D-Z Mu 908-925 [Tenor]

Ratsschulbibliothek, Zwickau, Germany

partbook: Last third of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mu 908-925 [Tenor]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 200 x 162 mm
Other Identifiers
  • CCM: ZwiR 31/32
  • Other catalogues/source: VollBM [see bibliography] 17
  • olim (Former shelfmark): MS 31,32
  • olim (Former shelfmark): MS XXXI,32
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 30 pieces from 10 composers
General Description

A Tenor partbook from an incomplete set originally of 6 books. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (VollBM), and one or two additional scribes. Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2022
Binding

D2 book has original covers of parchment cut from liturgical book; ATB books have original paper covers; D1 book has no covers.

DIAMM, 2022
Watermark

resembles Briquet #1408

DIAMM, 2022
Notation

black void mensural

DIAMM, 2022
Ruling

Staff height 15-16

DIAMM, 2022
Foliation

New pencil foliation in each book

DIAMM, 2022
Foliation

Other numberings: Partial original ink numbering of pieces

DIAMM, 2022
Decoration

Red or green initials and text incipits

DIAMM, 2022
Surface

paper

DIAMM, 2022
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

18 motets

(Clemens non Papa)-2, (Gombert)-1, (Isaac)-1, (Josquin)-1, Lassus-4, (Palestrina)-2, (Prenner)-2, (Utendal)-1, (Vaet)-1, anon-3

5 paper partbooks of an original 6 (Dl-34 folios, D2-36, A-36, T-32, B-32), 200 x 162. New pencil foliation in each book. Partial original ink numbering of pieces. D2 book has original covers of parchment cut from liturgical book; ATB books have original paper covers; Dl book has no covers. No index. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (VollBM), and one or two additional scribes; see general index for other manuscripts copied by Freundt. Staff height 15-16. Red or green initials and text incipits. Watermark resembles Briquet #1408.

Last third of 16th century. Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–2v Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis -
Appears on: 2–2v
Genres: Motet
2v–3 Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph -
Appears on: 2v–3
Genres: Motet
3v–4v Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes -
Appears on: 3v–4v
Genres: Motet
5–6 Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 5–6
Genres: Motet
6–7 Scio quod redemtor meus vivit -
Appears on: 6–7
Genres: Motet
7v–8 Christus filius Dei - 1a pars (of 2): Christus filius Dei morte sua nos salvos (= Virgo prudentissima) -
Appears on: 7v–8
Genres: Contrafactum, Motet
8v–9 Christus filius Dei - 2a pars (of 2): Ergo te Deum patrem et filium et te (= Vos Michael Gabriel Raphael) -
Appears on: 8v–9
Genres: Contrafactum, Motet
9–10 Verbum caro factum est et habitavit Orlandus
Appears on: 9–10
Genres: Motet
Source Attribution: Orlandus
10–11 Deus in adjutorium - 1a pars (of 2): Deus in adjutorium meum intende Domine -
Appears on: 10–11
Genres: Motet
11–12 Deus in adjutorium - 2a pars (of 2): Ecce in tenebris sedeo et lumen -
Appears on: 11–12
Genres: Motet
12–13 In monte Oliveti oravi ad patrem -
Appears on: 12–13
Genres: Motet
13–13v Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina -
Appears on: 13–13v
Genres: Motet
13v–14 Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum -
Appears on: 13v–14
Genres: Motet
14–14v Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum -
Appears on: 14–14v
Genres: Motet
General Note

text here: "O fili exora, patrem ut nostrum tollat"

