P-EVp Cód. CLI/1-3

Biblioteca Pública, Évora, Portugal

Choirbook: c.1575 (ms B); 1590-1620, most probably c.1615 (ms A)

Archive	Biblioteca Pública, Évora, Portugal (P-EVp)
Shelfmark	Cód. CLI/1-3
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	265 x 205 mm
Relationships	Santo Antão church, Évora (owner)
Provenance	Évora, Portugal
Contents	47 pieces from 5 composers

General Description

The manuscript is a small volume made up of two originally independent manuscripts datable respectively to c.1615 and c.1575, which were bound together sometime in the seventeenth century. Ms A, with 40 folios, occupies the current ff. 1-38 (the last two folios, which were presumably blank, were cut off); ms B, with 51 folios, occupies the current ff. 39-89.

Ms A is dominated by the works of Manuel Mendes, and of his presumed pupils Duarte Lobo, Simão dos Anjos de Gouveia, and António de Oliveira. Ms B contains what is possibly the oldest, most persistent and widely-circulated of Holy Week series of responsories in extant late-sixteenth- and seventeenth-century Portuguese sources of polyphony. For concordances in Coimbra MM 25 (which has the same contents as ms B) & 47 (incomplete set), Lisbon 'Livro de Óbidos' (IPSPO 1/H-2 - incomplete set) and Oporto MM 40 (one responsory only, due to missing folios), see Alvarenga2011.

Ms A was copied in Évora, and written by a single scribe; ms B was also written by a single scribe, with additions. The manuscript is probably from the Collegiate Church of Santo Antão, associated with Manoel Mendes between 1575 and 1584 (Alvarenga2011); it became part of the collection of Évora Public Library perhaps before the middle of the nineteenth century.

Alvarenga 2011

Physical Description

Ms B heavily damaged by use; ms A less used but affected more markedly by ferrous ink oxidation with extensive damage of text; all folios trimmed on top.

Alvarenga 2011

Binding

Original seventeenth-century binding, from the time when the two manuscripts were joined together, complete in parchment with no boards (270 × 212 mm), with vestiges of straps and of a front flyleaf. Inscribed on the front cover, in ink, but subsequently erased: ‘Masso 4º Nº 5’; in another, more recent hand: ‘Cod CLI/ 1-3 // ’.

Alvarenga 2011

Watermark

Ms A trefoil/ellipse (≈ MELO no. 120, Lisbon, 1616 ≈ GRAVELL SPH.007.1, 1622; ms B star/circle (= REES MM 3 paper 2, and MM 31 paper 1 ≈ BRIQUET no. 1131, Florence, 1529).

Alvarenga 2011

Ruling

Ms A 5+5 staves per page, staff height = 13 mm; ms B 4+4 staves per page, staff height = 15 mm.

Alvarenga 2011

Foliation

Modern foliation on the top of recto faces, in pencil, 1-89. Vestiges of original foliation, both manuscripts beginning with number ‘1’.

Alvarenga 2011

Decoration

Ms A plain red initials on ff. 30v-33r; ms B plain initials and inscriptions in red, and poorly executed calligraphic initials, some with monochrome figures or in black and red.

