Processional from the Dominican nunnery of Brunnenhof near Möhringen, Black Forest (Geering, 7). On f. 326 there is a German song with musical references such as 'Die engel harphent, singent, springent' and 'Maria, du kanst tanzen wol'. With the exception of the here monodic no. 1, the polyphonic repertory is identical with that of GenfA, another processional of South German origin.
D-DO 882
Fürstlich Fürstenbergische Bibliothek, Donaueschingen, Germany
chant book with added polyphony: late 13th century
| Archive | Fürstlich Fürstenbergische Bibliothek, Donaueschingen, Germany (D-DO) |
|---|---|
| Shelfmark | 882 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 90 x 63 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 4 compositions, 4 are anonymous. |
General Description
Binding
Red leather binding with two missing clasps. A letter N is scratched in the front cover.
Notation
square notation with single notes written as longs. The notes like plicas are one scribe's variant longs.
Foliation
one German song?
Foliation
There is an old foliation in brown ink at t.m.r. from f. 1-166 (with breaks and errors), which is completed for the rest of the MS by a modern pencil foliation at t.r .r.
Decoration
The main initials are in blue with red contrast, the others in either blue or red or sometimes brown and black ink. There are often marginal ornaments stemming from the initials.
Surface
parchment
RISM Description
RISM B/IV 1: A late 13th century parchment codex meas. 90 x 63 mm. and consisting of 340 folios in a red leather binding with two missing clasps. A letter N is scratched in the front cover. This Processional is from the Dominican nunnery of Brunnenhof near Möhringen (Black Forest), according to Geering, 7. The plainsong is in the usual square notation on five red four-line staves per page. Single notes are written as longs throughout. The notes like plicas are one scribe's variant longs. The main initials are in blue with red contrast, the others in either blue or red or sometimes brown and black ink. Marginal ornament stemming from the initials is frequent. There is an old foliation in brown ink at t.m.r. from f. 1-166 (with breaks and errors), which is completed for the rest of the ms by a modern pencil foliation at t.r .r. On f. 326 there is a German song with musical references such as "Die engel harphent, singent, springent" and "Maria, du kanst tanzen wol". With the exception of the here monodic no. 1, the polyphonic repertory is identical with that of GenfA, another processional of South German origin.
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‡ denotes primary source study
Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: 760a.
Schmidt, Günther. 1958. Zur Frage des Cantus firmus im 14. und beginnenden 15. Jahrhundert. Archiv für Musikwissenschaft, 15: 230ff. Pages: 238.
Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert. Bern. Pages: appendix, no. 9 (transcription of no. 4 after GenfA); 3f, 7, 26f, 38, 48f, 55, 65ff.
Handschin, Jacques. 1949. The Summer Canon and its Background. Musica Disciplina, 3: 55-94, volume 5 (1951), 65-113. Pages: I, 65.
Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I, 125 (transcription of no. 1 after Mo).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description