D-As Tonkunst Schletterer 278

Staats- und Stadtbibliothek, Augsburg, Germany

printed partbook with manuscript additions: late 16th century

Archive Staats- und Stadtbibliothek, Augsburg, Germany (D-As)
Shelfmark Tonkunst Schletterer 278
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 155 x 210 mm
Other Identifiers
  • CCM: AugsS 273-8
  • olim (Former shelfmark): SchlettKK 452-454
Notations
  • black void mensural
External Links
External Authorities
Provenance
  • Bavaria, Germany
Contents 35 pieces from 9 composers
General Description

A Sextus partbook from a set of 6, each consisting of a series of Lassus prints (including RISM L815, L816, L820, L832, L833, and several others dating from 1568-1572), with manuscript additions. Copied by one main scribe; the last three pieces are in a later hand.

DIAMM, 2023
Extent

D-64, A-69, T-49, B-59, Q-55, S-31 folios.

DIAMM, 2023
Physical Description

A number of leaves have been lost from the rear of this book, leaving 7 of the last 8 pieces incomplete. GottA's foliation shows that the pages are missing, although the catalogue makes no other reference to this.

DIAMM, 2023
Binding

Original covers of tan leather with voice designations impressed in gold; remnants of leather ties.

DIAMM, 2023
Watermark

Multiple Augsburg watermarks indicate that the paper for most of the music dates from c1571, that of the final three pieces is from c1598.

DIAMM, 2023
Notation

black void mensural

DIAMM, 2023
Foliation

Modem foliation

DIAMM, 2023
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

45 motets

(Clemens non Papa)-1, Erbach-3, (C. Hollander)-1, Lassus-20, (Palestrina)-1, (Utendal)-2, (Vaet)-2, Wert-1, anon-14

6 paper partbooks, each consisting of a series of Lassus prints (including RISM L815, L816, L820, L832, L833, and several others), with manuscript additions (D-64 folios, A-69, T-59, B-59, Q-59, S-31), 155 x 210. Modem foliation. Original covers of tan leather with voice designations impressed in gold; remnants of leather ties. No index. Copied by one main scribe; the last three pieces are in a later hand.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–2 In illo tempore dixit Jesus -
Appears on: 1v–2
Genres: Motet
2v–3 Jam non dicam - 1a pars (of 2): Jam non dicam vos servos -
Appears on: 2v–3
Genres: Motet
3v–4 Jam non dicam - 2a pars (of 2): Accipite spiritum -
Appears on: 3v–4
Genres: Motet
4v Quam magnificata - 1a pars (of 2): Quam magnificata sunt opera tua Domine -
Appears on: 4v
Genres: Motet
5 Quam magnificata - 2a pars (of 2): Beatus homo quem tu eruderis Domine -
Appears on: 5
Genres: Motet
5v Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu -
Appears on: 5v
Genres: Motet
6 Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes -
Appears on: 6
Genres: Motet
6v Da pacem Domine (6vv, LV 63) -
Appears on: 6v
Genres: Motet
7 Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me -
Appears on: 7
Genres: Motet
7v Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam -
Appears on: 7v
Genres: Motet
8–8v Postquam consumati essent -
Appears on: 8–8v
Genres: Motet
9 Puer natus est nobis - 1a pars (of 2): Puer natus est nobis -
Appears on: 9
Genres: Motet
9v Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt -
Appears on: 9v
Genres: Motet
10–11 Tres veniunt reges parva ad praesepia -
Appears on: 10–11
Genres: Motet
11 Postquam completi sunt - 1a pars (of 2): Postquam completi sunt dies purificationis -
Appears on: 11
Genres: Motet
11v Postquam completi sunt - 2a pars (of 2): Nunc dimittis servum tuum Domine -
Appears on: 11v
Genres: Motet
11v–12v Surgens Jesus - 1a pars (of 2): Surgens Jesus Dominus noster stans in medio -
Appears on: 11v–12v
Genres: Motet
12v–13 Surgens Jesus - 2a pars (of 2): Surrexit Dominus de sepulchro -
Appears on: 12v–13
Genres: Motet
13–13v In dedicatione templi - 1a pars (of 2): In dedicatione templi decantabat populus -
Appears on: 13–13v
Genres: Motet
14–14v In dedicatione templi - 2a pars (of 2): Haec est domus Domini firmiter -
Appears on: 14–14v
Genres: Motet
14v–15v Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes -
Appears on: 14v–15v
Genres: Motet
15v–16 Dum complerentur - 2a pars (of 2): Dum ergo essent in unum -
Appears on: 15v–16
Genres: Motet
16–17 Salve regina mater misericordiae - Anonymous
Appears on: 16–17
Genres: Motet, Salve Regina
17–17v Regina caeli laetare - Anonymous
Appears on: 17–17v
Genres: Motet, Regina caeli laetare
17v–18 Alma redemptoris mater - Anonymous
Appears on: 17v–18
Genres: Alma redemptoris mater, BVM, Motet
18v–19 Ave regina caelorum - Anonymous
Appears on: 18v–19
Genres: Motet
19–20 Domine Dominus noster quam admirabile est (6vv) Orlan: de Lasso
Appears on: 19–20
Genres: Motet
Source Attribution: Orlan: de Lasso
20–20v Ecce sacerdos magnus - Anonymous
Appears on: 20–20v
Genres: Motet
21–21v Crucem tuam adoramus - Anonymous
Appears on: 21–21v
Genres: Motet
21v–22 Curremus in odorem - 1a pars (of 2): Curremus in odorem - Anonymous
Appears on: 21v–22
Genres: Motet
22v–23 Curremus in odorem - 2a pars (of 2): Abiit Maria cum festinatione - Anonymous
Appears on: 22v–23
Genres: Motet
23v–24 Salve regina mater misericordiae Christiani Erbachi
Appears on: 23v–24
Genres: Motet, Salve Regina
Source Attribution: Christiani Erbachi
General Note

