Gradual from Freising. The polyphony occurs in the margin at the end among some Sanctus tropes. It cannot be deciphered since there is no stave, but it is nevertheless only known three-part version of the extremely popular Procedentem sponsum de thalamo (for incipit of the two-part version, cf. ETw 44 6). The first two lines of text (Procedentem sponsum. de thalamo. Prophetavit scriba cum calamo) have no music, but the three-part writing begins at Quem progressum divina gratia. Each voice-part is divided by a horizontal line.
D-Mbs Clm. 6419 (MüP)
Bayerische Staatsbibliothek, Munich, Germany
Gradual with added polyphony: 14th century
| Archive | Bayerische Staatsbibliothek, Munich, Germany (D-Mbs) |
|---|---|
| Shelfmark | Clm. 6419 (MüP) |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 418 x 330 mm |
| Other Identifiers |
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| Contents | Contains 1 composition, 0 from 1 composer, 1 is anonymous. |
General Description
Physical Description
Many pages are cut away at the bottom or at the side
Binding
rough, worm-holed white leather over wooden boards.
Notation
staffless Gothic neumes; St. Gall neumes
Ruling
14 lines of text and music per page
Foliation
fragment of polyphony on an end folio
Foliation
modern ink foliation at t.r.r., 1-109; later 8 folios are partly numbered also in pencil, though by a later hand
Decoration
Initials are in red, blue or both
Surface
parchment
RISM Description
RISM B/IV 2: A 14th century parchment Gradual from Freising meas. 418x330 mm. and consisting of 109 folios, according to the incomplete modern ink foliation at t.r.r. Actually, 8 more must be added, and these foliations have been partly inserted in pencil. Many pages are cut away at the bottom or at the side. The binding is of rough, worm-holed white leather over wooden boards. Both the script and the staffless neumes are Gothic, but the notation is not heavy enough to be called of Hufnagel type. Initials are in red, blue or both, and there are 14 lines of text and music per page. The polyphony occurs in the margin at the end among some Sanctus tropes. Although it cannot be deciphered owing to the lack of a stave, it is interesting because it is the only known three-part version of the extremely popular Procedentem sponsum de thalamo (for incipit of the two-part version, cf. ETw 44 6). The first two lines of text (Procedentem sponsum. de thalamo. Prophetavit scriba cum calamo) have no music, but the three-part writing begins at Quem progressum divina gratia. Each voice-part is divided by a horizontal line and the neumes are more of the St. Gall type than those of the corpus.
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‡ denotes primary source study
Schneider, Màrius. 1935. Geschichte der Mehrstimmigkeit. 2 vols. Pages: ex. 158 (transcription in square notes); 102.
Handschin, Jacques. 1928. Angelomontana Polyphonica. Schweizerisches Jahrbuch für Musikwissenschaft, 3: 64ff. Pages: appendix, no. 6 (transcription of the two-part Procedentem after CH-£Ar 314); 74.
Ursprung, Otto. 1924. Freisings mittelalterliche Musikgeschichte in Wissenschaftliche Festgabe zum 1200 jährigen Jubiläum des heiligen Korbinian. Pages: Pl. 13 (facsimile of the three-part Procedentem); 273.
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Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description
IIIF Manifest