Du tout plongiet / Fors seulement a 4

Attribution Note

Attributed uniquely to Agricola in Canti C (though copied with 2 other Agricola works in Bxl 228); 3 sources attribute it to Brumel, all sharing the same variant doubling of the Bassus's second pitch at the octave. Fitch (2010) prefers Agricola.

Appears in

Source Source Date Location Source Attribution Voices
B-Br MS 228 (Chansonnier of Margaret of Austria) 1516-23 18v–19 -
Voice: [no designation]
Voice Text: Du tout plongiet / [Fors seulement] (a 5)
CH-SGs MS 461 (Sicher Liederbuch) c. 1500 16–17 Brumel/[A. Agricola]
Voice: [no designation]
Voice Text: F[ors seulement l'attente que je meure]
D-Mbs Mus. MS 1516 [Discantus] c. 1540 (WhisM) 6v [A. Agricola/Brumel]
Voice: [no designation]
Voice Text: Forseulement [l'attente que je meure]
D-Mbs Mus. MS 1516 [Altus] c. 1540 (WhisM) 5v -
D-Mbs Mus. MS 1516 [Tenor] c. 1540 (WhisM) 6v -
D-Mbs Mus. MS 1516 [Bassus] c. 1540 (WhisM) 6v -
I-Fc MS Basevi 2439 (Basevi Codex) 16th century 20v–21 BRUMEL [ou A. AGRICOLA*]
Voice: [no designation]
Voice Text: Fors seullement
D-Rp C 120 (Pernner Codex) Early 1520's 324–325 An. Brumel/[A. Agricola]
Voice: [no designation]
Voice Text: Fors seulement [lvattente que je meure]

Bibliography

Fitch, Fabrice. 2010. "Who cares who is speaking?" An essay in style criticism. Acta Musicologia, 82/1: 49-70. pp. 61-7.