Incomplete - pages missing in Tenor book

24v–25 Ave regina caelorum C.E. (= Erbach)
Appears on: 24v–25
Genres: Motet
Source Attribution: C.E. (= Erbach)
General Note

Incomplete - pages missing in Tenor book

25v–30v [blank staves] - -

[blank staves]

Appears on: 25v–30v
31–inside rear cover Alma redemptoris mater C.E. (= Erbach)
Appears on: 31–inside rear cover
Genres: Alma redemptoris mater, BVM, Motet
Source Attribution: C.E. (= Erbach)
General Note

continues onto the leaf pasted to the inside of the rear cover. Not copied in the Bassus, so incomplete

Composer Compositions
Anonymous
Buissons, Michael Charles des (fl. 1560–70)
Erbach, Christian (ca. 1568–1635)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Palestrina, Giovanni Pierluigi da (1525–1594)
Regnart, Jacob (ca. 1540–1599)
Trehou, Gregorius
Utendal, Alexander (ca. 1530–1581)
Composition Composers (? Uncertain) Folios / Pages
Alma redemptoris mater Anonymous 17v–18
Alma redemptoris mater 31–inside rear cover
Ave regina caelorum Anonymous 18v–19
Ave regina caelorum 24v–25
Crucem tuam adoramus Anonymous 21–21v
Curremus in odorem - 1a pars (of 2): Curremus in odorem Anonymous 21v–22
Curremus in odorem - 2a pars (of 2): Abiit Maria cum festinatione Anonymous 22v–23
Da pacem Domine (6vv, LV 63) 6v
Domine Dominus noster quam admirabile est (6vv) 19–20
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes 14v–15v
Dum complerentur - 2a pars (of 2): Dum ergo essent in unum 15v–16
Ecce sacerdos magnus Anonymous 20–20v
Fremuit spiritu Jesu - 1a pars (of 2): Fremuit spiritu Jesu 5v
Fremuit spiritu Jesu - 2a pars (of 2): Videns Dominus flentes 6
In dedicatione templi - 1a pars (of 2): In dedicatione templi decantabat populus 13–13v
In dedicatione templi - 2a pars (of 2): Haec est domus Domini firmiter 14–14v
In illo tempore dixit Jesus 1v–2
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos 2v–3
Jam non dicam - 2a pars (of 2): Accipite spiritum 3v–4
Postquam completi sunt - 1a pars (of 2): Postquam completi sunt dies purificationis 11
Postquam completi sunt - 2a pars (of 2): Nunc dimittis servum tuum Domine 11v
Postquam consumati essent 8–8v
Puer natus est nobis - 1a pars (of 2): Puer natus est nobis 9
Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt 9v
Quam magnificata - 1a pars (of 2): Quam magnificata sunt opera tua Domine 4v
Quam magnificata - 2a pars (of 2): Beatus homo quem tu eruderis Domine 5
Regina caeli laetare Anonymous 17–17v
Salve regina mater misericordiae Anonymous 16–17
Salve regina mater misericordiae 23v–24
Surgens Jesus - 1a pars (of 2): Surgens Jesus Dominus noster stans in medio 11v–12v
Surgens Jesus - 2a pars (of 2): Surrexit Dominus de sepulchro 12v–13
Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me 7
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam 7v
Tres veniunt reges parva ad praesepia 10–11

Set: Tonkunst Schletterer 273-278

Type: Partbooks

No images available

D-As Tonkunst Schletterer 273

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D-As Tonkunst Schletterer 274

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D-As Tonkunst Schletterer 275

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D-As Tonkunst Schletterer 276

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D-As Tonkunst Schletterer 277

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D-As Tonkunst Schletterer 278

denotes primary source study

Gottwald, Clytus. 1974. Die Musikhandschriften der Staats- und Stadtbibliothek Augsburg. Handschriftenkataloge der Staats- und Stadtbibliothek Augsburg.  Wiesbaden. Pages: 175-81. Notes: physical description; contents list; concordances.

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