I-Rmassimo VI/C6/23

Biblioteca privata dei Principi Massimo, Rome, Italy

partbook: 16th century; early 1530s

Archive Biblioteca privata dei Principi Massimo, Rome, Italy (I-Rmassimo)
Shelfmark VI/C6/23
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Format landscape
Measurements 210 x 280 mm
Other Identifiers
  • RISM: I-Rpm
  • CCM: RomeM 23-4
Notations
  • black void mensural
Copyists
Relationships
Provenance
  • Italy
Contents Contains 82 compositions from 20 composers.
General Description

A Discantus partbook. Copied by Johannes Ochon, who also added foliation and one attribution to VatS 17, prepared index for VatG XII.4, and copied portions of VatS 19 and VatS 57 (BraunerP). Copied in Rome, presumably for Antonio Massimo (d. 1561) (FenM).

DIAMM, 2017
Binding

Original covers of brown leather tooled in gold with initials of voice designations and 'Antonius / Maximus.

DIAMM, 2017
Watermark

(1) anchor in circle surmounted by six-pointed star; (2) crossed arrows with six-pointed star.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

No original foliation; pencil foliation added in 1973.

DIAMM, 2017
Decoration

Inked calligraphic initials; coat of arms of Massimo family appears on f. 1 of both books

DIAMM, 2017
Index

Original index on ff. 1-3' of Tenor book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance.

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM B IV/5:

XVIe s. 2 vol. Papier 210x280 mm. Foliotation moderne: C[antus], 1-46, le f. 1 est blanc; T[enor], 1-60, le f. 53 mq., les ff. 4, 54 et le dernier f. sont blancs. Notation mesurée blanche. 6 portées par p. Aux ff. 1-3v du T., table alphabétique des motets avec les noms d'auteurs et le nombre de vx. Aux ff. 1 du C et du T et au dernier f. du T, armes des Massimo. Capitales ornées à la plume. Reliures anciennes, cuir brun estampé de rinceaux d'or et portant: C/Antonius Maximus et T/Antonius Maximus. Les autres vol. mq.

Ces 2 vol., Cantus et Tenor, ont seuls survécu d'un ms. probablement en 4 livres. Copiés vraisemblablement par un scribe de la Vaticane entre 1532 et 1534, ils présentent beaucoup d'affinités avec les mss romains Rv 35-40 et RvatXII,4. Ils font partie maintenant de la collection du Prince Massimo à Rome.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

48 motets*

'Six additional motets listed in original index are now missing.

Argentilly [Charles]-1, L. Barré-2, Bonnevin [Jo. BeauseronJ-1, Conseil [Jo. Consilion]-1, Conseil/(Gombert)-1, C. Festa-4, Gombert-1, Jaquet of Mantua [Jaquet; Jachetto]-2, Jaquet of Mantua/ (Conseil)-1, Jaquet of Mantua/(Jacotin)-1, Jaquet of Mantua/(Jos-quin/Verdelot)-1, Jaquet of Mantua/(Lupus)-1, Jhan of Ferrara-5, Jhan of Ferrara/(Conseil/Jaquet of Mantua)-1, Jhan of Ferrara/ Qaquet of Mantua)-1, Josquin-2, Lhéritier-4, Lhéritier/Qaquet of Mantua)-1, Lupi/(Verdelot)-1, Piéton-2, Sermisy [Claudin]-2, Silva-1, A. Thiebault [Adriano Picart]-1, Verdelot-3, Verdelot/ Josquin)-1, Verdelot/(Willaert)-1, Willaert-3, Willaert/(Jaquet of Mantua/Verdelot)-1, Willaert/(Verdelot)-1

2 paper partbooks (D-65 folios, T-78), 210 x 280. No original foliation; pencil foliation added in 1973. Original covers of brown leather tooled in gold with initials of voice designations and "Antonius / Maximus." Original index on ff. 1-3' of T book groups pieces alphabetically by first letter of text, with subgrouping under each letter by order of appearance. Copied by Johannes Ochon, who also added foliation and one attribution to VatS 17, prepared index for VatG XII.4, and copied portions of VatS 19 and VatS 57 (BraunerP). Inked calligraphic initials; coat of arms of Massimo family appears on f. 1 of both books. Watermarks: (1) anchor in circle surmounted by six-pointed star; (2) crossed arrows with six-pointed star.

Ca. 1532-4 (LippmM). Copied in Rome, presumably for Antonio Massimo (d. 1561) (FenM).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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Sets

Select a set to see its sources.

denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: III, 114-115.

Lippmann, Friedrich. 1976. Musikhandschriften und -Drucke in der Bibliothek des Fürstenhauses Massimo, Rom. Analecta Musicologica, 17: 254-95. Pages: 267 n° 143.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XII, col. 1336.

Smijers, Albert, Myroslaw Antonowycz, and Willem Elders (editors). 1925-, 1926-. Werken van Josquin des Prés: Motetten.  Leipzig/ Amsterdam. Pages: II, p. VI.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description