CH-SGs Cod. Sang. 463 [Altus] (Tschudi Liederbuch)

Stiftsbibliothek, Saint Gall (Sankt Gallen), Switzerland

partbook:

Archive Stiftsbibliothek, Saint Gall (Sankt Gallen), Switzerland (CH-SGs)
Shelfmark Cod. Sang. 463 [Altus] (Tschudi Liederbuch)
Image Availability The images on this record are linked using IIIF.
Surface Paper
Numbering System Foliation
Measurements 152 x 216 mm
Other Identifiers
  • CCM: SGallS 463
Copyists
Relationships
External Links
Provenance
  • Glarus, Switzerland
Contents 183 pieces from 62 composers
General Description

A Discantus and Altus partbook from a set originally of four volumes, now bound together (D book = ff. 1-76; A = ff. 77-142). Copied by Aegidius Tschudi (1505-72), soldier, statesman, and chronicler, who studied with the theorist Heinrich Glareanus at Basel; Tschudi also wrote portions of SGallS 464. Copied in Glarus or vicinity. Repertory systematically organised by (1) number of voices; (2) genre; and (3) mode (see LoachA I, 44ff, for detailed analysis). Belonged to Tschudi family members until 1767, then sold by Baron Leodegar Tschudi to Benedictine monastery at Saint Gall.

DIAMM, 2017
Binding

Rebound in modern cardboard covers.

DIAMM, 2017
Watermark

Briquet #876 and #878 (LoachA)

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Foliation

Other numberings: Original ink numbering of pieces, 1-215 (no music entered for #7, 10, 12, 28, 32, 35, 53-60, 181-189; music for #1-5 copied only into T or B books, now missing; #7-60, 154-158 missing from Altus)

DIAMM, 2023
Foliation

Modern pencil foliation, 1-142

DIAMM, 2017
Decoration

Inked initials in plain block style.

DIAMM, 2017
Index

Original alphabetical roster of composers on f. 1'; original index of compositions on ff. 2-3' lists pieces alphabetically by title (one piece not listed; five pieces listed out of correct order)

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Gloria, 1 Agnus (without text), 3 hymns, 72 motets, 2 motet-chansons, 49 German secular pieces, 29 French secular pieces, 19 Italian secular pieces, 1 Latin/Italian secular piece (with Latin psalm text in this source), 4 Latin secular pieces, 1 Spanish secular piece, 1 dance, 4 textless pieces = 187

Adam von Fulda-3, (A. Agricola/Josquin)-1, Barra/(Elimon)-1, Biaumont-1, Bisgueria-1, (Brack)-1, Brumel-2, (Busnois-anon)-1, (Cara)-3, Clemens non Papa-1, Compère-4, Craen-1, Dietrich-1, (Ducis)-1, (Ducis/Masson)-1, Dulot-1, (Enrique/Wreede)-1, R. Fabri-1, C. Festa-1, (A. Févin)-2, Freydanck-1, Ghiselin-3, Ghiselin [Verbonet]/(A. Agricola)-1, (Grefinger)-1, (Hofhaimer) -3 + 1?, (Hofhaimer/Schönfelder)-1, Isaac-6, Isaac/(Rein)-1, (Janequin)-1, Japart-1, Josquin [Iosquinus Pratensis]-18, Josquin-Bidone-1, Josquin/(Carpentras)-1, Josquin/(N. Champion)-1, Josquin/(Isaac)-1, Josquin/(Ninot le Petit)-1, Josquin/(Pesenti)-1, Josquin/(Weerbecke)-1, La Rue/(Josquin)-1, Leo X-1, Löw-1, Luyr [Adamus Aquanus]-2, (Maio)-2, (Malchinger)-1, Moulu/(Josquin/Mouton/Verdelot)-1, Moulu/(Mouton)-1, Mouton-4, Mouton/(Lhéritier)-1, Mouton/(Josquin/Richafort)-1, Obrecht-4, Obrecht/(Barbireau/Isaac)-1, Obrecht/(Compère)-1, Obrecht/ (La Rue)-1, (Prioris)-2, Regis-1, Richafort-4, Richafort/(Werrecore)-1, (Santacroce?)-2, S. Schwartz-2, Senfl-3, Tinctoris-1, Tzamen [Thomas Aquarius]-1, Vaqueras-1, Vinea-1, Wannenmacher-2, Weerbecke [Gaspar]-2, Willaert-2, Willaert/(Mouton) -1, (Wolff)-1, anon-63*

*Attribution of "Cum pervenisset" (#207) to "Andreas Crütz" almost certainly an error; see LoachA I, 92.

