A collection of musical fragments of the Middle Ages, among which are two leaves containing motets and mass movements. They may come from different medieval manuscripts originally. Semi-Gothic script.
NL-Lu Fragment B.P.L. 2515 (1)
Bibliotheek der Rijksuniversiteit, Leiden, Netherlands
fragment: 14th century
| Archive | Bibliotheek der Rijksuniversiteit, Leiden, Netherlands (NL-Lu) |
|---|---|
| Shelfmark | Fragment B.P.L. 2515 (1) |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Parchment |
| Measurements | 243 x 200 and 282 x 200 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 3 compositions, 2 from 2 composers, 1 is anonymous. |
General Description
Physical Description
On both folios the top stave is cut away.
Binding
Kept in a large late 19th century portfolio with mottled paper cover.
Notation
Ars Nova notation
Ruling
9 (originally 10) red five-line staves per page on f. I; 10 per page on f. II.
Foliation
The current recto of f.I was its original verso (with the triplum on the left-hand side of the opening), and its current verso was its original recto (with the right-hand side of the opening accommodating the ending of the triplum, and complete motetus and tenor parts).
Decoration
Red or purple initials on f. I; red or black initials on f. II.
Surface
parchment
RISM Description
RISM B/IV 2: A collection of parchment musical fragments of the Middle Ages in a large late 19th century portfolio with mottled paper cover. Among these leaves are two containing motets and mass movements from the second half of the 14th century. They now meas. 243 x 200 mm. and 282 x 200 mm. respectively, and may come from different medieval manuscripts originally, though it is impossible to be certain about this. The Ars Nova notation is written on 9 (originally 10) red five-line staves per page on f. I (my numbering), and on 10 per page on f. II. The semi-Gothic script has red or purple initials on f. I and red or black ones on f. II. On both folios the top stave is cut away.
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‡ denotes primary source study
Gumbert, J.P. 2009. Illustrated Inventory of Medieval Manuscripts. nr.1836. Leiden, Universiteitsbibliotheek, BPL: Hilversum.
Gumbert, J.P. 2000. Stray leaves from Bohemia in Leiden. Septuaginta Paulo Spunar oblata, edited by J.P. Gumbert, 194-199. Praha.
Stäblein-Harder, Hanna. 1962. Fourteenth-Century Mass Music in France. Corpus mensurabilis musicae, vol. 29. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, no. 47 (transcription of Lu 2515 3 after F-APT 16 bis); II, 57ff, 143ff.
Hoppin, Richard H, Suzanne Clercx-Lejeune, and Suzanne Clercx. 1959. Notes biographiques sur quelques musiciens du XIVe siècle. Les Colloques de Wegimont II-1955, L'Ars nova: Recueil d'études sur la musiquedu XIVe siècle, 63-92. Paris: Les Belles Lettres. Pages: 67ff.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 12: 27-58. Pages: 37f.
Hoppin, Richard H. 1956. Some Remarks a propos of Pic. Revue Belge de Musicologie, 10: 105ff. Pages: 109f.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: I, 150ff (transcription of Lu 2515 3 after E-Bcen 971).
Schrade, Leo. 1954. The Mass of Toulouse. Revue Belge de Musicologie, 8: 84ff.
Stäblein-Harder, Hanna. 1953. Die Messe von Toulouse. Musica Disciplina, 7: 105ff. Pages: 113ff, 125ff (transcription of Lu 2515 3 after I-IV).
Besseler, Heinrich. 1926. Studien zur Musik des Mittelalters: II. Die Motette von Franko von Köln bis Philipp van Vitry. Archiv für Musikwissenschaft, 8: 137-258. Pages: II, 210, 222.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description
IIIF Manifest