Plumley, Yolanda
Albritton, Benjamin. 2011. Translation and Parody: Responses to Machaut's 'Lay de confort'. Citation, Intertextuality and Memory in the Middle Ages and Renaissance. Volume 1: Text, Music and Image from Machaut to Ariosto, Exeter Studies in Medieval Europe: History, Society and the Arts. edited by Benjamin Albritton, 1-14. Exeter: University of Exeter Press.
Plumley, Yolanda, and Anne Stone (editors). 2009. A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564). Turnhout: Brepols.
Stone, Anne, and Yolanda Plumley (editors). 2008. Chantilly Codex, Bibliothèque du Chateau de Chantilly, Ms. 564: Facsimile & Introduction. 2 vols. Turnhout: Brepols.
Plumley, Yolanda, and Anne Stone (editors). 2007. The Chantilly Codex, Manuscript 564. Turnhout.
Plumley, Yolanda. 2003. Ciconia's Sus un' fontayne and the Legacy of Philipoctus de Caserta. Johannes Ciconia: musicien de la transition, edited by Yolanda Plumley, 131–68. Turnhout: Brepols.
Plumley, Yolanda. 1999. Citation and Allusion in the Late Ars Nova: the Case of 'Esperance' and the 'En attendant' songs. Early Music History, 287-363.