2 paper partbooks of an original 4 (DA, now bound together to form single volume of i + 142 folios), 152 x 216. Modern pencil foliation, 1-142 (D book = ff. 1-76; A = ff. 77-142). Original ink numbering of pieces, 1-215 (no music entered for #7, 10, 12, 28, 32, 35, 53-60, 181-189; music for #1-5 copied only into T or B books, now missing). Blank folios, or blank staves only (except for piece numbers): 4, 15, 20-21', 62'-65, 66', 77-77', 78'-81, 120'-122, 142'. Rebound in modern cardboard covers. Original alphabetical roster of composers on f. 1'; original index of compositions on ff. 2-3' lists pieces alphabetically by title (one piece not listed; five pieces listed out of correct order). Copied by Aegidius Tschudi (see below), who also wrote portions of SGallS 464. Inked initials in plain block style. Watermarks are Briquet #876 and #878 (LoachA). Repertory systematically organized by (1) number of voices; (2) genre; and (3) mode (see LoachA I, 44ff, for detailed analysis).

Ca. 1540 or slightly later (LoachA, who refutes GeerV's proposed dating of ca. 1517-20). Copied in Glarus or vicinity. Compiled by the soldier, statesman, and chronicler Aegidius Tschudi (1505-72), who studied with the theorist Heinrich Glareanus at Basel; manuscript reflects Glareanus' concepts of modal theory. Belonged to Tschudi family members until 1767, then sold by Baron Leodegar Tschudi to Benedictine monastery at Saint Gall.

Vol 4

Composers: Change "(Ducis/Masson)-1" to "(Ducis/Maffoni)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
78 Wer mut well han - Anonymous

Wer mut well han

Anonymous
Appears on: 78
Genres: Doxology
78v [blank page] - -

[blank page]

Appears on: 78v
79–81 [blank staves] - -

[blank staves]

Appears on: 79–81
81v Wegwart din art mit tugend ist - Anonymous

Wegwart din art mit tugend ist

Anonymous
Appears on: 81v
Genres: Song
81v Zwischen Berg und tiefe Tal, da liegt -
Isaac, Heinrich (ca. 1450–1517)

Zwischen Berg und tiefe Tal, da liegt

Isaac, Heinrich (ca. 1450–1517)
Appears on: 81v
Genres: Song
82 Wort darff es nit das weist du wol - Anonymous

Wort darff es nit das weist du wol

Anonymous
Appears on: 82
Genres: Song
82 Il schnell gelück gen disem nüw - Anonymous

Il schnell gelück gen disem nüw

Anonymous
Appears on: 82
Genres: Song
82v Cupido hat ihm jetzt erdacht ein Elend - Anonymous

Cupido hat ihm jetzt erdacht ein Elend

Anonymous
Appears on: 82v
Genres: Song
82v Ich reu und klag dass ich mein tag -
Brack, Georg

Ich reu und klag dass ich mein tag

Brack, Georg
Appears on: 82v
Genres: Song
82v Unfal wie tust must du allein mein - Anonymous

Unfal wie tust must du allein mein

Anonymous
Appears on: 82v
Genres: Song
83 Ach werter Mund, von dir ist wund - Anonymous

Ach werter Mund, von dir ist wund

Anonymous
Appears on: 83
Genres: Song
83 Ach werter Mund, von dir ist wund - Anonymous

Ach werter Mund, von dir ist wund

Anonymous
Appears on: 83
Genres: Lied
83 Ade mit leid ich von dir scheid -
Hofhaimer, Paul

Ade mit leid ich von dir scheid

Hofhaimer, Paul
Appears on: 83
Genres: Song
83v Der unfal reit mich gantz und gar - Anonymous

Der unfal reit mich gantz und gar

Anonymous
Appears on: 83v
Genres: Sacred Song
83v Müterli ich bin uff der bulschafft gelegen - Anonymous

Müterli ich bin uff der bulschafft gelegen

Anonymous
Appears on: 83v
Genres: Song
84 Mijn herz altijt heeft verlanghen Jacobus Obrecht
Rue, Pierre de la (ca. 1452–1518) (?)
Obrecht, Jacobus (ca. 1457–1505) (?)

