [-] Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: In illo tempore [dicebat Jesus ei] II: Sed cum facis convivium [voca pauperes]
[-]	Deus in adjutorium meum intende Domine (2p. Ecce in tenebris sedeo et lumen)	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Deus in adjutorium meum intende Domine (2p. Ecce in tenebris sedeo et lumen) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Deus in adiutorium [meum intende domine] II: Ecce in tenebris [sedeo et lumen]
[-]	Or suis je bien au pire de mes malheureulx	[Le Cocq]	Le Cocq, Gerard
Or suis je bien au pire de mes malheureulx Le Cocq, Gerard Appears on: [-] Genres: Motet Source Attribution: [Le Cocq] Voice: [no designation] Languages: French Voice Text: Or suis [je bien au pire de mes malheureulx]
[-]	La belle Margarite c'est une noble fleur	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
La belle Margarite c'est une noble fleur Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Chanson Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: French Voice Text: La belle Margarite [c'est une noble fleur]
[-]	Languir me fais sans t'avoir offensée	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Languir me fais sans t'avoir offensée Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: French Voice Text: Languir me fais [sans t'avoir offensée]
[-]	C'est a grant tort que moi povrette endure	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
C'est a grant tort que moi povrette endure Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Chanson Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: French Voice Text: Cest a grant [tort que moy povrette endure]
[-]	Paine et travil = Paine et travail me font incessament	[Appenzeller]	Appenzeller, Benedictus (ca. 1480–ca. 1558)
Paine et travil = Paine et travail me font incessament Appenzeller, Benedictus (ca. 1480–ca. 1558) Appears on: [-] Genres: Motet Source Attribution: [Appenzeller] Voice: [no designation] Languages: French Voice Text: Paine et travil [= Paine et travail me font incessament]
[-]	Ecce quam bonum et quam jucundum habitare	Anon.	Anonymous
Ecce quam bonum et quam jucundum habitare Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce quam bonum [et quam jucundum habitare]
[-]	Qualis es dilecta mea dicite filiae Sion	[Berchem]	Berchem, Jacques (ca. 1505–1567)
Qualis es dilecta mea dicite filiae Sion Berchem, Jacques (ca. 1505–1567) Appears on: [-] Genres: Motet Source Attribution: [Berchem] Voice: [no designation] Languages: Latin Voice Text: Qualis es dilecta mea [dicite filiae Syon]
[-]	Quem dicunt homines esse filium hominis	[Pionnier]	Pionnier, Joannes (–1573)
Quem dicunt homines esse filium hominis Pionnier, Joannes (–1573) Appears on: [-] Genres: Motet Source Attribution: [Pionnier] Voice: [no designation] Languages: Latin Voice Text: Quem dicunt homines [esse filium hominis]
[-]	Partomi donna et teco lascio il core	[Nollet]	Nollet
Partomi donna et teco lascio il core Nollet Appears on: [-] Genres: Italian secular Source Attribution: [Nollet] Voice: [no designation] Languages: Italian Voice Text: Partomi donna [et teco lascio il core]
[-]	Castae parentis (6vv) (2p. Enixa est puerpera)	[Canis]	Canis, Cornelius
Castae parentis (6vv) (2p. Enixa est puerpera) Canis, Cornelius Appears on: [-] Genres: Motet Source Attribution: [Canis] Voice: [no designation] Languages: Latin Voice Text: Caste parentis [viscera coelestis intrat] II: [Enixa est puerpera quem Gabriel]
[-]	Hoime che la bruneta mia che l'è di fuora	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Hoime che la bruneta mia che l'è di fuora Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: [-] Genres: Italian secular Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: Hoime che la bruneta [mia che lvè di fuora]
[-]	Non vi lassero mai siatime pur crudele	[Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Non vi lassero mai siatime pur crudele Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: [-] Genres: Italian secular Source Attribution: [Jhan of Ferrara] Voice: [no designation] Languages: Italian Voice Text: Non vi lassero maÿ [siatime pur crudele]
[-]	Com esser può ch'io viva se'l mio bel sol	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Com esser può ch'io viva se'l mio bel sol Arcadelt, Jacques (ca. 1507–1568) Appears on: [-] Genres: Italian secular Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Com esser [può ch'io viva se'l mio bel sol]
[-]	Will niemand singen, so sing aber ich	Anon.	Anonymous
Will niemand singen, so sing aber ich Anonymous Appears on: [-] Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Will niemandt singenn [so sing aber ich]
[-]	La dolce vista e'l bel guardo soave	[Verdelot?]	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
La dolce vista e'l bel guardo soave Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: [-] Genres: Italian secular Source Attribution: [Verdelot?] Voice: [no designation] Languages: Italian Voice Text: La dolce [vista e'l bel sguardo soave]
[-]	Elle belle	Anon.	Anonymous
Elle belle Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Elle belle
[-]	Pange lingua gloriosi corporis mysterium	Anon.	Anonymous
Pange lingua gloriosi corporis mysterium Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Pange lingua [gloriosi corporis mysterium]
[-]	Ecce nunc benedicite Dominum omnes servi Domini	Anon.	Anonymous
Ecce nunc benedicite Dominum omnes servi Domini Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ecce nunc [benedicite dominum omnes servi]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Per quem salutiferi	Anon.	Anonymous
Per quem salutiferi Anonymous Appears on: [-] Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Per quem salutiferi
[-]	Horsu compagni state attenti ad ascoltare	[Werrecore]	Werrecore, Matthias Hermann
Horsu compagni state attenti ad ascoltare Werrecore, Matthias Hermann Appears on: [-] Genres: Motet Source Attribution: [Werrecore] Voice: [no designation] Languages: Italian Voice Text: Horsu compagni [state attenti ad ascoltare]
[-]	Vivre ne puis sur terre car mort suis	[Le Cocq]	Galli, Antonius
Vivre ne puis sur terre car mort suis Galli, Antonius Appears on: [-] Genres: Chanson Source Attribution: [Le Cocq] Voice: [no designation] Languages: French Voice Text: Vivre ne puis [sur terre car mort suis]
[-]	E quand'a fato l'ovo la mattina	[Fabrianese/Willaert]	Willaert, Adrian (ca. 1490–1562)
E quand'a fato l'ovo la mattina Willaert, Adrian (ca. 1490–1562) Appears on: [-] Genres: Italian secular Source Attribution: [Fabrianese/Willaert] Voice: [no designation] Languages: Italian Voice Text: E quando [ha fato lvovo la mattina]
[-]	Si pur ti guardo dolce anima mia	[Donato/Willaert]	Donato, Baldassare (ca. 1529–1603) Willaert, Adrian (ca. 1490–1562) (?)
