I-Rmassimo VI/C6/23

Biblioteca privata dei Principi Massimo, Rome, Italy

partbook: 16th century; early 1530s

Archive Biblioteca privata dei Principi Massimo, Rome, Italy (I-Rmassimo)
Shelfmark VI/C6/23
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Format landscape
Measurements 210 x 280 mm
Other Identifiers
  • RISM: I-Rpm
  • CCM: RomeM 23-4
Notations
  • black void mensural
Copyists
Relationships
Provenance
  • Italy
Contents 82 pieces from 20 composers
General Description

A Discantus partbook. Copied by Johannes Ochon, who also added foliation and one attribution to VatS 17, prepared index for VatG XII.4, and copied portions of VatS 19 and VatS 57 (BraunerP). Copied in Rome, presumably for Antonio Massimo (d. 1561) (FenM).

DIAMM, 2017
Binding

Original covers of brown leather tooled in gold with initials of voice designations and 'Antonius / Maximus.

DIAMM, 2017
Watermark

(1) anchor in circle surmounted by six-pointed star; (2) crossed arrows with six-pointed star.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

No original foliation; pencil foliation added in 1973.

DIAMM, 2017
Decoration

Inked calligraphic initials; coat of arms of Massimo family appears on f. 1 of both books

DIAMM, 2017
Index

Original index on ff. 1-3' of Tenor book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM B IV/5:

XVIe s. 2 vol. Papier 210x280 mm. Foliotation moderne: C[antus], 1-46, le f. 1 est blanc; T[enor], 1-60, le f. 53 mq., les ff. 4, 54 et le dernier f. sont blancs. Notation mesurée blanche. 6 portées par p. Aux ff. 1-3v du T., table alphabétique des motets avec les noms d'auteurs et le nombre de vx. Aux ff. 1 du C et du T et au dernier f. du T, armes des Massimo. Capitales ornées à la plume. Reliures anciennes, cuir brun estampé de rinceaux d'or et portant: C/Antonius Maximus et T/Antonius Maximus. Les autres vol. mq.

Ces 2 vol., Cantus et Tenor, ont seuls survécu d'un ms. probablement en 4 livres. Copiés vraisemblablement par un scribe de la Vaticane entre 1532 et 1534, ils présentent beaucoup d'affinités avec les mss romains Rv 35-40 et RvatXII,4. Ils font partie maintenant de la collection du Prince Massimo à Rome.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

48 motets*

'Six additional motets listed in original index are now missing.

Argentilly [Charles]-1, L. Barré-2, Bonnevin [Jo. BeauseronJ-1, Conseil [Jo. Consilion]-1, Conseil/(Gombert)-1, C. Festa-4, Gombert-1, Jaquet of Mantua [Jaquet; Jachetto]-2, Jaquet of Mantua/ (Conseil)-1, Jaquet of Mantua/(Jacotin)-1, Jaquet of Mantua/(Jos-quin/Verdelot)-1, Jaquet of Mantua/(Lupus)-1, Jhan of Ferrara-5, Jhan of Ferrara/(Conseil/Jaquet of Mantua)-1, Jhan of Ferrara/ Qaquet of Mantua)-1, Josquin-2, Lhéritier-4, Lhéritier/Qaquet of Mantua)-1, Lupi/(Verdelot)-1, Piéton-2, Sermisy [Claudin]-2, Silva-1, A. Thiebault [Adriano Picart]-1, Verdelot-3, Verdelot/ Josquin)-1, Verdelot/(Willaert)-1, Willaert-3, Willaert/(Jaquet of Mantua/Verdelot)-1, Willaert/(Verdelot)-1

2 paper partbooks (D-65 folios, T-78), 210 x 280. No original foliation; pencil foliation added in 1973. Original covers of brown leather tooled in gold with initials of voice designations and "Antonius / Maximus." Original index on ff. 1-3' of T book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by Johannes Ochon, who also added foliation and one attribution to VatS 17, prepared index for VatG XII.4, and copied portions of VatS 19 and VatS 57 (BraunerP). Inked calligraphic initials; coat of arms of Massimo family appears on f. 1 of both books. Watermarks: (1) anchor in circle surmounted by six-pointed star; (2) crossed arrows with six-pointed star.