14v–15 Dixit Deus - 1a pars (of 2): Dixit Deus non est bonum hominem esse solum - Anonymous
Appears on: 14v–15
Genres: Motet
15v–16 Dixit Deus - 2a pars (of 2): Non est bonum hominem esse solum, faciamus ei adjutorium - Anonymous
Appears on: 15v–16
Genres: Motet
16v–17v Admiranda Dei - 1a pars (of 2): Admiranda Dei in nobis miracula fulgent - Anonymous
Appears on: 16v–17v
Genres: Motet
17v–18v Admiranda Dei - 2a pars (of 2): Quod trahit unanimem coniunx cum coniuge - Anonymous
Appears on: 17v–18v
Genres: Motet
19–20 Aspice Domine quia facta est desolata (I) -
Appears on: 19–20
Genres: Motet
20v–21 Justorum animae in manu Dei [Domini] sunt -
Appears on: 20v–21
Genres: Motet
21–22 Foedus novum - 1a pars (of 2): Foedus novum connubii nec sortis in certae - Anonymous
Appears on: 21–22
Genres: Motet
22–23 Foedus novum - 2a pars (of 2): Autor sacrati coniugum amoris O sponse - Anonymous
Appears on: 22–23
Genres: Motet
23v–24v O rex gloriae Domine virtutum -
Appears on: 23v–24v
Genres: Motet
24v–25 Omnis pulchritudo - 1a pars (of 2): Omnis pulchritudo Domini exaltata est -
Appears on: 24v–25
Genres: Motet
25–25v Omnis pulchritudo - 2a pars (of 2): A summo caelo egressio eius et occursus -
Appears on: 25–25v
Genres: Motet
26–26v Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes -
Appears on: 26–26v
Genres: Motet
27–27v Dum complerentur - 2a pars (of 2): Dum ergo essent in unum -
Appears on: 27–27v
Genres: Motet
27v–28v Viri Galilaei - 1a pars (of 2): Viri Galilaei quid statis aspicientes -
Appears on: 27v–28v
Genres: Motet
28v–29 Viri Galilaei - 2a pars (of 2): Ascendit Deus in jubilatione et Dominus -
Appears on: 28v–29
Genres: Motet
29v–30v Hodie Christus natus est hodie salvator -
Appears on: 29v–30v
Genres: Motet
Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Despres, Josquin (ca. 1450–1521)
Gombert, Nicolas (ca. 1495–ca. 1560)
Isaac, Heinrich (ca. 1450–1517)
Lassus, Orlande de (ca. 1532–1594)
Palestrina, Giovanni Pierluigi da (1525–1594)
Prenner, Georg (–1590)
Utendal, Alexander (ca. 1530–1581)
Vaet, Jacobus (ca. 1529–ca. 1567)
Composition Composers (? Uncertain) Folios / Pages
Admiranda Dei - 1a pars (of 2): Admiranda Dei in nobis miracula fulgent Anonymous 16v–17v
Admiranda Dei - 2a pars (of 2): Quod trahit unanimem coniunx cum coniuge Anonymous 17v–18v
Aspice Domine quia facta est desolata (I) 19–20
Benedicta es 23.13 - 1a pars (of 3): Benedicta es caelorum regina 13–13v
Benedicta es 23.13 - 2a pars (of 3): Per illud ave prolatum et tuum 13v–14
Benedicta es 23.13 - 3a pars (of 3): Nunc mater exora natum 14–14v
Christus filius Dei - 1a pars (of 2): Christus filius Dei morte sua nos salvos (= Virgo prudentissima) 7v–8
Christus filius Dei - 2a pars (of 2): Ergo te Deum patrem et filium et te (= Vos Michael Gabriel Raphael) 8v–9
Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes 3v–4v
Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi 5–6
Deus in adjutorium - 1a pars (of 2): Deus in adjutorium meum intende Domine 10–11
Deus in adjutorium - 2a pars (of 2): Ecce in tenebris sedeo et lumen 11–12
Dixit Deus - 1a pars (of 2): Dixit Deus non est bonum hominem esse solum Anonymous 14v–15
Dixit Deus - 2a pars (of 2): Non est bonum hominem esse solum, faciamus ei adjutorium Anonymous 15v–16
Dixit Joseph - 1a pars (of 2): Dixit Joseph undecim fratribus suis 2–2v
Dixit Joseph - 2a pars (of 2): Nuntiaverunt Jacob dicentes Ioseph 2v–3
Dum complerentur - 1a pars (of 2): Dum complerentur dies Pentecostes 26–26v
Dum complerentur - 2a pars (of 2): Dum ergo essent in unum 27–27v
Foedus novum - 1a pars (of 2): Foedus novum connubii nec sortis in certae Anonymous 21–22
Foedus novum - 2a pars (of 2): Autor sacrati coniugum amoris O sponse Anonymous 22–23
Hodie Christus natus est hodie salvator 29v–30v
In monte Oliveti oravi ad patrem 12–13
Justorum animae in manu Dei [Domini] sunt 20v–21
O rex gloriae Domine virtutum 23v–24v
Omnis pulchritudo - 1a pars (of 2): Omnis pulchritudo Domini exaltata est 24v–25
Omnis pulchritudo - 2a pars (of 2): A summo caelo egressio eius et occursus 25–25v
Scio quod redemtor meus vivit 6–7
Verbum caro factum est et habitavit 9–10
Viri Galilaei - 1a pars (of 2): Viri Galilaei quid statis aspicientes 27v–28v
Viri Galilaei - 2a pars (of 2): Ascendit Deus in jubilatione et Dominus 28v–29

Set: Mu 908-925

Type: Partbooks

No images available

D-Z Mu 908-925 [Altus]

No images available

D-Z Mu 908-925 [Bassus]

No images available

D-Z Mu 908-925 [Discantus 1]

No images available

D-Z Mu 908-925 [Discantus 2]

No images available

D-Z Mu 908-925 [Tenor]

denotes primary source study

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 47. Notes: contents list (partial); concordances (partial).

Just, Martin. 1963. Heinrich Isaacs Motetten in Italienischen Quellen. Analecta Musicologica, 1-19. Pages: 7II,28,76-7. Notes: contents list (partial); concordances (partial); incipits (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 38. Notes: physical description (partial); contents list.

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