Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
|---|---|---|---|
| ii–iv (v) | index | - | - |
index
Appears on:
ii–iv (v)
|
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| v (v)–1 | O Christianum - 1a pars (of 2): O Christianum O ter quater O centies | Christianus Hollander | |
|
Appears on:
v (v)–1
Genres:
Motet
Source Attribution:
Christianus Hollander
Voice:
[no designation]
Languages:
Latin
Voice Text:
O Christianum O ter quater O centies II: Quid Christiano sanctius quid celsius
General NoteHam states that only 1a pars is copied |
|||
| 2v–3 | Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te | Crequillon/[Clemens non Papa] | |
|
Appears on:
2v–3
Genres:
Motet
Source Attribution:
Crequillon/[Clemens non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater peccavi in celum et coram te II: Quanti mercenarii in domo patris
|
|||
| 3v–4 | Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris | - | |
|
Appears on:
3v–4
Genres:
Motet
|
|||
| 4v–5 | Beati pauperes spiritu quoniam ipsorum | Clemens [non Papa] | |
|
Appears on:
4v–5
Genres:
Motet
Source Attribution:
Clemens [non Papa]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Beati pauperes spiritum quoniam ipsorum
|
|||
| 5v–6 | Cantantibus organis Cecilia virgo in corde | Petit Ian [= Lattre] | |
|
Appears on:
5v–6
Genres:
Motet
Source Attribution:
Petit Ian [= Lattre]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Cantantibus organis Cecilia virgo in corde
|
|||
| 6v–7 | Date et dabitur vobis - 1a pars (of 2): Date et dabitur vobis eadem vero mensura | Anon. | Anonymous |
|
Appears on:
6v–7
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Date et dabitur vobis eadem vero II: Argentum et aurum non est mecum
|
|||
| 7v–8 | Date et dabitur vobis - 2a pars (of 2): Argentum et aurum non est mihi | - | Anonymous |
|
Appears on:
7v–8
Genres:
Motet
|
|||
| 16v–18 | Benedicta es (12vv) - 1a pars (of 3): Benedicta es caelorum regina et mundi (arrangement by Joachimus de Monte of original Josquin motet) | Josquin [index] / Joachimus de Monte [named above the extra parts] | |
|
Appears on:
16v–18
Genres:
Motet
Source Attribution:
Josquin [index] / Joachimus de Monte [named above the extra parts]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Benedicta es celorum regina et mundi (12v arrangement, by Guyot, of original Josquin motet, Pars II not present here) 23(1).13 II: [Per illud ave prolatum] III: Nunc mater exora natum
ConcordancesThis 12vv version of the Josquin 'Benedicta' was long assumed to be a concordance of the Guyot setting in Munich 1536, but it is in fact a different setting by Joachimus de Monte (see HamSt). Note: only 4 of the 6 extra parts survive; in this book Bassus III & Tenor III, in Septima the Superius II & III. Item BibliographyHam, Martin. 2013. The Stonyhurst College Partbooks, the Madrigal Society, and a Diplomatic Gift to Edward VI. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 63/1: 3-64. Pages: 46,53. |
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| 18 | Benedicta es (12vv) - 2a pars (of 3): Per illud ave prolatum | - | |
|
Appears on:
18
Genres:
Motet
General Note2a pars tacet |
|||
| 18v–20 | Benedicta es (12vv) - 3a pars (of 3): Nunc mater exora natum | - | |
|
Appears on:
18v–20
Genres:
Motet
|
|||
| 20v–21 | Belle sans per ou gist tout mon espoir | Thomas Crequillon | |
|
Appears on:
20v–21
Genres:
Chanson
Source Attribution:
Thomas Crequillon
Voice:
[no designation]
Languages:
French
Voice Text:
Belle sans per ou gist tout mon espoir
|
|||
| 21v–22 | Plaine de deuil et de merencolie | Ciprianus de Rore | |