Ca. 1532-4 (LippmM). Copied in Rome, presumably for Antonio Massimo (d. 1561) (FenM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 Deus in adjutorium meum intende Domine CLAUDIN
Appears on: 1v–2
Genres: Motet
Source Attribution: CLAUDIN
Voice: [no designation]
Languages: Latin
Voice Text: Deus in adjutorium meum
2v–3 Doce me Domine - 1a pars (of 2): Doce me Domine facere voluntatem tuam MAISTRE IAN
Appears on: 2v–3
Genres: Motet
Source Attribution: MAISTRE IAN
Voice: [no designation]
Languages: Latin
Voice Text: Doce me domine.
2v–3 Doce me Domine - 2a pars (of 2): Educes de tribulatione animam meam MAISTRE IAN
Appears on: 2v–3
Genres: Motet
Source Attribution: MAISTRE IAN
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Educes de tribulatione animam meam.
3v Sub tuum praesidium confugimus CONSTANTIO F(ESTA)
Appears on: 3v
Genres: Motet
Source Attribution: CONSTANTIO F(ESTA)
Voice: [no designation]
Languages: Latin
Voice Text: Sub tuum presidium confugimus
General Note

C seul'

4–4v Gabriel archangelus apparuit Zachariae VERDELOT
Appears on: 4–4v
Genres: Motet
Source Attribution: VERDELOT
Voice: [no designation]
Languages: Latin
Voice Text: Gabriel archangelus apparuit Zacharie

Item Bibliography

Albrecht, Hans, and Georg Rhau (editors). 1957. Symphoniae jucundae, atque adeo breves 4 vocum, ab optimis quibusque musicis compositae, 1538. Musikdrucke aus den Jahren 1538 bis 1545.  Kassel.

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: I.

4v–5v Verbum inquum - 1a pars (of 2): Verbum inquum et dolosum LEO BARE
Appears on: 4v–5v
Genres: Motet
Source Attribution: LEO BARE
Voice: [no designation]
Languages: Latin
Voice Text: Verbum inquum et dolosum
4v–5v Verbum inquum - 2a pars (of 2): Sed tantum victui meo LEO BARE
Appears on: 4v–5v
Genres: Motet
Source Attribution: LEO BARE
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Sed tantum victui meo
5v–7 Deus ultionum Dominus - 1a pars (of 2): Deus ultionum Dominus CONSILION
Appears on: 5v–7
Genres: Motet
Source Attribution: CONSILION
Voice: [no designation]
Languages: Latin
Voice Text: Deus ultionum dominus
5v–7 Deus ultionum Dominus - 2a pars (of 2): Intelligit insipientes in populo CONSILION
Appears on: 5v–7
Genres: Motet
Source Attribution: CONSILION
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Intelligit insipientes in populo
7–7v Gaude caelum terra C. FESTA
Appears on: 7–7v
Genres: Motet
Source Attribution: C. FESTA
Voice: [no designation]
Languages: Latin
Voice Text: Gaude celum terra
7v–8v Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini LHERETIER
Appears on: 7v–8v
Genres: Motet
Source Attribution: LHERETIER
Voice: [no designation]
Languages: Latin
Voice Text: Si bona suscepimus de manu domini

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,1.

7v–8v Si bona suscepimus - 2a pars (of 2): Nudus egressus sum LHERETIER
Appears on: 7v–8v
Genres: Motet
Source Attribution: LHERETIER
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Nudus egressus sum

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 48,1.

8v–9 Videns Dominus flentes sorores Lazari ADRIANO WILLART [ou JACHET* ou VERDELOT**]
Appears on: 8v–9
Genres: Motet
Source Attribution: ADRIANO WILLART [ou JACHET* ou VERDELOT**]
Voice: [no designation]
Languages: Latin
Voice Text: Videns dominus flentes sorores Lazari
Concordances

*I-TVd 7 **15388

Item Bibliography

Albrecht, Hans, and Georg Rhau (editors). 1957. Symphoniae jucundae, atque adeo breves 4 vocum, ab optimis quibusque musicis compositae, 1538. Musikdrucke aus den Jahren 1538 bis 1545.  Kassel.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3. I.

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: II.

9v–10 Sub tuum praesidium confugimus Domine JO. LHERETIER
Appears on: 9v–10
Genres: Motet
Source Attribution: JO. LHERETIER
Voice: [no designation]
Languages: Latin
Voice Text: Sum tuum presidium confugimus
General Note

Publ. cf. Bc 20 n° 35

10–11 Ave virgo gloriosa JO. LHERETIER
Appears on: 10–11
Genres: Motet
Source Attribution: JO. LHERETIER
Voice: [no designation]
Languages: Latin
Voice Text: Ave virgo gloriosa
General Note

