Plamenac, Dragan. 1977. On Reading Fifteenth-Century Chanson Texts. Journal of the American Musicological Society, 30: 320-4.

Plamenac, Dragan. 1974. Communication. Journal of the American Musicological Society, 27: 162-3.

Plamenac, Dragan (editor). 1972. Keyboard Music of the Late Middle Ages in Codex Faenza 117. Corpus mensurabilis musicae, vol. 57.  Neuhausen nr. Stuttgart: American Institute of Musicology.

Plamenac, Dragan. 1970. Alcune Osservazioni sulla Struttura del Codice 117 della Biblioteca Comunale di Faenza. L'Ars Nova Italiana del Trecento, 161-75.

Hamm, Charles E. 1969. Another Barbingant Mass. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 83-90. Pittsburgh.

Hewitt, Helen Margaret. 1969. Fors seulement and the Cantus Firmus Technique of the Fifteenth Century. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 91-126. Pittsburgh.

Hughes, Andrew. 1969. The Choir in Fifteenth-Century English Music: Non-mensural Polyphony. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, 127-45. Pittsburgh.

Plamenac, Dragan. 1966. review of Der Squarcialupi-Codex Pal. 87 der Biblioteca Laurenziana zu Florenz. The Musical Quarterly, 52: 539ff.

Plamenac, Dragan. 1965. The Two-Part Quodlibets in the Seville Chansonnier. The Commonwealth of Music, 163-81. London and New York.

Plamenac, Dragan. 1964. Faventina. Liber amicorum Charles van den Borren, 145ff. Antwerp.

Plamenac, Dragan. 1964. A Note on the Rearrangement of Faenza Codex 117. Journal of the American Musicological Society, 17: 78-81.

Plamenac, Dragan. 1962. Facsimile Reproduction of the Manuscripts Sevilla 5-1-43 & Paris N. A. Fr. 4379 (Pt. 1). Publications of Medieval Musical Manuscripts, vol. 8.  Brooklyn.

Plamenac, Dragan. 1962. Review of Llorens Cappellae. Notes, 19: 252ff.

Plamenac, Dragan. 1961-62. Music Libraries in Eastern Europe: A Visit in the Summer of 1961. Notes, 19: 217-34,411-20,584-98.

Plamenac, Dragan. 1960. Browsing Through a Little-Known Manuscript (Prague, Strahov Monastery, D.G. IV. 47). Journal of the American Musicological Society, 13: 102-11.

Plamenac, Dragan. 1958. German Polyphonic Lieder of the 15th Century in a Little-Known Manuscript. International Musicological Society: Report of the Seventh Congress, Cologne 1958, 214-5.

Plamenac, Dragan. 1956. A Postscript to 'The "Second" Chansonnier of the Biblioteca Riccardiana'. Annales Musicologiques, 4: 261-5.

Plamenac, Dragan. 1955. Another Paduan Fragment of Trecento Music. Journal of the American Musicological Society, 8: 165-81.

Plamenac, Dragan. 1954. Une Composition Inconnue de Dufay? Revue Belge de Musicologie, 8: 75-83.

Plamenac, Dragan. 1954. The 'Second' Chansonnier of the Biblioteca Riccardiana (Codex 2356). Annales Musicologiques, 2: 105-87.

Plamenac, Dragan. 1954. An Unknown Composition by Dufay? The Musical Quarterly, 40: 190-200.

Plamenac, Dragan. 1953. New light on the Codex Faenza 117. Bericht über den internationalen Kongress für Kirchenmusik in Bern, 1952, Publikationen der schweizerischen musikforschenden Gesellschaft, vol. ii/3. 310–326. Bern: Paul Haupt.

Plamenac, Dragan. 1952. Deux pièces de 1a Renaissance tirées de fonds florentins. Revue Belge de Musicologie, 6: 12ff.

Plamenac, Dragan. 1951-1952. A Reconstruction of the French Chansonnier in the Biblioteca Colombina, Seville. The Musical Quarterly, 37-38: (37) 501-542, (38) 85-117, 245-77.

Plamenac, Dragan. 1951. Keyboard Music of the 14th Century in Codex Faenza 117. Journal of the American Musicological Society, 4: 179-201.

Plamenac, Dragan. 1950. A postscript to volume II of the "Collected works" of Johannes Ockeghem. Journal of the American Musicological Society, 3: 33ff.

Plamenac, Dragan. 1949-79. Faenza, Codex 117. Die Musik in Geschichte und Gegenwart, 1st Edition, 3: 1709ff.

Plamenac, Dragan. 1948. Review of MME I. The Musical Quarterly, 34: 289-93.

Plamenac, Dragan (editor). 1947-. Johannes Ockeghem: Collected Works.  American Musicological Society.

Plamenac, Dragan. 1928-9. Zur 'L'homme armé'-Frage. Zeitschrift für Musikwissenschaft, 11: 376-83.

Plamenac, Dragan. 1928. Autour d'Ockeghem. La Revue Musicale, 9/4: 26-47.

Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig.

Plamenac, Dragan. 1925. La chanson de l'homme armé et le ms. VI. E. 40 de la Bibliothèque nationale de Naples. Annales de la Fédération archéologique et historique de Belgique, Congrès jubilaire, Bruges 1925, 229ff.

Plamenac, Dragan. None. Gesamtausgabe der Tabulaturstücke in Übertragung.

Plamenac, Dragan. None. Dijon: Bibliothèque Publique: Manuscrit 517. Publications of Mediaeval Musical Manuscripts, vol. 12.  Brooklyn.