Butterfield, Ardis. 2010. Vernacular Poetry and Music. The Cambridge Companion to Medieval Music, edited by Ardis Butterfield, 1 vols. Cambridge: Cambridge University Press.

Everist, Mark E. 2010. A New Source for the Polyphony of the Ars subtilior: Paris, Bibliothèque nationale de France, nouvelles acquisitions françaises 22069. Late Medieval Songbook and its Context: New Perspectives on Codex Bibliothéque du Château de Chantilly, 564, 287-303. Tours: Centre d'études Superieures de la Renaissance.

Everist, Mark E. 1992. Anglo-French Interactions in Music c.1170-c.1300. Revue Belge de Musicologie, 5-22.

Fuller, Sarah. 1992. Guillaume de Machaut: De toutes flours. Music Before 1600, Models of Musical Analysis. edited by Sarah Fuller, 41-65. Oxford: Blackwell.

Treitler, Leo. 1992. Medieval Lyric. Music Before 1600, Models of Musical Analysis,. edited by Leo Treitler, 1-19. Oxford.

Everist, Mark E. 1990. From Paris to St Andrews: The Origins of W1. Journal of the American Musicological Society, 1-42.

Everist, Mark E. 1989. Polyphonic Music in Thirteenth-Century France: Aspects of Sources and Distribution .  New York and London.

Everist, Mark E. 1986. Five Anglo-Norman Motets .  Newton Abbot.

Everist, Mark E. 1984. A Reconstructed Source for the Thirteenth-Century Conductus. Gordon Athol Anderson (1929-1981): In memoriam, von seinen Studenten, Freunden und Kollegen, Wissenschaftliche Abhandlungen. 2 vols.97-118. Henryville, Ottawa and Binningen.

Everist, Mark E, and Margaret Bent. 1982. Cambridge, St. John's College MS 84 (D.9). Early Music History, 315-321.