Publ. cf. Pc 27 n° 27

11–12 Domine quid multiplicati sunt- 1a pars (of 2): Domine quid multiplicati sunt JO. CONSILION
Appears on: 11–12
Genres: Motet
Source Attribution: JO. CONSILION
Voice: [no designation]
Languages: Latin
Voice Text: Domine quid multiplicati sunt
11–12 Domine quid multiplicati sunt- 2a pars (of 2): Ego dormivi et soporatus sum et resurrexi JO. CONSILION
Appears on: 11–12
Genres: Motet
Source Attribution: JO. CONSILION
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Ego dormivi et soporatus sum
12–12v In die tribulationis mei M. JAN DE FERRARA
Appears on: 12–12v
Genres: Motet
Source Attribution: M. JAN DE FERRARA
Voice: [no designation]
Languages: Latin
Voice Text: * In die tribulationis mee
12v–14 Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora JO. LUPI [ou PH. VERDELOT*]
Appears on: 12v–14
Genres: Motet
Source Attribution: JO. LUPI [ou PH. VERDELOT*]
Voice: [no designation]
Languages: Latin
Voice Text: Quam pulcra est et quam decora
Concordances

* 1538s

Item Bibliography

Albrecht, Hans, and Georg Rhau (editors). 1957. Symphoniae jucundae, atque adeo breves 4 vocum, ab optimis quibusque musicis compositae, 1538. Musikdrucke aus den Jahren 1538 bis 1545.  Kassel.

12v–14 Quam pulchra est - 2a pars (of 2): Veni dilecte mi JO. LUPI [ou PH. VERDELOT*]
Appears on: 12v–14
Genres: Motet
Source Attribution: JO. LUPI [ou PH. VERDELOT*]
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Veni dilecte mi
Concordances

* 1538s

14–15 In illo tempore dixit Jesus ad quosdam - 1a pars (of 2): In illo tempore dixit Jesus ad quosdam M. JAN. DE FERRARA
Appears on: 14–15
Genres: In illo tempore, Motet
Source Attribution: M. JAN. DE FERRARA
Voice: [no designation]
Languages: Latin
Voice Text: In illo tempore dixit Jhesus
14–15 In illo tempore dixit Jesus ad quosdam - 2a pars (of 2): Ut alter publicantibus M. JAN. DE FERRARA
Appears on: 14–15
Genres: Motet
Source Attribution: M. JAN. DE FERRARA
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Et publicanus .
15v–16 Tota pulchra es amica mea et macula (5vv) (GOMBERT)
Appears on: 15v–16
Genres: Motet
Source Attribution: (GOMBERT)
Voice: [no designation]
Languages: Latin
Voice Text: Tota puLchra es amica mea

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 6,VII.

16–16v Domine Jesu Christe fili Dei vivi qui frigescente [B117] ADRIAN VILLAR
Appears on: 16–16v
Genres: Motet
Source Attribution: ADRIAN VILLAR
Voice: [no designation]
Languages: Latin
Voice Text: Domine Jhesu Christe fili Dei vivi
General Note

Publ. cf. Bc 27' n" 30

16v–17 Infirmitatem nostram quaesumus Domine VERDELOT
Appears on: 16v–17
Genres: Motet
Source Attribution: VERDELOT
Voice: [no designation]
Languages: Latin
Voice Text: Infirmitatem nostram
General Note

Publ. cf. Bc 27' n° 42

17–17v Fratres innocentes jam - 1a pars (of 2): Fratres innocentes jam non estis M. JAN DE FERRARA
Appears on: 17–17v
Genres: Motet
Source Attribution: M. JAN DE FERRARA
Voice: [no designation]
Languages: Latin
Voice Text: Fratres jam non estis
17–17v Fratres innocentes jam - 2a pars (of 2): Ipso summo ungulati lapide M. JAN DE FERRARA
Appears on: 17–17v
Genres: Motet
Source Attribution: M. JAN DE FERRARA
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Ipso summo ungulati lapide
18 Beata viscera Mariae virginis ADRIANO VILLART[ou PH.VERDELOT]
Appears on: 18
Genres: Motet
Source Attribution: ADRIANO VILLART[ou PH.VERDELOT]
Voice: [no designation]
Languages: Latin
Voice Text: Beata viscera Marie virginis

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3,IV;.

18v–19 Descendi in ortum meum JAQUET [BERCHEM]*
Appears on: 18v–19
Genres: Motet
Source Attribution: JAQUET [BERCHEM]*
Voice: [no designation]
Languages: Latin
Voice Text: Descendi in ortum meum
General Note

Publ. cf. Fn 125bis n° 23

Concordances

*15393

19–20 Audite caeli - 1a pars (of 2): Audite caeli que loquor LEO. BARE
Appears on: 19–20
Genres: Motet
Source Attribution: LEO. BARE
Voice: [no designation]
Languages: Latin
Voice Text: Audite celi que loquor
19–20 Audite caeli - 2a pars (of 2): Venite et audite omnes LEO. BARE
Appears on: 19–20
Genres: Motet
Source Attribution: LEO. BARE
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Venite et audite
20v–21 Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam JO. LHIRETIER
Appears on: 20v–21
Genres: Motet
Source Attribution: JO. LHIRETIER
Voice: [no designation]
Languages: Latin
Voice Text: Domine exaudi orationem meam
20v–21 Domine exaudi - 2a pars (of 2): Aspice in me JO. LHIRETIER
Appears on: 20v–21
Genres: Motet
Source Attribution: JO. LHIRETIER
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Aspice in me
21v–22 Aspice Domine de sede sancta tua (4vv) JAQUET (DE MANTOUE]*
Appears on: 21v–22
Genres: Motet
Source Attribution: JAQUET (DE MANTOUE]*
Voice: [no designation]
Languages: Latin
Voice Text: Aspice domine
General Note