Si pur ti guardo dolce anima mia Donato, Baldassare (ca. 1529–1603) Willaert, Adrian (ca. 1490–1562) (?) Appears on: [-] Genres: Italian secular Source Attribution: [Donato/Willaert] Voice: [no designation] Languages: Italian Voice Text: Si pur ti guardo [dolce anima mia]
[-]	Her Christ der einig Gottes Sonn	Anon.	Anonymous
Her Christ der einig Gottes Sonn Anonymous Appears on: [-] Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Her Christ der einig Gottes Sonn
[-]	Ben pare	Anon.	Anonymous
Ben pare Anonymous Appears on: [-] Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Ben pare
[-]	Alles von Gott	Anon.	Anonymous
Alles von Gott Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Alles vonn Gott
[-]	Der Mai	Anon.	Anonymous
Der Mai Anonymous Appears on: [-] Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Der meÿ
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Ego sum qui sum et consilium meum non (2p. Tulerunt Dominum meum et nescio ubi)	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Ego sum qui sum et consilium meum non (2p. Tulerunt Dominum meum et nescio ubi) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: [-] Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: Ego sum [qui sum et consilium meum] II: [Tulerunt dominum meum et nescio ubi]
[-]	Grates nunc omnes reddamus Domino deo II: Huic oportet ut canamus cum angelis	Anon.	Anonymous
Grates nunc omnes reddamus Domino deo II: Huic oportet ut canamus cum angelis Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes [reddamus domino deo] II: [Huic oportet ut canamus cum angelis]
[-]	Sicut locutus est ad patres nostros	Anon.	Anonymous
Sicut locutus est ad patres nostros Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sicut locutus [est ad patres nostros]
[-]	Verbum bonum et suave personemus illud II: Ave solem genuisti ave prolem	Anon.	Anonymous
Verbum bonum et suave personemus illud II: Ave solem genuisti ave prolem Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Verbum bonum [et suave personemus illud] II: Ave solem genuisti [ave prolem]
[-]	Mon petit coeur helas qui nuit et jour	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Mon petit coeur helas qui nuit et jour Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: [-] Genres: Chanson Source Attribution: [Gombert] Voice: [no designation] Languages: French Voice Text: Mon petit [cueur helas qui nuict et jour]
[-]	Cest pro parle = c'est trop parle de Bachus et sa tasse?	Anon.	Anonymous
Cest pro parle = c'est trop parle de Bachus et sa tasse? Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Cest pro parle [= C'est trop parle de Bachus et sa tasse?]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Pontifier	Anon.	Anonymous
Pontifier Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Pontifier
[-]	Une nonette	Anon.	Anonymous
Une nonette Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Une nonette
[-]	Hodie in Iordane baptizato Domino aperti II: Caeli aperti sunt super eum et vox	[Berchem]	Berchem, Jacques (ca. 1505–1567)
Hodie in Iordane baptizato Domino aperti II: Caeli aperti sunt super eum et vox Berchem, Jacques (ca. 1505–1567) Appears on: [-] Genres: Motet Source Attribution: [Berchem] Voice: [no designation] Languages: Latin Voice Text: Hodie in Iordane [baptizato domino aperti] II: Descendit [spiritus sanctus corporali]
[-]	Hodie in Jordane baptizato Domino aperti II: Descendit spiritus sanctus corporali	[Jhan of Ferrara]	Ferrara, Maistre Jhan of (ca. 1485–1538)
Hodie in Jordane baptizato Domino aperti II: Descendit spiritus sanctus corporali Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: [-] Genres: Motet Source Attribution: [Jhan of Ferrara] Voice: [no designation] Languages: Latin Voice Text: Hodie in Jordane [baptizato domino aperti] II: Descendit [spiritus sanctus corporali]
[-]	In illo tempore loquente Jesu ad turbas	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
In illo tempore loquente Jesu ad turbas Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: [-] Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: In illo tempore loquente [Jesu ad turbas]
[-]	Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves)	[Jaquet of Mantua]	Mantua, Jacquet de (1483–1559)
Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves) Mantua, Jacquet de (1483–1559) Appears on: [-] Genres: Motet Source Attribution: [Jaquet of Mantua] Voice: [no designation] Languages: Latin Voice Text: Surge Petre [et indue te vestimentis tuis] II: [Si diligis me Simon Petre pasce oves]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Pres de mon mal	Anon.	Anonymous
Pres de mon mal Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Pres de mon mal
[-]	Wir glauben all an einen Gott [Credo] (I) (4vv)	[Walter]	Walter, Johann (1496–1570)
Wir glauben all an einen Gott [Credo] (I) (4vv) Walter, Johann (1496–1570) Appears on: [-] Genres: Chorale, Credo (patrem omnipotentem), Sacred Song Source Attribution: [Walter] Voice: [no designation] Languages: German Voice Text: Wir glaubenn [all an einen Gott schöpfer]
[-]	O admirabile commercium creator generis	Anon.	Anonymous
O admirabile commercium creator generis Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O admirabile [commercium creator generis]
[-]	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	[Morales]	Morales, Cristóbal de (ca. 1500–1553)
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) Morales, Cristóbal de (ca. 1500–1553) Appears on: [-] Genres: Motet Source Attribution: [Morales] Voice: [no designation] Languages: Latin Voice Text: Beati omnes qui timent dominum [qui ambulant] II: Ecce sic benedicetur homo [qui timet]
[-]	Antverpia verblüht	Anon.	Anonymous
Antverpia verblüht Anonymous Appears on: [-] Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Antverpia verblÿt
[-]	Mais languirai-je toujours, vrai Dieu	Anon.	Anonymous
Mais languirai-je toujours, vrai Dieu Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mais languiraÿ [je tousjours vray dieu]
[-]	En attendant l'espoir de ma maîtresse	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
En attendant l'espoir de ma maîtresse Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: [-] Genres: Chanson Source Attribution: [Gombert] Voice: [no designation] Languages: French Voice Text: En attendant [l'espoir de ma maistresse]
[-]	Apparuerunt	Anon.	Anonymous
Apparuerunt Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Apparuerunt
[-]	Venit nunc Ferdinandus	Anon.	Anonymous
Venit nunc Ferdinandus Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Venit nunc Ferdinandus
[-]	Vous lui ames	Anon.	Anonymous
Vous lui ames Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Vous lui ames
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Tollite jugum meum super vos dicit Dominus	Anon.	Anonymous
Tollite jugum meum super vos dicit Dominus Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Tollite iugum meum [super vos dicit dominus]