|
Appears on:
21v–22
Genres:
Chanson
Source Attribution:
Ciprianus de Rore
Voice:
[no designation]
Languages:
French
Voice Text:
Plaine de dueil et de merencollie
|
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| 22v–23 | Las que te sert ce doulx parler | Crespel | |
|
Appears on:
22v–23
Genres:
Chanson
Source Attribution:
Crespel
Voice:
[no designation]
Languages:
Latin
Voice Text:
Las que te sert ce doulx parler
|
|||
| 23v–24 | D'amour me plains et non de vous m'amie | Jan Crespel | |
|
Appears on:
23v–24
Genres:
Chanson
Source Attribution:
Jan Crespel
Voice:
[no designation]
Languages:
French
Voice Text:
Damours me plains et non de vous mamye
|
|||
| 24v–25 | Plus ne me plains car amour et mamye | Crespel | |
|
Appears on:
24v–25
Genres:
Chanson
Source Attribution:
Crespel
Voice:
[no designation]
Languages:
French
Voice Text:
Plus ne me plains car amour et mamye
|
|||
| 25v–26 | Entre vous filles de quinze ans | Petit Ian [= Lattre] | |
|
Appears on:
25v–26
Genres:
Chanson
Source Attribution:
Petit Ian [= Lattre]
Voice:
[no designation]
Languages:
French
Voice Text:
Entre vous fille de quinze ans
|
|||
| 26–27 | L'amy surprendre en faulx solas | Anon. | Anonymous |
L'amy surprendre en faulx solasAnonymous
Appears on:
26–27
Genres:
Chanson
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
French
Voice Text:
Lamy surphrendre en faulx solas
|
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| 27v–28 | Ghequest ben ick van binnen doer | Ludovicus Episcopus | |
|
Appears on:
27v–28
Genres:
Song
Source Attribution:
Ludovicus Episcopus
Voice:
[no designation]
Languages:
Dutch
Voice Text:
Ghequest ben ick van binnen doer
|
|||
| 28v–29 | Par cy devant libre estoit mon penser | Clemens non Papa | |
|
Appears on:
28v–29
Genres:
Chanson
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
French
Voice Text:
Par cy devant libre estoit mon penser
|
|||
| 29v–30 | Vous soyes le tresbien venus mais servy | Charles Chastelain | |
|
Appears on:
29v–30
Genres:
Chanson
Source Attribution:
Charles Chastelain
Voice:
[no designation]
Languages:
French
Voice Text:
Vous soyes le tresbien venus mais servy
|
|||
| 32v–33 | Audi filia - 1a pars (of 2): Audi filia et vide | Christianus Hollandus | |
|
Appears on:
32v–33
Genres:
Motet
Source Attribution:
Christianus Hollandus
Voice:
[no designation]
Languages:
Latin
Voice Text:
Audi filia et vide et inclina aurem tuam II: Specie tua et pulchritudine tua
|
|||
| 33v–34 | Audi filia - 2a pars (of 2): Specie tua et pulchritudine tua | - | |
|
Appears on:
33v–34
Genres:
Motet
|
|||
| 34v–35 | Pater peccavi - 1a pars (of 2): Pater peccavi in caelum et coram te | Anon. | Anonymous |
|
Appears on:
34v–35
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Pater peccavi in celum et coram te II: Quanti mercenarii in domo patris
|
|||
| 35–35v | Pater peccavi - 2a pars (of 2): Quanti mercenarii in domo patris | - | Anonymous |
|
Appears on:
35–35v
Genres:
Motet
|
|||
| 36 | Je dis adieu de tout plaisir et joie | Philippe de Wildre | |
|
Appears on:
36
Genres:
Chanson
Source Attribution:
Philippe de Wildre
Voice:
[no designation]
Languages:
French
Voice Text:
Je dis adieu de tout plaisir et ioye
|
|||
| 36v–37 | Ce moi de may sur la rousee | Zacheus | |
|
Appears on:
36v–37
Genres:
Chanson
Source Attribution:
Zacheus
Voice:
[no designation]
Languages:
French
Voice Text:
Ce moy de may sur la rousee
|
|||
| 37v–38 | J'ai mis mon coeur en un lieu seulement | Descaudain/[Moulu] | |
|
Appears on:
37v–38
Genres:
Chanson
Source Attribution:
Descaudain/[Moulu]
Voice:
[no designation]
Languages:
French
Voice Text:
Jay mys mon cueur en ung lieu seullement
|
|||
| 38v–39 | En despit des envyeulx j'ai meray m'amie | Philippe de Wildre | |
|
Appears on:
38v–39
Genres:
Chanson
Source Attribution:
Philippe de Wildre
Voice:
[no designation]
Languages:
French
Voice Text:
En despit des envyeulx jay meray mamye
|
|||
| 39v–40 | Ego flos campi et lilium convalium | Clemens non Papa | |
|
Appears on:
39v–40
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ego flos campi et lilium convalium
|
|||
| 40v–41 | Ick mach wel claghen van ghebreken | Clemens non Papa | |
|
Appears on:
40v–41
Genres:
Song
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
German
Voice Text:
Ick mach wel claghen van ghebreken
|
|||
| 48v–49 | Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet | Clemens non Papa | |
|
Appears on:
48v–49
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Levavi oculos meos in montes unde veniet II: Anima nostra sicut passer erepta est
|
|||
| 49v–50 | Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est | - | |
|
Appears on:
49v–50
Genres:
Motet
|
|||
| 50v–51 | Musica Dei donum optimi trahit homines | Christianus Hollander | |
|
Appears on:
50v–51
Genres:
Motet
Source Attribution:
Christianus Hollander
Voice:
[no designation]
Languages:
Latin
Voice Text:
Musica dei donum optimi trahit homines
|
|||
| 51v–52 | Verbum bonum - 1a pars (of 3): Verbum bonum et suave personemus illud | Tubal | |
|
Appears on:
51v–52
Genres:
Motet
Source Attribution:
Tubal
Voice:
[no designation]
Languages:
Latin
Voice Text:
Verbum bonum et suave personemus illud II: Ave viri Salomonis (Pars II tacet in Q book) III: Ave sponsa verbi summi maris
|
|||
| 52 | Verbum bonum - 2a pars (of 3): Ave viri Salomonis | - | |
|
Appears on:
52
Genres:
Motet
General Note2a pars tacet in Quinta vox |
|||
| 52v–53 | Verbum bonum - 3a pars (of 3): Ave sponsa verbi summi maris | - | |
|
Appears on:
52v–53
Genres:
Motet
|
|||
| 53v–54 | Domine Deus omnipotens (6vv) - 1a pars (of 2): Domine Deus omnipotens tu non posuisti | Thomas Crequillon | |
|
Appears on:
53v–54
Genres:
Motet
Source Attribution:
Thomas Crequillon
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine deus omnipotens tu non posuisti II: Confiteor tibi me peccasse propter
|
|||
| 54v–55 | Domine Deus omnipotens (6vv) - 2a pars (of 2): Confiteor tibi me peccasse | - | |
|
Appears on:
54v–55
Genres:
Motet
|
|||
| 55v–56 | Audivi vocem - 1a pars (of 2): Audivi vocem de caelo tanquam vocem | Petrus Manchicourt | |
|
Appears on:
55v–56
Genres:
Motet
Source Attribution:
Petrus Manchicourt
Voice:
[no designation]
Languages:
Latin
Voice Text:
Audivi vocem de celo tanquam vocem II: Et vox de throno exivit dicens
|
|||
| 56v–57 | Audivi vocem - 2a pars (of 2): Et vox de throno exivit dicens | - | |
|
Appears on:
56v–57
Genres:
Motet
|
|||
| 57v–58 | Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione | Crequillon | |
|
Appears on:
57v–58
Genres:
Motet
Source Attribution:
Crequillon
Voice:
[no designation]
Languages:
Latin
Voice Text:
Domine da nobis auxilium de tribulatione II: Tibi subiecta sit amica mea
|
|||
| 58v–59 | Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea | - | |
|
Appears on:
58v–59
Genres:
Motet
|
|||
| 59v–60 | Ave mundi spes Maria ave mitis ave pia | Clemens non Papa | |
|
Appears on:
59v–60
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave mundi spes Maria ave mitis ave pia
|
|||
| 60v–61 | Illumina oculos meos nequando dicat | Anon. | Anonymous |
Illumina oculos meos nequando dicatAnonymous
Appears on:
60v–61
Genres:
Motet
Source Attribution:
Anon.