Publ. cf. Bc 27' n° 40

Concordances

*RISM J 6 et J 9

22v–23v Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis CLAUDIN
Appears on: 22v–23v
Genres: Motet
Source Attribution: CLAUDIN
Voice: [no designation]
Languages: Latin
Voice Text: Deus misereatur nostri

Item Bibliography

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: 3.

22v–23v Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam CLAUDIN
Appears on: 22v–23v
Genres: Motet
Source Attribution: CLAUDIN
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Letentur et exultent gentes

Item Bibliography

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: 3.

23v–24 Nigra sum sed formosa filia Jerusalem JO. LHERETIER
Appears on: 23v–24
Genres: Motet
Source Attribution: JO. LHERETIER
Voice: [no designation]
Languages: Latin
Voice Text: Nigra sum sed formosa
General Note

. Publ. cf. CMac D(F) n° 46

24–25 In die tribulationis meae renuit consolari JACHET
Appears on: 24–25
Genres: Motet
Source Attribution: JACHET
Voice: [no designation]
Languages: Latin
Voice Text: In die tribulationis mee
25v–26 Ave regina caelorum (5vv) - 1a pars (of 2): Ave regina caelorum M. JAN [ou CONSILIUM ou JACHET DE MANTOUE*]
Appears on: 25v–26
Genres: BVM
Source Attribution: M. JAN [ou CONSILIUM ou JACHET DE MANTOUE*]
Voice: [no designation]
Languages: Latin
Voice Text: Ave regina celorum
General Note

T inachevé

Concordances

*RISM J 21

25v–26 Ave regina caelorum (5vv) - 2a pars (of 2): Gaude gloriosa M. JAN [ou CONSILIUM ou JACHET DE MANTOUE*]
Appears on: 25v–26
Source Attribution: M. JAN [ou CONSILIUM ou JACHET DE MANTOUE*]
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Gaude gloriosa
Concordances

*RISM J 21

26v–27 Regina caeli laetare (6vv) - 1a pars (of 2): Regina caeli laetare CONSTANTIO FESTA
Appears on: 26v–27
Genres: Motet, Regina caeli laetare
Source Attribution: CONSTANTIO FESTA
Voice: [no designation]
Languages: Latin
Voice Text: Regina celi letare
26v–27 Regina caeli laetare (6vv) - 2a pars (of 2): Resurrexit sicut dixit CONSTANTIO FESTA
Appears on: 26v–27
Genres: Motet
Source Attribution: CONSTANTIO FESTA
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Resurrexit sicut dixit
27v–28 O gloriosa domina - 1a pars (of 2): O gloriosa domina excelsa super sidera ADRIANO (VILLART)
Appears on: 27v–28
Genres: Motet
Source Attribution: ADRIANO (VILLART)
Voice: [no designation]
Languages: Latin
Voice Text: O gloriosa domina excelsa supra sydera
General Note

Publ. cf. MOcap IX n" 34

27v–28 O gloriosa domina - 2a pars (of 2): Maria mater gratiae ADRIANO (VILLART)
Appears on: 27v–28
Genres: Motet
Source Attribution: ADRIANO (VILLART)
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Maria mater gratie
General Note

Publ. cf. MOcap IX n" 34

28–29 O beatum pontificem qui totis visceribus diligebat [De sancto Martino] ADRIANO WILLART
Appears on: 28–29
Genres: Motet
Source Attribution: ADRIANO WILLART
Voice: [no designation]
Languages: Latin
Voice Text: De sancto Martino. O beatum pontificem
General Note

Publ. cf. MOcap IX n" 35

29–30 Mundi Christo redemptori - 1a pars (of 2): Mundi Christo redemptori M. JAN
Appears on: 29–30
Genres: Motet
Source Attribution: M. JAN
Voice: [no designation]
Languages: Latin
Voice Text: Mundi Christo redemptori
29–30 Mundi Christo redemptori - 2a pars (of 2): Sancti martires Dei omnes quem caeliri M. JAN
Appears on: 29–30
Genres: Motet
Source Attribution: M. JAN
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Sancti Dei martyres
30v–31v Illumina oculos meos - 1a pars (of 3): Illumina oculos meos A. DE SYLVA
Appears on: 30v–31v
Genres: Motet
Source Attribution: A. DE SYLVA
Voice: [no designation]
Languages: Latin
Voice Text: Illumina oculos meos
General Note

