The Tournai Patrem has been added on f. 272-274 [DIAMM note: pencil foliation 266-268]. Since it has text in all 3 voices, the piece is written in 3 columns.
| Archive | Biblioteca Nacional, Madrid, Spain (E-Mn) |
|---|---|
| Shelfmark | VITR/21/8 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 350 x 226 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 1 composition from 1 composer. |
General Description
Physical Description
f. 83 is missing.
Binding
Leather over wooden boards, with the words 'Graduale Romanum Antiqum' on the spine. Late 17th or early 18th century.
Notation
square plainsong (MS corpus); 14th century mensural type without minims, similar to that of Hu (the binary grouping of semibreves by the punctus divisionis is of special interest)
Ruling
generally 9 red four-line staves per page
Foliation
272-4
Foliation
original foliation in Roman numerals as far as f. 254; this has been completed, in modern pencil from f. 255 to the end.
Decoration
Initials are in red-blue, and there are several miniatures. On f. 140 and 167 are illustrations of musical instruments.
Surface
Parchment
RISM Description
RISM B/IV 2: A 14th century parchment Gradual meas. 350 x 226 mm. and containing 276 folios. There is an original foliation in Roman numerals as far as f. 254, and this has been completed, in modern pencil from f. 255 to the end. The binding, which dates from the late 17th or early 18th century, is of leather over wooden boards, and bears the words "Graduale Romanum Antiqum" on the spine. There is a single paper flyleaf at both front and back of the ms, and f. 83 is missing. Initials are in red-blue, and there are several miniatures. The notation is of square plainsong type for the ms corpus, generally on 9 red four-line staves per page. On f. 140 and 167 are illustrations of musical instruments. The Tournai Patrem was added at the end of the ms on f. 272-274, using a notation like that of Hu, namely of 14th century mensural type but without minims. The binary grouping of semibreves by the punctus divisionis is interesting. Since it has text in all 3 voices, the piece is written in 3 columns.
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‡ denotes primary source study
Borren, Charles van den. 1957. Missa Tornacensis: The Tournai Mass. Pages: 9ff (transcription of the Tournai Patrem after all 4 sources); ntroduction.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: I, 120ff (transcription after B-Tc 476).
Anglès, Higinio. 1954. Una nueva version del Credo de Tournai. Revue Belge de Musicologie, 8: 97ff.
Schrade, Leo. 1954. The Mass of Toulouse. Revue Belge de Musicologie, 8: 84ff. Pages: 84ff.
Anglès, Higinio. 1946. Catálogo Musical de la Biblioteca Nacional de Madrid. Pages: 109ff, 156;.
Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times. New York: W.W. Norton & Co. Pages: 356.
Gastoué, Amédée (editor). 1936. Le manuscrit de musique polyphonique du trésor d'Apt. 10 vols. Paris: La société française de musicologie. Pages: no. 48 (transcription after F-APT 16 bis).
Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, no. 176 (facsimile and transcription after Hu); I, 361 ff.
Handschin, Jacques. 1927-28. Zur Frage der melodischen Paraphrasierung im Mittelalter. Zeitschrift für Musikwissenschaft, 10: 513-59[also12(1929-30),192]. Pages: 541f.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description