D-Dl MS Grimma 50 [Discantus II]

Sächsische Landesbibliothek, Dresden, Germany

Partbook: 1593-96

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Grimma 50 [Discantus II]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements c. 200 x160 mm
Other Identifiers
  • olim (Former shelfmark): 266
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 88 pieces from 22 composers
General Description

A Discantus II partbook from an incomplete set of four. An extensive selection of Gallus pieces from his Opus musicum broadly follows the sequence of the prints.

Copied by Urban Birck and other scribes. Copied at the Fürstenschule St. Afra in Meissen. In 1613, Urban Birck gave the manuscript as a gift to his brother Friedrich, cantor at the Fürstenschule St. Augustin in Grimma. After Friedrich's death in 1621, his widow sold the manuscript to the Grimma Fürstenschule; it remained there until 1890, when it was deposited at the library in Dresden.

DIAMM, 2024
Extent

63ff

DIAMM, 2024
Date

No. 66 is dated "21 Febr. Anno Dn. 1594"; no. 105 "10 Junii A[nn]o 94; no. 106 "14 Sept. Ao 94"; no. 109 "19 Octobr. XCVI"

DIAMM, 2024
Foliation

Original numbering of pieces 1-111, 116-119. No original foliation. Modern foliation, continuous through the 4 books (D2 pp. 1-63; T1 pp. 64-156; T2 pp. 157-229; B pp. 230-312)

DIAMM, 2024

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2v–3 Puer natus in Bethlehem/Ein Kind gebor'n zu Bethlehem - Anonymous
Appears on: 2v–3
Genres: Hymn
3v–4 Surrexit Christus hodie alleluia/Erstanden ist der heilige Christ - Anonymous
Appears on: 3v–4
Genres: Hymn
4v–5 Spiritus sancti gratia - Anonymous
Appears on: 4v–5
Genres: Hymn
6 Laudate Dominum (8vv) Renati del Melle
Appears on: 6
Genres: Motet
Source Attribution: Renati del Melle
6v–7 In tribulatione - 1a pars (of 2): In tribulatione mea invocavi Hannibal Stabilis
Appears on: 6v–7
Genres: Motet
Source Attribution: Hannibal Stabilis
7–7v In tribulatione - 2a pars (of 2): Propterea confitebor tibi -
Appears on: 7–7v
Genres: Motet
8–8v Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo - Anonymous
Appears on: 8–8v
Genres: Motet
9–9v Laudem dicite Deo - 2a pars (of 2): Gaudeamus et exultemus - Anonymous
Appears on: 9–9v
Genres: Motet
9v–10 Valere et vivere - 1a pars (of 2): Valere et vivere exoptat amicos suos Georg: Sulcius
Appears on: 9v–10
Genres: Motet
Source Attribution: Georg: Sulcius
10v–11 Valere et vivere - 2a pars (of 2): Optata sibi oblaturum sperat -
Appears on: 10v–11
Genres: Motet
11–11v Nun komm der heiden Heiland Georg: Sulcius
Appears on: 11–11v
Genres: Motet
Source Attribution: Georg: Sulcius
11v–12 Aspiciens a longe Jacobi Galli
Appears on: 11v–12
Genres: Motet
Source Attribution: Jacobi Galli
12–12v Venite ascendamus Jacob: Gall:
Appears on: 12–12v
Genres: Motet
Source Attribution: Jacob: Gall:
12v–13 Vox clamantis in deserto Jacob: Gallus
Appears on: 12v–13
Genres: Motet
Source Attribution: Jacob: Gallus
13v Laetamini cum Jerusalem et exultate in ea Jacobus Gallus
Appears on: 13v
Genres: Motet
Source Attribution: Jacobus Gallus
14 Propter SIon non tacebo Jacobus Gallus
Appears on: 14
Genres: Motet
Source Attribution: Jacobus Gallus
14–14v Jerusalem gaude gaudio magno quia veniet Jacobus Gallus
Appears on: 14–14v
Genres: Motet
Source Attribution: Jacobus Gallus
15 Hosianna dem Sohne Davidt Stephanus Piscator
Appears on: 15
Genres: Motet
Source Attribution: Stephanus Piscator
15v Orietur stella ex Jacob Jacob: Gallus
Appears on: 15v
Genres: Motet
Source Attribution: Jacob: Gallus
16–16v Hodie nobis caelorum rex Jacob: Gall:
Appears on: 16–16v
Genres: Motet
Source Attribution: Jacob: Gall:
General Note

