Music on ff. 151-151', now serving as flyleaf. Three Magnificat fragments, copied by a single scribe; fourth fragment apparently a slightly later addition by another scribe. Copied in England.
GB-Ob MS. Lat. theol. e. 30
Bodleian Library, Oxford, England
non-music MS with interpolated music: Early 15th century
| Archive | Bodleian Library, Oxford, England (GB-Ob) |
|---|---|
| Shelfmark | MS. Lat. theol. e. 30 |
| Surface | Mixed Paper and Parchment |
| Numbering System | Foliation |
| Format | portrait |
| Measurements | 187 x 127 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| External Links | |
| Provenance |
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| Contents | Contains 4 compositions, 4 are anonymous. |
General Description
Binding
New covers of brown leather on cardboard
Notation
black full mensural; black void mensural (later addition)
Foliation
New pencil foliation, 1-152.
Foliation
151r+v
Surface
i paper + v parchment + 152 parchment + i paper
RISM Description
RISM B/IV 2: An early 15th century parchment manuscript meas. 192 x 123 mm. and containing vi+152+i folios. The first and last leaf belong to the 17th century brown leather binding with pulp boards. Flyleaves f. v, vi and 150 are Dominican letters of Confraternity ornamented with blue-red initials or, in the case of f. 150, with gold. Fol. v dated 1371 is from the vicar-general of the Order at Northampton. The main treatise takes up f. 1-149 and is a rebuttal of the 12 heresies of the Lollards. It is written in a typical monastic minuscule of the period with blue-red initials for sub-paragraphs and gold and violet at the beginning as well. The music page is the second of a bifolio, of which the stub remains. The page is much cut down. The first 3 pieces are in Ars Nova notation with semiminims and joined-up c.o.p. ligatures. They must date from c. 1400, while the piece in white notation may be slightly later.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
Theological writings, with polyphony: 4 Magnificat fragments
Anonymous
i paper + v parchment + 152 parchment + i paper folios, 187 x 127. New pencil foliation, 1-152. New covers of brown leather on cardboard. Music on ff. 151-151', now serving as flyleaf. Three Magnificat fragments in black mensural notation, copied by a single scribe; fourth fragment apparently a slightly later addition by another scribe, in white mensural notation. Some music obliterated by later trimming. No initials or decoration.
Early 15th century. Copied in England.
151v
The inventory could not be loaded.
‡ denotes primary source study
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 153.
Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain. London: Routledge. Pages: 346. Notes: transcription (partial).
Hughes, Dom Anselm. 1951. Medieval Polyphony in the Bodleian Library, Oxford. Pages: 39-40. Notes: physical description (partial); contents list.
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Magnus Williamson
Friday, 9 April, 2021
reference to Blackfriars, Northampton clarified
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description