Alvarenga 2011

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–4	[Asperges me] Domine hysopo - Secundum magni - Sicut erat	de Manoel Mendes, lusitano	Mendes, Manoel (ca. 1547–1605)
[Asperges me] Domine hysopo - Secundum magni - Sicut erat Mendes, Manoel (ca. 1547–1605) Appears on: 1v–4 Genres: Psalm Source Attribution: de Manoel Mendes, lusitano Concordances Arouca 032, ff. 30v-32; Coimbra MM 47, ff. 51v-52; P-Lf FICV i/J-3, ff. 1v-2; P-Lf IPSPO I/H-2, pp. 9-11
4v–7	Missa in quadragesima [Evora]: Kyrie	Emmanuel Mendez	Mendes, Manoel (ca. 1547–1605)
Missa in quadragesima [Evora]: Kyrie Mendes, Manoel (ca. 1547–1605) Appears on: 4v–7 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Emmanuel Mendez Concordances Coimbra MM 47, ff. 1v-9 (not complete); P-Lf IPSPO I/H-2, pp. 209-232. The 'Missa in quadragesima' in Oporto 40 (ff. 188v-191) is a different mass. Llorens i Cistero assigns that mass to Mendes, though the ms only specifically attributes the Tract (Alleluia) to him; Alvarenga leaves that mass anonymous.
7v–8	Alleluia (Tractus - Missa in quadragesima)	-	Mendes, Manoel (ca. 1547–1605)
Alleluia (Tractus - Missa in quadragesima) Mendes, Manoel (ca. 1547–1605) Appears on: 7v–8 Genres: Alleluia, Mass Ordinary, Tract Concordances Puebla LC XIII; Arouca s.s.; Coimbra MM 36; Lisbon LC 57; Braga 967; Oporto MM 40; Oporto MM 76-79 Item Bibliography d'Alvarenga, João Pedro. 2011. Manuscript Évora, Biblioteca Pública, Cód. CLI/1-3: Its Origin and Contents, and the Stemmata of Late-Sixteenth- and Early-Seventeenth-Century Portuguese Sources. Anuario Musical, 137-158. Pages: 144-147. Notes: evaluates the concordances (MEX-Pc LC XIII; P-BRd 967; P-Cug MM 36; P-EVp Cód.CLI/I-3; P- Ln LC 57; P-Pm MM 40; P-Pm 76-79) & identifies three lines of transmission.
8v–22	Missa in quadragesima [Evora]: Credo	-	Mendes, Manoel (ca. 1547–1605)
Missa in quadragesima [Evora]: Credo Mendes, Manoel (ca. 1547–1605) Appears on: 8v–22 Genres: Credo (patrem omnipotentem), Mass Ordinary Concordances Coimbra MM 47, ff. 1v-9 (not complete); P-Lf IPSPO I/H-2, pp. 209-232.
8v–22	Missa in quadragesima [Evora]: Sanctus	-	Mendes, Manoel (ca. 1547–1605)
Missa in quadragesima [Evora]: Sanctus Mendes, Manoel (ca. 1547–1605) Appears on: 8v–22 Genres: Mass Ordinary, Sanctus [& Benedictus] Concordances Coimbra MM 47, ff. 1v-9 (not complete); P-Lf IPSPO I/H-2, pp. 209-232.
8v–22	Missa in quadragesima [Evora]: Agnus Dei	-	Mendes, Manoel (ca. 1547–1605)
Missa in quadragesima [Evora]: Agnus Dei Mendes, Manoel (ca. 1547–1605) Appears on: 8v–22 Genres: Agnus Dei, Mass Ordinary Concordances Coimbra MM 47, ff. 1v-9 (not complete); P-Lf IPSPO I/H-2, pp. 209-232.
8v–22	Missa in quadragesima [Evora]: Deo gratias [Benedicamus Domino]	-	Mendes, Manoel (ca. 1547–1605)
Missa in quadragesima [Evora]: Deo gratias [Benedicamus Domino] Mendes, Manoel (ca. 1547–1605) Appears on: 8v–22 Genres: Benedicamus Domino, Deo gratias, Mass Ordinary Concordances Coimbra MM 47, ff. 1v-9 (not complete); P-Lf IPSPO I/H-2, pp. 209-232.
23v–26	Gloria laus et honor ... Israel es tu rex	Eduardus lupus	Lobo, Duarte
Gloria laus et honor ... Israel es tu rex Lobo, Duarte Appears on: 23v–26 Genres: Hymn Source Attribution: Eduardus lupus
26v–29	Missa de feria: Kyrie	Emmanuelis Mendes	Mendes, Manoel (ca. 1547–1605)
Missa de feria: Kyrie Mendes, Manoel (ca. 1547–1605) Appears on: 26v–29 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Emmanuelis Mendes Concordances P-Lf IPSPO I/H-2, pp. 249-254
26v–29	Missa de feria: Sanctus	-	Mendes, Manoel (ca. 1547–1605)
Missa de feria: Sanctus Mendes, Manoel (ca. 1547–1605) Appears on: 26v–29 Genres: Mass Ordinary, Sanctus [& Benedictus] Concordances P-Lf IPSPO I/H-2, pp. 249-254
26v–29	Missa de feria: Agnus Dei	-	Mendes, Manoel (ca. 1547–1605)