2vv copied in D2, but A2 voice (on 16r) then crossed out

17–17v Quem vidistis pastores dicite annunciate (8vv) Jacob: Gallus
Appears on: 17–17v
Genres: Motet
Source Attribution: Jacob: Gallus
17v–18 Dies est laetitiae Jacob: Gallus
Appears on: 17v–18
Genres: Motet
Source Attribution: Jacob: Gallus
General Note

D2 & T2 are both canonic resolutions (labelled prima & tertia)

18 O magnum mysterium et admirabile sacramentum Jacob: Gall:
Appears on: 18
Genres: Motet
Source Attribution: Jacob: Gall:
18v Haec est dies quam fecit Dominus exultemus Jacob: Gallus
Appears on: 18v
Genres: Motet
Source Attribution: Jacob: Gallus
19–19v Gaudeamus omnes fideles Jacob: Gallus
Appears on: 19–19v
Genres: Motet
Source Attribution: Jacob: Gallus
19v Vox de caelo sonuit Jacobus Gallus
Appears on: 19v
Genres: Motet
Source Attribution: Jacobus Gallus
19v–20 Stella quam viderant - 1a pars (of 2): Stella quam viderant magi Jacob: Gallus
Appears on: 19v–20
Genres: Motet
Source Attribution: Jacob: Gallus
20–20v Stella quam viderant - 2a pars (of 2): Et intrantes -
Appears on: 20–20v
Genres: Motet
20v Nesciens mater virgo virum peperit Jacob: Gall:
Appears on: 20v
Genres: Motet
Source Attribution: Jacob: Gall:
21 In voce exultationis Jacob: Gall:
Appears on: 21
Genres: Motet
Source Attribution: Jacob: Gall:
21v–23 Plaudat et exsultet tuba (14vv) - Anonymous
Appears on: 21v–23
Genres: Motet
General Note

