Missa Alma Redemptoris Mater: Sanctus
| Composer | |
|---|---|
| Genres | Alma redemptoris mater, BVM, Mass Ordinary, Sanctus [& Benedictus] |
| Cycles |
|
Appears in
| Source | Location | Source Attribution | Voices |
|---|---|---|---|
| GB-NWcl T6 | 2v–3r | - | |
| I-AO Cod. 15 (Aosta Manuscript) | 223v–225 | [L. Power] |
Voice:
[no designation]
Clef:
c1
Voice Text:
Sanctus ...
Voice:
[no designation]
Clef:
c3
Voice Text:
untexted
Voice:
Tenor
Clef:
c3
Voice Text:
Al[ma]
|
| I-TRbc MS 1374 [87] (Trent 87) | 6–7 | [L. POWER] |
Voice:
[no designation]
Clef:
c1
Voice Text:
[Missa Alma redemptoris mater] Sanctus
Voice:
Tenor
Clef:
c3
Voice Text:
Alma redemptoris mater
Voice:
Contratenor
Clef:
c3
Voice Text:
Sanctus
|
Bibliography
Curtis, Gareth R K (editor). 2001. IV Early Masses and Mass Pairs. Early English Church Music, vol. 42. London: Stainer and Bell for the British Academy. ISBN: 9780852498460 ISMN: 9790220219313. Movements from incomplete cycles and pairings both scribal and scholarly constitute a volume of English Mass music from the period after the Old Hall Manuscript. The repertory is presented in a style of transcription new to the series and intended to convey the essential nature of this freely flowing yet mensurally disciplined music. Works by John Benet, Bloym, Driffelde, Leonel Power and Anon are included. pp. No.3.
Mixter, Keith E (editor). 1965-71. Johannis Brassart: Opera Omnia. Corpus mensurabilis musicae, vol. 35. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. (2), 39-43.
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. pp. (76), 66-68.