Voice:
[no designation]
Languages:
Latin
Voice Text:
Illumina oculos meos nequando dicat
|
|||
| 61v–62 | O Jacobum virtutibus et signis supplantatem | Christianus Hollandus | |
|
Appears on:
61v–62
Genres:
Motet
Source Attribution:
Christianus Hollandus
Voice:
[no designation]
Languages:
Latin
Voice Text:
O Jacobum virtutibus et signis supplantatem
|
|||
| 62v–63 | Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum | Petrus Manchicourt | |
|
Appears on:
62v–63
Genres:
Motet
Source Attribution:
Petrus Manchicourt
Voice:
[no designation]
Languages:
Latin
Voice Text:
Illuminare Ierusalem quia venit lumen tuum II: Filii tui de longe venient
|
|||
| 63v–64 | Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient | - | |
|
Appears on:
63v–64
Genres:
Motet
|
|||
| 64v–65 | Panis quem - 1a pars (of 2): Panis quem ego dabo caro mea est | Anthonius Gally | |
|
Appears on:
64v–65
Genres:
Motet
Source Attribution:
Anthonius Gally
Voice:
[no designation]
Languages:
Latin
Voice Text:
Panis quem ego dabo caro mea est II: Locutus est populus ad dominum
|
|||
| 65v–66 | Panis quem - 2a pars (of 2): Locutus est populus ad Dominum | - | |
|
Appears on:
65v–66
Genres:
Motet
|
|||
| 72v–73 | Vivre ne puis sur terre car mort suis | Anthonius Gally | |
|
Appears on:
72v–73
Genres:
Chanson
Source Attribution:
Anthonius Gally
Voice:
[no designation]
Languages:
French
Voice Text:
Vivre ne puis sur terre car mort
|
|||
| 73v–74 | Pres de mon mal iestoye aussy loing | Anthonius Gally | |
|
Appears on:
73v–74
Genres:
Chanson
Source Attribution:
Anthonius Gally
Voice:
[no designation]
Languages:
French
Voice Text:
Pres de mon mal iestoye aussy loing
|
|||
| 74v–75 | A qui me dois je retirer Puisque mon ami | Clemens non Papa | |
|
Appears on:
74v–75
Genres:
Chanson
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
French
Voice Text:
A qui me doibz ie retirer puisque mon amy
|
|||
| 75v–76 | Tant que vivray en aage flourissant | Jan Crespel | |
|
Appears on:
75v–76
Genres:
Chanson
Source Attribution:
Jan Crespel
Voice:
[no designation]
Languages:
French
Voice Text:
Tant que vivray en aage flourissant
|
|||
| 76v–77 | Celle que m'a tant pourmene a eu pitie | Christianus Hollander | |
|
Appears on:
76v–77
Genres:
Chanson
Source Attribution:
Christianus Hollander
Voice:
[no designation]
Languages:
French
Voice Text:
Celle que ma tant pourmene a eu pitie
|
|||
| 77v–78 | Quant je vey son coeur estre mien | Jo. Bachy | |
|
Appears on:
77v–78
Genres:
Chanson
Source Attribution:
Jo. Bachy
Voice:
[no designation]
Languages:
French
Voice Text:
Quant ie vey son cueur estre myen
|
|||
| 78v–79 | D'amour me plains et non de vous m'amie | Larchier | |
|
Appears on:
78v–79
Genres:
Chanson
Source Attribution:
Larchier
Voice:
[no designation]
Languages:
French
Voice Text:
Damour me plains et non de vous mamye
|
|||
| 79v–80 | Tous les plaisirs qu'en languer je soubstiens | Tubal | |
|
Appears on:
79v–80
Genres:
Chanson
Source Attribution:
Tubal
Voice:
[no designation]
Languages:
French
Voice Text:
Tous le plaisirs que langueur ie soubstiens
|
|||
| 80v–81 | Rien n'est plus cher que ce que l'on désire | Claude Gervay[se] | |
|
Appears on:
80v–81
Genres:
Chanson
Source Attribution:
Claude Gervay[se]
Voice:
[no designation]
Languages:
French
Voice Text:
Riens nest plus chier que ce que lon desire
|
|||
| 81v–82 | Que n'est elle au pres de moi | Canis | |
|
Appears on:
81v–82
Genres:
Chanson
Source Attribution:
Canis
Voice:
[no designation]
Languages:
French
Voice Text:
Que nest elle au pres de moy
|
|||
| 82v–83 | Jouissance vous donnerai, mon ami | Gombert | |
|
Appears on:
82v–83
Genres:
Chanson
Source Attribution:
Gombert
Voice:
[no designation]
Languages:
French
Voice Text:
Jouyssance vous donneray mon amy
|
|||
| 83v–84 | Adieu mon esperance adieu mon souvenir | Clemens non Papa | |
|
Appears on:
83v–84
Genres:
Chanson
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
French
Voice Text:
Adieu mon esperance adieu mon soubvenir
|
|||
| 84v–85 | Vivons vivons ioyeussement sans avoir soucy | Claude Gervay[se] | |
|
Appears on:
84v–85
Genres:
Chanson
Source Attribution:
Claude Gervay[se]
Voice:
[no designation]
Languages:
French
Voice Text:
Vivons vivons ioyeussement sans avoir soucy
|
|||
| 85v–86 | Vostre ie suis et sy ne l'ose dire | Corn. Canis | |
|
Appears on:
85v–86
Genres:
Chanson
Source Attribution:
Corn. Canis
Voice:
[no designation]
Languages:
French
Voice Text:
Vostre ie suis et sy ne lvose dire
|
|||
| 86v–87 | Vrai dieu quand viendra la iournee | Claude Gervay[se] | |
|
Appears on:
86v–87
Genres:
Chanson
Source Attribution:
Claude Gervay[se]
Voice:
[no designation]
Languages:
French
Voice Text:
Vray dieu quant viendra la iournee
|
|||
| 96v–97 | Carole magnus - 1a pars (of 2): Carole magnus eras cum solus regna tenebas | Clemens non Papa | |
|
Appears on:
96v–97
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Carole magnus eras cum solum regna II: Nunc omnes nato tu regis a puero
|
|||
| 97v–98 | Carole magnus - 2a pars (of 2): Nunc omnes nato tu regis a puero | - | |
|
Appears on:
97v–98
Genres:
Motet
|
|||
| 98v | Tua est potentia - 1a pars (of 2): Tua est potentia tuum regnum Domine | Dominicus Phinot | |
|
Appears on:
98v
Genres:
Motet
Source Attribution:
Dominicus Phinot
Voice:
[no designation]
Languages:
Latin
Voice Text:
Tua est potentia tuum regnum domine II: Creator omnium deus terribilis et fortis
|
|||
| 99 | Tua est potentia - 2a pars (of 2): Creator omnium Deus terribilis | - | |
|
Appears on:
99
Genres:
Motet
|
|||
| 99v–100 | Dum transisset sabbatum - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena | Christianus Hollander/[S. Hollander/Lassus] | |
|
Appears on:
99v–100
Genres:
Motet
Source Attribution:
Christianus Hollander/[S. Hollander/Lassus]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Dum transisset sabatum Maria Magdalena II: Et valde mane una sabatorum veniunt
|
|||
| 100v–101 | Dum transisset sabbatum - 2a pars (of 2): Et valde mane una Sabathorum | - | |
|
Appears on:
100v–101
Genres:
Motet
|
|||
| 101v–102 | Angelus Domini - 1a pars (of 2): Angelus Domini ad pastores ait | Clemens non Papa | |
|
Appears on:
101v–102
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Angelus domini ad pastores ait anuncio II: Parvulus filius hodie natus est nobis
|
|||
| 102v–103 | Angelus Domini - 2a pars (of 2): Parvulus filius nobis natus est | - | |
|
Appears on:
102v–103
Genres:
Motet
|
|||
| 103v–104 | Discite a me - 1a pars (of 2): Discite a me quia mitis sum | Clemens non Papa/[Crecquillon] | |
|
Appears on:
103v–104
Genres:
Motet
Source Attribution:
Clemens non Papa/[Crecquillon]
Voice:
[no designation]
Languages:
Latin
Voice Text:
Discite a me quia mitis sum et humilis II: Quia qui se exaltat humiliabitur
|
|||
| 104v–105 | Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur] | - | |
|
Appears on:
104v–105
Genres:
Motet
|
|||
