P-Cug MM.53

Biblioteca Geral da Universidade, Coimbra, Portugal

Choirbook: late 16th century

Archive Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug)
Shelfmark MM.53
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 312 × 220 mm
Notations
  • mensural
Relationships
External Links
Provenance
Contents 100 pieces from 16 composers
General Description

Manuscript compiled at the monastery of Santa Cruz, Coimbra. It was copied from several Santa Cruz manuscripts, including particularly MM 33. Two original scribes, with additions, mostly chant, by different later hands. Prepared with margins and staves in advance of copying the music (cf. Rees 1995, p. 289).

DIAMM, 2020
Physical Description

Some ink corrosion and bleed-through on several folios, without loss of text

DIAMM, 2020
Binding

Old, possibly original, covers made of a parchment folio from a large chant book; remains of leather ties.

DIAMM, 2020
Ownership

1 watermark, also occurring in P-Cug MM 44

DIAMM, 2020
Ownership

inscription on f. (i)r, ‘Dom Gabriel de S. Joaõ’ [documented in 1624]

DIAMM, 2020
Foliation

i + 132 + i; old ink foliation 1-14, 21-89, 91-133; folios 15-20 unnumbered, now with modern blue ink foliation. Folio 90 is missing.

DIAMM, 2020
Index

Incomplete, and occasionally inaccurate, index on fol. (i)v

DIAMM, 2020

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 [textless] - Anonymous

[textless]

Anonymous
Appears on: 1
Genres: textless
1v–2 Et salutare tuum - Anonymous

Et salutare tuum

Anonymous
Appears on: 1v–2
Genres: Motet
2v–3 Baptista contremuit D. Petrus
Appears on: 2v–3
Genres: Motet
Source Attribution: D. Petrus
3v–4 Virgo prudentissima D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 3v–4
Genres: Motet
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
4v–5 Postquam consumati sunt D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 4v–5
Genres: Motet
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
5v–6 In ferventis olei D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 5v–6
Genres: Motet
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
Concordances

not the same piece as the one in Coimbra MM 36

6v–7 O quam gloriosum D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 6v–7
Genres: Motet
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
7v–9 Lachrimans sitivit D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 7v–9
Genres: Motet
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
9v–10 Elegit te Dominus D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 9v–10
Genres: Motet
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
10v–11 Stabat mater D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 10v–11
Genres: Hymn, Stabat Mater
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
11v–12 Miserere mei Domine - Anonymous
Appears on: 11v–12
Genres: Motet
12v–13 O crux venerabilis D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 12v–13
Genres: Motet
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
13v–14 Ego sum panis vivus D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 13v–14
Genres: Motet
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
14v–16 Valde honorandus D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 14v–16
Genres: Responsory
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
16v–17 Alleluia (4vv) D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 16v–17
Genres: Alleluia
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
17v–18 Levita Laurentius - Anonymous

Levita Laurentius

Anonymous
Appears on: 17v–18
Genres: Motet
18v–19 Consurgit Christus tumulo - Anonymous
Appears on: 18v–19
Genres: Motet
19v–20 Dum complerentur -
Appears on: 19v–20
Genres: Motet
20v–21 Stella ista - Anonymous

Stella ista

Anonymous
Appears on: 20v–21
Genres: Motet
21v–22 Angelus Domini - Anonymous

Angelus Domini

Anonymous
Appears on: 21v–22
Genres: Motet
22v–23 Hodie completi sunt - Anonymous
Appears on: 22v–23
Genres: Motet
23v–24 O sacrum convivium -
Appears on: 23v–24
Genres: Motet
24v–25 Panis iste verus est - Anonymous
Appears on: 24v–25
Genres: Motet
25v–26 O sacrum convivium - Anonymous

O sacrum convivium

Anonymous
Appears on: 25v–26
Genres: Motet
26v–27 O sacramentum pietatis -
Appears on: 26v–27
Genres: Motet
27v–28 Magnum hereditatis - Anonymous