Missa de feria: Agnus Dei Mendes, Manoel (ca. 1547–1605) Appears on: 26v–29 Genres: Agnus Dei, Mass Ordinary Concordances P-Lf IPSPO I/H-2, pp. 249-254
29v–30	Pueri Hebraeorum vestimenta	Simao dos Anjos	Gouveia, Simão dos Anjos de
Pueri Hebraeorum vestimenta Gouveia, Simão dos Anjos de Appears on: 29v–30 Genres: Psalm Source Attribution: Simao dos Anjos
30v–33	[Benedictus Dominus Deus Israel] Quia visitavit	-	Anonymous
[Benedictus Dominus Deus Israel] Quia visitavit Anonymous Appears on: 30v–33 Genres: Psalm
33v–37	[Vidi aquam] Egredientem	Ant(oni)o d'Oliveira	Oliveira, [Antonio de]
[Vidi aquam] Egredientem Oliveira, [Antonio de] Appears on: 33v–37 Genres: Psalm Source Attribution: Ant(oni)o d'Oliveira
37V–38	Alleluia	Ant(oni)o d'Oliveira	Oliveira, [Antonio de]
Alleluia Oliveira, [Antonio de] Appears on: 37V–38 Genres: Alleluia Source Attribution: Ant(oni)o d'Oliveira Concordances P-Lf IPSPO 1/H-2, pp. 235-236
39	Sepulto Domino	-	Anonymous
Sepulto Domino Anonymous Appears on: 39 Genres: Hymn General Note incomplete - Bassus only; only incipit texted
39	Miserere mei Deus	-	Anonymous
Miserere mei Deus Anonymous Appears on: 39 Genres: Psalm General Note incomplete - Bassus only
39v–41	In monte Oliveti - Vigilate	-	Anonymous
In monte Oliveti - Vigilate Anonymous Appears on: 39v–41 Genres: Responsory Concordances Coimbra MM 47, ff. 28v-29; P-Lma s.s. [XX], ff. 93v-94; P-Lf IPSPO 1/H-2, pp. 93-94; Item Bibliography d'Alvarenga, João Pedro. 2011. Manuscript Évora, Biblioteca Pública, Cód. CLI/1-3: Its Origin and Contents, and the Stemmata of Late-Sixteenth- and Early-Seventeenth-Century Portuguese Sources. Anuario Musical, 137-158. Pages: 138-142. Notes: discusses concordances for this set of responsories [Coimbra MM 25 (complete series) and MM 47 (incomplete series); Evora Cod. CLI/1-3 (complete series); the Livro de Óbidos, Lisbon IPSPO 1/H-2 (incomplete series); and Oporto MM 40 (one only, due to lost folios], transmission, variants, and stemma. Transcription of parts of 'In monte Oliveti' as exemplar.
41v–43	Tristis est anima mea	-	Anonymous
Tristis est anima mea Anonymous Appears on: 41v–43 Genres: Responsory Concordances Coimbra MM 47, ff. 29v-30; P-Lma s.s. [XX], ff. 94v-95; P-Lf IPSPO 1/H-2, pp. 95-96;
43v–45	Ecce videmus	-	Anonymous
Ecce videmus Anonymous Appears on: 43v–45 Genres: Responsory Concordances Coimbra MM 47, ff. 30v-31; P-Lma s.s. [XX], ff. 95v-96; P-Lf IPSPO 1/H-2, pp. 97-98;
45v–47	Amicus meus	-	Anonymous
Amicus meus Anonymous Appears on: 45v–47 Genres: Responsory Concordances Coimbra MM 47, ff. 31v-32; P-Lma s.s. [XX], ff. 96v-97; P-Lf IPSPO 1/H-2, pp. 99-100;
47v–49	Judas mercator	-	Anonymous
Judas mercator Anonymous Appears on: 47v–49 Genres: Responsory Concordances Coimbra MM 47, ff. 32v-33; P-Lma s.s. [XX], ff. 97v-98; P-Lf IPSPO 1/H-2, pp. 101-102
49v–51	Unus ex discipulis	-	Anonymous
Unus ex discipulis Anonymous Appears on: 49v–51 Genres: Responsory Concordances Coimbra MM 47, ff. 33v-34; P-Lma s.s. [XX], ff. 98v-99; P-Lf IPSPO 1/H-2, pp. 103-104
51v–53	Eram quasi agnus	-	Anonymous
Eram quasi agnus Anonymous Appears on: 51v–53 Genres: Responsory Concordances Coimbra MM 47, ff. 33v-35; P-Lma s.s. [XX], ff. 99v-100; P-Lf IPSPO 1/H-2, pp. 105-106
53v–55	Una hora	-	Anonymous
Una hora Anonymous Appears on: 53v–55 Genres: Responsory Concordances Coimbra MM 47, ff. 34v-35; P-Lma s.s. [XX], ff. 100v (incomplete); P-Lf IPSPO 1/H-2, pp. 107-108
55v–57	Seniores populi	-	Anonymous
Seniores populi Anonymous Appears on: 55v–57 Genres: Responsory
57v	[textkess fragment]	-	Anonymous
[textkess fragment] Anonymous Appears on: 57v Genres: textless General Note added in a different hand, on blank folio between 1st & 2nd night's responsories; in c3 clef
58v–60	Omnes amici mei	(Secunda nocte)	Anonymous
