I-RDMsm s.s.

Museo Parrocchiale, Rocca di Mezzo, Italy

non-music MS with interpolated music: 15th; 16th; 17th centuries

Archive	Museo Parrocchiale, Rocca di Mezzo, Italy (I-RDMsm)
Shelfmark	s.s.
Surface	Paper
Numbering System	Foliation
Measurements	390 x 270 mm
Other Identifiers	CCM: RoccaP s.s.
Notations	black square black void mensural
Provenance	Italy
Contents	10 pieces from 5 composers

General Description

Monophonic contents copied by one main scribe and one additional scribe; polyphony is later addition on ff. 39'-46', 48, 50-53', copied by one main scribe (probably of French origin) and three additional scribes. Copied in Rocca di Mezzo.

DIAMM, 2017

Liminary Note

One piece headed Johannes de oleo (ref to the martyrdon of St John boiled in oil) 'Hodie maria virgo celos ascendit gaudete ...'

DIAMM, 2017

Notation

square black full; black void mensural (pear-shaped notes); black void mensural (diamond heads)

DIAMM, 2017

Date

1519 (date on f. 54 applies to main corpus); polyphony added ca. 1570-90, or perhaps earlier (ZiinoDP).

DIAMM, 2017

Foliation

Original foliation, 1-54 (ff. 47 and 49 now missing; f. 54 glued to inside back cover).

DIAMM, 2017

Foliation

39-46v, 48-54

DIAMM, 2017

Decoration

No initials or decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

RISM Description

Three different types of notation (and apparently periods of writing) interspersed. One piece headed Johannes de oleo (ref to the martyrdon of St John boiled in oil) 'Hodie maria virgo celos ascendit gaudete ...'

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

Liturgical book, with polyphony:

1 Magnificat, 1 Magnificat tone formula, 2 psalm tone(?) formulas, 4 motets, 1 Italian secular piece, 1 textless canon = 10

L. Gaspard-3, (Josquin)-1, Oleo-1, anon-5

52 paper folios, 390 x 270. Original foliation, 1-54 (ff. 47 and 49 now missing; f. 54 glued to inside back cover). No index. Monophonic contents copied by one main scribe and one additional scribe; polyphony is later addition on ff. 39'-46', 48, 50-53', copied by one main scribe (probably of French origin) and three additional scribes. No initials or decoration.

1519 (date on f. 54 applies to main corpus); polyphony added ca. 1570-90, or perhaps earlier (ZiinoDP). Copied in Rocca di Mezzo.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
39v–45	Magnificat octavi toni: Et exultavit	Laurensius Gasparinus [= L. Gaspard]	Laurensius Gaspar
Magnificat octavi toni: Et exultavit Laurensius Gaspar Appears on: 39v–45 Genres: BVM, Canticle, Magnificat Source Attribution: Laurensius Gasparinus [= L. Gaspard] Voice: [no designation] Languages: Latin Voice Text: [Magnificat Octavi toni]: Et exultavit spiritus meus
45v–46	Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)	[Josquin]	Despres, Josquin (ca. 1450–1521)
Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris) Despres, Josquin (ca. 1450–1521) Appears on: 45v–46 Genres: Motet Source Attribution: [Josquin] Voice: [no designation] Languages: Latin Voice Text: Tu solus qui facis mirabilia 22.5
46v	Falsobordone psalm-tone formula: I tono	Anon.	Anonymous
Falsobordone psalm-tone formula: I tono Anonymous Appears on: 46v Genres: Fauxbourdon/faburden, formula, Psalm Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Falsobordone psalm-tone formula: I( tono
46v	Falsobordone psalm-tone formula: 2 tono	Anon.	Anonymous
Falsobordone psalm-tone formula: 2 tono Anonymous Appears on: 46v Genres: Fauxbourdon/faburden, formula, Psalm Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Falsobordone psalm-tone formula: 2( tono
48	Magnificat octavi toni: Et exultavit	Anon.	Anonymous
Magnificat octavi toni: Et exultavit Anonymous Appears on: 48 Genres: BVM, Canticle, Magnificat Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Magnificat] 8( tono: Et exultavit [spiritus meus]
50	Se me voi morto a che farme stentare	Anon.	Anonymous
Se me voi morto a che farme stentare Anonymous Appears on: 50 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Se me voi morto a che farme stentare
50v–51	Adoramus te Christe	Anon.	Anonymous
Adoramus te Christe Anonymous Appears on: 50v–51 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Adoramus te Criste et benedicimus tibi
51v–52	Adoramus te Christe	Laurensius: Gaspar	Laurensius Gaspar
Adoramus te Christe Laurensius Gaspar Appears on: 51v–52 Genres: Motet Source Attribution: Laurensius: Gaspar Voice: [no designation] Languages: Latin Voice Text: Adoramus te Criste [et benedicimus tibi]
52v–53	Hodie Maria virgo caelos ascendit	Dompnus Johannes de Oleo	Oleo, Johannes de
Hodie Maria virgo caelos ascendit Oleo, Johannes de Appears on: 52v–53 Genres: Motet Source Attribution: Dompnus Johannes de Oleo Voice: [no designation] Languages: Latin Voice Text: Hodie Maria virgo celos ascendit
53v	untexted canon	[L.] Gaspard	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
untexted canon Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 53v Genres: Canon, textless Source Attribution: [L.] Gaspard Voice: Canon Languages: none

Composer	Compositions
Anonymous	Adoramus te Christe – 50v–51 Falsobordone psalm-tone formula: 2 tono – 46v Falsobordone psalm-tone formula: I tono – 46v Magnificat octavi toni: Et exultavit – 48 Se me voi morto a che farme stentare – 50
Despres, Josquin (ca. 1450–1521)	Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris) – 45v–46
Laurensius Gaspar	Adoramus te Christe – 51v–52 Magnificat octavi toni: Et exultavit – 39v–45
Oleo, Johannes de	Hodie Maria virgo caelos ascendit – 52v–53
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	untexted canon – 53v

Composition	Composers (? Uncertain)	Folios / Pages
Adoramus te Christe	Anonymous	50v–51
Adoramus te Christe	Laurensius Gaspar	51v–52
Falsobordone psalm-tone formula: 2 tono	Anonymous	46v
Falsobordone psalm-tone formula: I tono	Anonymous	46v
Hodie Maria virgo caelos ascendit	Oleo, Johannes de	52v–53
Magnificat octavi toni: Et exultavit	Laurensius Gaspar	39v–45
Magnificat octavi toni: Et exultavit	Anonymous	48
Se me voi morto a che farme stentare	Anonymous	50
Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)	Despres, Josquin (ca. 1450–1521)	45v–46
untexted canon	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	53v

‡ denotes primary source study

Ziino, Agostino. 1974. Documenti di Polifonia in Abruzzo. Rome.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Liminary Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description