Magnum hereditatis

Anonymous
Appears on: 27v–28
Genres: Motet
28v–29 Mulier quae erat D. P(etrus)
Appears on: 28v–29
Genres: Motet
Source Attribution: D. P(etrus)
29v–30 Virgo prudentissima - Anonymous
Appears on: 29v–30
Genres: Motet
30v–31 Surrexit Dominus Anto(nio) Careira
Appears on: 30v–31
Genres: Motet
Source Attribution: Anto(nio) Careira
32v–32 O sacrum convivium D. Petrus C(anonicus) S(ancti) Crucis
Appears on: 32v–32
Genres: Motet
Source Attribution: D. Petrus C(anonicus) S(ancti) Crucis
32v–33 Regina caeli laetare -
Appears on: 32v–33
Genres: BVM, Marian antiphon, Regina caeli laetare
33v–35 [Salve regina] Vita dulcedo - Anonymous
Appears on: 33v–35
Genres: Antiphon, BVM, Salve Regina
34v–35 Alleluia D. blasius
Appears on: 34v–35
Genres: Alleluia
Source Attribution: D. blasius
Concordances

Coimbra MM 44, ff. 194v-195

35v–36 Alma redemptoris mater Aires Fernandes
Appears on: 35v–36
Genres: Alma redemptoris mater, BVM, Marian antiphon
Source Attribution: Aires Fernandes
Concordances

Coimbra MM 44, ff. 87v-89; MM 217Ai, f. 3v

36v–37 Alleluia. Venite ad me Dalvym
Appears on: 36v–37
Genres: Alleluia
Source Attribution: Dalvym
Concordances

Coimbra MM 44, ff. 196v-197

37v–39 Magnificat tone 8. Anima mea D. p(etrus)
Appears on: 37v–39
Genres: BVM, Canticle, Magnificat
Source Attribution: D. p(etrus)
39v–42 Te Deum laudamus - Anonymous

Te Deum laudamus

Anonymous
Appears on: 39v–42
Genres: Te Deum
Concordances

Coimbra MM 44, ff. 198v-201

42v–43 Salve gemma confessorum D. bras
Appears on: 42v–43
Genres: Motet
Source Attribution: D. bras
43v–44 Alleluia D. blasius C9anonicus) S(ancti) Crucis
Appears on: 43v–44
Genres: Alleluia
Source Attribution: D. blasius C9anonicus) S(ancti) Crucis
Concordances

Coimbra MM 44, ff. 193v-194

44v–45 O admirabile commercium creator generis -
Appears on: 44v–45
Genres: Motet
45v–46 Exultemus et laetemur D. francisco C(anonicus) S(anctae) Crucis
Appears on: 45v–46
Genres: Motet
Source Attribution: D. francisco C(anonicus) S(anctae) Crucis
46v–47 Postquam consumati D. benedictus
Appears on: 46v–47
Genres: Motet
Source Attribution: D. benedictus
47v–48 [Dixit Dominus] Sede a dextris D. petrus C(anonicus) S(ancti) Crucis
Appears on: 47v–48
Genres: Psalm
Source Attribution: D. petrus C(anonicus) S(ancti) Crucis
49v–51 [Confitebor tibi] In consilio D. petrus Canonicus S(ancti) Crucis
Appears on: 49v–51
Genres: Psalm
Source Attribution: D. petrus Canonicus S(ancti) Crucis
50v–51 Alleluia - Anonymous

Alleluia

Anonymous
Appears on: 50v–51
Genres: Alleluia
Concordances

Coimbra MM 44, ff. 195v-196

51v–53 Beatus vir - Anonymous

Beatus vir

Anonymous
Appears on: 51v–53
Genres: Psalm
53v–55 Laudate pueri - Anonymous

Laudate pueri

Anonymous
Appears on: 53v–55
Genres: Psalm
54v–55 Alleluia D. blasius
Appears on: 54v–55
Genres: Alleluia
Source Attribution: D. blasius
Concordances

Coimbra MM 44, ff. 192v-193

55v–56 [Dixit Dominus] Donec ponam -
Appears on: 55v–56
Genres: Psalm
56v–57 Dum transisset Sabbatum - Anonymous
Appears on: 56v–57
Genres: Motet
57v–58 Respice Domine - Anonymous

Respice Domine

Anonymous
Appears on: 57v–58
Genres: Motet
58v–59 Dimissa sunt ei - Anonymous

Dimissa sunt ei

Anonymous
Appears on: 58v–59
Genres: Motet
60v–61 Quem vidisti pastores D. petrus C(anonicus) S(ancti) Crucis
Appears on: 60v–61
Genres: Motet
Source Attribution: D. petrus C(anonicus) S(ancti) Crucis
61v–65 Domine probasti me D. petrus Canonicus S(ancti) Crucis
Appears on: 61v–65
Genres: Psalm
Source Attribution: D. petrus Canonicus S(ancti) Crucis
65v–66 Ad Dominum cum tribularer - Anonymous
Appears on: 65v–66
Genres: Psalm
66v–67 Levavi oculos meos - Anonymous