[-]	Dixerunt discipuli ad beatum Martinum (2p. Domine si adhuc populo tuo)	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dixerunt discipuli ad beatum Martinum (2p. Domine si adhuc populo tuo) Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Dixerunt discipuli [ad beatum Martinum] II: Domine si adhuc [populo tuo sum]
[-]	Frisque et gaillard un jour entre cent mille	Anon.	Anonymous
Frisque et gaillard un jour entre cent mille Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Frais et gall. [= Frisque et gaillard un jour entre cent mille]
[-]	Omnis pulchritudo Domini exaltata est super (2p. A summo caelo egressio eius et occursus)	[Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560)
Omnis pulchritudo Domini exaltata est super (2p. A summo caelo egressio eius et occursus) Gombert, Nicolas (ca. 1495–ca. 1560) Appears on: [-] Genres: Motet Source Attribution: [Gombert] Voice: [no designation] Languages: Latin Voice Text: Omnis pulchritudo domini [exaltata est] II: A summo coelo [egressio eius et occursus]
[-]	I vidi in terra angelici costumi II: Amor senno valor pietate e doglia	[Willaert]	Willaert, Adrian (ca. 1490–1562)
I vidi in terra angelici costumi II: Amor senno valor pietate e doglia Willaert, Adrian (ca. 1490–1562) Appears on: [-] Genres: Italian secular Source Attribution: [Willaert] Voice: [no designation] Languages: Latin Voice Text: I vidi in terra [angelici costumi] II: [Amor senno valor pietate e doglia]
[-]	Felice schiera di bei spirti eletti	[Nasco]	Nasco, Jan
Felice schiera di bei spirti eletti Nasco, Jan Appears on: [-] Genres: Italian secular Source Attribution: [Nasco] Voice: [no designation] Languages: Italian Voice Text: Felice [schiera di bei spirti eletti]
[-]	Occhi miei ch'al mirar foste - 6a pars (of 7?): Piedi che nott'e giorno andat'errando	[Nasco]	Nasco, Jan
Occhi miei ch'al mirar foste - 6a pars (of 7?): Piedi che nott'e giorno andat'errando Nasco, Jan Appears on: [-] Genres: Italian secular Source Attribution: [Nasco] Voice: [no designation] Languages: Italian Voice Text: Piedi [che nott'e giorno andat'errando] [Pars VI of Occhi miei ch'al mirar foste]
[-]	A piè d'un giovinett'e verd'alloro - 5a pars (of 5?): Cossi disse e dal cor si sciolse	[Nasco]	Nasco, Jan
A piè d'un giovinett'e verd'alloro - 5a pars (of 5?): Cossi disse e dal cor si sciolse Nasco, Jan Appears on: [-] Genres: Italian secular Source Attribution: [Nasco] Voice: [no designation] Languages: Italian Voice Text: Cossi [disse e dal cor si sciolse] [ Pars V of A piè d'un giovinett'e verd'alloro]
[-]	O rossignuol ch'in queste verdi fronde - 3a pars (of 4?): A pie de l'Alpi che parton la magna	[Nasco]	Nasco, Jan
O rossignuol ch'in queste verdi fronde - 3a pars (of 4?): A pie de l'Alpi che parton la magna Nasco, Jan Appears on: [-] Genres: Italian secular Source Attribution: [Nasco] Voice: [no designation] Languages: Italian Voice Text: A pie [de l'Alpi che parton la magna] [Pars III of O rossignuol ch'in queste verdi]
[-]	Tanto è amor - 3a pars (of 3): Chi potrebbe stimar che le mie braccie	[Nasco]	Nasco, Jan
Tanto è amor - 3a pars (of 3): Chi potrebbe stimar che le mie braccie Nasco, Jan Appears on: [-] Genres: Madrigal (Italian) Source Attribution: [Nasco] Voice: [no designation] Languages: Italian Voice Text: Chi potrebbe [stimar che le mie braccia] [Pars III of Tanto è amor et l'allegrezz'e'l gioco]
[-]	Lasciato hai morte senza sole il mondo II: Pianger l'aer e la terra	[Nasco]	Nasco, Jan
Lasciato hai morte senza sole il mondo II: Pianger l'aer e la terra Nasco, Jan Appears on: [-] Genres: Italian secular Source Attribution: [Nasco] Voice: [no designation] Languages: Italian Voice Text: Lasciato hai morte [senza sole il mondo] II: Pianger [lvaer e la terra]
[-]	Ite rime dolenti al duro sasso ch'il mio II: Sol di lei raggionando viv'e morta	[Nasco]	Nasco, Jan
Ite rime dolenti al duro sasso ch'il mio II: Sol di lei raggionando viv'e morta Nasco, Jan Appears on: [-] Genres: Motet Source Attribution: [Nasco] Voice: [no designation] Languages: Latin Voice Text: Ite rime [dolenti al duro sasso ch'il mio] II: Sol di lei [raggionando viv'e morta]
[-]	Audite insulae et attendite populi II: Et posuit os meum quasi gladium	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Audite insulae et attendite populi II: Et posuit os meum quasi gladium Willaert, Adrian (ca. 1490–1562) Appears on: [-] Genres: Motet Source Attribution: [Willaert] Voice: [no designation] Languages: Latin Voice Text: Audite insula [et attendite populi de longe] II: Et posuit os meum [quasi gladium]
[-]	Frisque et gaillard un jour entre cent mille	Anon.	Anonymous
Frisque et gaillard un jour entre cent mille Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Frais et galliard [= Frisque et gaillard un jour entre cent mille]
[-]	Heroum	Anon.	Anonymous
Heroum Anonymous Appears on: [-] Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: insufficient Voice Text: Heroum
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Adieu mon esperance adieu mon souvenir	Cle: non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Adieu mon esperance adieu mon souvenir Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Chanson Source Attribution: Cle: non Papa Voice: [no designation] Languages: French Voice Text: [Adieu mon esperance adieu mon souvenir]
[-]	Le content est riche en ce monde	Jan Crespel	Crespel, Jean
Le content est riche en ce monde Crespel, Jean Appears on: [-] Genres: Chanson Source Attribution: Jan Crespel Voice: [no designation] Languages: French Voice Text: [Le content est riche en ce monde]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	D'amour me plains et non de vous m'amie	[LvArchier]	Larchier, Jean
D'amour me plains et non de vous m'amie Larchier, Jean Appears on: [-] Genres: Chanson Source Attribution: [LvArchier] Voice: [no designation] Languages: French Voice Text: [D'amour me plains et non de vous m'amye]
[-]	J'ai veu le cerf du bois saillir et boire	[Crespel]	Crespel, Jean
J'ai veu le cerf du bois saillir et boire Crespel, Jean Appears on: [-] Genres: Chanson Source Attribution: [Crespel] Voice: [no designation] Languages: French Voice Text: [J'ay veu le cerf du bois saillir et boire]
[-]	A qui me dois je retirer Puisque mon ami	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
A qui me dois je retirer Puisque mon ami Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Chanson Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: French Voice Text: [A qui me doibs je retirer puis que mon amy]
[-]	Me retirer d'elle ne m'est possible	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Me retirer d'elle ne m'est possible Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Chanson Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: French Voice Text: [Me retirer delle ne m'est possible]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	In manus tuas commendo spiritum meum?	Anon.	Anonymous
In manus tuas commendo spiritum meum? Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: In manus tuas [commendo spiritum meum?]