Publ. cf. Fn 125bis n» 5

30v–31v Illumina oculos meos - 2a pars (of 3): Fac mecum signum A. DE SYLVA
Appears on: 30v–31v
Genres: Motet
Source Attribution: A. DE SYLVA
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Fac mecum signum
General Note

Publ. cf. Fn 125bis n» 5

30v–31v Illumina oculos meos - 3a pars (of 3): Periit fuga A. DE SYLVA
Appears on: 30v–31v
Genres: Motet
Source Attribution: A. DE SYLVA
Voice: [no designation]
Languages: Latin
Voice Text: 3a p.: Periit fuga
General Note

Publ. cf. Fn 125bis n» 5

31v–32 Verbum Domini - 1a pars (of 2): Verbum Domini quod factum est CHARLES
Appears on: 31v–32
Genres: Motet
Source Attribution: CHARLES
Voice: [no designation]
Languages: Latin
Voice Text: Verbum domini quod factum est
31v–32 Verbum Domini - 2a pars (of 2): Et filii vestri CHARLES
Appears on: 31v–32
Genres: Motet
Source Attribution: CHARLES
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Et filii vestri
32v Sancta Maria virgo virginum 25.7 VERDELOT [ou JOSQUIN]
Appears on: 32v
Genres: Motet
Source Attribution: VERDELOT [ou JOSQUIN]
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Maria virgo virginum [= Christus resurgens*]
General Note

Publ. cf. Fn 125bis n° 3[= Sancta Maria vel Christus resurgens*] [= Ave Jesu Chri-ste rex regum**] [= Ave Maria virgo virginum***]

Concordances

*PL-WRu 5 et 2 **D-brd-Mbs 59 ***15282

33–34 Coronat pontifex - 1a pars (of 2): Coronat pontifex ADRIAN PICART
Appears on: 33–34
Genres: Motet
Source Attribution: ADRIAN PICART
Voice: [no designation]
Languages: Latin
Voice Text: Coronat pontifex
33–34 Coronat pontifex - 2a pars (of 2): Solus est hic clemens ADRIAN PICART
Appears on: 33–34
Genres: Motet
Source Attribution: ADRIAN PICART
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Solus est hic clemens
34–34v Attende Domine - 1a pars (of 2): Attende Domine ad me VERDELOT
Appears on: 34–34v
Genres: Motet
Source Attribution: VERDELOT
Voice: [no designation]
Languages: Latin
Voice Text: Atende domine ad me
General Note

Publ. cf. Pc 17 n° 111

34–34v Attende Domine - 2a pars (of 2): Recordare domine quod steterim VERDELOT
Appears on: 34–34v
Genres: Motet
Source Attribution: VERDELOT
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Recordare domine
General Note

Publ. cf. Pc 17 n° 111

34v–35v Confiteor Deo - 1a pars (of 3): Confiteor Deo patri omnipotenti M. JAN
Appears on: 34v–35v
Genres: Motet
Source Attribution: M. JAN
Voice: [no designation]
Languages: Latin
Voice Text: Confiteor Deo patri omnipotenti
34v–35v Confiteor Deo - 2a pars (of 3): Ideo precor virginem Mariam M. JAN
Appears on: 34v–35v
Genres: Motet
Source Attribution: M. JAN
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Ideo precor virginem Mariam
34v–35v Confiteor Deo - 3a pars (of 3): Misereatur nostri omnipotens Deus M. JAN
Appears on: 34v–35v
Genres: Motet
Source Attribution: M. JAN
Voice: [no designation]
Languages: Latin
Voice Text: 3a p.: Misereatur nostri omnipotens Deus
35v–36v Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur VERDELOT [ou A. WILLAERT*]
Appears on: 35v–36v
Genres: Motet
Source Attribution: VERDELOT [ou A. WILLAERT*]
Voice: [no designation]
Languages: Latin
Voice Text: Congregati sunt inimici nostri
General Note

Publ. cf. Fn 125bis n» 4

Concordances

*154210

35v–36v Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine VERDELOT [ou A. WILLAERT*]
Appears on: 35v–36v
Genres: Motet
Source Attribution: VERDELOT [ou A. WILLAERT*]
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Disperge illos in virtute tua
General Note

Publ. cf. Fn 125bis n» 4

Concordances

*154210

36v–37v Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis JAQUET [BERCHEM]*
Appears on: 36v–37v
Genres: Motet
Source Attribution: JAQUET [BERCHEM]*
Voice: [no designation]
Languages: Latin
Voice Text: Surge Petre et indue te
General Note

