O cieco mondo di lusinghe pieno
| Composer | |
|---|---|
| Genre | Motet |
Appears in
| Source | Location | Voices |
|---|---|---|
| GB-Ob MS. Canon. Pat. Lat. 229 (Pad A) | 33v [53v] |
Voice:
[no designation]
Clef:
c1
Voice Text:
[O cieco mondo...] per ch'io te desprisiando ...
Voice:
[no designation]
Clef:
c3
Voice Text:
Per ch'io te desprisiando ...
|
| F-Pnm Italien 568 (Pit) | 05v–06 |
Voice:
[no designation]
Clef:
c3
Voice Text:
O ciecho mondo di lusinghe pieno
Voice:
Tenor
Clef:
c4
Voice Text:
O ciecho mondo di lusinghe pieno
|
| F-Pnm NAF 6771 (Codex Reina) | 05v |
Voice:
[no designation]
Clef:
c3
Voice Text:
O[h] ciecho mondo de lusenge pieno ...
Voice:
Tenor
Clef:
c4
Voice Text:
O[h] ciecho mondo de lusenge pieno ...
|
| I-FZc MS 117 (Faenza) | 72–73 |
Voice:
[no designation]
Clef:
c2
Voice Text:
O ciecho mondo.
Voice:
[no designation]
Clef:
c4
|
| I-Fn MS Panciatichiano 26 (Panciatichi) | 65 |
Voice:
[no designation]
Clef:
c3
Voice Text:
O ciecho mondo di lusinghe pieno ...
Voice:
Tenor
Clef:
c4
Voice Text:
O ciecho mondo di lusinghe pieno ...
|
| I-Fl MS Mediceo Palatino 87 (Codex Squarcialupi) | 11v–12 |
Voice:
[no designation]
Clef:
c3
Voice Text:
O[h] cieco mondo di lusinghe pieno ...
Voice:
Tenor
Clef:
c4
Voice Text:
O[h] cieco mondo di lusinghe pieno ...
|
| I-Fsl MS 2211 (San Lorenzo palimpsest) | 22v [12v]–23 [13] |
Voice:
[no designation]
Voice Text:
O cieco mondo
|
| I-Pu MS 658 (Pad C) | Av |
Voice:
[no designation]
Clef:
c3
Voice Text:
O cieco mondo ...
Voice:
Tenor
Clef:
c4
Voice Text:
O cieco mondo ...
|
| I-PEdu Inc. 2 (Cialini Fragment) | A |
Voice:
[no designation]
Voice Text:
O cieco mondo
|
Bibliography
[No Author] 2012. None ? http://www.lib.latrobe.edu.au/MMDB/composer/H0074014.HTM. pp. .
Nadas, John. 1992. Editorial practices in early Quattrocento Florentine anthologies of secular polyphony. L'Ars nova italiana del Trecento. Certaldo: Centro di Studio L'ars nova italiana. pp. .
D'Accone, Frank A. 1984. Una nuova fonte dell'Ars Nova italiana: Il codice di San Lorenzo 2211. Studi musicali, 3-31. pp. .
Gallo, Franco Alberto. 1984. The musical and literary tradition of 14th century poetry set to music. Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts: Vorträge des Gastsymposiums in der Herzog August Bibliothek Wolfenbüttel, 8. bis 12. September 1980, Göttinger Musikwissenschaftliche Arbeiten. edited by Franco Alberto Gallo, 55-76. Kassel: Bärenreiter Verlag. pp. .
Fellin, Eugene C. 1978. The Notation-Types of Trecento Music. L'Ars Nova Italiana del Trecento IV, 211-23. pp. .
Marrocco, W. Thomas (editor). 1974. Italian secular music (I): Magister Piero, Giovanni da Firenze, Jacopo da Bologna. Polyphonic Music of the Fourteenth Century. Monaco: Éditions de l'Oiseau-Lyre. pp. p. 116 (Fn26).
Plamenac, Dragan (editor). 1972. Keyboard Music of the Late Middle Ages in Codex Faenza 117. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. p. 77 (Fn26).
Fellin, Eugene C. 1970. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce. University of Wisconsin, Ph.D. dissertation, 4 vols. pp. passim.
Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. 6.16.
Wolf, Johannes, and Hans Albrecht (editors). 1955. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz. Lippstadt: Kistner and Siegel. pp. p. 25.
Pirrotta, Nino (editor). 1954-1998. The Music of Fourteenth Century Italy. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. p. 17.
Marrocco, W. Thomas. 1954. The Music of Jacopo da Bologna. University of California Publications in Music. Berkeley and Los Angeles: University of California Press. pp. p. 71 (Fn26).
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters. Nachtrag zu Studie I. Archiv für Musikwissenschaft, 233-241. pp. p. 233.