Contains the works of Adam de la Halle from f. 1-68, including the 16 polyphonic Rondeaux and 5 motets, together with many other pieces in verse, such as Richart de Fournival's 'Bestiaire' and Jacquemars Gelée of Lille's 'Renart le Nouvel'.
F-Pnm Français 25566
Bibliothèque nationale de France, Département des Manuscrits, Paris, France
non-music MS with interpolated music: second half of 13th century
| Archive | Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm) |
|---|---|
| Shelfmark | Français 25566 |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Measurements | 255 x 165 mm |
| Other Identifiers |
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| Provenance |
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| Contents | Contains 21 compositions, 6 from 1 composer, 15 are anonymous. |
General Description
Binding
green morocco; 18th century. The spine bears gilt tooling and the title in gilt lettering. The 2 unnumbered flyleaves at each end belong to this binding.
Notation
Franconian mensural (except on the added f. 2-9, where the notation is non-mensural)
Ruling
four-line staves in score; 12 five-line staves in separate parts.
Foliation
no original foliation, but a probably 15th century one appears at t.m.r., a modern red ink one at t.r.r. and a modern pencil one missing out f. 2-9 also at t.r.r.
Decoration
written in a typical Trouvère minuscule chansonnier script with the Eastern French trait of 'ch' for V. Beautifully illustrated in gold, blue and red. The initials in the music section are in red with blue contrast or vice versa.
Surface
ii paper + 283 parchment + ii paper
RISM Description
RISM B/IV 1: A parchment manuscript of the second half of the 13th century meas. 255 x 165 mm. and containing 283 folios. 2 unnumbered paper flyleaves each end belong to the 18th century binding of green morocco. The spine bears gilt tooling and the title in gilt lettering. Folios 2-9 are a duplicate version of f. 10-16 and seem to have been added later to the codex. They meas. only 207 x 135 mm. There is no original foliation but a probably 15th century one appears at t.m.r., a modern red ink one at t.r.r. and a modern pencil one missing out f. 2-9 also at t.r.r. The manuscript is written in a typical Trouvère minuscule chansonnier script with the Eastern French trait of 'ch' for V. The contents are the works of Adam de la Hale from f. 1-68, including the 16 polyphonic Rondeaux and 5 motets, together with many other pieces in verse, such as Richart de Fournival's "Bestiaire" and Jacquemars Gelée of Lille's "Renart le Nouvel". This source is beautifully illustrated in gold, blue and red. The initials in the music section are in red with blue contrast or vice versa. The notation is Franconian mensural notation on red four- or five-line staves, except on the added f. 2-9, where the notation is non-mensural. The polyphonic Rondeaux employ 3 four-line staves in score, the motets 12 five-line staves in separate parts. Although single semibreves are set to single syllables of text in the motets, the older system prevails in the Rondeaux of setting one syllable to at least two or three semibreves. One Rondeau has a group of 4 semibreves in the value of a single breve, but this is an exception in Adam's output.
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‡ denotes primary source study
Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XL etc.
Gennrich, Friedrich. 1956. Abriß der frankonischen Mensuralnotation. 2nd ed. Pages: pl. XIII-XVI (facsimiles of Ha, f. 32v-34v).
Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. Pages: I, 79.
Gennrich, Friedrich. 1949-79. Adam de la Halle. Die Musik in Geschichte und Gegenwart, 1st Edition, 1: 77ff.
Chailley, Jaques. 1942. Adam de la Halle, Rondeaux a trois voix egales.
Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III, nos 258, 263, 279 (facsimile and transcription of Ha 17-19 after Mo); IV, 78, 288f, 292.
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: II, 154f.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 197, 205.
Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. Pages: I, 54ff; II, 73ff (transcriptions of Ha 1-16).
Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer. Pages: 197, 430f, 441.
Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II,no. 24 (facsimile and transcription of Ho 19 after Ba); III, 72.
Aubry, Pierre. 1903. Les plus anciens monuments de la musique française. Pages: pl. 17 (facsimile of Ha, f. 41v); AudaTu I-II, no. 5 (facsimile and transcription of Ha 19 after Tu).
Guy, H. 1898. Essai sur la vie et les oeuvres litteraires du trouvere Adam de la Hale .
Raynaud, Gaston. 1884. Bibliographie des Chansonniers français des XlIIe et XlVe siècles. 2 vols. Pages: 198ff.
Coussemaker, Charles Edmond Henri de. 1872. Oeuvres completes du trouvere Adam de la Halle.
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Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description
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