Publ. cf. Fn 125bis n" 8

Concordances

*15393

36v–37v Surge Petre - 2a pars (of 2): Si diligis me Simon JAQUET [BERCHEM]*
Appears on: 36v–37v
Genres: Motet
Source Attribution: JAQUET [BERCHEM]*
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Si diligis me
General Note

Publ. cf. Fn 125bis n" 8

Concordances

*15393

37v–39 Laetemur omnes - 1a pars (of 3): Laetemur omnes et exultemur C. FESTA
Appears on: 37v–39
Genres: Motet
Source Attribution: C. FESTA
Voice: [no designation]
Languages: Latin
Voice Text: Letemur omnes et exultemus
37v–39 Laetemur omnes - 2a pars (of 3): Gaude mater beatíssima C. FESTA
Appears on: 37v–39
Genres: Motet
Source Attribution: C. FESTA
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.: Gaude mater
37v–39 Laetemur omnes - 3a pars (of 3): Adoremus ergo verbum ab eterno C. FESTA
Appears on: 37v–39
Genres: Motet
Source Attribution: C. FESTA
Voice: [no designation]
Languages: Latin
Voice Text: 3a p.: Adoremus ergo
39–40 Salve regina (6vv) 25.6 - 1a pars (of 3): Salve regina mater misericordiae JACHETTO [ou JOSQUIN ou VERDELOT]
Appears on: 39–40
Genres: BVM, Motet, Salve Regina
Source Attribution: JACHETTO [ou JOSQUIN ou VERDELOT]
Voice: [no designation]
Languages: Latin
Voice Text: Salve à sey. Salve regina
General Note

Publ. cf. Bc 142 n» 40

39–40 Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo JACHETTO [ou JOSQUIN ou VERDELOT]
Appears on: 39–40
Genres: Motet
Source Attribution: JACHETTO [ou JOSQUIN ou VERDELOT]
Voice: [no designation]
Languages: Latin
Voice Text: [2a p.]: Duo. Eya ergo
General Note

Publ. cf. Bc 142 n» 40

39–40 Salve regina (6vv) 25.6 - 3a pars (of 3): Et Jesum benedictum JACHETTO [ou JOSQUIN ou VERDELOT]
Appears on: 39–40
Genres: Motet
Source Attribution: JACHETTO [ou JOSQUIN ou VERDELOT]
Voice: [no designation]
Languages: Latin
Voice Text: [3a p.]: Et Jhesum benedictum
General Note

Publ. cf. Bc 142 n» 40

40–41v Salve regina - 1a pars (of 3): Salve regina mater misericordiae JO.BEAUSERON
Appears on: 40–41v
Genres: BVM, Motet, Salve Regina
Source Attribution: JO.BEAUSERON
Voice: [no designation]
Languages: Latin
Voice Text: Salve regina
40–41v Salve regina - 2a pars (of 3): Eia ergo advocata JO.BEAUSERON
Appears on: 40–41v
Genres: Motet
Source Attribution: JO.BEAUSERON
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Eya ergo
40–41v Salve regina - 3a pars (of 3): Et Jesum benedictum JO.BEAUSERON
Appears on: 40–41v
Genres: Motet
Source Attribution: JO.BEAUSERON
Voice: [no designation]
Languages: Latin
Voice Text: 3a p.: Et Jhesum benedictum
41v–42 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus JUSQUIN
Appears on: 41v–42
Genres: Motet
Source Attribution: JUSQUIN
Voice: [no designation]
Languages: Latin
Voice Text: Prêter rerum seriem
General Note

Publ. cf. Bc 142 n° 41

41v–42 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud JUSQUIN
Appears on: 41v–42
Genres: Motet
Source Attribution: JUSQUIN
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Virtus spiritus sancti
General Note

Publ. cf. Bc 142 n° 41

42v–43 Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem JUSQUIN
Appears on: 42v–43
Genres: Motet, Stabat Mater
Source Attribution: JUSQUIN
Voice: [no designation]
Languages: Latin
Voice Text: Stabat mater dolorosa
General Note

Publ. cf. Fn 232 n" 5

42v–43 Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire JUSQUIN
Appears on: 42v–43
Genres: Motet
Source Attribution: JUSQUIN
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Eya mater fons amoris
General Note

Publ. cf. Fn 232 n" 5

43v–45 O beata infantia - 1a pars (of 2): O beata infantia LUYSET PIETON
Appears on: 43v–45
Genres: Motet
Source Attribution: LUYSET PIETON
Voice: [no designation]
Languages: Latin
Voice Text: O beata infantia

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3, IV.

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: 2.

43v–45 O beata infantia - 2a pars (of 2): O felices panni quibus peccatorum LUYSET PIETON
Appears on: 43v–45
Genres: Motet
Source Attribution: LUYSET PIETON
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: O felices panni.

