Sarum processional, printed in London by Richard Pynson, 1502. Some monophonic woodcut prints added to back endpapers following Sig. Y, with polyphonic additions in MS. Salve festa dies on fols 173v-174 (Curtis Wathey).
GB-Ojc Cpbd.A.4.12
St John’s College, Oxford, England
Printed book with added polyphony: 16th century
| Archive | St John’s College, Oxford, England (GB-Ojc) |
|---|---|
| Shelfmark | Cpbd.A.4.12 |
| Surface | Parchment |
| Format | portrait |
| Measurements | 173v c.181 x 125; 174 c.172 x 122 mm |
| Other Identifiers |
|
| Provenance |
|
| Contents | Contains 1 composition, 1 is anonymous. |
General Description
Notation
not indicated
Ruling
hand drawn; staff height c. 18
Foliation
back endpapers 173v-174
Surface
parchment
173v
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‡ denotes primary source study
Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 27: 1-69.
Bowers, Roger, and Andrew B Wathey. 1983. New Sources of English Fourteenth- and Fifteenth-Century Polyphony. Early Music History, 3: 123-73.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Ruling Note; Foliation Note; Surface Note; DIAMM Note