[-]	Lobet dem Heren	Anon.	Anonymous
Lobet dem Heren Anonymous Appears on: [-] Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Lobet dem Heren
[-]	Gaudete filiae Jerusalem nam flores apparuerunt	Meilandi	Meiland, Jacob (1542–1577)
Gaudete filiae Jerusalem nam flores apparuerunt Meiland, Jacob (1542–1577) Appears on: [-] Genres: Motet Source Attribution: Meilandi Voice: [no designation] Languages: Latin Voice Text: Gaudete filiae Ierusalem [nam flores]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Welsch Tantz	Anon.	Anonymous
Welsch Tantz Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: [Welsch Tantz]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Welsch Tantz	Anon.	Anonymous
Welsch Tantz Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: [Welsch Tantz]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	O hortulano	Anon.	Anonymous
O hortulano Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: O hortulano
[-]	Chi passa per sta strada e non sospira	Anon. (Apparently derived from Azzaiolo setting)	Anonymous
Chi passa per sta strada e non sospira Anonymous Appears on: [-] Genres: Italian secular Source Attribution: Anon. (Apparently derived from Azzaiolo setting) Voice: [no designation] Languages: Italian Voice Text: Chi passa [per sta strada e non sospira]
[-]	Galiarda Rosina	Anon.	Anonymous
Galiarda Rosina Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Galiarda Rosina
[-]	Gentil madonna del mio cor patrona	Anon. (Apparently derived from Azzaiolo setting)	Anonymous
Gentil madonna del mio cor patrona Anonymous Appears on: [-] Genres: Italian secular Source Attribution: Anon. (Apparently derived from Azzaiolo setting) Voice: [no designation] Languages: Italian Voice Text: Gentil madonna [del mio cor patrona]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Padoana	Anon.	Anonymous
Padoana Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Padoana
[-]	Galliarda	Anon.	Anonymous
Galliarda Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Galliarda
[-]	Lavandera	Anon.	Anonymous
Lavandera Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Lavandera
[-]	Monario	Anon.	Anonymous
Monario Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: insufficient Voice Text: Monario
[-]	Galiarda	Anon.	Anonymous
Galiarda Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Galiarda
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Passamesa la duce	Anon.	Anonymous
Passamesa la duce Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Passamesa la duce
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Bransle	Anon.	Anonymous
Bransle Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Bransle
[-]	Bransle	Anon.	Anonymous
Bransle Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Bransle
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Lacapitania	Anon.	Anonymous
Lacapitania Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Lacapitania
[-]	Galliarda	Anon.	Anonymous
Galliarda Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Galliarda
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	La speranza	Anon.	Anonymous
La speranza Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: La speranza
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Passamesa	Anon.	Anonymous
Passamesa Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Passamesa
[-]	Galliarda	Anon.	Anonymous
Galliarda Anonymous Appears on: [-] Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Galliarda
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Nu bitten wir denn heiligen geist	Anon.	Anonymous
Nu bitten wir denn heiligen geist Anonymous Appears on: [-] Genres: Motet, Veni sancte spiritus Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Nu bitten wir denn [heiligen geist]
[-]	Parcere prostratis	Anon.	Anonymous
Parcere prostratis Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Parcere prostratis]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan)	[Janequin-anon.]	Janequin, Clement (ca. 1485–ca. 1558)
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) Janequin, Clement (ca. 1485–ca. 1558) Appears on: [-] Genres: Chanson Source Attribution: [Janequin-anon.] Voice: [no designation] Languages: French Voice Text: [Escoutez tous gentilz galloys la victoire] II: [Fan fan fan frere le le lan fan]
[-]	Virgo parens et patris omnium es candida	[Phinot]	Phinot, Dominique
Virgo parens et patris omnium es candida Phinot, Dominique Appears on: [-] Genres: Motet Source Attribution: [Phinot] Voice: [no designation] Languages: Latin Voice Text: Virgo parens [et patris omnium es candida]
[-]	Sana me domine et sanabor salvum me fac II: Confundantur Qui me persequuntur	Anon.	Anonymous
Sana me domine et sanabor salvum me fac II: Confundantur Qui me persequuntur Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Sana me domine [et sanabor salvum me fac] II: [Confundantur] Qui me persequuntur
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Ach Herr, siehe uns gnädig an aus Deinem Thron	[Presten]	Presten, Jorgen
Ach Herr, siehe uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: [-] Genres: Sacred Song Source Attribution: [Presten] Voice: [no designation] Languages: German Voice Text: Ach Herr sihe uns gnedig an [aus deinem thron]
[-]	Mich wundert gar hart umb den roten	Anon.	Anonymous
Mich wundert gar hart umb den roten Anonymous Appears on: [-] Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mich wund[er]t gar hart [umb den roten]
[-]	Erhalt uns Herr bei Deinem Wort	[Presten]	Presten, Jorgen
Erhalt uns Herr bei Deinem Wort Presten, Jorgen Appears on: [-] Genres: Chorale, Sacred Song Source Attribution: [Presten] Voice: [no designation] Languages: German Voice Text: Ehrhalt uns Her beÿ deinem wordt
[-]	Appropinquet deprecatio mea in conspectu II: Fiat manus tua ut salvet me III: Vivet anima mea et laudabit te	[Presten]	Presten, Jorgen
Appropinquet deprecatio mea in conspectu II: Fiat manus tua ut salvet me III: Vivet anima mea et laudabit te Presten, Jorgen Appears on: [-] Genres: Motet Source Attribution: [Presten] Voice: [no designation] Languages: Latin Voice Text: Appropinquet [deprecatio mea in conspectu] II: [Fiat manus tua ut salvet me] III: [Vivat anima mea et laudabit te]
[-]	Verbum supernum prodiens nec patris linquens (2p. Se nascens dedit socium convescens)	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Verbum supernum prodiens nec patris linquens (2p. Se nascens dedit socium convescens) Willaert, Adrian (ca. 1490–1562) Appears on: [-] Genres: Motet Source Attribution: [Willaert] Voice: [no designation] Languages: Latin Voice Text: Verbum supernum [prodiens nec patris linquens] II: Se nascens dedit socium [convescens]
[-]	Quando nascesti amor quando la terra	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Quando nascesti amor quando la terra Willaert, Adrian (ca. 1490–1562) Appears on: [-] Genres: Italian secular Source Attribution: [Willaert] Voice: [no designation] Languages: Italian Voice Text: Quando nascesti amor [quando la terra]
[-]	Che fai alma che pensi? avrem mai pace	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Che fai alma che pensi? avrem mai pace Willaert, Adrian (ca. 1490–1562) Appears on: [-] Genres: Italian secular Source Attribution: [Willaert] Voice: [no designation] Languages: Italian Voice Text: Che fai alma [che pensi? avrem mai pace]
[-]	Inviolata integra et casta es Maria (2p. Tua per precata dulcisona nobis)	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Inviolata integra et casta es Maria (2p. Tua per precata dulcisona nobis) Willaert, Adrian (ca. 1490–1562) Appears on: [-] Genres: Motet Source Attribution: [Willaert] Voice: [no designation] Languages: Latin Voice Text: Inviolata [integra et casta es Maria] II: Tua per precata [dulcisona nobis]
[-]	Liete et pensose accompagnate e sole	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Liete et pensose accompagnate e sole Willaert, Adrian (ca. 1490–1562) Appears on: [-] Genres: Italian secular Source Attribution: [Willaert] Voice: [no designation] Languages: Italian Voice Text: Liete et pensose [accompagnate e sole]
[-]	Occhi miei ch'al mirar foste - 7a pars (of 7?): S'un'ombra di pietade over men crudeltade	[Nasco]	Nasco, Jan
Occhi miei ch'al mirar foste - 7a pars (of 7?): S'un'ombra di pietade over men crudeltade Nasco, Jan Appears on: [-] Genres: Italian secular Source Attribution: [Nasco] Voice: [no designation] Languages: Italian Voice Text: S'un'ombra [di pietade over men crudeltade] [Pars VII of Occhi miei ch'al mirar foste]
[-]	O rossignuol ch'in queste verdi fronde - 4a pars (of 4?): Che parli O s'enturato a cui ragioni	[Nasco]	Nasco, Jan
O rossignuol ch'in queste verdi fronde - 4a pars (of 4?): Che parli O s'enturato a cui ragioni Nasco, Jan Appears on: [-] Genres: Italian secular Source Attribution: [Nasco] Voice: [no designation] Languages: Italian Voice Text: Che parli [O s'enturato a cui ragioni] [Pars IV of O rossignuol ch'in queste verdi fronde]
[-]	Sarra non sette voi la più bell'e gentil	[Nasco]	Nasco, Jan
Sarra non sette voi la più bell'e gentil Nasco, Jan Appears on: [-] Genres: Italian secular Source Attribution: [Nasco] Voice: [no designation] Languages: Italian Voice Text: Sarra non sette voi [la più bell'e gentil]
[-]	Praeter rerum seriem parit Deum hominem (2p. Virtus sancti spiritus opus illud)	[Willaert]	Willaert, Adrian (ca. 1490–1562)
Praeter rerum seriem parit Deum hominem (2p. Virtus sancti spiritus opus illud) Willaert, Adrian (ca. 1490–1562) Appears on: [-] Genres: Motet Source Attribution: [Willaert] Voice: [no designation] Languages: Latin Voice Text: Preter rerum seriem [parit deum hominem] II: [Virtus sancti spiritus opus illud]
[-]	Ecce Dominus veniet nolite timere 14.5	[Jonckers/Josquin/Senfl]	Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)
Ecce Dominus veniet nolite timere 14.5 Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: [-] Genres: Motet Source Attribution: [Jonckers/Josquin/Senfl] Voice: [no designation] Languages: Latin Voice Text: Ecce dominus veniet [nolite timere] 14.5 General Note additional 6th & 7th voices added to the usual 5vv
[-]	Postula a me	Anon.	Anonymous
Postula a me Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Postula a me
[-]	Ego flos campi et lilium convalium	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego flos campi et lilium convalium Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: Latin Voice Text: Ego flos campi [et lilium convallium]
[-]	En despit des faulx mesdisans j'ai aquis	Anon.	Anonymous
En despit des faulx mesdisans j'ai aquis Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: En despitt [des faux mesdisans j'ay acquis]
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Cum favore	Anon.	Anonymous
Cum favore Anonymous Appears on: [-] Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Cum favore
[-]	Sancta Trinitas unus Deus miserere nobis (8vv)	[Jacotin/Jaquet of Mantua]	Jacotin, Jacques (1445–1529) (?) Mantua, Jacquet de (1483–1559) (?)
Sancta Trinitas unus Deus miserere nobis (8vv) Jacotin, Jacques (1445–1529) (?) Mantua, Jacquet de (1483–1559) (?) Appears on: [-] Genres: Motet Source Attribution: [Jacotin/Jaquet of Mantua] Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas [unus deus miserere nobis]
[-]	Sancta Trinitas unus Deus miserere nobis (8vv)	[Phinot]	Phinot, Dominique
Sancta Trinitas unus Deus miserere nobis (8vv) Phinot, Dominique Appears on: [-] Genres: Motet Source Attribution: [Phinot] Voice: [no designation] Languages: Latin Voice Text: Sancta trinitas [unus deus miserere nobis]
[-]	O sacrum convivium in quo Christus sumitur (8vv)	[Phinot]	Phinot, Dominique
O sacrum convivium in quo Christus sumitur (8vv) Phinot, Dominique Appears on: [-] Genres: Motet Source Attribution: [Phinot] Voice: [no designation] Languages: Latin Voice Text: O sacrum convivium [in quo Christus sumitur]
[-]	Amour au coeur me poingt quand bien	[Clemens non Papa]	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Amour au coeur me poingt quand bien Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: [-] Genres: Chanson Source Attribution: [Clemens non Papa] Voice: [no designation] Languages: French Voice Text: Amour [au cueur me poingt quant bien]
[-]	D'amour me plains et non de vous m'amie	[Pathie]	Pathie, Rogier (ca. 1510–ca. 1564)
D'amour me plains et non de vous m'amie Pathie, Rogier (ca. 1510–ca. 1564) Appears on: [-] Genres: Chanson Source Attribution: [Pathie] Voice: [no designation] Languages: French Voice Text: Damour me plains [et non de vous m'amye]
[-]	Gelobet seist Du, Jesu Christ, dass Du Mensch	Anon.	Anonymous
Gelobet seist Du, Jesu Christ, dass Du Mensch Anonymous Appears on: [-] Genres: Chorale, Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Gelobet seÿstu [Jesu Christ dass du mensch]
[-]	Las lui te cert	Anon.	Anonymous
Las lui te cert Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Las lui te cert
[-]	Da pacem Domine in diebus nostris	[Mahu]	Mahu, Stephan
Da pacem Domine in diebus nostris Mahu, Stephan Appears on: [-] Genres: Motet Source Attribution: [Mahu] Voice: [no designation] Languages: Latin Voice Text: Da pacem domine [in diebus nostris]
[-]	Pater noster qui es in caelis (8vv)	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Pater noster qui es in caelis (8vv) Arcadelt, Jacques (ca. 1507–1568) Appears on: [-] Genres: Motet, Pater noster Source Attribution: [Arcadelt] Voice: [no designation] Languages: Latin Voice Text: Pater noster [qui es in caelis]
[-]	Plaude deuill = Plaine de deuil et de melancolie?	Anon.	Anonymous
Plaude deuill = Plaine de deuil et de melancolie? Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Plaude dueill [= Plaine de dueil et de melancolie?]
