From a polyphonic codex, originally the centre of a gathering. It contains S/Tr, Mot, T, Ct1 and Ct2 parts of 3 Glorias by one hand, 2 of them unique, and 2 well-known secular chansons (Dame par vos douch plazier and Espirance qui en mon cuer) concordant in Pr, etc. added by a second hand.
| Archive | Rijksarchief, Ghent (Gent), Belgium (B-Gra) |
|---|---|
| Shelfmark | Fonds Groenenbriel, MS 133 |
| Image Availability | The images on this record are linked using IIIF. |
| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 5 compositions, 5 are anonymous. |
General Description
Physical Description
One initial cut out, but otherwise intact
Notation
no red or black void notes
Foliation
1-2v
The inventory could not be loaded.
‡ denotes primary source study
Cuthbert, Michael Scott. 2007. Esperance and the French song in Foreign Sources. Studi Musicali, 36/1: 1-19.
Cuthbert, Michael Scott. 2006. Trecento fragments and Polyphony beyond the codex. Harvard University, Ph.D.
Schreurs, Eugeen. 1995. An Anthology of Music Fragments from the Low Countries (Middle Ages-Renaissance). Leuven.
Strohm, Reinhard. 1984. The Ars nova fragments of Gent. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 34: . Pages: 109-135.
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Oscar Verhaar
Wednesday, 6 May, 2026
Added concordance for the last Gloria (Cantus 1) in Nuremberg fr. 9a, & also the related Cantus 2 in PadA, Oxford 229, as reported in Cuthbert 'Nuremberg & Melk'
Godfried Croenen
Wednesday, 31 May, 2023
Notified of the images with description on the Fragmentarium website.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Notation Note; Foliation Note; DIAMM Note
IIIF Manifest