Omnes amici mei Anonymous Appears on: 58v–60 Genres: Responsory Source Attribution: (Secunda nocte) Concordances Coimbra MM 47, ff. 36v-37; P-Lf IPSPO 1/H-2, pp. 71-72
60v–62	Velum templi	-	Anonymous
Velum templi Anonymous Appears on: 60v–62 Genres: Responsory Concordances Coimbra MM 47, ff. 36v-38; P-Lf IPSPO 1/H-2, pp. 73-74
62v–63	Vinea mea	-	Anonymous
Vinea mea Anonymous Appears on: 62v–63 Genres: Responsory Concordances Coimbra MM 47, ff. 37v-39; P-Lma s.s. [XX], ff. 101v-102; P-Lf IPSPO 1/H-2, pp. 75-76
63v–65	Tanquam ad latronem	-	Anonymous
Tanquam ad latronem Anonymous Appears on: 63v–65 Genres: Responsory Concordances Coimbra MM 47, ff. 38v-39; P-Lma s.s. [XX], ff. 101 (incomplete); P-Lf IPSPO 1/H-2, pp. 77-78
65v–67	Tenebrae factae sunt	-	Anonymous
Tenebrae factae sunt Anonymous Appears on: 65v–67 Genres: Responsory Concordances Coimbra MM 47, ff. 39v-40; P-Lma s.s. [XX], ff. 102v-103; P-Lf IPSPO 1/H-2, pp. 79-80
67v–69	Animam meam dilectam	-	Anonymous
Animam meam dilectam Anonymous Appears on: 67v–69 Genres: Responsory Concordances Coimbra MM 47, ff. 40v-42; P-Lma s.s. [XX], ff. 103v-105; P-Lf IPSPO 1/H-2, pp. 81-84
69v–71	Tradiderunt me	-	Anonymous
Tradiderunt me Anonymous Appears on: 69v–71 Genres: Responsory Concordances Coimbra MM 47, ff. 41v-42; P-Lma s.s. [XX], ff. 105v-106; P-Lf IPSPO 1/H-2, pp. 85-86
71v–73	Jesum tradidit impius	-	Anonymous
Jesum tradidit impius Anonymous Appears on: 71v–73 Genres: Responsory Concordances Coimbra MM 47, ff. 42v-43; P-Lma s.s. [XX], ff. 106v-107; P-Lf IPSPO 1/H-2, pp. 87-88
73v–75	Caligaverunt oculi mei	-	Anonymous
Caligaverunt oculi mei Anonymous Appears on: 73v–75 Genres: Responsory Concordances Coimbra MM 47, ff. 43v-44; P-Lma s.s. [XX], ff. 107v-108; P-Lf IPSPO 1/H-2, pp. 89-90
76v–78	Sicut ovis	(Tertia nocte)	Anonymous
Sicut ovis Anonymous Appears on: 76v–78 Genres: Responsory Source Attribution: (Tertia nocte) Concordances Coimbra MM 47, ff. 44v-45; P-Lma s.s. [XX], ff. 108v-109; P-Lf IPSPO 1/H-2, pp. 123-124
78v–79	Jerusalem luge	-	Anonymous
Jerusalem luge Anonymous Appears on: 78v–79 Genres: Responsory Concordances Coimbra MM 47, ff. 44v-46; P-Lma s.s. [XX], ff. 109v-110; P-Lf IPSPO 1/H-2, pp. 125-126
79v–80	Plange quasi virgo	-	Anonymous
Plange quasi virgo Anonymous Appears on: 79v–80 Genres: Responsory Concordances Coimbra MM 47, ff. 45v-46; P-Lma s.s. [XX], ff. 110v-111; P-Lf IPSPO 1/H-2, pp. 127-128
80v–82	Recessit pastor noster	-	Anonymous
Recessit pastor noster Anonymous Appears on: 80v–82 Genres: Responsory Concordances Coimbra MM 47, ff. 46v-47; P-Lma s.s. [XX], ff. 111v-112; P-Lf IPSPO 1/H-2, pp. 129-130
82v–83	O vos omnes	-	Anonymous
O vos omnes Anonymous Appears on: 82v–83 Genres: Responsory Concordances Coimbra MM 47, ff. 46v-48; P-Lma s.s. [XX], ff. 112v-113; P-Lf IPSPO 1/H-2, pp. 131-132
83v–85	Ecce quomodo moritur	-	Anonymous
Ecce quomodo moritur Anonymous Appears on: 83v–85 Genres: Responsory Concordances P-Lma s.s. [XX], ff. 113v-114; P-Lf IPSPO 1/H-2, pp. 133-136
85v–86	Astiterunt reges terrae	-	Anonymous
Astiterunt reges terrae Anonymous Appears on: 85v–86 Genres: Responsory Concordances P-Lma s.s. [XX], ff. 114v-115; P-Lf IPSPO 1/H-2, pp. 137-138
86v–87	Aestimatus sum	-	Anonymous
Aestimatus sum Anonymous Appears on: 86v–87 Genres: Responsory Concordances P-Lma s.s. [XX], ff. 115v-116; P-Lf IPSPO 1/H-2, pp. 139 (incomplete)
87v–88	Sepulto Domino	-	Anonymous
Sepulto Domino Anonymous Appears on: 87v–88 Genres: Responsory Concordances P-Lma s.s. [XX], ff. 116v-117
88v–89	Sepulto Domino	-	Anonymous
Sepulto Domino Anonymous Appears on: 88v–89 Genres: Responsory
89v	[Sepulto Domino] Accedentes principes	-	Anonymous
[Sepulto Domino] Accedentes principes Anonymous Appears on: 89v Genres: Responsory General Note in a different hand