Mijn herz altijt heeft verlanghen

Rue, Pierre de la (ca. 1452–1518) (?)
Obrecht, Jacobus (ca. 1457–1505) (?)
Appears on: 84
Genres: Italian secular
Source Attribution: Jacobus Obrecht
84 Wollt Gott, dass ich zu dienen mich - Anonymous

Wollt Gott, dass ich zu dienen mich

Anonymous
Appears on: 84
Genres: Song
84v Aus Herzen Grund bin ich verwund (Uss Herzen grund bin ich verwundt) - Anonymous

Aus Herzen Grund bin ich verwund (Uss Herzen grund bin ich verwundt)

Anonymous
Appears on: 84v
Genres: Song
Voice: Altus
Languages: German
Voice Text: Uss Herzen grund bin ich verwundt
84v Wie möcht ich fröhlich werden kein trost - Anonymous

Wie möcht ich fröhlich werden kein trost

Anonymous
Appears on: 84v
Genres: Song
84v Wer säch [sehe] dich für ein solche an -
Malchinger

Wer säch [sehe] dich für ein solche an

Malchinger
Appears on: 84v
Genres: Lied
85 Was wird es doch des wunders noch [S329 - 4vv/7vv] -
Senfl, Ludwig (ca. 1486–ca. 1543)

Was wird es doch des wunders noch [S329 - 4vv/7vv]

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 85
Genres: Song
85 Ich wil und muss ein bulen haben - Anonymous

Ich wil und muss ein bulen haben

Anonymous
Appears on: 85
Genres: Song
85 Nach Willen Dein mich dir allein in treuen -
Hofhaimer, Paul

Nach Willen Dein mich dir allein in treuen

Hofhaimer, Paul
Appears on: 85
Genres: Sacred Song
85v Zu Trost erwählt lieblich gesellt in Freud - Anonymous

Zu Trost erwählt lieblich gesellt in Freud

Anonymous
Appears on: 85v
Genres: Song
85v Auf diesr Erd mein Herz begehrt (Uff diser erd min herz begert) - Anonymous

Auf diesr Erd mein Herz begehrt (Uff diser erd min herz begert)

Anonymous
Appears on: 85v
Genres: Song
85v Lieb mag nit lang on leid bestan Felix Löw
Low, Felix

Lieb mag nit lang on leid bestan

Low, Felix
Appears on: 85v
Genres: Song
Source Attribution: Felix Löw
86 Ich stell leicht ab von solcher hab -
Grefinger, Wolfgang

Ich stell leicht ab von solcher hab

Grefinger, Wolfgang
Appears on: 86
Genres: Song
86 Apollo aller Kunst ein hort, vernimm mein Wort Adam de Fulda
von Fulda, Adam (ca. 1445–1505)

Apollo aller Kunst ein hort, vernimm mein Wort

von Fulda, Adam (ca. 1445–1505)
Appears on: 86
Source Attribution: Adam de Fulda
86v Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem -
Maffoni, Hieronymus (?)
Ducis, Benedictus (?)

Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem

Maffoni, Hieronymus (?)
Ducis, Benedictus (?)
Appears on: 86v
Genres: Motet
86v–87 Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam -
Ducis, Benedictus (?)
Maffoni, Hieronymus (?)

Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam

Ducis, Benedictus (?)
Maffoni, Hieronymus (?)
Appears on: 86v–87
Genres: Motet
87 Ob aller schön ir wiblich er tut mir - Anonymous

Ob aller schön ir wiblich er tut mir

Anonymous
Appears on: 87
Genres: Song
87v Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo

Despres, Josquin (ca. 1450–1521)
Appears on: 87v
Source Attribution: Iosquinus Pratensis
88 Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire -
Despres, Josquin (ca. 1450–1521)

Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire

Despres, Josquin (ca. 1450–1521)
Appears on: 88
Genres: Motet
88v Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine Iosquinus Pratensis
Carpentras, Elzear Genet (ca. 1470–1548) (?)
Despres, Josquin (ca. 1450–1521) (?)

Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine

Carpentras, Elzear Genet (ca. 1470–1548) (?)
Despres, Josquin (ca. 1450–1521) (?)
Appears on: 88v
Genres: Motet
Source Attribution: Iosquinus Pratensis
89 Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me -
Despres, Josquin (ca. 1450–1521) (?)
Carpentras, Elzear Genet (ca. 1470–1548) (?)

Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me

Despres, Josquin (ca. 1450–1521) (?)
Carpentras, Elzear Genet (ca. 1470–1548) (?)
Appears on: 89
Genres: Motet
89v So wünsch ich irn! ein gute nacht -
Heintz, Wolff

So wünsch ich irn! ein gute nacht

Heintz, Wolff
Appears on: 89v
Genres: Song
89v Salve mater salvatoris vas electum Ioannes Mouton
Mouton, Jean (ca. 1459–1522)

Salve mater salvatoris vas electum

Mouton, Jean (ca. 1459–1522)
Appears on: 89v
Genres: Motet
Source Attribution: Ioannes Mouton
90 O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam

Despres, Josquin (ca. 1450–1521)
Appears on: 90
Genres: Motet
Source Attribution: Iosquinus Pratensis
90 O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare -
Despres, Josquin (ca. 1450–1521)

O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare

Despres, Josquin (ca. 1450–1521)
Appears on: 90
Genres: Motet
90v Confundantur superbi quia injuste inquitatem - Anonymous

Confundantur superbi quia injuste inquitatem

Anonymous
Appears on: 90v
Genres: Motet
90v–91 Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium Compere
Compère, Loyset (ca. 1445–1518)

Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium

Compère, Loyset (ca. 1445–1518)
Appears on: 90v–91
Genres: Motet
Source Attribution: Compere
91 Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale -
Compère, Loyset (ca. 1445–1518)

Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale

Compère, Loyset (ca. 1445–1518)
Appears on: 91
Genres: Motet
91v Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris) Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)

Despres, Josquin (ca. 1450–1521)
Appears on: 91v
Genres: Motet
Source Attribution: Iosquinus Pratensis
92 Nuptiae factae sunt in Chana Gallileae Hotinet Bara
Barra, Hotinet (fl. 1510-23) (?)
Elimon (Elimot) (?)

Nuptiae factae sunt in Chana Gallileae

Barra, Hotinet (fl. 1510-23) (?)
Elimon (Elimot) (?)
Appears on: 92
Genres: Motet
Source Attribution: Hotinet Bara
92v Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra

Despres, Josquin (ca. 1450–1521)
Appears on: 92v
Genres: Tract
Source Attribution: Iosquinus Pratensis
92v Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris -
Despres, Josquin (ca. 1450–1521)

Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris

Despres, Josquin (ca. 1450–1521)
Appears on: 92v
Genres: Tract
General Note

Tacet in this part
92v Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis -
Despres, Josquin (ca. 1450–1521)

Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis

Despres, Josquin (ca. 1450–1521)
Appears on: 92v
Genres: Tract
93 Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto -
Despres, Josquin (ca. 1450–1521)

Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto

Despres, Josquin (ca. 1450–1521)
Appears on: 93
Genres: Tract
93v Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra Vaqueras
Vacqueras, Bertrandus (ca. 1450–1507)

Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra

Vacqueras, Bertrandus (ca. 1450–1507)
Appears on: 93v
Genres: Tract
Source Attribution: Vaqueras
General Note

Tacet in this part
93v Domine non secundum - 2a pars (of 3): Domine ne memineris -
Vacqueras, Bertrandus (ca. 1450–1507)

Domine non secundum - 2a pars (of 3): Domine ne memineris

Vacqueras, Bertrandus (ca. 1450–1507)
Appears on: 93v
Genres: Tract
93v–94 Domine non secundum - 3a pars (of 3): Adjuva nos Deus -
Vacqueras, Bertrandus (ca. 1450–1507)

Domine non secundum - 3a pars (of 3): Adjuva nos Deus

Vacqueras, Bertrandus (ca. 1450–1507)
Appears on: 93v–94
Genres: Tract
94 Virgo prudentissima quo progrederis 25.12 Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

Virgo prudentissima quo progrederis 25.12

Despres, Josquin (ca. 1450–1521)
Appears on: 94
Genres: Motet
Source Attribution: Iosquinus Pratensis
94v Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer

Despres, Josquin (ca. 1450–1521)
Appears on: 94v
Genres: Motet
Source Attribution: Iosquinus Pratensis
94v Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens -
Despres, Josquin (ca. 1450–1521)

Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens

Despres, Josquin (ca. 1450–1521)
Appears on: 94v
Genres: Motet
95 Aus Herzen Grund für ich mein Klag (Uss Herzen grund für ich min klag) - Anonymous

Aus Herzen Grund für ich mein Klag (Uss Herzen grund für ich min klag)

Anonymous
Appears on: 95
Genres: Song
95 Anima mea liquefacta est ut dilectus meus -
Weerbecke, Gaspar van (ca. 1445–ca. 1516)

Anima mea liquefacta est ut dilectus meus

Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Appears on: 95
Genres: Motet
95v Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti Antonius de Vinea
Vinea, Antonius de

Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti

Vinea, Antonius de
Appears on: 95v
Genres: Motet
Source Attribution: Antonius de Vinea
95v Ego dormio et cor - 2a pars (of 2): Misit manum meam -
Vinea, Antonius de