Levavi oculos meos

Anonymous
Appears on: 66v–67
Genres: Psalm
67v–69 Laetatus sum - Anonymous

Laetatus sum

Anonymous
Appears on: 67v–69
Genres: Psalm
68v–71 [Domine clamavi ad te] Intende voci mea - Anonymous
Appears on: 68v–71
Genres: Psalm
70v–71 Alleluia D. blasius
Appears on: 70v–71
Genres: Alleluia
Source Attribution: D. blasius
Concordances

Coimbra MM 44, ff. 191v-192

71v–72 Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 71v–72
Genres: Benedicamus Domino
71v–72 Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 71v–72
Genres: Benedicamus Domino
72v–73 Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 72v–73
Genres: Benedicamus Domino
73v–74 Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 73v–74
Genres: Benedicamus Domino
73v–74 Benedicamus Domino - Anonymous

Benedicamus Domino

Anonymous
Appears on: 73v–74
Genres: Benedicamus Domino
74v–76 Dixit Dominus -
Appears on: 74v–76
Genres: Psalm
76v–79 [Te Deum] Te aeternum D. petrus C(anonicus) S(ancti) Crucis
Appears on: 76v–79
Genres: Te Deum
Source Attribution: D. petrus C(anonicus) S(ancti) Crucis
78v–79 Alleluia (3vv) D. p(etrus) C(anonicus) S(ancti) Crucis
Appears on: 78v–79
Genres: Alleluia
Source Attribution: D. p(etrus) C(anonicus) S(ancti) Crucis
Concordances

Coimbra MM 44, f. 197v

79v–85 Incipit lamentatio (I) Dom[i]nus Petrus C(anonicus) S(ancti) Crucis
Appears on: 79v–85
Genres: Lamentations
Source Attribution: Dom[i]nus Petrus C(anonicus) S(ancti) Crucis
85v–89 Incipit lamentatio (II) D. p(etrus) C(anonicus) S(ancti) Crucis
Appears on: 85v–89
Genres: Lamentations
Source Attribution: D. p(etrus) C(anonicus) S(ancti) Crucis
95v–96 [Credo] Et incarnatus est - Anonymous
Appears on: 95v–96
Genres: Credo (patrem omnipotentem), Mass Ordinary
Concordances

also at ff. 109v-110; and in Coimbra MM 44, ff. 106v-107. Remainder of Credo in chant surrounding the 'Et incarnatus'

98v–99 Filiae Jerusalem D. p(etrus) C(anonicus) S(ancti) Crucis
Appears on: 98v–99
Genres: Motet
Source Attribution: D. p(etrus) C(anonicus) S(ancti) Crucis
99v–101 Mihi autem nimis - Anonymous

Mihi autem nimis

Anonymous
Appears on: 99v–101
Genres: Introit
101v–102 Asperges me Aires fernandes
Appears on: 101v–102
Genres: Antiphon
Source Attribution: Aires fernandes
Concordances

Coimbra MM 44, ff. 169v-171; MM 217Aii, 1

102v–103 Asperges me - Anonymous

Asperges me

Anonymous
Appears on: 102v–103
Genres: Antiphon
Concordances

Coimbra MM 44, ff. 171v-172

103v–104 Vidi aquam Egredentiem de templo morales
Appears on: 103v–104
Genres: Motet
Source Attribution: morales
Concordances

Coimbra MM 44, ff. 172v-174.

104v–106 Gaudeamus omnes D. p(etrus) C(anonicus) S(ancti) Crucis
Appears on: 104v–106
Genres: Hymn
Source Attribution: D. p(etrus) C(anonicus) S(ancti) Crucis
106v–108 Beatus vir - Anonymous

Beatus vir

Anonymous
Appears on: 106v–108
Genres: Psalm
108v–109 Fidelis servus - Anonymous

Fidelis servus

Anonymous
Appears on: 108v–109
Genres: Motet
108v–109 Erant autem ibi Maria Magdalena - Anonymous
Appears on: 108v–109
Genres: Motet
109v–110 Similabo eum D. p(etrus)
Appears on: 109v–110
Genres: Motet
Source Attribution: D. p(etrus)
109v–110 [Credo] Et incarnatus est - Anonymous
Appears on: 109v–110
Genres: Credo (patrem omnipotentem), Mass Ordinary
Concordances

also at ff. 95v-96, surrounded by remainder of Credo in chant; and in Coimbra MM 44, ff. 106v-107.

