Jerusalem luge - 5a pars (of 8): Cum autem venissem ad locum

Composer
Quadris, Johannes de
Genre Motet
Cycles
Cum autem venissem: 5a pars of Jerusalem luge re-used as opening verse of Cum autem (Concordance?)
Jerusalem luge (Motet cycle)

Appears in

Source Location Voices
I-Fn MS Panciatichiano 27 28v
Voice: [no designation]
Voice Text: Cum autem venissem ad locum
I-Bca Ms. A. 179 183v–184
Voice: [no designation]
Voice Text: Cum autem venissem ad locum
I-Fd MS 21 8–12
Voice: [no designation]
Voice Text: Cum autem venissent
I-PAVu MS Aldini 361 8v–9
Voice: [no designation]
Voice Text: Cum autem venissem ad locum
I-MC 871 138
Voice: [no designation]
Voice Text: Cum autem venissem ad locum
I-MC 871 138v–139
Voice: [no designation]
Voice Text: Cum autem venissem ad locum
PL-Pr 1361 [-]
Voice: [no designation]
Voice Text: Cum autem venissem ad locum

Bibliography

Diederichs, Elisabeth. 1986. Die Anfänge der mehrstimmigen Lauda vom Ende des 14. bis zur Mitte des 15. Jahrhunderts. Münchner Veröffentlichungen zur Musikgeschichte.  Tutzing. pp. 412-413 (Fn 27), 414-415 (Csa), 416-417 (Pr), 418-420 (Mont), 412-413 (Jepp).

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century.  Oxford. pp. 479-482.

Cattin, Giulio. 1974. Un Processionale Fiorentino per la Settimana Santa: Studio Liturgico-Musicale sul Ms. 21 dell'Opera di S. Maria del Fiore. Quadrivium, 53-204. pp. 92.

Cattin, Giulio (editor). 1972. Johannis de Quadris: Opera. Antiquat Musicae Italicae, Monumenta Veneta Sacra.  Bologna. pp. 71-72 (2parts).

Perz, Miroslaw (editor). 1963-. Antiquitates Musicae in Polonia.  Warsaw and Graz. pp. (14), 467-468.

Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500.  Leipzig and Copenhagen. pp. 8-9 (4st.).