GB-Ob MS. Lat. liturg. a. 6

Bodleian Library, Oxford, England

fragment: Late 15th century

Archive Bodleian Library, Oxford, England (GB-Ob)
Shelfmark MS. Lat. liturg. a. 6
Surface Mixed Paper and Parchment
Numbering System Foliation
Format portrait
Measurements 478 x 315 & 179 x 330 mm
Other Identifiers
  • CCM: OxfBLL a.6
  • olim (Former shelfmark): MadanSC 30556
External Links
Provenance
  • England
Contents Contains 3 compositions, 1 from 1 composer, 2 are anonymous.
General Description

Folios, of varying sizes, recovered from bindings; now preserved in modern guard book. Music found only on f. 109 (478 x 315) and f. 113 (179 x 330); each folio copied by a different scribe. Presumably copied in England. (However, all concordant sources for piece on ff. 109-109' are of Italian origin).

DIAMM, 2017
Binding

Modern covers of green cloth on cardboard

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Date

Late 15th century (HughM).

DIAMM, 2017
Foliation

New pencil foliation, 1-124.

DIAMM, 2017
Foliation

109 r+v, 113 r+v

DIAMM, 2017
Decoration

Painted initials in red and blue on ff. 109-109'; no decoration on ff. 113-113'.

DIAMM, 2017
Surface

i paper + 124 parchment + i paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Gloria fragment, 1 Agnus fragment, 1 Magnificat fragment = 3 Anonymous

i paper + 124 parchment + i paper folios, of varying sizes, recovered from bindings; now preserved in modern guard book. New pencil foliation, 1-124. Modern covers of green cloth on cardboard. Music found only on f. 109 (478 x 315) and f. 113 (179 x 330); each folio copied by a different scribe. Painted initials in red and blue on ff. 109-109'; no decoration on ff. 113-113'.

Late 15th century (HughM). Presumably copied in England. (However, all concordant sources for piece on ff. 109-109' are of Italian origin).

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

109

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
109–109v Magnificat octavi toni: Anima mea [K.368] -
Busnoys, Antoine (ca. 1430–1492) (?)

Magnificat octavi toni: Anima mea [K.368]

Busnoys, Antoine (ca. 1430–1492) (?)
Appears on: 109–109v
Genres: BVM, Canticle, Magnificat
Voice: [no designation]
Languages: Latin
Voice Text: Magnificat fragment (Anima mea dominum)
General Note

the fragment on 109 (Deposuit potetentes / Suscepit Israel) is from the same Magnificat as the Anima mea section on 109v -- the recto/verso is inverted. The piece is probably by Busnois, being very like the attributed Busnois Magnificat in Brussels 5557 [R J Mitchell].
113 Et in terra pax [Gloria] [fragment] - Anonymous

Et in terra pax [Gloria] [fragment]

Anonymous
Appears on: 113
Genres: Gloria (et in terra pax), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Et in terra pax (Gloria fragment)
113v Agnus Dei (fragment) - Anonymous

Agnus Dei (fragment)

Anonymous
Appears on: 113v
Genres: Agnus Dei, Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Agnus fragment (...na nobis Da)
Composer Compositions
Anonymous
Busnoys, Antoine (ca. 1430-1492)
Composition Composers (? Uncertain) Folios / Pages
Agnus Dei (fragment) Anonymous 113v
Et in terra pax [Gloria] [fragment] Anonymous 113
Magnificat octavi toni: Anima mea [K.368]
Busnoys, Antoine (ca. 1430–1492) (?)
109–109v

Images © Bodleian Library, Oxford

‡ denotes primary source study

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag.

Sandon, Nicholas. 1976. Fragments of Medieval Polyphony at Canterbury Cathedral. Musica Disciplina, 30: 37-53. Pages: 51. Notes: mention of MS.

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 153.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 348. Notes: mention of MS; contents list (partial).

Hughes, Dom Anselm. 1951. Medieval Polyphony in the Bodleian Library, Oxford. Pages: 30-l. Notes: physical description (partial); contents list.

Madan, Falconer (editor). 1895-1953. A Summary Catalogue of Western Manuscripts in the Bodleian Library at Oxford.  Oxford. Pages: V,833-4. Notes: physical description.

Frere, Walter Howard. 1894-1932, repr. Hildesheim, 1967. Bibliotheca Musico-Liturgica: A Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland. 2 vols. London: The Plainsong and Medieval Music Society. Pages: I,141. Notes: mention of MS.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Robert J Mitchell

Monday, 15 May, 2023

Magnificat t.8 on 109rv is thought to be the work of Busnois

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description