[-]	Su su / A la bataglia	Anon.	Anonymous
Su su / A la bataglia Anonymous Appears on: [-] Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Su su/A la bataglia
[-]	Jam non dicam vos servos sed amicos (8vv)	[Phinot]	Phinot, Dominique
Jam non dicam vos servos sed amicos (8vv) Phinot, Dominique Appears on: [-] Genres: Motet Source Attribution: [Phinot] Voice: [no designation] Languages: Latin Voice Text: Jam non dicam [vos servos sed amicos]
[-]	Tant seullement ton amour je demande	[Guyot]	Guyot (Castileti), Jean
Tant seullement ton amour je demande Guyot (Castileti), Jean Appears on: [-] Genres: Chanson Source Attribution: [Guyot] Voice: [no designation] Languages: French Voice Text: Tant seullement [ton amour je demande]
[-]	Petit coeur franc prens ton plaisir	[LvArchier]	Larchier, Jean
Petit coeur franc prens ton plaisir Larchier, Jean Appears on: [-] Genres: Chanson Source Attribution: [LvArchier] Voice: [no designation] Languages: French Voice Text: Petit cueur franc [prens ton plaisir]
[-]	Dont vient cela belle je vous supplie	[Crecquillon]	Crecquillon, Thomas (ca. 1505–ca. 1557)
Dont vient cela belle je vous supplie Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: [-] Genres: Chanson Source Attribution: [Crecquillon] Voice: [no designation] Languages: French Voice Text: Dont vient cela [belle je vous supplie]
[-]	Argentum et aurum non est mihi	Anon.	Anonymous
Argentum et aurum non est mihi Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Argentum et aurum [non est mihi]
[-]	Lugebat David Absalon pius pater 14.7 (2p. Porro rex operuit caput suum)	[Gombert/Josquin]	Despres, Josquin (ca. 1450–1521) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)
Lugebat David Absalon pius pater 14.7 (2p. Porro rex operuit caput suum) Despres, Josquin (ca. 1450–1521) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Appears on: [-] Genres: Motet Source Attribution: [Gombert/Josquin] Voice: [no designation] Languages: Latin Voice Text: [Lugebat David Absalom pius pater filium] 14.7
[-]	untexted	Anon.	-
untexted Appears on: [-] Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
[-]	Incipit oratio Jeremiae prophetae	[Phinot]	Phinot, Dominique
Incipit oratio Jeremiae prophetae Phinot, Dominique Appears on: [-] Genres: Lamentations Source Attribution: [Phinot] Voice: [no designation] Languages: Latin, Hebrew Voice Text: Incipit oratio Hiaeremiae [prophetae]
[-]	Vivons m'amye et l'amour poursuyvons	[Phinot]	Phinot, Dominique
Vivons m'amye et l'amour poursuyvons Phinot, Dominique Appears on: [-] Genres: Chanson Source Attribution: [Phinot] Voice: [no designation] Languages: French Voice Text: Vivons ne amÿe et l'amour poursuÿvons
[-]	Qu'est-ce qu'amour? rien que vivre sans vie	[Phinot]	Phinot, Dominique
Qu'est-ce qu'amour? rien que vivre sans vie Phinot, Dominique Appears on: [-] Genres: Chanson Source Attribution: [Phinot] Voice: [no designation] Languages: French Voice Text: Qui est requis amour [= Qu'est-ce qu'amour? rien que vivre sans vie]
[-]	Par un trait d'or trop esmoulu	[Phinot]	Phinot, Dominique
Par un trait d'or trop esmoulu Phinot, Dominique Appears on: [-] Genres: Chanson Source Attribution: [Phinot] Voice: [no designation] Languages: French Voice Text: Par un trait dvor trop esmoulu
[-]	Was wird es doch des trinckens noch	[Brandt]	Brandt, Jobst vom
Was wird es doch des trinckens noch Brandt, Jobst vom Appears on: [-] Genres: Song Source Attribution: [Brandt] Voice: [no designation] Languages: German Voice Text: Was wirdt es doch [des trinckens noch]
[-]	Christ bet und wach	[Presten]	Presten, Jorgen
Christ bet und wach Presten, Jorgen Appears on: [-] Genres: Sacred Song Source Attribution: [Presten] Voice: [no designation] Languages: German Voice Text: Christ bet undt wach
[-]	Nun bittenn wir denn heiligenn geist	[Presten]	Anonymous
Nun bittenn wir denn heiligenn geist Anonymous Appears on: [-] Genres: Motet, Veni sancte spiritus Source Attribution: [Presten] Voice: [no designation] Languages: German Voice Text: Nu bittenn wir [den heiligen geist]
[-]	O Herre sieh uns gnädig an aus Deinem Thron	[Presten]	Presten, Jorgen
O Herre sieh uns gnädig an aus Deinem Thron Presten, Jorgen Appears on: [-] Genres: Sacred Song Source Attribution: [Presten] Voice: [no designation] Languages: German Voice Text: O Herre sie uns gnedig ahn [aus deinem thron]
[-]	Pater noster qui es in caelis II: Panem nostrum quotidianum da nobis	[Heugel]	Hesdin, Nicolle des Celliers de (–1538)
Pater noster qui es in caelis II: Panem nostrum quotidianum da nobis Hesdin, Nicolle des Celliers de (–1538) Appears on: [-] Genres: Motet Source Attribution: [Heugel] Voice: [no designation] Languages: Latin Voice Text: Pater noster [qui es in caelis] II: Panem nostrum [quotidianum da nobis]
[-]	Magna et mirabilia sunt opera tua	Anon.	Anonymous
Magna et mirabilia sunt opera tua Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Magna et mirabilia sunt opera tua
[-]	Gloria tibi trinitas aequalis una Deitas	[Rivulo]	Rivulo, Franziscus de
Gloria tibi trinitas aequalis una Deitas Rivulo, Franziscus de Appears on: [-] Genres: Motet Source Attribution: [Rivulo] Voice: [no designation] Languages: Latin Voice Text: Gloria [tibi trinitas aequalis una deitas]
[-]	Descendit angelus Domini ad Zachariam dicens	[Rivulo]	Rivulo, Franziscus de
Descendit angelus Domini ad Zachariam dicens Rivulo, Franziscus de Appears on: [-] Genres: Motet Source Attribution: [Rivulo] Voice: [no designation] Languages: Latin Voice Text: Descendit angelus domini ad Zachariam dicens
[-]	Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv)	[Clemens non Papa/Crecquillon]	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: [-] Genres: Motet Source Attribution: [Clemens non Papa/Crecquillon] Voice: [no designation] Languages: Latin Voice Text: Pater peccavi [in caelum et coram te] II: Quanti mercenarii [in domo patris]
[-]	Gaudent in caelis animae sanctorum	[Phinot/Richafort/Verdelot]	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?)
Gaudent in caelis animae sanctorum Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?) Appears on: [-] Genres: Motet Source Attribution: [Phinot/Richafort/Verdelot] Voice: [no designation] Languages: Latin Voice Text: Gaudent in caelis [animae sanctorum]
[-]	Dolci ire dolci sdegni e dolci paci	[Portinaro]	Portinari, Francesco (ca. 1520–ca. 1577)
Dolci ire dolci sdegni e dolci paci Portinari, Francesco (ca. 1520–ca. 1577) Appears on: [-] Genres: Italian secular Source Attribution: [Portinaro] Voice: [no designation] Languages: Italian Voice Text: Dolci ire [dolci sdegni e dolci paci]
[-]	Donna possio morir	Anon.	Anonymous
Donna possio morir Anonymous Appears on: [-] Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Donna possio morir
[-]	Madonna hor che direte ch'in tutto l'amor	[Veggio]	Veggio, Claudio Maria (ca. 1510–ca. 1543)
Madonna hor che direte ch'in tutto l'amor Veggio, Claudio Maria (ca. 1510–ca. 1543) Appears on: [-] Genres: Motet Source Attribution: [Veggio] Voice: [no designation] Languages: Italian Voice Text: Madonna hor [che direte ch'in tutto l'amor]
[-]	Madonna il mio dolor è tanto e tale	[Veggio]	Veggio, Claudio Maria (ca. 1510–ca. 1543)
Madonna il mio dolor è tanto e tale Veggio, Claudio Maria (ca. 1510–ca. 1543) Appears on: [-] Genres: Motet Source Attribution: [Veggio] Voice: [no designation] Languages: Italian Voice Text: Madonn[a] il mio dolor [è tanto e tale]
[-]	O gloriosa domina excelsa supra sydera (2p. Quod Eva tristis abstulit tu reddis)	[Vaet]	Vaet, Jacobus (ca. 1529–ca. 1567)
O gloriosa domina excelsa supra sydera (2p. Quod Eva tristis abstulit tu reddis) Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: [-] Genres: Motet Source Attribution: [Vaet] Voice: [no designation] Languages: Latin Voice Text: O gloriosa domina [excelsa supra sydera] II: Quod Eva tristis [abstulit tu reddis]
[-]	Dolce fiama d'amer amor	Anon.	Anonymous
Dolce fiama d'amer amor Anonymous Appears on: [-] Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Dolce fiama damer amor
[-]	Valli	Anon.	Anonymous
Valli Anonymous Appears on: [-] Genres: Secular Source Attribution: Anon. Voice: [no designation] Languages: insufficient Voice Text: Valli
[-]	Ego sum resurrectio et vita qui credit (8vv)	[Buissons]	Buissons, Michael Charles des (fl. 1560–70)
Ego sum resurrectio et vita qui credit (8vv) Buissons, Michael Charles des (fl. 1560–70) Appears on: [-] Genres: Motet Source Attribution: [Buissons] Voice: [no designation] Languages: Latin Voice Text: Ego sum resurrectio et vita [qui credit]
[-]	Ung gay bergier prioit une bergiere?	Anon.	Anonymous
Ung gay bergier prioit une bergiere? Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ung gay bergier [prioit une bergiere?]