Composer	Compositions
Anonymous	Aestimatus sum – 86v–87 Amicus meus – 45v–47 Animam meam dilectam – 67v–69 Astiterunt reges terrae – 85v–86 Caligaverunt oculi mei – 73v–75 Ecce quomodo moritur – 83v–85 Ecce videmus – 43v–45 Eram quasi agnus – 51v–53 In monte Oliveti - Vigilate – 39v–41 Jerusalem luge – 78v–79 Jesum tradidit impius – 71v–73 Judas mercator – 47v–49 Miserere mei Deus – 39 O vos omnes – 82v–83 Omnes amici mei – 58v–60 Plange quasi virgo – 79v–80 Recessit pastor noster – 80v–82 Seniores populi – 55v–57 Sepulto Domino – 39 Sepulto Domino – 87v–88 Sepulto Domino – 88v–89 Sicut ovis – 76v–78 Tanquam ad latronem – 63v–65 Tenebrae factae sunt – 65v–67 Tradiderunt me – 69v–71 Tristis est anima mea – 41v–43 Una hora – 53v–55 Unus ex discipulis – 49v–51 Velum templi – 60v–62 Vinea mea – 62v–63 [Benedictus Dominus Deus Israel] Quia visitavit – 30v–33 [Sepulto Domino] Accedentes principes – 89v [textkess fragment] – 57v
Gouveia, Simão dos Anjos de	Pueri Hebraeorum vestimenta – 29v–30
Lobo, Duarte	Gloria laus et honor ... Israel es tu rex – 23v–26
Mendes, Manoel (ca. 1547–1605)	Alleluia (Tractus - Missa in quadragesima) – 7v–8 Missa de feria: Agnus Dei – 26v–29 Missa de feria: Kyrie – 26v–29 Missa de feria: Sanctus – 26v–29 Missa in quadragesima [Evora]: Agnus Dei – 8v–22 Missa in quadragesima [Evora]: Credo – 8v–22 Missa in quadragesima [Evora]: Deo gratias [Benedicamus Domino] – 8v–22 Missa in quadragesima [Evora]: Kyrie – 4v–7 Missa in quadragesima [Evora]: Sanctus – 8v–22 [Asperges me] Domine hysopo - Secundum magni - Sicut erat – 1v–4
Oliveira, [Antonio de]	Alleluia – 37V–38 [Vidi aquam] Egredientem – 33v–37