Item Bibliography

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 3, IV.

[No Author] 1933-1964. Treize Livres de Motets parus chez Pierre Attaingnant en 1534 et 1535. 13 vols. Paris and Monaco: Editions de l'Oiseau-Lyre. Pages: 2.

45v–46 Benedicta es caelorum regina - 1a pars (of 2): Benedicta es caelorum regina et mundi LOYS PYETON
Appears on: 45v–46
Genres: Motet
Source Attribution: LOYS PYETON
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta es celorum regina
45v–46 Benedicta es caelorum regina - 2a pars (of 2): Per illud ave prolatum et tuum LOYS PYETON
Appears on: 45v–46
Genres: Motet
Source Attribution: LOYS PYETON
Voice: [no designation]
Languages: Latin
Voice Text: 2a p.: Per illud ave prolatum
46v Sancta Trinitas unus Deus miserere nobis (8vv) JACHETTO
Appears on: 46v
Genres: Motet
Source Attribution: JACHETTO
Voice: [no designation]
Languages: Latin
Voice Text: Sancta trinitas unus Deus ... A octo
Composer Compositions
Barre, Leonardo (fl. 1537-after 1555)
Beauseron, Johannes (ca. 1475–1542)
Berchem, Jacques (ca. 1505–1567)
Conseil, Jean (ca. 1498–1534)
Despres, Josquin (ca. 1450–1521)
Fage, Jean de la
Ferrara, Maistre Jhan of (ca. 1485–1538)
Festa, Costanzo (ca. 1485–1545)
Gombert, Nicolas (ca. 1495–ca. 1560)
Jacotin, Jacques (1445–1529)
Lheritier, Jean (ca. 1480–ca. 1551)
Lupi, Johannes (ca. 1506–1539)
Luython, Carl (ca. 1557–1620)
Mantua, Jacquet de (1483–1559)
Picart, Adrian
Pieton, Loyset
Sermisy, Claudin de (ca. 1490–1562)
Silva, Andreas de (ca. 1475–ca. 1522)
Verdelot, Philippe (ca. 1480–ca. 1532)
Willaert, Adrian (ca. 1490–1562)
Composition Composers (? Uncertain) Folios / Pages
Aspice Domine de sede sancta tua (4vv) 21v–22
Attende Domine - 1a pars (of 2): Attende Domine ad me 34–34v
Attende Domine - 2a pars (of 2): Recordare domine quod steterim 34–34v
Audite caeli - 1a pars (of 2): Audite caeli que loquor 19–20
Audite caeli - 2a pars (of 2): Venite et audite omnes 19–20
Ave regina caelorum (5vv) - 1a pars (of 2): Ave regina caelorum 25v–26
Ave regina caelorum (5vv) - 2a pars (of 2): Gaude gloriosa 25v–26
Ave virgo gloriosa 10–11
Beata viscera Mariae virginis 18
Benedicta es caelorum regina - 1a pars (of 2): Benedicta es caelorum regina et mundi 45v–46
Benedicta es caelorum regina - 2a pars (of 2): Per illud ave prolatum et tuum 45v–46
Confiteor Deo - 1a pars (of 3): Confiteor Deo patri omnipotenti 34v–35v
Confiteor Deo - 2a pars (of 3): Ideo precor virginem Mariam 34v–35v
Confiteor Deo - 3a pars (of 3): Misereatur nostri omnipotens Deus 34v–35v
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 35v–36v
Congregati sunt - 2a pars (of 2): Disperge illos in virtute tua - with c. f. Da pacem Domine 35v–36v
Coronat pontifex - 1a pars (of 2): Coronat pontifex 33–34
Coronat pontifex - 2a pars (of 2): Solus est hic clemens 33–34
Descendi in ortum meum 18v–19
Deus in adjutorium meum intende Domine 1v–2
Deus misereatur nostri - 1a pars (of 2): Deus misereatur nostri et benedicat nobis 22v–23v
Deus misereatur nostri - 2a pars (of 2): Laetentur et exultent gentes quoniam 22v–23v
Deus ultionum Dominus - 1a pars (of 2): Deus ultionum Dominus 5v–7
Deus ultionum Dominus - 2a pars (of 2): Intelligit insipientes in populo 5v–7
Doce me Domine - 1a pars (of 2): Doce me Domine facere voluntatem tuam 2v–3
Doce me Domine - 2a pars (of 2): Educes de tribulatione animam meam 2v–3
Domine exaudi - 1a pars (of 2): Domine exaudi orationem meam 20v–21
Domine exaudi - 2a pars (of 2): Aspice in me 20v–21
Domine Jesu Christe fili Dei vivi qui frigescente [B117] 16–16v
Domine quid multiplicati sunt- 1a pars (of 2): Domine quid multiplicati sunt 11–12
Domine quid multiplicati sunt- 2a pars (of 2): Ego dormivi et soporatus sum et resurrexi 11–12