[-]	Donna se quel che	Anon.	Anonymous
Donna se quel che Anonymous Appears on: [-] Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Donna se quel che
[-]	Mie venture	Anon.	Anonymous
Mie venture Anonymous Appears on: [-] Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Mie venture
[-]	Pater noster qui es in caelis	Anon.	Anonymous
Pater noster qui es in caelis Anonymous Appears on: [-] Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Pater noster [qui es in caelis]

Composer	Compositions
Anonymous	Alles von Gott – [-] Antverpia verblüht – [-] Apparuerunt – [-] Argentum et aurum non est mihi – [-] Ben pare – [-] Bransle – [-] Bransle – [-] Cest pro parle = c'est trop parle de Bachus et sa tasse? – [-] Chi passa per sta strada e non sospira – [-] Cum favore – [-] Der Mai – [-] Dolce fiama d'amer amor – [-] Donna possio morir – [-] Donna se quel che – [-] Ecce nunc benedicite Dominum omnes servi Domini – [-] Ecce quam bonum et quam jucundum habitare – [-] Elle belle – [-] En despit des faulx mesdisans j'ai aquis – [-] Frisque et gaillard un jour entre cent mille – [-] Frisque et gaillard un jour entre cent mille – [-] Galiarda – [-] Galiarda Rosina – [-] Galliarda – [-] Galliarda – [-] Galliarda – [-] Gelobet seist Du, Jesu Christ, dass Du Mensch – [-] Gentil madonna del mio cor patrona – [-] Grates nunc omnes reddamus Domino deo II: Huic oportet ut canamus cum angelis – [-] Her Christ der einig Gottes Sonn – [-] Heroum – [-] In manus tuas commendo spiritum meum? – [-] La speranza – [-] Lacapitania – [-] Las lui te cert – [-] Lavandera – [-] Lobet dem Heren – [-] Magna et mirabilia sunt opera tua – [-] Mais languirai-je toujours, vrai Dieu – [-] Mich wundert gar hart umb den roten – [-] Mie venture – [-] Monario – [-] Nu bitten wir denn heiligen geist – [-] Nun bittenn wir denn heiligenn geist – [-] O admirabile commercium creator generis – [-] O hortulano – [-] Padoana – [-] Pange lingua gloriosi corporis mysterium – [-] Parcere prostratis – [-] Passamesa – [-] Passamesa la duce – [-] Pater noster qui es in caelis – [-] Per quem salutiferi – [-] Plaude deuill = Plaine de deuil et de melancolie? – [-] Pontifier – [-] Postula a me – [-] Pres de mon mal – [-] Sana me domine et sanabor salvum me fac II: Confundantur Qui me persequuntur – [-] Sicut locutus est ad patres nostros – [-] Su su / A la bataglia – [-] Tollite jugum meum super vos dicit Dominus – [-] Une nonette – [-] Ung gay bergier prioit une bergiere? – [-] Valli – [-] Venit nunc Ferdinandus – [-] Verbum bonum et suave personemus illud II: Ave solem genuisti ave prolem – [-] Vous lui ames – [-] Welsch Tantz – [-] Welsch Tantz – [-] Will niemand singen, so sing aber ich – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-] [No description] – [-]
Appenzeller, Benedictus (ca. 1480–ca. 1558)	Paine et travil = Paine et travail me font incessament – [-]
Arcadelt, Jacques (ca. 1507–1568)	Com esser può ch'io viva se'l mio bel sol – [-] Pater noster qui es in caelis (8vv) – [-]
Berchem, Jacques (ca. 1505–1567)	Hodie in Iordane baptizato Domino aperti II: Caeli aperti sunt super eum et vox – [-] Qualis es dilecta mea dicite filiae Sion – [-]
Brandt, Jobst vom	Was wird es doch des trinckens noch – [-]
Buissons, Michael Charles des (fl. 1560–70)	Ego sum resurrectio et vita qui credit (8vv) – [-]
Canis, Cornelius	Castae parentis (6vv) (2p. Enixa est puerpera) – [-]
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	A qui me dois je retirer Puisque mon ami – [-] Adieu mon esperance adieu mon souvenir – [-] Amour au coeur me poingt quand bien – [-] Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) – [-] C'est a grant tort que moi povrette endure – [-] Clemens et benigna jugi laude digna (2p. Nos a miseria perduc ad gaudia) – [-] Deus in adjutorium meum intende Domine (2p. Ecce in tenebris sedeo et lumen) – [-] Dixerunt discipuli ad beatum Martinum (2p. Domine si adhuc populo tuo) – [-] Ego flos campi et lilium convalium – [-] Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari) – [-] Jubilate Deo omnis terra servite Domino (2p. Populus eius et oves pascuae) – [-] La belle Margarite c'est une noble fleur – [-] Languir me fais sans t'avoir offensée – [-] Levavi oculos meos in montes unde veniet (2p. Anima nostra sicut passer erepta est) – [-] Me retirer d'elle ne m'est possible – [-] (?) Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) – [-]
Crecquillon, Thomas (ca. 1505–ca. 1557)	Dont vient cela belle je vous supplie – [-]
Crespel, Jean	J'ai veu le cerf du bois saillir et boire – [-] Le content est riche en ce monde – [-]
Despres, Josquin (ca. 1450–1521)	(?) Ecce Dominus veniet nolite timere 14.5 – [-] (?) Lugebat David Absalon pius pater 14.7 (2p. Porro rex operuit caput suum) – [-]
Donato, Baldassare (ca. 1529–1603)	Si pur ti guardo dolce anima mia – [-]
Ferrara, Maistre Jhan of (ca. 1485–1538)	Hodie in Jordane baptizato Domino aperti II: Descendit spiritus sanctus corporali – [-] Non vi lassero mai siatime pur crudele – [-]
Galli, Antonius	Vivre ne puis sur terre car mort suis – [-]
Gombert, Nicolas (ca. 1495–ca. 1560)	Ego sum qui sum et consilium meum non (2p. Tulerunt Dominum meum et nescio ubi) – [-] En attendant l'espoir de ma maîtresse – [-] In illo tempore dicebat Jesus ei (2p. Sed cum facis convivium voca pauperes) – [-] In illo tempore loquente Jesu ad turbas – [-] (?) Lugebat David Absalon pius pater 14.7 (2p. Porro rex operuit caput suum) – [-] Mon petit coeur helas qui nuit et jour – [-] Omnis pulchritudo Domini exaltata est super (2p. A summo caelo egressio eius et occursus) – [-] Omnium in te sperant domine II: Qui edunt me adhuc esuriunt – [-]
Guyot (Castileti), Jean	Tant seullement ton amour je demande – [-]
Hesdin, Nicolle des Celliers de (–1538)	Pater noster qui es in caelis II: Panem nostrum quotidianum da nobis – [-]
Jacotin, Jacques (1445–1529)	(?) Sancta Trinitas unus Deus miserere nobis (8vv) – [-]
Janequin, Clement (ca. 1485–ca. 1558)	Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) – [-]
Jonckers, Maistre Gosse	(?) Ecce Dominus veniet nolite timere 14.5 – [-]
Larchier, Jean	D'amour me plains et non de vous m'amie – [-] Petit coeur franc prens ton plaisir – [-]
Le Cocq, Gerard	Or suis je bien au pire de mes malheureulx – [-]
Mahu, Stephan	Da pacem Domine in diebus nostris – [-]
Manchicourt, Pierre de	Homo quidam fecit nuptias filio suo II: Gaudeamus et exultemus et demus – [-] Illuminare Jerusalem quia venit lumen tuum (2p. Filii tui de longe venient) – [-] (?) Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv) – [-] Quae est ista quae ascendit sicut sol (2p. Ista est speciosa inter filias) – [-] Veniat dilectus meus in ortum suum II: Qualis est dilectus tuus O pulcherrima – [-]
Mantua, Jacquet de (1483–1559)	(?) Sancta Trinitas unus Deus miserere nobis (8vv) – [-] Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves) – [-]
Meiland, Jacob (1542–1577)	Gaudete filiae Jerusalem nam flores apparuerunt – [-]
Morales, Cristóbal de (ca. 1500–1553)	Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet) – [-]
Nasco, Jan	A piè d'un giovinett'e verd'alloro - 5a pars (of 5?): Cossi disse e dal cor si sciolse – [-] Felice schiera di bei spirti eletti – [-] Ite rime dolenti al duro sasso ch'il mio II: Sol di lei raggionando viv'e morta – [-] Lasciato hai morte senza sole il mondo II: Pianger l'aer e la terra – [-] O rossignuol ch'in queste verdi fronde - 3a pars (of 4?): A pie de l'Alpi che parton la magna – [-] O rossignuol ch'in queste verdi fronde - 4a pars (of 4?): Che parli O s'enturato a cui ragioni – [-] Occhi miei ch'al mirar foste - 7a pars (of 7?): S'un'ombra di pietade over men crudeltade – [-] Occhi miei ch'al mirar foste - 6a pars (of 7?): Piedi che nott'e giorno andat'errando – [-] Sarra non sette voi la più bell'e gentil – [-] Tanto è amor - 3a pars (of 3): Chi potrebbe stimar che le mie braccie – [-]