Composition	Composers (? Uncertain)	Folios / Pages
[Asperges me] Domine hysopo - Secundum magni - Sicut erat	Mendes, Manoel (ca. 1547–1605)	1v–4
[Benedictus Dominus Deus Israel] Quia visitavit	Anonymous	30v–33
[Sepulto Domino] Accedentes principes	Anonymous	89v
[textkess fragment]	Anonymous	57v
[Vidi aquam] Egredientem	Oliveira, [Antonio de]	33v–37
Aestimatus sum	Anonymous	86v–87
Alleluia	Oliveira, [Antonio de]	37V–38
Alleluia (Tractus - Missa in quadragesima)	Mendes, Manoel (ca. 1547–1605)	7v–8
Amicus meus	Anonymous	45v–47
Animam meam dilectam	Anonymous	67v–69
Astiterunt reges terrae	Anonymous	85v–86
Caligaverunt oculi mei	Anonymous	73v–75
Ecce quomodo moritur	Anonymous	83v–85
Ecce videmus	Anonymous	43v–45
Eram quasi agnus	Anonymous	51v–53
Gloria laus et honor ... Israel es tu rex	Lobo, Duarte	23v–26
In monte Oliveti - Vigilate	Anonymous	39v–41
Jerusalem luge	Anonymous	78v–79
Jesum tradidit impius	Anonymous	71v–73
Judas mercator	Anonymous	47v–49
Miserere mei Deus	Anonymous	39
Missa de feria: Agnus Dei	Mendes, Manoel (ca. 1547–1605)	26v–29
Missa de feria: Kyrie	Mendes, Manoel (ca. 1547–1605)	26v–29
Missa de feria: Sanctus	Mendes, Manoel (ca. 1547–1605)	26v–29
Missa in quadragesima [Evora]: Agnus Dei	Mendes, Manoel (ca. 1547–1605)	8v–22
Missa in quadragesima [Evora]: Credo	Mendes, Manoel (ca. 1547–1605)	8v–22
Missa in quadragesima [Evora]: Deo gratias [Benedicamus Domino]	Mendes, Manoel (ca. 1547–1605)	8v–22
Missa in quadragesima [Evora]: Kyrie	Mendes, Manoel (ca. 1547–1605)	4v–7
Missa in quadragesima [Evora]: Sanctus	Mendes, Manoel (ca. 1547–1605)	8v–22
O vos omnes	Anonymous	82v–83
Omnes amici mei	Anonymous	58v–60
Plange quasi virgo	Anonymous	79v–80
Pueri Hebraeorum vestimenta	Gouveia, Simão dos Anjos de	29v–30
Recessit pastor noster	Anonymous	80v–82
Seniores populi	Anonymous	55v–57
Sepulto Domino	Anonymous	39
Sepulto Domino	Anonymous	87v–88
Sepulto Domino	Anonymous	88v–89
Sicut ovis	Anonymous	76v–78
Tanquam ad latronem	Anonymous	63v–65
Tenebrae factae sunt	Anonymous	65v–67
Tradiderunt me	Anonymous	69v–71
Tristis est anima mea	Anonymous	41v–43
Una hora	Anonymous	53v–55
Unus ex discipulis	Anonymous	49v–51
Velum templi	Anonymous	60v–62
Vinea mea	Anonymous	62v–63