| 105v–106 | Caesar habet naves laceras et grandia | Clemens non Papa | |
|
Appears on:
105v–106
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Cesar habet naves laceras et grandia
|
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| 106v | Ave color vini - 1a pars (of 3): Ave color vini clari ave sapor sine pari (= Stella maris) | Clemens non Papa | |
|
Appears on:
106v
Genres:
Contrafactum, Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Ave color vini clari ave sapor sine pari II: Felix guttur [quem rigabis felix] (Pars II tacet in Q book) III: Ergo vinum collaudemus et potentes [= Stella maris luminosa virga florens]
General NotePars II tacet in Q book |
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| 106v | Ave color vini - 2a pars (of 3): Felix guttur quem rigabis felix (= O Maria singularis) | - | |
|
Appears on:
106v
Genres:
Contrafactum, Motet
General Note2a pars tacet in Quinta vox |
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| 107 | Ave color vini - 3a pars (of 3): Ergo vinum collaudemus et potentes (= Ergo dulcis) | - | |
|
Appears on:
107
Genres:
Contrafactum, Motet
|
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| 107v–108 | Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna | Clemens non Papa | |
|
Appears on:
107v–108
Genres:
Motet
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
Latin
Voice Text:
Venit vox de celo cum luce superna II: Respondit miles quis es tu domine
|
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| 108v–109 | Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine | - | |
|
Appears on:
108v–109
Genres:
Motet
|
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| 120v–121 | Sans ton secours d'avoir bien nay fiance | Josquin Baston | |
|
Appears on:
120v–121
Genres:
Chanson
Source Attribution:
Josquin Baston
Voice:
[no designation]
Languages:
French
Voice Text:
Sans ton secours davoir bien nay fiance
|
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| 121v–122 | Je changerai quelque chose qu'on pense | Crequilon | |
|
Appears on:
121v–122
Genres:
Chanson
Source Attribution:
Crequilon
Voice:
[no designation]
Languages:
French
Voice Text:
Ie changeray quelque chose quon pense
|
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| 122v–123 | Puisque malheur me tient rigueur | Baston | |
|
Appears on:
122v–123
Genres:
Chanson
Source Attribution:
Baston
Voice:
[no designation]
Languages:
French
Voice Text:
Puis que malheur me tient rigueur
|
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| 123v–124 | Myns liefkens bruyn ooghen en haren | Josquin Baston | |
|
Appears on:
123v–124
Genres:
Song
Source Attribution:
Josquin Baston
Voice:
[no designation]
Languages:
Dutch
Voice Text:
Myns liefkens bruyn ooghen en haren
|
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| 124v–125 | Or il ne m'est possible d'avoir quelque confort | Clemens non Papa | |
|
Appears on:
124v–125
Genres:
Chanson
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
French
Voice Text:
Or il ne mest possible davoir quelque confort
|
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| 125v–126 | Je changeray quoi qu'il men doibt advenir | Jan Louys | |
|
Appears on:
125v–126
Genres:
Chanson
Source Attribution:
Jan Louys
Voice:
[no designation]
Languages:
French
Voice Text:
Je changeray quoy quil men doibt advenir
|
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| 126v–127 | En un champ noir un coeur leal est mis | Clemens non Papa | |