Nollet	Partomi donna et teco lascio il core – [-]
Pathie, Rogier (ca. 1510–ca. 1564)	D'amour me plains et non de vous m'amie – [-]
Phinot, Dominique	(?) Gaudent in caelis animae sanctorum – [-] Incipit oratio Jeremiae prophetae – [-] Jam non dicam vos servos sed amicos (8vv) – [-] O sacrum convivium in quo Christus sumitur (8vv) – [-] Par un trait d'or trop esmoulu – [-] Qu'est-ce qu'amour? rien que vivre sans vie – [-] Sancta Trinitas unus Deus miserere nobis (8vv) – [-] Virgo parens et patris omnium es candida – [-] Vivons m'amye et l'amour poursuyvons – [-]
Pionnier, Joannes (–1573)	Quem dicunt homines esse filium hominis – [-]
Portinari, Francesco (ca. 1520–ca. 1577)	Dolci ire dolci sdegni e dolci paci – [-]
Presten, Jorgen	Ach Herr, siehe uns gnädig an aus Deinem Thron – [-] Appropinquet deprecatio mea in conspectu II: Fiat manus tua ut salvet me III: Vivet anima mea et laudabit te – [-] Christ bet und wach – [-] Erhalt uns Herr bei Deinem Wort – [-] O Herre sieh uns gnädig an aus Deinem Thron – [-]
Richafort, Jean (ca. 1480–ca. 1550)	(?) Gaudent in caelis animae sanctorum – [-]
Rivulo, Franziscus de	Descendit angelus Domini ad Zachariam dicens – [-] Gloria tibi trinitas aequalis una Deitas – [-]
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) Ecce Dominus veniet nolite timere 14.5 – [-]
Vaet, Jacobus (ca. 1529–ca. 1567)	O gloriosa domina excelsa supra sydera (2p. Quod Eva tristis abstulit tu reddis) – [-]
Veggio, Claudio Maria (ca. 1510–ca. 1543)	Madonna hor che direte ch'in tutto l'amor – [-] Madonna il mio dolor è tanto e tale – [-]
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Gaudent in caelis animae sanctorum – [-] Hoime che la bruneta mia che l'è di fuora – [-] (?) La dolce vista e'l bel guardo soave – [-]
Walter, Johann (1496–1570)	Wir glauben all an einen Gott [Credo] (I) (4vv) – [-]
Werrecore, Matthias Hermann	Horsu compagni state attenti ad ascoltare – [-]
Willaert, Adrian (ca. 1490–1562)	Audite insulae et attendite populi II: Et posuit os meum quasi gladium – [-] Che fai alma che pensi? avrem mai pace – [-] E quand'a fato l'ovo la mattina – [-] I vidi in terra angelici costumi II: Amor senno valor pietate e doglia – [-] Inviolata integra et casta es Maria (2p. Tua per precata dulcisona nobis) – [-] Liete et pensose accompagnate e sole – [-] Praeter rerum seriem parit Deum hominem (2p. Virtus sancti spiritus opus illud) – [-] Quando nascesti amor quando la terra – [-] (?) Si pur ti guardo dolce anima mia – [-] Verbum supernum prodiens nec patris linquens (2p. Se nascens dedit socium convescens) – [-]
Wisme (Vuismes), Nicholas de	Benedic domine domum istam quam aedificavi II: Audi [Exaudi] preces domine quas fundit populus – [-]

Composition	Composers (? Uncertain)	Folios / Pages
A piè d'un giovinett'e verd'alloro - 5a pars (of 5?): Cossi disse e dal cor si sciolse	Nasco, Jan	[-]
A qui me dois je retirer Puisque mon ami	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Ach Herr, siehe uns gnädig an aus Deinem Thron	Presten, Jorgen	[-]
Adieu mon esperance adieu mon souvenir	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Alles von Gott	Anonymous	[-]
Amour au coeur me poingt quand bien	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Antverpia verblüht	Anonymous	[-]
Apparuerunt	Anonymous	[-]
Appropinquet deprecatio mea in conspectu II: Fiat manus tua ut salvet me III: Vivet anima mea et laudabit te	Presten, Jorgen	[-]
Argentum et aurum non est mihi	Anonymous	[-]
Audite insulae et attendite populi II: Et posuit os meum quasi gladium	Willaert, Adrian (ca. 1490–1562)	[-]
Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Beati omnes qui timent Dominum qui ambulant (2p. Ecce sic benedicetur homo qui timet)	Morales, Cristóbal de (ca. 1500–1553)	[-]
Ben pare	Anonymous	[-]
Benedic domine domum istam quam aedificavi II: Audi [Exaudi] preces domine quas fundit populus	Wisme (Vuismes), Nicholas de	[-]
Bransle	Anonymous	[-]
Bransle	Anonymous	[-]
C'est a grant tort que moi povrette endure	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Castae parentis (6vv) (2p. Enixa est puerpera)	Canis, Cornelius	[-]
Cest pro parle = c'est trop parle de Bachus et sa tasse?	Anonymous	[-]
Che fai alma che pensi? avrem mai pace	Willaert, Adrian (ca. 1490–1562)	[-]
Chi passa per sta strada e non sospira	Anonymous	[-]
Christ bet und wach	Presten, Jorgen	[-]
Clemens et benigna jugi laude digna (2p. Nos a miseria perduc ad gaudia)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Com esser può ch'io viva se'l mio bel sol	Arcadelt, Jacques (ca. 1507–1568)	[-]
Cum favore	Anonymous	[-]
D'amour me plains et non de vous m'amie	Larchier, Jean	[-]
D'amour me plains et non de vous m'amie	Pathie, Rogier (ca. 1510–ca. 1564)	[-]
Da pacem Domine in diebus nostris	Mahu, Stephan	[-]
Der Mai	Anonymous	[-]
Descendit angelus Domini ad Zachariam dicens	Rivulo, Franziscus de	[-]
Deus in adjutorium meum intende Domine (2p. Ecce in tenebris sedeo et lumen)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Dixerunt discipuli ad beatum Martinum (2p. Domine si adhuc populo tuo)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Dolce fiama d'amer amor	Anonymous	[-]
Dolci ire dolci sdegni e dolci paci	Portinari, Francesco (ca. 1520–ca. 1577)	[-]
Donna possio morir	Anonymous	[-]
Donna se quel che	Anonymous	[-]
Dont vient cela belle je vous supplie	Crecquillon, Thomas (ca. 1505–ca. 1557)	[-]
E quand'a fato l'ovo la mattina	Willaert, Adrian (ca. 1490–1562)	[-]
Ecce Dominus veniet nolite timere 14.5	Despres, Josquin (ca. 1450–1521) (?) Jonckers, Maistre Gosse (?) Senfl, Ludwig (ca. 1486–ca. 1543) (?)	[-]
Ecce nunc benedicite Dominum omnes servi Domini	Anonymous	[-]
Ecce quam bonum et quam jucundum habitare	Anonymous	[-]
Ego flos campi et lilium convalium	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Ego sum qui sum et consilium meum non (2p. Tulerunt Dominum meum et nescio ubi)	Gombert, Nicolas (ca. 1495–ca. 1560)	[-]
Ego sum resurrectio et vita qui credit (8vv)	Buissons, Michael Charles des (fl. 1560–70)	[-]
Elle belle	Anonymous	[-]
En attendant l'espoir de ma maîtresse	Gombert, Nicolas (ca. 1495–ca. 1560)	[-]
En despit des faulx mesdisans j'ai aquis	Anonymous	[-]
Erhalt uns Herr bei Deinem Wort	Presten, Jorgen	[-]
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan)	Janequin, Clement (ca. 1485–ca. 1558)	[-]
Felice schiera di bei spirti eletti	Nasco, Jan	[-]
Fremuit spiritus Jesu et turbavit seipsum (2p. Videns Dominus flentes sorores Lazari)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Frisque et gaillard un jour entre cent mille	Anonymous	[-]
Frisque et gaillard un jour entre cent mille	Anonymous	[-]
Galiarda	Anonymous	[-]
Galiarda Rosina	Anonymous	[-]
Galliarda	Anonymous	[-]
Galliarda	Anonymous	[-]
Galliarda	Anonymous	[-]
Gaudent in caelis animae sanctorum	Richafort, Jean (ca. 1480–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Phinot, Dominique (?)	[-]
Gaudete filiae Jerusalem nam flores apparuerunt	Meiland, Jacob (1542–1577)	[-]
Gelobet seist Du, Jesu Christ, dass Du Mensch	Anonymous	[-]
Gentil madonna del mio cor patrona	Anonymous	[-]
Gloria tibi trinitas aequalis una Deitas	Rivulo, Franziscus de	[-]
Grates nunc omnes reddamus Domino deo II: Huic oportet ut canamus cum angelis	Anonymous	[-]
Her Christ der einig Gottes Sonn	Anonymous	[-]
Heroum	Anonymous	[-]
Hodie in Iordane baptizato Domino aperti II: Caeli aperti sunt super eum et vox	Berchem, Jacques (ca. 1505–1567)	[-]
Hodie in Jordane baptizato Domino aperti II: Descendit spiritus sanctus corporali	Ferrara, Maistre Jhan of (ca. 1485–1538)	[-]