Ego dormio et cor - 2a pars (of 2): Misit manum meam

Vinea, Antonius de
Appears on: 95v
Genres: Motet
95v Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam) Gaspar
Weerbecke, Gaspar van (ca. 1445–ca. 1516)

Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam)

Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Appears on: 95v
Genres: Motet
Source Attribution: Gaspar
96 Ave sanctissima mater Dei regina caeli - Anonymous

Ave sanctissima mater Dei regina caeli

Anonymous
Appears on: 96
Genres: Motet
96v Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo - Anonymous

Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo

Anonymous
Appears on: 96v
Genres: Motet
96v A solis ortus cardine ad usque terrae 2 Beatus autor saeculi - Anonymous

A solis ortus cardine ad usque terrae 2 Beatus autor saeculi

Anonymous
Appears on: 96v
Genres: Hymn
97 Rex autem David cooperto capite incedens Adrianus Villaert
Willaert, Adrian (ca. 1490–1562) (?)

Rex autem David cooperto capite incedens

Willaert, Adrian (ca. 1490–1562) (?)
Appears on: 97
Genres: Motet
Source Attribution: Adrianus Villaert
97 Do ich min herz dir eigen gab -
Hofhaimer, Paul (?)

Do ich min herz dir eigen gab

Hofhaimer, Paul (?)
Appears on: 97
Genres: Song
97v Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Heinricus Isaac
Isaac, Heinrich (ca. 1450–1517)

Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula

Isaac, Heinrich (ca. 1450–1517)
Appears on: 97v
Genres: Motet
Source Attribution: Heinricus Isaac
97v–98 Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes -
Isaac, Heinrich (ca. 1450–1517)

Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes

Isaac, Heinrich (ca. 1450–1517)
Appears on: 97v–98
Genres: Motet
98 Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi

Despres, Josquin (ca. 1450–1521)
Appears on: 98
Genres: Motet
Source Attribution: Iosquinus Pratensis
98v Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit -
Despres, Josquin (ca. 1450–1521)

Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit

Despres, Josquin (ca. 1450–1521)
Appears on: 98v
Genres: Motet
98v Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea -
Despres, Josquin (ca. 1450–1521)

Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea

Despres, Josquin (ca. 1450–1521)
Appears on: 98v
Genres: Motet
99 Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich (?)

Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen

Despres, Josquin (ca. 1450–1521)
Finck, Heinrich (?)
Appears on: 99
Genres: Motet
Source Attribution: Iosquinus Pratensis
99 Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum -
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich (?)

Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum

Despres, Josquin (ca. 1450–1521)
Finck, Heinrich (?)
Appears on: 99
Genres: Motet
99v Surge virgo et nostras sponso preces (2p. Pulchra Sion filia pro mortali tunica) - Anonymous

Surge virgo et nostras sponso preces (2p. Pulchra Sion filia pro mortali tunica)

Anonymous
Appears on: 99v
Genres: Motet
100 Requiem aeternam. Dona eis domine Antonius Brumel
Brumel, Antoine (ca. 1460–ca. 1513)

Requiem aeternam. Dona eis domine

Brumel, Antoine (ca. 1460–ca. 1513)
Appears on: 100
Genres: Requiem
Source Attribution: Antonius Brumel
100 Von edler Art, auch rein und zart bist du -
Schönfelder, Jörg

Von edler Art, auch rein und zart bist du

Schönfelder, Jörg
Appears on: 100
Genres: Song
100v Viderunt Omnes fines terrae salutare Dei Stephanus Swartz Sedunensis
Swartz, Stephanus Sedunensis

Viderunt Omnes fines terrae salutare Dei

Swartz, Stephanus Sedunensis
Appears on: 100v
Genres: Motet
Source Attribution: Stephanus Swartz Sedunensis
100v–101 Sub tuum praesidium confugimus sancta Dei Adamus Aquanus
Aquanus, Adam (ca. 1492–)

Sub tuum praesidium confugimus sancta Dei

Aquanus, Adam (ca. 1492–)
Appears on: 100v–101
Genres: Motet
Source Attribution: Adamus Aquanus
101 Descendi in ortum meum ut viderem - Anonymous

Descendi in ortum meum ut viderem

Anonymous
Appears on: 101
Genres: Motet
101v Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea Petrus Moulu
Despres, Josquin (ca. 1450–1521) (?)
Mouton, Jean (ca. 1459–1522) (?)
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)

Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea

Despres, Josquin (ca. 1450–1521) (?)
Mouton, Jean (ca. 1459–1522) (?)
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Appears on: 101v
Genres: Motet
Source Attribution: Petrus Moulu
101v Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia -
Despres, Josquin (ca. 1450–1521) (?)
Mouton, Jean (ca. 1459–1522) (?)
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)

Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia

Despres, Josquin (ca. 1450–1521) (?)
Mouton, Jean (ca. 1459–1522) (?)
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Appears on: 101v
Genres: Motet
[-] Texts without music - -

Texts without music

Appears on: [-]
102 Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium -
Senfl, Ludwig (ca. 1486–ca. 1543)

Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 102
Genres: Motet
102v Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine -
Senfl, Ludwig (ca. 1486–ca. 1543)

Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine

Senfl, Ludwig (ca. 1486–ca. 1543)
Appears on: 102v
Genres: Motet
103 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Stephanus Swartz Valesianus
Swartz, Stephanus Sedunensis

Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit

Swartz, Stephanus Sedunensis
Appears on: 103
Genres: Motet
Source Attribution: Stephanus Swartz Valesianus
103v–104 Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major Antonius Brumel
Brumel, Antoine (ca. 1460–ca. 1513)

Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major

Brumel, Antoine (ca. 1460–ca. 1513)
Appears on: 103v–104
Genres: Motet
Source Attribution: Antonius Brumel
104v Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) - Anonymous

Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis)

Anonymous
Appears on: 104v
Genres: Motet
104v Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes Ioannes Mouton
Mouton, Jean (ca. 1459–1522) (?)
Lheritier, Jean (ca. 1480–ca. 1551) (?)

Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes

Mouton, Jean (ca. 1459–1522) (?)
Lheritier, Jean (ca. 1480–ca. 1551) (?)
Appears on: 104v
Genres: Motet
Source Attribution: Ioannes Mouton
105 Salvator mundi - 2a pars (of 2): Eya ergo advocemus -
Lheritier, Jean (ca. 1480–ca. 1551) (?)
Mouton, Jean (ca. 1459–1522) (?)

Salvator mundi - 2a pars (of 2): Eya ergo advocemus

Lheritier, Jean (ca. 1480–ca. 1551) (?)
Mouton, Jean (ca. 1459–1522) (?)
Appears on: 105
Genres: Motet
105v Benedicta sit creatrix et gubernatrix - Anonymous

Benedicta sit creatrix et gubernatrix

Anonymous
Appears on: 105v
Genres: Motet
105v Freundlicher grüss mit buss ward mir heimlich - Anonymous

Freundlicher grüss mit buss ward mir heimlich

Anonymous
Appears on: 105v
Genres: Lied
106 De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)
Champion, Nicolas (ca. 1475–1533) (?)

De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine

Despres, Josquin (ca. 1450–1521)
Champion, Nicolas (ca. 1475–1533) (?)
Appears on: 106
Genres: Motet
Source Attribution: Iosquinus Pratensis
106 De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem -
Champion, Nicolas (ca. 1475–1533) (?)
Despres, Josquin (ca. 1450–1521)

De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem

Champion, Nicolas (ca. 1475–1533) (?)
Despres, Josquin (ca. 1450–1521)
Appears on: 106
Genres: Motet
106v Parce Domine populo tuo quia pius es Iacobus Obrecht
Obrecht, Jacobus (ca. 1457–1505)

Parce Domine populo tuo quia pius es

Obrecht, Jacobus (ca. 1457–1505)
Appears on: 106v
Genres: Motet
Source Attribution: Iacobus Obrecht
106v Parce Domine populo tuo et ne des hereditatem Heinricus Isaac
Isaac, Heinrich (ca. 1450–1517)

Parce Domine populo tuo et ne des hereditatem

Isaac, Heinrich (ca. 1450–1517)
Appears on: 106v
Genres: Motet
Source Attribution: Heinricus Isaac
106v–107 In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum Petrus Moulu
Mouton, Jean (ca. 1459–1522) (?)
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Vinders, Jheronimus (fl. c1525-1526) (?)

In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum

Mouton, Jean (ca. 1459–1522) (?)
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Vinders, Jheronimus (fl. c1525-1526) (?)
Appears on: 106v–107
Genres: Motet
Source Attribution: Petrus Moulu
107 In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem -
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Vinders, Jheronimus (fl. c1525-1526) (?)
Mouton, Jean (ca. 1459–1522) (?)

