Tenor partbook of a set of four Discantus, Altus, Tenor, Bassus). Copied in Italy, but precise provenance unknown.
Inventory provided by María Elena Cuenca Rodríguez
| Archive | Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc) |
|---|---|
| Shelfmark | Q.22 (Tenor) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Pagination |
| Measurements | 165 x 220 mm |
| Other Identifiers |
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| Provenance |
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| Contents | Contains 13 compositions, 5 from 1 composer, 8 are anonymous. |
Tenor partbook of a set of four Discantus, Altus, Tenor, Bassus). Copied in Italy, but precise provenance unknown.
Inventory provided by María Elena Cuenca Rodríguez
similar to Briquet #488
black void mensural and Square (Bassus has chant intonations for liturgical pieces; and some bassus parts are written in chant notation).
paper
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1 Mass, 1 Kyrie, 8 Magnificats, 46 hymns, 83 motets, 3 textless pieces = 142
Anonymous
4 paper partbooks (DATB, each ca. 96 folios), 165 x 220. B has chant intonations for liturgical pieces, bassus voice written in chant notation for some pieces. Watermark similar to Briquet #488.
Ca. 1550. Provenance unknown.
Vol. 4
Date/provenance: Second half of 16th century? Copied in Italy.
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Partbooks · 4 sources
‡ denotes primary source study
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 124, 205. Notes: physical description (partial); contents list (partial); incipits (partial).
Gaspari, Gaetano (compiler). 1905. Catalogo della biblioteca del Liceo musicale di Bologna compilato da Gaetano Gaspari: compiuto e pubblicato da Dr Raffaele Cadolini, aggiunto al bibliotecario. 4 vols. Bologna. Pages: II, 169. Notes: physical description (partial).
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