2vv are copied in each book: in this book D & D2 coro 2

23v–24 Hodie Christus natus est Jacob: Gall:
Appears on: 23v–24
Genres: Motet
Source Attribution: Jacob: Gall:
24–24v Domine Jesu Christe non sum dignus Jacob: Gall:
Appears on: 24–24v
Genres: Motet
Source Attribution: Jacob: Gall:
24v–26v Te Deum (7vv) [K.546] (2p. Tu rex gloriae; 3p. Te ergo quaesumus) Jacob: Gall:
Appears on: 24v–26v
Genres: Te Deum
Source Attribution: Jacob: Gall:
26v–27 Benedicamus patrem Jacob: Gallus
Appears on: 26v–27
Genres: Motet
Source Attribution: Jacob: Gallus
27–27v Cantabo Domino Deo meo in vita mia Jacob: Gall:
Appears on: 27–27v
Genres: Motet
Source Attribution: Jacob: Gall:
27v–28 Exsultate Deo adjutori nostri (5vv) Jacob: Gall:
Appears on: 27v–28
Genres: Motet
Source Attribution: Jacob: Gall:
28v–29 Noe noe exultemus et laetemur quia natus Antonii Scandell:
Appears on: 28v–29
Genres: Motet
Source Attribution: Antonii Scandell:
Voice: secundus discantus
Languages: Latin
Voice Text: [here texted: Alleluia. Exultemus et laetemur quia natus est]
29–30 Duo seraphim clamabant alter ad alterum Jacobus Gall:
Appears on: 29–30
Genres: Motet
Source Attribution: Jacobus Gall:
30 Annus finit iter, finem da Christe malorum Georg: Sulcii
Appears on: 30
Genres: Motet
Source Attribution: Georg: Sulcii
30v–31 Iam de somno in quo tam diu Felicis Anerii
Appears on: 30v–31
Genres: Motet
Source Attribution: Felicis Anerii
31–31v Exspecta Dominum - 1a pars (of 2): Exspecta Dominum viriliter Gregorius Langius
Appears on: 31–31v
Genres: Motet
Source Attribution: Gregorius Langius
31v–32 Exspecta Dominum - 2a pars (of 2): Confundantur et revereantur simul qui quaerunt -
Appears on: 31v–32
Genres: Motet
32–32v Ut laterna pedes sic mea tua verba Gregorius Langius
Appears on: 32–32v
Genres: Motet
Source Attribution: Gregorius Langius
32v–33v Pater noster qui es in caelis (6vv) Orlandus
Appears on: 32v–33v
Genres: Motet
Source Attribution: Orlandus
33v–34 Lauda Jerusalem - 1a pars (of 3): Lauda Jerusalem quoniam confortavit Johan: Knefelius
Appears on: 33v–34
Genres: Motet
Source Attribution: Johan: Knefelius
34–34v Lauda Jerusalem - 2a pars (of 3): Emittet verbum suum -
Appears on: 34–34v
Genres: Motet
34v–35 Lauda Jerusalem - 3a pars (of 3): Non fecit taliter omni nationi -
Appears on: 34v–35
Genres: Motet
35–35v Ecce oculi Domini super timentes eum Johan: Knefel:
Appears on: 35–35v
Genres: Motet
Source Attribution: Johan: Knefel:
35v–36 Surge propera amica mea (8vv) Jacob: Gall:
Appears on: 35v–36
Genres: Motet
Source Attribution: Jacob: Gall:
36v–37 Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant Jacob: Gall:
Appears on: 36v–37
Genres: Motet
Source Attribution: Jacob: Gall:
37–37v Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 37–37v
Genres: Motet
37v–38v Maria stabat ad monumentum - 1a pars (of 2): Maria stabat ad monumentum Jacobus Gall:
Appears on: 37v–38v
Genres: Motet
Source Attribution: Jacobus Gall:
38v–39 Maria stabat ad monumentum - 2a pars (of 2): Congratulamini mihi omnes -
Appears on: 38v–39
Genres: Motet
39–40 Jesu nostra redemptio - 1a pars (of 2): Jesu nostra redemptio Jacob: Gall:
Appears on: 39–40
Genres: Motet
Source Attribution: Jacob: Gall:
40–40v Jesu nostra redemptio - 2a pars (of 2): Ipsa te cogat pietas -
Appears on: 40–40v
Genres: Motet
40v–41 Omnes gentes plaudite manibus Jacob: Gallus
Appears on: 40v–41
Genres: Motet
Source Attribution: Jacob: Gallus
41–41v Ascendo ad patrem meum et patrem vestrum Jacob: Gall:
Appears on: 41–41v
Genres: Motet
Source Attribution: Jacob: Gall:
41v–42 Regna terrae cantate Deo Ascanio Trombetti
Appears on: 41v–42
Genres: Motet
Source Attribution: Ascanio Trombetti
42–42v Congratulamini mihi omnes qui diligitis Andreas Gabriel:
Appears on: 42–42v
Genres: Motet
Source Attribution: Andreas Gabriel:
42v–43 O crux splendidior Andr: Gabriel:
Appears on: 42v–43
Genres: Motet
Source Attribution: Andr: Gabriel:
43v–44 Vespere autem sabbathi venit Maria Magdalene Vincent Ruff: Veronens
Appears on: 43v–44
Genres: Motet
Source Attribution: Vincent Ruff: Veronens
44–44v Jesus Christus unser Heiland Anthonius Scandellus
Appears on: 44–44v
Genres: Motet
Source Attribution: Anthonius Scandellus
44v–45 Cantabant sancti canticum novum Julianus Cartarius
Appears on: 44v–45
Genres: Motet
Source Attribution: Julianus Cartarius
45–45v Exaltabo te et benedicam Lucas Marentius
Appears on: 45–45v
Genres: Motet
Source Attribution: Lucas Marentius
46–46v In te speravi Domine Sethus Calvisius Cant: Port: (=Pforta monastery)
Appears on: 46–46v
Genres: Motet
Source Attribution: Sethus Calvisius Cant: Port: (=Pforta monastery)
46v–47 Deus adjutor fortis in opportunitate Julius Eremita
Appears on: 46v–47
Genres: Motet
Source Attribution: Julius Eremita
47–48 Cor mundum crea in me Deus et spiritum Jacob: Gall:
Appears on: 47–48
Genres: Motet
Source Attribution: Jacob: Gall:
48v Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra Lucas Marent:
Appears on: 48v
Genres: Motet
Source Attribution: Lucas Marent:
48v–49v Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius -
Appears on: 48v–49v
Genres: Motet
49v–50 Fide Deo - 1a pars (of 2): Fide Deo et vide AT/RT/RP? (almost illegible)
Appears on: 49v–50
Genres: Motet
Source Attribution: AT/RT/RP? (almost illegible)
50–50v Fide Deo - 2a pars (of 2): Cum inimici mei -
Appears on: 50–50v
Genres: Motet
50v–51 Exsurgat Deus - 1a pars (of 2): Exsurgat Deus et dissipentur (= L'aura serena) Lucas Marent:
Appears on: 50v–51
Genres: Contrafactum, Motet
Source Attribution: Lucas Marent:
51–51v Exsurgat Deus - 2a pars (of 2): Audite narrabo quanta bona fecit (= Le quali ella spargea) -
Appears on: 51–51v
Genres: Contrafactum, Motet
51v–52 Orationem meam audi Domine (= Mirate che m'ha fatto) Giovan: Ferretti
Appears on: 51v–52
Genres: Contrafactum, Motet
Source Attribution: Giovan: Ferretti
52–52v Hodie completi sunt dies Pentecostes Jacob: Gall:
Appears on: 52–52v
Genres: Motet
Source Attribution: Jacob: Gall:
52v–53v Jam non dicam vos servos sed amicos Jacob: Gallus
Appears on: 52v–53v
Genres: Motet
Source Attribution: Jacob: Gallus
53v–54 O beata Trinitas tibi laus tibi gloria (5vv) Jacob: Gall:
Appears on: 53v–54
Genres: Motet
Source Attribution: Jacob: Gall:
54v–55 Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit Orland:
Appears on: 54v–55
Genres: Motet
Source Attribution: Orland:
55–55v Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet -
Appears on: 55–55v
Genres: Motet
55v–56 Tityre tu patulae - 1a pars (of 2): Tityre tu patulae recubans sub tegmine Orlandus
Appears on: 55v–56
Genres: Motet
Source Attribution: Orlandus
56–56v Tityre tu patulae - 2a pars (of 2): O Meliboee deus nobis haec otia fecit -
Appears on: 56–56v
Genres: Motet
56v–57 O rex gloriae Domine virtutum Jacob: Gall:
Appears on: 56v–57
Genres: Motet
Source Attribution: Jacob: Gall:
57–58v Quis est iste qui venit de Edom - Anonymous
Appears on: 57–58v
Genres: Motet
58v–59 Unus utrique amor utque sit una utrique voluntas Abraham Gensereff
Appears on: 58v–59
Genres: Motet
Source Attribution: Abraham Gensereff
General Note

