‡ denotes primary source study
Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts, vol. 4. Brooklyn: Institute of Mediaeval Music.
Pages: 62, 73ff (facsimile and transcription after Paris, Bibl. Nat., lat. 11411, no. 4); 6ff.
Geering, Arnold. 1952. Die Organa und mehrstimmigen Conductus in den Handschriften des deutschen Sprachgebietes vom 13. bis 16. Jahrhundert. Bern.
Pages: 2ff, 9, 23f, 36, 51, 64.
Anglès, Higinio. 1936. La Música a Catalunya fins al segle XIII.
Pages: 260.
Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols.
Pages: II-III, no. 23 (facsimile and transcription after Hu and Barcelona, Biblioteca del Orfeo Catala, 1: facsimile of the latter in AnglesHu I, 79); I, 78ff, 90, 135f.
Wagner, Peter. 1931. Kirchenmusikalisches Jahrbuch.
Pages: 10 (transcription a 4 after a late Osnabrü ck source of c. 1500 in Hufnagel notation and white notes; the fourth voice is a late addition).
Handschin, Jacques. 1927-28. Zur Frage der melodischen Paraphrasierung im Mittelalter. Zeitschrift für Musikwissenschaft, 10: 513-59[also12(1929-30),192].
Pages: 535 (transcription after Barcelona, Bibl. del Orfeo Catala, 1).
Wagner, Peter. 1913. Geschichte der Messe.
Pages: 32 (transcription after CH-Fm4 no. 1).