Copied by three main scribes and several additional scribes; scribe of ff. 38'-39 also made additions in VerBC 758, scribe of ff. 63'-64 and ff. 65'-66 also copied VerBC 761. Copied in Verona (KanTV).
| Archive | Biblioteca Capitolare di Verona, Verona, Italy (I-VEc) |
|---|---|
| Shelfmark | MS DCCLIX |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Measurements | 441 x 330 mm |
| Other Identifiers |
|
| Provenance |
|
| Contents | Contains 87 compositions, 18 from 12 composers, 69 are anonymous. |
General Description
Binding
Original covers of brown leather over wooden boards, with metal bosses and corners; clasps missing
Watermark
goose (not in Briquet).
Notation
not indicated
Date
Ca. 1480-90 (KanTV), with additions extending into first quarter of 16th century.
Ruling
Staff height 20.
Foliation
New pencil foliation, 1-98
Foliation
96 ff
Decoration
Inked calligraphic initials.
Surface
i parchment + 96 paper + i parchment
RISM Description
RISM
XVe s. 98 ff. Papier (Parchemin aux ff. 1 et 98 avec notation neumatique), 442 x 320 mm. Foliotation moderne. Notation mesurée blanche. 10 portées par p. Capitales ornées à la plume. Reliure ancienne cuir estampé, bouillons et coins métal, très fatiguée.
La présence de 2 Salve regina, unica de M. Cara et G. Brocco, tous les deux originaires de Vérone où ils ont fait leurs premières études musicales avant de trouver ailleurs une certaine célébrité comme frottolistes, permet de penser que le ms. a été copié à Vérone avant que Cara n'ait quitté la ville pour Mantoue en 1495. Le filigrane de l'oie, fréquent dans les documents véronais des trois dernières décennies du XVe s., confirme aussi l'origine du ms. Alors que les messes dominent dans le 1ère partie jusqu'au no 19, la musique pour les vêpres occupe presque exclusivement la fin du recueil. Les nos 6, 11, 24, 36, 43, 48, 59, 65, 68, ont été copiés postérieurement aux p. laissées blanches par le scribe principal
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
8 Masses, 1 Kyrie-Gloria pair (without text), 2 Kyries, 1 Credo, 3 Mass Proper sections, 13 Magnificats, 1 Magnificat section, 17 psalms, 29 hymns (4 without text), 12 motets (1 incomplete) = 87
Barbingant-1, G. Brocco-1 + 1?, Cara-1, Congeri-1, (Dufay)-1, (Josquin)-1, Martini-2, Ockeghem-1, (Quadris)-1, Tinctoris-1, anon-75
i parchment + 96 paper + i parchment folios, 441 x 330. New pencil foliation, 1-98. Original covers of brown leather over wooden boards, with metal bosses and corners; clasps missing. No index. Copied by three main scribes and several additional scribes; scribe of ff. 38'-39 also made additions in VerBC 758, scribe of ff. 63'-64 and ff. 65'-66 also copied VerBC 761. Staff height 20. Inked calligraphic initials. Watermark: goose (not in Briquet).
Ca. 1480-90 (KanTV), with additions extending into first quarter of 16th century. Copied in Verona (KanTV).
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‡ denotes primary source study
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 38: 470-523. Pages: 477,512,518-21. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Ward, Tom Robert. 1979. The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory. RMS, vol. 3. American Institute of Musicology. Notes: contents list (partial); concordances (partial); incipits (partial).
Paganuzzi, Enrico, C Bologna, and L; Cambié, G M; Conati, M Rognini. 1976. La musica a Verona. Verona. Pages: 87f.
Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae, vol. 18. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: x-xi,33-54. Notes: contents list (partial); transcription (partial).
Kanazawa, Masakata. 1975. Two Vesper Repertories from Verona, ca. 1500. Revista Italiana di Musicologia, 10: 155-73. Pages: passim et 176ff.
Prizer, William Flaville. 1974. Marchetta Cara and the North Italian Frottola. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I,64-7; II,33. Notes: physical description (partial); contents list (partial); mention of MS; discussion.
Cattin, Giulio (editor). 1972. Johannis de Quadris: Opera. Antiquat Musicae Italicae, Monumenta Veneta Sacra, vol. 2. Bologna. Pages: 77. Notes: contents list (partial); concordances (partial).
Ward, Tom Robert. 1972. The Polyphonic Office Hymn and the Liturgy of Fifteenth Century Italy. Musica Disciplina, 26: 161-88. Pages: 33-54. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.
Preston, Alan Herbert. 1969. Sacred Polyphony in Renaissance Verona: A Liturgical and Stylistic Study. University of Illinois, Unpublished Ph.D. dissertation.
Ward, Tom Robert. 1969. The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century. University of Pittsburgh, Unpublished Ph.D. dissertation. Pages: 66-73,85-7, 217ff,544, passim. Notes: contents list (partial); concordances (partial); incipits (partial); transcription (partial); mention of MS; discussion.
Kanazawa, Masakata. 1966. Polyphonic music for Vespers in the fifteenth century. Harvard University, Ph.D. Dissertation, 2 vols. Pages: I, 480ff.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 172 [textless Magnificat section on f. 53' of VerBC 759, listed as separate item (#474) by Kirsch, is actually "Esurientes" of #333]. Notes: contents list (partial); concordances (partial); incipits (partial).
Jeppesen, Knud (editor). 1962. Italia Sacra Musica, musiche corali italiane sconosciute della prima metà del Cinquecento. 3 vols. Copenhagen. Pages: II,vii,96-9. Notes: physical description (partial); contents list (partial); transcription (partial).
Meier, Bernhard (editor). 1954-7. Jacobi Barbireau: Opera Omnia. Corpus mensurabilis musicae, vol. 7. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,v-vii,52-67. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Turrini, Giuseppe. 1953. II Patrimonio Musicale della Biblioteca Capitolare di Verona dal Sec. XV al XIX. Atti e Memorie della Accademia di Agricoltura Scienze e Lettere di Verona, 127: 95-176. Pages: 5 à 14, 16.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: II,1346; VI,1022; XIII,1512. Notes: physical description (partial).
Plamenac, Dragan (editor). 1927) 2nd. Corrected Ed.: Vol. I: Masses I-VIII. (American musicological Society, 1959) Vol. II: Masses and mass sections IX-XVI. (1947. Johannes Ockeghem: Sämtliche Werke [Johannes Ockeghem: Collected Works]. 2 vols. Leipzig. Pages: Plamenac, in Ockeghem I, p. XI.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description