F-Pm 307

Bibliothèque Mazarine, Paris, France

non-music MS with interpolated music: 14th century

Archive Bibliothèque Mazarine, Paris, France (F-Pm)
Shelfmark 307
Image Availability DIAMM does not have images of this source.
Surface Parchment
Numbering System Foliation
Measurements 325 x 229 mm
Other Identifiers
  • RISM: Maz
Notations
  • partially differentiated longs and breves
External Links
Provenance
  • France
Contents 1 pieces from 1 composers
General Description

The main contents are Petrus Comestor's Historia scholastica. On f. 206v a polyphonic motet has been added. Under this is a note, which has been partially erased: Iste liber fuit emptus Parisius afratre Jacobo de … de ordine fratrum Predicatorum.

DIAMM, 2017
Binding

newish binding of three-quarter pigskin; the rest is parchment

DIAMM, 2017
Notation

partially differentiated longs and breves (also noticeable is a repeated breve shape with an ascending tail on the right of the second note, and the conjunctura consisting of a breve followed by two semibreves)

DIAMM, 2017
Ruling

10 four- or five-line systems, ruled continuously in the same brown ink as the text (f. 206v)

DIAMM, 2017
Foliation

206v

DIAMM, 2017
Foliation

no old foliation, but a modern pencil one appears at t.r.r.

DIAMM, 2017
Surface

Parchment

DIAMM, 2017
RISM Description

RISM B/IV 1: A mid-13th century parchment manuscript meas. 325 x 329 mm. and containing 207 folios. Apart from the numbered folios, there are two old paper folios and an old parchment one at the front, while at the end is a further parchment folio stuck to an old paper one, followed by two more old paper folios. The newish binding is of three-quarter pigskin, the rest being parchment. The main contents are Petrus Comestor's Historia scholastica. There is no old foliation, but a modern pencil one appears at t.r.r. On f. 206v is the polyphony as a 14th century addition. The staves for this motet are ruled continuously in the same brown ink as the text, giving 10 four- or five-line systems. Long and breve are partially differentiated. Among the noteforms may be noticed the repeated breve shape with an ascending tail on the right of the second note, and the conjunctura consisting of a breve followed by two semibreves. Under the motet is a note, which has been partially erased: Iste liber fuit emptus Parisius afratre Jacobo de . . . de ordine fratrum Predicatorum.

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Répertoire International des Sources Musicales

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Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
206v Ave, gloriosa mater salvatoris / Domino - Anonymous

Ave, gloriosa mater salvatoris / Domino

Anonymous
Appears on: 206v
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: f3
Voice Text: Domino
Voice: [no designation]
Languages: Latin
Clef: c4
Voice Text: Ave, gloriosa mater salvatoris
Layout

parts
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Ave, gloriosa mater salvatoris / Domino Anonymous 206v

‡ denotes primary source study

Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts.  Brooklyn: Institute of Mediaeval Music. Pages: f. 369-369v (facsimile after Cl).

Gennrich, Friedrich. 1958. Die Wimpfener Fragmente der Hessischen Landesbibliothek, Darmstadt. Pages: 32 (facsimile after Da).

Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XLVI etc.

Gennrich, Friedrich. 1958. Ein altfranzösischer Motetten-Kodex. Faksimile-Ausgabe der Handschrift La Clayette, Paris, Bibliothèque Nationale, nouvelle acquisition francaise 13521. Pages: f. 369-369v (facsimile after Cl).

Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 55-94, volume 5 (1951), 65-113. Pages: I, 60ff, II, 71.

Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times.  New York: W.W. Norton & Co. Pages: 320, 394f.

Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-II, no. 53 (facsimile and transcription after Mo); IV, 92, 196, 205, 261.

Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, no. 101 (facsimile and transcription after Hu); I, 259.

Handschin, Jacques. 1927-28. Zur Frage der melodischen Paraphrasierung im Mittelalter. Zeitschrift für Musikwissenschaft, 513-59[also12(1929-30),192]. Pages: 516f.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 203, 209, 214, 275f, 305, 310.

Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation.  Halle: Niemayer. Pages: 180, 392.

Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, no. 1 (facsimile and transcription after Ba); III, 57.

Wooldridge, Harry Ellis, and H V Hughes (editors). 1897 and 1913. Early English Harmony from the 10th to the 15th Century. 2 vols. London: The Plainsong and Medieval Music Society. Pages: pl. 20-21 (facsimile after LoHa).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Surface Note

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description