In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem

Moulu, Pierre (ca. 1484–ca. 1550) (?)
Vinders, Jheronimus (fl. c1525-1526) (?)
Mouton, Jean (ca. 1459–1522) (?)
Appears on: 107
Genres: Motet
107v Fama malum quo non aliud velocius 28.14 Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

Fama malum quo non aliud velocius 28.14

Despres, Josquin (ca. 1450–1521)
Appears on: 107v
Genres: Motet
Source Attribution: Iosquinus Pratensis
107v Es lit so hart = Es leit so hart on wart fast all Sixt Dietrich Constantiensis
Dietrich, Sixt (ca. 1493–1548)

Es lit so hart = Es leit so hart on wart fast all

Dietrich, Sixt (ca. 1493–1548)
Appears on: 107v
Genres: Song
Source Attribution: Sixt Dietrich Constantiensis
108 Dulces exuviae dum fata Deusque -
Ghiselin (Verbonnet), Johannes

Dulces exuviae dum fata Deusque

Ghiselin (Verbonnet), Johannes
Appears on: 108
Genres: Motet
108v Aspice Domine quia factus est desolata Petrus Biamont
Biaumont, Petrus

Aspice Domine quia factus est desolata

Biaumont, Petrus
Appears on: 108v
Genres: Motet
Source Attribution: Petrus Biamont
108v–109 Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Ioannes Richafort
Richafort, Jean (ca. 1480–ca. 1550)

Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter

Richafort, Jean (ca. 1480–ca. 1550)
Appears on: 108v–109
Genres: Motet
Source Attribution: Ioannes Richafort
109 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris -
Richafort, Jean (ca. 1480–ca. 1550)

Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris

Richafort, Jean (ca. 1480–ca. 1550)
Appears on: 109
Genres: Motet
109v Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei Ioannes Mouton
Richafort, Jean (ca. 1480–ca. 1550) (?)
Mouton, Jean (ca. 1459–1522) (?)
Despres, Josquin (ca. 1450–1521) (?)

Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei

Richafort, Jean (ca. 1480–ca. 1550) (?)
Mouton, Jean (ca. 1459–1522) (?)
Despres, Josquin (ca. 1450–1521) (?)
Appears on: 109v
Genres: Motet
Source Attribution: Ioannes Mouton
109v Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est -
Richafort, Jean (ca. 1480–ca. 1550) (?)
Mouton, Jean (ca. 1459–1522) (?)
Despres, Josquin (ca. 1450–1521) (?)

Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est

Richafort, Jean (ca. 1480–ca. 1550) (?)
Mouton, Jean (ca. 1459–1522) (?)
Despres, Josquin (ca. 1450–1521) (?)
Appears on: 109v
Genres: Motet
110 Fille vous have mal guarde / Ave sanctissima Maria -
Isaac, Heinrich (ca. 1450–1517)

Fille vous have mal guarde / Ave sanctissima Maria

Isaac, Heinrich (ca. 1450–1517)
Appears on: 110
Genres: Contrafactum, Marian antiphon, Song
Voice: Altus
Languages: Latin
Voice Text: Ave sanctissima Maria
110 Einiger trost uff erden - Anonymous

Einiger trost uff erden

Anonymous
Appears on: 110
Genres: Song
110v Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Ioannes Richafort
Richafort, Jean (ca. 1480–ca. 1550)

Quem dicunt homines - 1a pars (of 2): Quem dicunt homines

Richafort, Jean (ca. 1480–ca. 1550)
Appears on: 110v
Genres: Motet
Source Attribution: Ioannes Richafort
110v–111 Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit -
Richafort, Jean (ca. 1480–ca. 1550)

Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit

Richafort, Jean (ca. 1480–ca. 1550)
Appears on: 110v–111
Genres: Motet
111 Dulcis amica Dei rosa vernans stella -
Prioris, Johannes (Denis, Dionisius) (–1515)

Dulcis amica Dei rosa vernans stella

Prioris, Johannes (Denis, Dionisius) (–1515)
Appears on: 111
Genres: Lauda
111 Gwalt gunst und gelt herrscht in der welt - Anonymous

Gwalt gunst und gelt herrscht in der welt

Anonymous
Appears on: 111
Genres: Gloria (et in terra pax)
111v Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) Ioannes Mouton
Mouton, Jean (ca. 1459–1522)
Despres, Josquin (ca. 1450–1521) (?)

Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)

Mouton, Jean (ca. 1459–1522)
Despres, Josquin (ca. 1450–1521) (?)
Appears on: 111v
Genres: Motet
Source Attribution: Ioannes Mouton
112 Descendi in ortum meum ut viderem - Anonymous

Descendi in ortum meum ut viderem

Anonymous
Appears on: 112
Genres: Motet
112 Fortuna desperata quae te dementia cepit -
Busnoys, Antoine (ca. 1430–1492) (?)

