V-CVbav MS Ottob. lat. 3025

Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy

theory treatise with examples as part of a larger miscellany: 11th to 15th century

Archive Biblioteca Apostolica Vaticana, Vatican City, Rome, Italy (V-CVbav)
Shelfmark MS Ottob. lat. 3025
Image Availability DIAMM does not have images of this source.
Surface Other
Numbering System None
Measurements 212 x 148 mm
Other Identifiers
  • RISM: R 3025
  • olim (Former shelfmark): I-Rvat MS Ottob. lat. 3025
Notations
  • square
Relationships
Provenance
  • France
Contents 3 pieces from 1 composers
General Description

A treatise on organum forms the fifth section of this composite ms, dating from the 11th to the 15th century. The contents range from Virgil’s Bucolics to a bull of excommunication. The treatise on organum has no less than 343 examples + 3 complete two-part organa. This dates from the first half of the 13th century and must in fact be a copy of 12th century material, for it is comparable with works of St. Martial type.

DIAMM, 2021
Binding

modern parchment over compressed cardboard, to which 1 parchment flyleaf at the front and 1 at the back belong.

DIAMM, 2021
Notation

rudimentary square notation

DIAMM, 2017
Ruling

The rudimentary square notation employs two four-line staves in score as a rule, though the number of lines vary from 1-4 for the Cantus and up to 5 for the Organum. The staves may be in red or brown ink As far as the complete pieces are concerned, these are written on 16 staves per page.

DIAMM, 2021
Foliation

The corpus of the ms consists of 80 folios numbered in 18th century ink at t.r.r. There are 2 old paper flyleaves preceding these, f. a and f. 1, though the latter, numbered in pencil, precedes the real f. 1.

DIAMM, 2021
Surface

parchment and paper

DIAMM, 2017
RISM Description

RISM B/IV 1: A part parchment, part paper manuscript dating from the 11th to the 15th century and meas. at the most 212 x 148 mm. The contents may be divided into 8 distinct parts, ranging from Virgil's Bucolics to a bull of excommunication. The oldest section, the sixth, is dated 1081. The fifth section is a treatise on organum with no less than 343 examples + 3 complete two-part organa. This dates from the first half of the 13th century and must in fact be a copy of 12th century material, for it is comparable with works of St. Martial type. The history of the ms is unusually well-known from the beginning of the 17th century on. It bears the call-number C 54 of the library of Paul Petau in Paris, who died in 1614. The codex was sold with the library of his son in 1650, and many rare volumes, including this one, went to Queen Christina of Sweden in Stockholm. From her library, where it bore the number 1248, the codex went to the Vatican Archives, and remained there till c. 1704. Along with 52 more manuscripts it was stolen from the Vatican about this time, and somehow came into the possession of the English Baron Philip de Stosch. In 1759 the Baron's library was purchased for the Vatican, and so the present codex was incorporated this time into the Ottoboni collection. The binding is of modern parchment over compressed cardboard, to which 1 parchment flyleaf at the front and 1 at the back belong. The corpus of the ms consists of 80 folios numbered in 18th century ink at t.r.r. There are 2 old paper flyleaves preceding these, f. a and f. 1, though the latter, numbered in pencil, precedes the real f. 1. The rudimentary square notation employs two four-line staves in score as a rule, though the number of lines vary from 1-4 for the Cantus and up to 5 for the Organum. The staves may be in red or brown ink As far as the complete pieces are concerned, these are written on 16 staves per page. Clefs are c in the upper part and f in the lower. Apart from the typical 12th century bar-lines, which go through both staves of a two-part score, a Cantus note is often preceded by a short stroke.

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Répertoire International des Sources Musicales

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Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
49 Alleluia. Hic Martinus pauper - Anonymous
Appears on: 49
Genres: Alleluia, Proper
Voice: [no designation]
Languages: Latin
Voice Text: Alleluya. V. Hic Martinus pauper
Layout

score

49–50 Operibus sanctis. V. Voce quippe de caelo. Gloria patri - Anonymous
Appears on: 49–50
Genres: Doxology, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Operibus sanctis. V. Voce quippe de celo. Gloria patri
Layout

score

50–50v Petre, amas me? V. Symon Johannis, diligis me? Aliud Symon - Anonymous
Appears on: 50–50v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Petre, amas me? V. Symon Johannis, diligis me? Gloria patri
Layout

score

Composition Composers (? Uncertain) Folios / Pages
Alleluia. Hic Martinus pauper Anonymous 49
Operibus sanctis. V. Voce quippe de caelo. Gloria patri Anonymous 49–50
Petre, amas me? V. Symon Johannis, diligis me? Aliud Symon Anonymous 50–50v

denotes primary source study

Zaminer, Frieder. 1959. Der Vatikanische Organum-Traktat (Ottob. lat. 3025). Pages: appendix (complete facsimile and diplomatic transcription of nos. 1-3).

Jammers, Ewald. 1955. Anfänge der abendländischen Mehrstimmigkeit. Pages: 39 ff, 43 ff (transcription of the first four accolades of no. 1).

Schneider, Màrius. 1935. Geschichte der Mehrstimmigkeit. 2 vols. Pages: nos. 37-38 (diplomatic transcription of no. 1), 46 f.

Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 185-222, Vol. 5 (1924) 273-315. Pages: 185ff.

Bannister, Enrico Marriott. 1913. Monumenti Vaticani di paleografia musicale latina. 2 vols. Leipzig: Otto Harrassowitz. Pages: I, pl. 99 (facsimile off. 49) II, 156.

[No Author] 1886-1932. Kirchenmusikalisches Jahrbuch.  Regensburg: Pustet. Pages: XXVII (1932), 65ff.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description