dated "die 10 Junii A[nn]o 94"

59–60v Das Leiden und Sterben unsers Herren Jesu Christi [St John Passion] Georgii Sulcii Radeberg[ensis]
Appears on: 59–60v
Genres: Passion
Source Attribution: Georgii Sulcii Radeberg[ensis]
General Note

dated "di 19 Octobr XCVI"; parts for the turba (chorus) only

60v–62 Missa Jubilate Deo: KG Luc: Marent:
Appears on: 60v–62
Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary
Source Attribution: Luc: Marent:
62v–63 Plaudite puerides plaudant psallantque penatis - Anonymous
Appears on: 62v–63
Genres: Motet
Composer Compositions
A.T. / R.T. / R.P.?
Anerio, Felice (ca. 1560–1614)
Anonymous
Calvisius, Sethus
Cartari, Giuliano (ca. 1536–1613)
Eremita, Giulio
Ferretti, Giovanni
Gabrieli, Andrea (ca. 1532–1585)
Gensref (of Radeburg), Abraham
Handl (Gallus), Jacobus (1550–1591)
Knöfel, Johannes (ca. 1525–1617)
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Marenzio, Luca (ca. 1553–1599)
Mel, Rinaldo del
Pevernage, Andreas
Piscator (Fischer), Stephan
Ruffo, Vincenzo (ca. 1508–1587)
Scandello, Antonio
Stabile, Annibale (ca. 1535–1595)
Sulcius, Georgius
Trombetti, Ascanio
Composition Composers (? Uncertain) Folios / Pages
Annus finit iter, finem da Christe malorum 30
Ascendo ad patrem meum et patrem vestrum 41–41v
Aspiciens a longe 11v–12
Benedicamus patrem 26v–27
Cantabant sancti canticum novum 44v–45
Cantabo Domino Deo meo in vita mia 27–27v
Congratulamini mihi omnes qui diligitis 42–42v
Cor mundum crea in me Deus et spiritum 47–48
Das Leiden und Sterben unsers Herren Jesu Christi [St John Passion] 59–60v
Deus adjutor fortis in opportunitate 46v–47
Dies est laetitiae 17v–18
Domine Jesu Christe non sum dignus 24–24v
Duo seraphim clamabant alter ad alterum 29–30
Ecce oculi Domini super timentes eum 35–35v
Exaltabo te et benedicam 45–45v
Exspecta Dominum - 1a pars (of 2): Exspecta Dominum viriliter 31–31v
Exspecta Dominum - 2a pars (of 2): Confundantur et revereantur simul qui quaerunt 31v–32
Exsultate Deo adjutori nostri (5vv) 27v–28
Exsurgat Deus - 1a pars (of 2): Exsurgat Deus et dissipentur (= L'aura serena) 50v–51
Exsurgat Deus - 2a pars (of 2): Audite narrabo quanta bona fecit (= Le quali ella spargea) 51–51v
Fide Deo - 1a pars (of 2): Fide Deo et vide 49v–50
Fide Deo - 2a pars (of 2): Cum inimici mei 50–50v
Gaudeamus omnes fideles 19–19v
Haec est dies quam fecit Dominus exultemus 18v
Hodie Christus natus est 23v–24
Hodie completi sunt dies Pentecostes 52–52v
Hodie nobis caelorum rex 16–16v
Hosianna dem Sohne Davidt 15
Iam de somno in quo tam diu 30v–31
In te speravi Domine 46–46v
In tribulatione - 1a pars (of 2): In tribulatione mea invocavi 6v–7
In tribulatione - 2a pars (of 2): Propterea confitebor tibi 7–7v
In voce exultationis 21
Jam non dicam vos servos sed amicos 52v–53v
Jerusalem gaude gaudio magno quia veniet 14–14v
Jesu nostra redemptio - 1a pars (of 2): Jesu nostra redemptio 39–40
Jesu nostra redemptio - 2a pars (of 2): Ipsa te cogat pietas 40–40v
Jesus Christus unser Heiland 44–44v
Jubilate Deo - 1a pars (of 2): Jubilate Deo omnis terra 48v
Jubilate Deo - 2a pars (of 2): Populus eius et oves pascuae eius 48v–49v
