GB-Lv Circ. 526-1923 (Part of Royal Choirbook)

Victoria & Albert Museum, London, England

fragment: 15th century

Archive Victoria & Albert Museum, London, England (GB-Lv)
Shelfmark Circ. 526-1923 (Part of Royal Choirbook)
Surface Parchment
Numbering System None
Notations
  • mensural
Provenance
  • England
Contents 2 pieces from 1 composers
General Description

The fragment consists of portions of two separate Credos by Damett, not here ascribed. The side with the initial P is the verso, the other the recto.

The recto corresponds to Old Hall f. 61r (OH no.72), and the notation is virtually identical: the fifth note on the top line is a minima where OH has a semibrevis, the initial minima of 'fa[ctus est]' appears to have been erased, and the two semibreves of 'fi[lio simul adoratur]' are written as separate notes where OH has a ligature cum opposita proprietate.

The verso corresponds to Old Hall f. 79v (OH no.93), and the notation is identical but for the last line of music (partially cut off), where the fourth and fifth notes are red in OH while black stems are visible here, and the sixth note after the new mensuration signature is written as a B where OH has A.

Different voice-parts for both of these pieces are found on the fragment University College 192, f. 27a. However, it is not immediately clear how the two fragments relate to one another. If they both come from the same manuscript, then they should both be part of the same leaf if both pieces are to be performable, yet both fragments appear to be taken from the upper part of a leaf.

Nicolas Bell, British Library

Nicolas Bell
Notation

identical to Old Hall

Nicolas Bell
Foliation

recto and verso

Nicolas Bell
Surface

parchment

Nicolas Bell

verso

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
recto Patrem omnipotentem [Credo] -
Appears on: recto
Genres: Credo (patrem omnipotentem), Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: Patrem omnipotentem
verso Patrem omnipotentem [Credo] -
Appears on: verso
Genres: Credo (patrem omnipotentem), Mass Ordinary
Composer Compositions
Damett, Thomas
Composition Composers (? Uncertain) Folios / Pages
Patrem omnipotentem [Credo] recto
Patrem omnipotentem [Credo] verso

Images © Victoria and Albert Museum, London

denotes primary source study

Bent, Margaret. 1984. The Progeny of Old Hall: More Leaves from a Royal English Choirbook. Gordon Athol Anderson (1929-1981) in Memoriam, Musicological Studies. 2 vols.1-54. Henryville, Ottawa, and Binningen: Institute of Mediaeval Music.

Bent, Margaret. 1972. A Lost English Choirbook of the Fifteenth Century. International Musicological Society: Report of the Eleventh Congress, 257-62.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Richard Dudas

Friday, 22 November, 2019

invenotry updated to show concordances identified in description