The main contents is a copy of Chaucer's 'Canterbury Tales', attractively written with wide margins; fol. 1-3v is part of a 15th century Sarum Calendar (the obit of William Heed on September 10th, 1510, is a late addition) Fol. i and 312 are musical flyleaves which were originally a couple of bifolios opened out to form 2 single pages with the top and right margins cut down. If these 2 bifolios are the middle 2 of a quaternio, given labels of f. A-H, the correct order of pages is: f. 1, col. 2 = f. B; f. 1v, col. 1 = f. Bv; f. 312, col. 2 = f. C; f. 312v, col. 1 = f. Cv; f. 312v, col. 2 = f. F; f. 312,col. 1 = f. Fv; f. 1v,col.2 = f. G; f. 1, col. 1 = f. Gv. Other owners include Thomas Heed, civis Londoniarum, and Edmounde Clarke, one of the queen's footmen in the 16th century.
GB-Ob MS. Arch. Selden B. 14
Bodleian Library, Oxford, England
Codex fragment (polyphony), still with host manuscript: 14th century
| Archive | Bodleian Library, Oxford, England (GB-Ob) |
|---|---|
| Shelfmark | MS. Arch. Selden B. 14 |
| Surface | Parchment |
| Numbering System | Foliation |
| Format | landscape |
| Measurements | 321 x 205, orig. 260 x 192 mm |
| Other Identifiers |
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| Notations |
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| Relationships |
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| Provenance |
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| Contents | Contains 9 compositions, 9 are anonymous. |
General Description
Binding
Brown stamped leather over new wooden boards, English, 15th century. The spine has been renovated, and the blind tooling consists of roses and lozenges.
Notation
Notation varies from Ars Nova or Petronian type to simple long-breve semiography (with typically English joined groups of c.o.p. ligatures and flat and sharp accidentals)
Foliation
Modern pencil foliation at t.r.r. (ff. 174-175 is a single page)
Foliation
1 r+v, 312 r+v, front and back board offsets
Surface
parchment
RISM Description
RISM B/IV 2: A 15th century parchment manuscript meas. 330 x 200 mm. and containing i+312 folios (actually only i+311 folios, since f. 174-175 is a single page). Fol. i and 312 are 14th century musical flyleaves meas. 321 x 205 mm., though they originally measured 260 x 192 mm., since they are a couple of bifolios opened out to form 2 single pages with the top and right margins cut down. Assuming that our 2 bifolios are the middle 2 of a quaternio, which we may call f. A-H, the correct order of pages is as follows: f. 1, col. 2 = f. B; f. 1v, col. 1 = f. Bv; f. 312, col. 2 = f. C; f. 312v, col. 1 = f. Cv; f. 312v, col. 2 = f. F; f. 312,col. 1 = f. Fv; f. 1v,col.2 = f. G; f. 1, col. 1 = f. Gv. The main contents of the codex is a mid-15th century copy of Chaucer's "Canterbury Tales", attractively written with wide margins and initials in blue-red or gold, the latter sometimes with violet ornament. Fol. 1-3v is part of a 15th century Sarum Calendar (the obit of William Heed on September 10th, 1510, is a late addition). Other owners include Thomas Heed, civis Londoniarum, and Edmounde Clarke, one of the queen's footmen in the 16th century. The modern pencil foliation is at t.r.r. The binding is of 15th century English origin and consists of brown stamped leather over new wooden boards. The spine has been renovated, and the blind tooling consists of roses and lozenges. All the music, Kyries and Kyrie and Gloria Tro together with one conductus, is in three-part score with four accolades of five-line staves per page. Important full-length red initials appear on f. 312v. The notation varies from fully-developed Ars Nova or Petronian type to simple long-breve semeiography. The typically English joined groups of c.o.p. ligatures and the flat and sharp accidentals may be noted.
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312v
The inventory could not be loaded.
‡ denotes primary source study
Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: II, 25 (facsimile of f. lv, col. 1 and f. 312v, col. 1); I, 58f, 72, 74f, 80.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description