Laetamini cum Jerusalem et exultate in ea 13v
Lauda Jerusalem - 1a pars (of 3): Lauda Jerusalem quoniam confortavit 33v–34
Lauda Jerusalem - 2a pars (of 3): Emittet verbum suum 34–34v
Lauda Jerusalem - 3a pars (of 3): Non fecit taliter omni nationi 34v–35
Laudate Dominum (8vv) 6
Laudem dicite Deo - 1a pars (of 2): Laudem dicite Deo Anonymous 8–8v
Laudem dicite Deo - 2a pars (of 2): Gaudeamus et exultemus Anonymous 9–9v
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 36v–37
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 37–37v
Maria stabat ad monumentum - 1a pars (of 2): Maria stabat ad monumentum 37v–38v
Maria stabat ad monumentum - 2a pars (of 2): Congratulamini mihi omnes 38v–39
Missa Jubilate Deo: KG 60v–62
Nesciens mater virgo virum peperit 20v
Noe noe exultemus et laetemur quia natus 28v–29
Nun komm der heiden Heiland 11–11v
O beata Trinitas tibi laus tibi gloria (5vv) 53v–54
O crux splendidior 42v–43
O magnum mysterium et admirabile sacramentum 18
O rex gloriae Domine virtutum 56v–57
Omnes gentes plaudite manibus 40v–41
Orationem meam audi Domine (= Mirate che m'ha fatto) 51v–52
Orietur stella ex Jacob 15v
Pater noster qui es in caelis (6vv) 32v–33v
Plaudat et exsultet tuba (14vv) Anonymous 21v–23
Plaudite puerides plaudant psallantque penatis Anonymous 62v–63
Propter SIon non tacebo 14
Puer natus in Bethlehem/Ein Kind gebor'n zu Bethlehem Anonymous 2v–3
Quem vidistis pastores dicite annunciate (8vv) 17–17v
Quis est iste qui venit de Edom Anonymous 57–58v
Regna terrae cantate Deo 41v–42
Spiritus sancti gratia Anonymous 4v–5
Stella quam viderant - 1a pars (of 2): Stella quam viderant magi 19v–20
Stella quam viderant - 2a pars (of 2): Et intrantes 20–20v
Surge propera amica mea (8vv) 35v–36
Surrexit Christus hodie alleluia/Erstanden ist der heilige Christ Anonymous 3v–4
Te Deum (7vv) [K.546] (2p. Tu rex gloriae; 3p. Te ergo quaesumus) 24v–26v
Tempus est ut revertar - 1a pars (of 2): Tempus est ut revertar ad eum qui misit 54v–55
Tempus est ut revertar - 2a pars (of 2): Nisi ego abiero paraclitus non veniet 55–55v
Tityre tu patulae - 1a pars (of 2): Tityre tu patulae recubans sub tegmine 55v–56
Tityre tu patulae - 2a pars (of 2): O Meliboee deus nobis haec otia fecit 56–56v
Unus utrique amor utque sit una utrique voluntas 58v–59
Ut laterna pedes sic mea tua verba 32–32v
Valere et vivere - 1a pars (of 2): Valere et vivere exoptat amicos suos 9v–10
Valere et vivere - 2a pars (of 2): Optata sibi oblaturum sperat 10v–11
Venite ascendamus 12–12v
Vespere autem sabbathi venit Maria Magdalene 43v–44
Vox clamantis in deserto 12v–13
Vox de caelo sonuit 19v

Set: MS Grimma 50

Type: Partbooks

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D-Dl MS Grimma 50 [Bassus I]

No images available

D-Dl MS Grimma 50 [Discantus II]

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D-Dl MS Grimma 50 [Tenor I]

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D-Dl MS Grimma 50 [Tenor II]

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 81-5. Notes: physical description (partial); contents list; concordances (partial).

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