|
Appears on:
126v–127
Genres:
Chanson
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
French
Voice Text:
En ung champ noir ung cuer leal est mys
|
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| 127v–128 | Laultrier mi cheminoie mon chemin devers | Clemens non Papa | |
|
Appears on:
127v–128
Genres:
Chanson
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
French
Voice Text:
Laultrier my cheminoye mon chemyn devers
|
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| 128v | O triste ennuye qui me tient en souffrance | Crequillon | |
|
Appears on:
128v
Genres:
Chanson
Source Attribution:
Crequillon
Voice:
[no designation]
Languages:
French
Voice Text:
O triste ennuye qui me tient en souffrance
|
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| 129 | Or puisqu' ennuye te detient en souffrance | Crequillon | |
|
Appears on:
129
Genres:
Chanson
Source Attribution:
Crequillon
Voice:
[no designation]
Languages:
French
Voice Text:
Or puis qu'ennuye te de tient en souffrance
|
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| 129v–130 | Aimer est ma vie en despit d'ennuye | Crequillon/[Clemens non Papa] | |
|
Appears on:
129v–130
Genres:
Chanson
Source Attribution:
Crequillon/[Clemens non Papa]
Voice:
[no designation]
Languages:
French
Voice Text:
Aymer est ma vie en despit denuye
|
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| 130 | Dites pourquoi vostre amitié se fache | Crequillon | |
|
Appears on:
130
Genres:
Chanson
Source Attribution:
Crequillon
Voice:
[no designation]
Languages:
French
Voice Text:
Dictes pour quoy vostre amytie se fache
|
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| 130v–131 | Esperant davoir quelque bien d'amour | Clemens non Papa | |
|
Appears on:
130v–131
Genres:
Chanson
Source Attribution:
Clemens non Papa
Voice:
[no designation]
Languages:
French
Voice Text:
Esperant davoir quelque bien damour
|
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| 131v–132 | Je men revoy tel que je viens | Jo. Castileti [= Guyot]/[Chastelain] | |
|
Appears on:
131v–132
Genres:
Chanson
Source Attribution:
Jo. Castileti [= Guyot]/[Chastelain]
Voice:
[no designation]
Languages:
French
Voice Text:
Je men revoy tel que ie viens
|
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| 132v–133 | Il vous est assez pardonnez comme a loyal | Jan Louys | |
|
Appears on:
132v–133
Genres:
Chanson
Source Attribution:
Jan Louys
Voice:
[no designation]
Languages:
French
Voice Text:
Il vous est assez pardonnez comme a loyal
|
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| 133v–134 | Vostre beaulte plaisant et lye me donne | Doublet | |
|
Appears on:
133v–134
Genres:
Chanson
Source Attribution:
Doublet
Voice:
[no designation]
Languages:
French
Voice Text:
Vostre beaulte plaisant et lye me donne
|
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| 134v–135 | Qual anima ignorante qual dio | Constantius Festa | |
|
Appears on:
134v–135
Genres:
Chanson
Source Attribution:
Constantius Festa
Voice:
[no designation]
Languages:
Italian
Voice Text:
Qual anima ignorante qual dio
|
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| 135v–136 | Che dolce piu che giocondo stato | Alphonso de Violla | |
|
Appears on:
135v–136
Genres:
Italian secular
Source Attribution:
Alphonso de Violla
Voice:
[no designation]
Languages:
Italian
Voice Text:
Che dolce piu che giocondo stato
|
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