110v–115 Jesum Nazarenum D. petrus C(anonicus) S(ancti) Crucis
Appears on: 110v–115
Genres: Passion
Source Attribution: D. petrus C(anonicus) S(ancti) Crucis
115v–117 Passio Domini nostri D. petrus C(anonicus) S(ancti) Crucis
Appears on: 115v–117
Genres: Passion
Source Attribution: D. petrus C(anonicus) S(ancti) Crucis
117v–120 Passio Domini nostri Jesu Christi secundum Lucam - Anonymous
Appears on: 117v–120
Genres: Passion
121v–123 Passio Domini nostri Jesu Christi secundum Joannem - Anonymous
Appears on: 121v–123
Genres: Passion
123v Te Deum Antonio Carreira
Appears on: 123v
Genres: Te Deum
Source Attribution: Antonio Carreira
General Note

incomplete - 4 voice parts speciied but only 3 written

123v–124 Mulier ecce filius - Anonymous

Mulier ecce filius

Anonymous
Appears on: 123v–124
Genres: Passion
General Note

perhaps a continuation of the Passion before the Te Deum setting?

124v–125 Heu heu Domine - Anonymous

Heu heu Domine

Anonymous
Appears on: 124v–125
Genres: Motet
125v–127 Passio Domini nostri Jesu Christi secundum Joannem - Anonymous
Appears on: 125v–127
Genres: Passion
127v–128 Hoy se manda a pregonar D.P. Pedro
Appears on: 127v–128
Genres: Vilancico
Source Attribution: D.P. Pedro
128v–130 Fatalis olim -
Appears on: 128v–130
Genres: Motet
130v–131 Si puede el hombre -
Appears on: 130v–131
Genres: Vilancico
131v–132 O bone Jesu illumina oculos meos -
Appears on: 131v–132
Genres: Motet
132v–133 Domine Jesu Christe - Anonymous
Appears on: 132v–133
Genres: Motet
132v–133 Jesu redemptor A(ires) F(ernandez)
Appears on: 132v–133
Genres: Litany
Source Attribution: A(ires) F(ernandez)
Concordances

Coimbra MM 217Aii, f. 2v

133v Jesu redemptor erased attribution to "D. p(etrus)", re-written above following piece Anonymous

Jesu redemptor

Anonymous
Appears on: 133v
Genres: Litany
Source Attribution: erased attribution to "D. p(etrus)", re-written above following piece
133v Jesu redemptor? D. P(etrus)
Appears on: 133v
Genres: Litany, textless
Source Attribution: D. P(etrus)
General Note

textless

133v Jesu redemptor? Aires fernandes
Appears on: 133v
Genres: Litany, textless
Source Attribution: Aires fernandes
Concordances

Coimbra MM 217Aii, f. 2v-3

General Note

textless

[134]v Jesu redemptor (I) D. francisco
Cruzada (?)
Appears on: [134]v
Genres: Responsory
Source Attribution: D. francisco
General Note

textless

Concordances

Braga 965, f. 31v; Oporto 40, ff. 226v-227 'Gamboa'; Coimbra MM 34, f. 40v 'Cruzada'