Fratres innocentes jam - 1a pars (of 2): Fratres innocentes jam non estis 17–17v
Fratres innocentes jam - 2a pars (of 2): Ipso summo ungulati lapide 17–17v
Gabriel archangelus apparuit Zachariae 4–4v
Gaude caelum terra 7–7v
Illumina oculos meos - 1a pars (of 3): Illumina oculos meos 30v–31v
Illumina oculos meos - 2a pars (of 3): Fac mecum signum 30v–31v
Illumina oculos meos - 3a pars (of 3): Periit fuga 30v–31v
In die tribulationis meae renuit consolari 24–25
In die tribulationis mei 12–12v
In illo tempore dixit Jesus ad quosdam - 1a pars (of 2): In illo tempore dixit Jesus ad quosdam 14–15
In illo tempore dixit Jesus ad quosdam - 2a pars (of 2): Ut alter publicantibus 14–15
Infirmitatem nostram quaesumus Domine 16v–17
Laetemur omnes - 1a pars (of 3): Laetemur omnes et exultemur 37v–39
Laetemur omnes - 2a pars (of 3): Gaude mater beatíssima 37v–39
Laetemur omnes - 3a pars (of 3): Adoremus ergo verbum ab eterno 37v–39
Mundi Christo redemptori - 1a pars (of 2): Mundi Christo redemptori 29–30
Mundi Christo redemptori - 2a pars (of 2): Sancti martires Dei omnes quem caeliri 29–30
Nigra sum sed formosa filia Jerusalem 23v–24
O beata infantia - 1a pars (of 2): O beata infantia 43v–45
O beata infantia - 2a pars (of 2): O felices panni quibus peccatorum 43v–45
O beatum pontificem qui totis visceribus diligebat [De sancto Martino] 28–29
O gloriosa domina - 1a pars (of 2): O gloriosa domina excelsa super sidera 27v–28
O gloriosa domina - 2a pars (of 2): Maria mater gratiae 27v–28
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus 41v–42
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud 41v–42
Quam pulchra est - 1a pars (of 2): Quam pulchra est et quam decora 12v–14
Quam pulchra est - 2a pars (of 2): Veni dilecte mi 12v–14
Regina caeli laetare (6vv) - 1a pars (of 2): Regina caeli laetare 26v–27
Regina caeli laetare (6vv) - 2a pars (of 2): Resurrexit sicut dixit 26v–27
Salve regina (6vv) 25.6 - 1a pars (of 3): Salve regina mater misericordiae 39–40
Salve regina (6vv) 25.6 - 2a pars (of 3): Eya ergo 39–40
Salve regina (6vv) 25.6 - 3a pars (of 3): Et Jesum benedictum 39–40
Salve regina - 1a pars (of 3): Salve regina mater misericordiae 40–41v
Salve regina - 2a pars (of 3): Eia ergo advocata 40–41v
Salve regina - 3a pars (of 3): Et Jesum benedictum 40–41v
Sancta Maria virgo virginum 25.7 32v
Sancta Trinitas unus Deus miserere nobis (8vv) 46v
Si bona suscepimus - 1a pars (of 2): Si bona suscepimus de manu Domini 7v–8v
Si bona suscepimus - 2a pars (of 2): Nudus egressus sum 7v–8v
Stabat mater 25.9 - 1a pars (of 2): Stabat mater dolorosa iusta crucem 42v–43
Stabat mater 25.9 - 2a pars (of 2): Eia mater fons amoris me sentire 42v–43
Sub tuum praesidium confugimus 3v
Sub tuum praesidium confugimus Domine 9v–10
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 36v–37v
Surge Petre - 2a pars (of 2): Si diligis me Simon 36v–37v
Tota pulchra es amica mea et macula (5vv) 15v–16
Verbum Domini - 1a pars (of 2): Verbum Domini quod factum est 31v–32
Verbum Domini - 2a pars (of 2): Et filii vestri 31v–32
Verbum inquum - 1a pars (of 2): Verbum inquum et dolosum 4v–5v
Verbum inquum - 2a pars (of 2): Sed tantum victui meo 4v–5v
Videns Dominus flentes sorores Lazari 8v–9

Set: VI/C6/23 and 24

Type: Partbooks

No images available

I-Rmassimo VI/C6/23

No images available

I-Rmassimo VI/C6/24

denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: III, 114-115.

Lippmann, Friedrich. 1976. Musikhandschriften und -Drucke in der Bibliothek des Fürstenhauses Massimo, Rom. Analecta Musicologica, 254-95. Pages: 267 n° 143.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XII, col. 1336.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: II, p. VI.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description