Hoime che la bruneta mia che l'è di fuora	Verdelot, Philippe (ca. 1480–ca. 1532)	[-]
Homo quidam fecit nuptias filio suo II: Gaudeamus et exultemus et demus	Manchicourt, Pierre de	[-]
Horsu compagni state attenti ad ascoltare	Werrecore, Matthias Hermann	[-]
I vidi in terra angelici costumi II: Amor senno valor pietate e doglia	Willaert, Adrian (ca. 1490–1562)	[-]
Illuminare Jerusalem quia venit lumen tuum (2p. Filii tui de longe venient)	Manchicourt, Pierre de	[-]
In illo tempore dicebat Jesus ei (2p. Sed cum facis convivium voca pauperes)	Gombert, Nicolas (ca. 1495–ca. 1560)	[-]
In illo tempore loquente Jesu ad turbas	Gombert, Nicolas (ca. 1495–ca. 1560)	[-]
In manus tuas commendo spiritum meum?	Anonymous	[-]
Incipit oratio Jeremiae prophetae	Phinot, Dominique	[-]
Inviolata integra et casta es Maria (2p. Tua per precata dulcisona nobis)	Willaert, Adrian (ca. 1490–1562)	[-]
Ite rime dolenti al duro sasso ch'il mio II: Sol di lei raggionando viv'e morta	Nasco, Jan	[-]
J'ai veu le cerf du bois saillir et boire	Crespel, Jean	[-]
Jam non dicam vos servos sed amicos (8vv)	Phinot, Dominique	[-]
Jubilate Deo omnis terra servite Domino (2p. Populus eius et oves pascuae)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
La belle Margarite c'est une noble fleur	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
La dolce vista e'l bel guardo soave	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	[-]
La speranza	Anonymous	[-]
Lacapitania	Anonymous	[-]
Languir me fais sans t'avoir offensée	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Las lui te cert	Anonymous	[-]
Lasciato hai morte senza sole il mondo II: Pianger l'aer e la terra	Nasco, Jan	[-]
Lavandera	Anonymous	[-]
Le content est riche en ce monde	Crespel, Jean	[-]
Levavi oculos meos in montes unde veniet (2p. Anima nostra sicut passer erepta est)	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Liete et pensose accompagnate e sole	Willaert, Adrian (ca. 1490–1562)	[-]
Lobet dem Heren	Anonymous	[-]
Lugebat David Absalon pius pater 14.7 (2p. Porro rex operuit caput suum)	Despres, Josquin (ca. 1450–1521) (?) Gombert, Nicolas (ca. 1495–ca. 1560) (?)	[-]
Madonna hor che direte ch'in tutto l'amor	Veggio, Claudio Maria (ca. 1510–ca. 1543)	[-]
Madonna il mio dolor è tanto e tale	Veggio, Claudio Maria (ca. 1510–ca. 1543)	[-]
Magna et mirabilia sunt opera tua	Anonymous	[-]
Mais languirai-je toujours, vrai Dieu	Anonymous	[-]
Me retirer d'elle ne m'est possible	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	[-]
Mich wundert gar hart umb den roten	Anonymous	[-]
Mie venture	Anonymous	[-]
Mon petit coeur helas qui nuit et jour	Gombert, Nicolas (ca. 1495–ca. 1560)	[-]
Monario	Anonymous	[-]
Non vi lassero mai siatime pur crudele	Ferrara, Maistre Jhan of (ca. 1485–1538)	[-]
Nu bitten wir denn heiligen geist	Anonymous	[-]
Nun bittenn wir denn heiligenn geist	Anonymous	[-]
O admirabile commercium creator generis	Anonymous	[-]
O gloriosa domina excelsa supra sydera (2p. Quod Eva tristis abstulit tu reddis)	Vaet, Jacobus (ca. 1529–ca. 1567)	[-]
O Herre sieh uns gnädig an aus Deinem Thron	Presten, Jorgen	[-]
O hortulano	Anonymous	[-]
O rossignuol ch'in queste verdi fronde - 3a pars (of 4?): A pie de l'Alpi che parton la magna	Nasco, Jan	[-]
O rossignuol ch'in queste verdi fronde - 4a pars (of 4?): Che parli O s'enturato a cui ragioni	Nasco, Jan	[-]
O sacrum convivium in quo Christus sumitur (8vv)	Phinot, Dominique	[-]
Occhi miei ch'al mirar foste - 7a pars (of 7?): S'un'ombra di pietade over men crudeltade	Nasco, Jan	[-]
Occhi miei ch'al mirar foste - 6a pars (of 7?): Piedi che nott'e giorno andat'errando	Nasco, Jan	[-]
Omnis pulchritudo Domini exaltata est super (2p. A summo caelo egressio eius et occursus)	Gombert, Nicolas (ca. 1495–ca. 1560)	[-]
Omnium in te sperant domine II: Qui edunt me adhuc esuriunt	Gombert, Nicolas (ca. 1495–ca. 1560)	[-]
Or suis je bien au pire de mes malheureulx	Le Cocq, Gerard	[-]
Padoana	Anonymous	[-]
Paine et travil = Paine et travail me font incessament	Appenzeller, Benedictus (ca. 1480–ca. 1558)	[-]
Pange lingua gloriosi corporis mysterium	Anonymous	[-]
Par un trait d'or trop esmoulu	Phinot, Dominique	[-]
Parcere prostratis	Anonymous	[-]
Partomi donna et teco lascio il core	Nollet	[-]
Passamesa	Anonymous	[-]
Passamesa la duce	Anonymous	[-]
Pater noster qui es in caelis	Anonymous	[-]
Pater noster qui es in caelis (8vv)	Arcadelt, Jacques (ca. 1507–1568)	[-]
Pater noster qui es in caelis II: Panem nostrum quotidianum da nobis	Hesdin, Nicolle des Celliers de (–1538)	[-]
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (4vv)	Manchicourt, Pierre de (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	[-]
Per quem salutiferi	Anonymous	[-]
Petit coeur franc prens ton plaisir	Larchier, Jean	[-]
Plaude deuill = Plaine de deuil et de melancolie?	Anonymous	[-]
Pontifier	Anonymous	[-]
Postula a me	Anonymous	[-]
Praeter rerum seriem parit Deum hominem (2p. Virtus sancti spiritus opus illud)	Willaert, Adrian (ca. 1490–1562)	[-]
Pres de mon mal	Anonymous	[-]
Qu'est-ce qu'amour? rien que vivre sans vie	Phinot, Dominique	[-]
Quae est ista quae ascendit sicut sol (2p. Ista est speciosa inter filias)	Manchicourt, Pierre de	[-]
Qualis es dilecta mea dicite filiae Sion	Berchem, Jacques (ca. 1505–1567)	[-]
Quando nascesti amor quando la terra	Willaert, Adrian (ca. 1490–1562)	[-]
Quem dicunt homines esse filium hominis	Pionnier, Joannes (–1573)	[-]
Sana me domine et sanabor salvum me fac II: Confundantur Qui me persequuntur	Anonymous	[-]
Sancta Trinitas unus Deus miserere nobis (8vv)	Jacotin, Jacques (1445–1529) (?) Mantua, Jacquet de (1483–1559) (?)	[-]
Sancta Trinitas unus Deus miserere nobis (8vv)	Phinot, Dominique	[-]
Sarra non sette voi la più bell'e gentil	Nasco, Jan	[-]
Si pur ti guardo dolce anima mia	Donato, Baldassare (ca. 1529–1603) Willaert, Adrian (ca. 1490–1562) (?)	[-]
Sicut locutus est ad patres nostros	Anonymous	[-]
Su su / A la bataglia	Anonymous	[-]
Surge Petre et indue te vestimentis tuis (2p. Si diligis me Symon Petre pasce oves)	Mantua, Jacquet de (1483–1559)	[-]
Tant seullement ton amour je demande	Guyot (Castileti), Jean	[-]
Tanto è amor - 3a pars (of 3): Chi potrebbe stimar che le mie braccie	Nasco, Jan	[-]
Tollite jugum meum super vos dicit Dominus	Anonymous	[-]
Une nonette	Anonymous	[-]
Ung gay bergier prioit une bergiere?	Anonymous	[-]
Valli	Anonymous	[-]
Veniat dilectus meus in ortum suum II: Qualis est dilectus tuus O pulcherrima	Manchicourt, Pierre de	[-]
Venit nunc Ferdinandus	Anonymous	[-]
Verbum bonum et suave personemus illud II: Ave solem genuisti ave prolem	Anonymous	[-]
Verbum supernum prodiens nec patris linquens (2p. Se nascens dedit socium convescens)	Willaert, Adrian (ca. 1490–1562)	[-]
Virgo parens et patris omnium es candida	Phinot, Dominique	[-]
Vivons m'amye et l'amour poursuyvons	Phinot, Dominique	[-]
Vivre ne puis sur terre car mort suis	Galli, Antonius	[-]
Vous lui ames	Anonymous	[-]
Was wird es doch des trinckens noch	Brandt, Jobst vom	[-]
Welsch Tantz	Anonymous	[-]
Welsch Tantz	Anonymous	[-]
Will niemand singen, so sing aber ich	Anonymous	[-]
Wir glauben all an einen Gott [Credo] (I) (4vv)	Walter, Johann (1496–1570)	[-]

Set: Holm. S 229:1-2

Type: Partbooks

No images available

S-Sk Holm. S 229:1

No images available

S-Sk Holm. S 229:2

No images available

S-Skma Tyska Kyrkans Samling 45

‡ denotes primary source study

Hedberg, Arvid. 1949. Stockholms Bokbindare 1460-1880. Band I: tiden från 1460 till omkring 1700. Nordiska Museets Handlingar. Stockholm. Pages: 36.

Jeppesen, Knud (editor). 1933-. Dania Sonans. Copenhagen, Leipzig, and Egtved. Pages: IV, 29, 31-3, passim.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description