[134]v Jesu redemptor Antonio carreira
Appears on: [134]v
Genres: Litany
Source Attribution: Antonio carreira
Composer Compositions
Alvim (d'Alvim)
Anchieta, Juan de (1462–1523)
Anonymous
Bento, Dom (–1602)
Bras (Blasius), (Dom)
Carreira, Antonio
Compère, Loyset (ca. 1445–1518)
Cristo, Pedro de (ca. 1545–1618)
Cruzada
Fernandez, Aires
Gamboa, Pero de
Illarius, Johannes
Morales, Cristóbal de (ca. 1500–1553)
Penalosa, Francisco de
Ribera, Antonio de
Santa Maria, Dom Francisco de
Composition Composers (? Uncertain) Folios / Pages
[Confitebor tibi] In consilio 49v–51
[Credo] Et incarnatus est Anonymous 95v–96
[Credo] Et incarnatus est Anonymous 109v–110
[Dixit Dominus] Donec ponam 55v–56
[Dixit Dominus] Sede a dextris 47v–48
[Domine clamavi ad te] Intende voci mea Anonymous 68v–71
[Salve regina] Vita dulcedo Anonymous 33v–35
[Te Deum] Te aeternum 76v–79
[textless] Anonymous 1
Ad Dominum cum tribularer Anonymous 65v–66
Alleluia 34v–35
Alleluia 43v–44
Alleluia Anonymous 50v–51
Alleluia 54v–55
Alleluia 70v–71
Alleluia (3vv) 78v–79
Alleluia (4vv) 16v–17
Alleluia. Venite ad me 36v–37
Alma redemptoris mater 35v–36
Angelus Domini Anonymous 21v–22
Asperges me 101v–102
Asperges me Anonymous 102v–103
Baptista contremuit 2v–3
Beatus vir Anonymous 51v–53
Beatus vir Anonymous 106v–108
Benedicamus Domino Anonymous 71v–72
Benedicamus Domino Anonymous 71v–72
Benedicamus Domino Anonymous 72v–73
Benedicamus Domino Anonymous 73v–74
Benedicamus Domino Anonymous 73v–74
Consurgit Christus tumulo Anonymous 18v–19
Dimissa sunt ei Anonymous 58v–59
Dixit Dominus 74v–76
Domine Jesu Christe Anonymous 132v–133
Domine probasti me 61v–65
Dum complerentur 19v–20
Dum transisset Sabbatum Anonymous 56v–57
Ego sum panis vivus 13v–14
Elegit te Dominus 9v–10
Erant autem ibi Maria Magdalena Anonymous 108v–109
Et salutare tuum Anonymous 1v–2
Exultemus et laetemur 45v–46
Fatalis olim 128v–130
Fidelis servus Anonymous 108v–109
Filiae Jerusalem 98v–99
Gaudeamus omnes 104v–106
Heu heu Domine Anonymous 124v–125
Hodie completi sunt Anonymous 22v–23
Hoy se manda a pregonar 127v–128
In ferventis olei 5v–6
Incipit lamentatio (I) 79v–85
Incipit lamentatio (II) 85v–89
Jesu redemptor 132v–133
Jesu redemptor Anonymous 133v
Jesu redemptor [134]v
Jesu redemptor (I)
Cruzada (?)
[134]v
Jesu redemptor? 133v
Jesu redemptor? 133v
Jesum Nazarenum 110v–115
Lachrimans sitivit 7v–9
Laetatus sum Anonymous 67v–69
Laudate pueri Anonymous 53v–55
Levavi oculos meos Anonymous 66v–67
Levita Laurentius Anonymous 17v–18
Magnificat tone 8. Anima mea 37v–39
Magnum hereditatis Anonymous 27v–28
Mihi autem nimis Anonymous 99v–101
Miserere mei Domine Anonymous 11v–12
Mulier ecce filius Anonymous 123v–124
Mulier quae erat 28v–29
O admirabile commercium creator generis 44v–45
O bone Jesu illumina oculos meos 131v–132
O crux venerabilis 12v–13
O quam gloriosum 6v–7
O sacramentum pietatis 26v–27
O sacrum convivium 23v–24
O sacrum convivium Anonymous 25v–26
O sacrum convivium 32v–32
Panis iste verus est Anonymous 24v–25
Passio Domini nostri 115v–117
Passio Domini nostri Jesu Christi secundum Joannem Anonymous 121v–123
Passio Domini nostri Jesu Christi secundum Joannem Anonymous 125v–127
Passio Domini nostri Jesu Christi secundum Lucam Anonymous 117v–120
Postquam consumati 46v–47
Postquam consumati sunt 4v–5
Quem vidisti pastores 60v–61
Regina caeli laetare 32v–33
Respice Domine Anonymous 57v–58
Salve gemma confessorum 42v–43
Si puede el hombre 130v–131
Similabo eum 109v–110
Stabat mater 10v–11
Stella ista Anonymous 20v–21
Surrexit Dominus 30v–31
Te Deum 123v
Te Deum laudamus Anonymous 39v–42
Valde honorandus 14v–16
Vidi aquam Egredentiem de templo 103v–104
Virgo prudentissima 3v–4
Virgo prudentissima Anonymous 29v–30

denotes primary source study

Rees, Owen. 2011. ‘Jesu redemptor’: Polyphonic Funerary Litanies in Portugal. Pure Gold. Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner, 228-261. Kassel: Reichenberger.

Rees, Owen (editor). 1998. Music by Pedro de Cristo: An Edition of the Motets from Coimbra Biblioteca Geral da Universidade MM 33. MM.  Amsterdam: Harvard Academic Publishers.

Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra.  New York & London: Garland. Pages: 283-95.

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