Composite of two originally separate manuscripts later bound together: Part I = new ff. 1-110; Part II = new ff. 111-130. Part I copied in Naples (RothS); Part II copied in Verona.
I-VEc MS DCCLV
Biblioteca Capitolare di Verona, Verona, Italy
composite of unrelated mss: c. 1475-80
| Archive | Biblioteca Capitolare di Verona, Verona, Italy (I-VEc) |
|---|---|
| Shelfmark | MS DCCLV |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 337 x 241 mm |
| Other Identifiers |
|
| External Links | |
| Provenance |
|
| Contents | Contains 27 compositions, 11 from 5 composers, 16 are anonymous. |
General Description
Binding
Original covers of brown leather over boards; clasps missing
Watermark
Watermarks in Part I (none in Briquet): (1) three-peaked mountain; (2) crown; (3) hourglass surmounted by cross. Watermark in Part II: goose (not in Briquet).
Notation
not indicated
Date
Ca. 1475-80 (RothS).
Ruling
Staff height 14 in Part I, 18 in Part II.
Foliation
130 ff
Foliation
Original ink foliation mostly obliterated by later trimming; new pencil foliation, 1-130.
Decoration
A few inked calligraphic initials.
Surface
paper
RISM Description
RISM
XVe/XVIe s. 130ff. Papier, 338 x 240 mm. Foliotation ancienne, quelquefois lacunaire et remplacée par une foliotation moderne. Les ff. 1, 8v, 9, 53v, 54, 66v à 70, 95v à 101, 109v à 110v sont blancs. Notation mesurée blanche. 10 portées par p. Reliure ancienne très fatiguée, cuir estampé.
Ce ms., probablement destiné (comme les mss. 758, 759, 760), à la Scuola degli Accoliti, fondée en 1440 par les autorités religieuses et civiles de Vérone, est un de ceux qui révèlent l'influence des compositeurs franco-flamands des cours de Naples et de Milan sur le répertoire liturgique de la cathédrale. Un des filigranes (oie, aux ff. 111 à 130) que l'on retrouve dans trois autres mss. de la Capitolare (757, 758, 759) caractérise des papiers répandus dans une région très limitée du nord de l'Italie et tout particulièrement à Vérone et Vicence, ce qui tendrait à démontrer l'origine véronaise de tous ces mss.
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Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
11 Masses, 1 Kyrie-Gloria pair (incomplete), 1 Kyrie (incomplete), 1 Mass Proper section, 3 motets = 17
(Caron)-1, (Congeri)-1, (Martini)-1, Tinctoris-1, (Weerbecke)-1, anon-12
i + 130 + i paper folios, 337 x 241. Composite of two originally separate manuscripts later bound together: Part I = new ff. 1-110; Part II = new ff. 111-130. Original ink foliation mostly obliterated by later trimming; new pencil foliation, 1-130. New ff. 8'-9, 53'-54, 66'-70, 95'-101, 109'-110' have blank staves only; f. 1 blank. Original covers of brown leather over boards; clasps missing. No index. Each manuscript copied by a different scribe. Staff height 14 in Part I, 18 in Part II. A few inked calligraphic initials. Watermarks in Part I (none in Briquet): (1) three-peaked mountain; (2) crown; (3) hourglass surmounted by cross. Watermark in Part II: goose (not in Briquet).
Ca. 1475-80 (RothS). Part I copied in Naples (RothS); Part II copied in Verona.
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‡ denotes primary source study
Dean, Jeffrey J. 2004. Verona 755 and the Incomprehensibilia Composer. Manoscritti di polifonia nel Quattrocento europeo: Atti del Convegno internazionale di Studi, 93-108. Trento: Soprintendenza per i Beni Librari e Archivistici.
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Burkholder, J Peter. 1985. Johannes Martini and the Imitation Mass of the Late Fifteenth Century. Journal of the American Musicological Society, 38: 470-523. Pages: 477, 512, 518. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae, vol. 95. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, xi, 103-8. Notes: contents list (partial); transcription (partial).
Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 68, 71, 209-11, 259-61, 350, 387, 390, 392-3. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Blackburn, Bonnie J. 1981. A Lost Guide to Tinctoris's Teachings Recovered. Early Music History, 1: 29-116. Pages: 36, 40. Notes: contents list (partial); concordances (partial).
Reynolds, Christopher Alan. 1981. The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory. Early Music History, 1: 257-304. Pages: 297. Notes: contents list (partial); concordances (partial).
Paganuzzi, Enrico, C Bologna, and L; Cambié, G M; Conati, M Rognini. 1976. La musica a Verona. Verona. Pages: 87f.
Melin, William (editor). 1976. Johannes Tinctoris: Collected Works. Corpus mensurabilis musicae, vol. 18. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: x-xi, 1-32. Notes: contents list (partial); transcription (partial).
Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson. Brooklyn: Institute of Mediaeval Music. Pages: II, following i, ii, vi-ix. Notes: contents list (partial); concordances (partial); facsimile (partial).
Kanazawa, Masakata. 1975. Two Vesper Repertories from Verona, ca. 1500. Revista Italiana di Musicologia, 10: 155-73. Pages: 158-9. Notes: mention of MS.
Preston, Alan Herbert. 1969. Sacred Polyphony in Renaissance Verona: A Liturgical and Stylistic Study. University of Illinois, Unpublished Ph.D. dissertation.
Tinctoris, Johannes. 1961. The art of counterpoint (Liber de arte contrapuncti). Transi, and ed. with an introduction by Albert Seay. Musicological Studies and documents, vol. 5. edited by Johannes Tinctoris, A.I.M. Notes: physical description (partial); contents list (partial); transcription (partial).
Rehm, Wolfgang (editor). 1957) & Vol. VI: Mehrstimmige Lamentationen aus der ersten Hälfte des 16. Jahrhunderts, Massenkeil, G (ed.) (1965) & Vol. VII-VIII. Heinrich Isaac Messen, Staehelin, Martin (ed.) (1970-1973. Die Chansons von Gilles Binchois (1400-1460). Musikalische Denkmäler, vol. II. Pages: M. Staehelin, 144.
Johnson, Alvin Harold. 1953. The Masses of Cipriano de Rore. Journal of the American Musicological Society, 6: 227-39. Pages: 234-5. Notes: contents list (partial); transcription (partial); texts (partial); mention of MS; discussion.
Turrini, Giuseppe. 1953. II Patrimonio Musicale della Biblioteca Capitolare di Verona dal Sec. XV al XIX. Atti e Memorie della Accademia di Agricoltura Scienze e Lettere di Verona, 127: 95-176. Pages: 98-108. Notes: physical description; contents list.
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XIII col. 1511-1512.
Turrini, Giuseppe. 1935-6; Reprinted: Bologna, 1983. Catalogo delle opere musicali: Città di Verona, Biblioteca della Soc. Accademia Filarmonica di Verona. Parma.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description