‡ denotes primary source study

‡ d'Alvarenga, João Pedro. 2011. Manuscript Évora, Biblioteca Pública, Cód. CLI/1-3: Its Origin and Contents, and the Stemmata of Late-Sixteenth- and Early-Seventeenth-Century Portuguese Sources. Anuario Musical, 137-158. Notes: physical description; contents list; discussion; concordances; transcriptions (partial).

d'Alvarenga, João Pedro. 2005. Polifonia portuguesa sacra tardo-quinhentista: estudo de fontes e edição crítica do Livro de São Vicente, manuscrito P-Lf FSVL 1P/H-6. Universidade de Évora, Ph.D. Pages: I:69-87 and 163-166.

d'Alvarenga, João Pedro. 2002. Uma obra perdida de Duarte Lobo recuperada (e algumas notas sobre a melodia do hino Gloria, laus, et honor. Estudos de Musicologia, 89-103. Lisbon: Colibri.

Alegria, José Augusto. 1984. Polifonistas portugueses: Duarte Lobo, Filipe de Magalhães, Francisco Martins. Lisboa: Instituto de Cultura e Língua Portuguesa/Ministério da Educação. Pages: 55.

Alegria, José Augusto. 1977. Biblioteca Pública de Évora: catálogo dos fundos musicais. Lisbon: Fundação Calouste Gulbenkian. Pages: 52, 69-71, 74, and 138.

Joaquim, Manuel. 1942. A ‘Missa de féria’ do Padre Manuel Mendes (1547?-1605). Música: revista dos alunos do Conservatório de Música do Pôrto, . Notes: discussion; transcription (partial).

Sampayo Ribeiro, Mário de. 1941. Os Manuscritos Musicais n.os 6 e 12 da Biblioteca Geral da Universidade de Coimbra. Coimbra. Pages: 108.

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P-EVp Cód. CLI/1-3

Biblioteca Pública, Évora, Portugal

Choirbook: c.1575 (ms B); 1590-1620, most probably c.1615 (ms A)

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