Fortuna desperata quae te dementia cepit

Busnoys, Antoine (ca. 1430–1492) (?)
Appears on: 112
Genres: Italian secular
112v O quam metuendus est locus iste vere Alexander Frijdanck
Frydanck, Alexander

O quam metuendus est locus iste vere

Frydanck, Alexander
Appears on: 112v
Genres: Motet
Source Attribution: Alexander Frijdanck
112v–113 Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi Iosquinus Pratensis
Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)

Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi

Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)
Appears on: 112v–113
Genres: Motet
Source Attribution: Iosquinus Pratensis
113 Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia -
Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)

Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia

Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)
Appears on: 113
Genres: Motet
113v Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit -
Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)

Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit

Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)
Appears on: 113v
Genres: Motet
113v–114 Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha -
Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)

Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha

Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)
Appears on: 113v–114
Genres: Motet
114 Pasca nostrum Immolatus est Christus Heinricus Isaac
Rein, Conrad (ca. 1475–1522) (?)
Isaac, Heinrich (ca. 1450–1517) (?)

Pasca nostrum Immolatus est Christus

Rein, Conrad (ca. 1475–1522) (?)
Isaac, Heinrich (ca. 1450–1517) (?)
Appears on: 114
Genres: Motet
Source Attribution: Heinricus Isaac
114v Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena

Despres, Josquin (ca. 1450–1521)
Appears on: 114v
Genres: Ave Maria, Motet
Source Attribution: Iosquinus Pratensis
114v Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas -
Despres, Josquin (ca. 1450–1521)

Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas

Despres, Josquin (ca. 1450–1521)
Appears on: 114v
Genres: Ave Maria, Motet
115 Signora un che ve adora e'l vostro nome -
Cara, Marchetto

Signora un che ve adora e'l vostro nome

Cara, Marchetto
Appears on: 115
Genres: Italian secular
115 Un cavalier di Spagna cavalcha per la via -
Azzaiolo, Filippo (fl. 1557-69) (?)
Patavino, Francesco (ca. 1487–ca. 1556) (?)
Hostia, Pietro da (?)

Un cavalier di Spagna cavalcha per la via

Azzaiolo, Filippo (fl. 1557-69) (?)
Patavino, Francesco (ca. 1487–ca. 1556) (?)
Hostia, Pietro da (?)
Appears on: 115
Genres: Italian secular
115 Se la de laqua sta la mia morosa -
Patavino, Francesco (ca. 1487–ca. 1556)

Se la de laqua sta la mia morosa

Patavino, Francesco (ca. 1487–ca. 1556)
Appears on: 115
Genres: Italian secular
115v Io non posso piu soffrire Text incipit only no music in D -
Majo, Gian Francesco de (di)

Io non posso piu soffrire Text incipit only no music in D

Majo, Gian Francesco de (di)
Appears on: 115v
Genres: Italian secular
115v Ein frölich wesen hab ich erlesen Iacobus Obrecht
Barbireau, Jacobus (1455–1491) (?)
Isaac, Heinrich (ca. 1450–1517) (?)
Obrecht, Jacobus (ca. 1457–1505) (?)

Ein frölich wesen hab ich erlesen

Barbireau, Jacobus (1455–1491) (?)
Isaac, Heinrich (ca. 1450–1517) (?)
Obrecht, Jacobus (ca. 1457–1505) (?)
Appears on: 115v
Genres: Song
Source Attribution: Iacobus Obrecht
116 Pavanna - Anonymous

Pavanna

Anonymous
Appears on: 116
Genres: Dance
General Note

end only; pages missing before f. 116
116 Nie noch niemer verrüwet min gemüt - Anonymous

Nie noch niemer verrüwet min gemüt

Anonymous
Appears on: 116
Genres: Song
116 Nunca fue pena mayor / Numquam fuit pena magior -
Urrede (Wrede), Juan de (fl. 1451-c1482) (?)
Enrique (?)

Nunca fue pena mayor / Numquam fuit pena magior

Urrede (Wrede), Juan de (fl. 1451-c1482) (?)
Enrique (?)
Appears on: 116
Genres: Motet
116v De dulce mia signora che m'hai cotanto -
Cara, Marchetto

De dulce mia signora che m'hai cotanto

Cara, Marchetto
Appears on: 116v
Genres: Italian secular
116v Ach hilf mich leid und sehnlich klag -
von Fulda, Adam (ca. 1445–1505)

Ach hilf mich leid und sehnlich klag

von Fulda, Adam (ca. 1445–1505)
Appears on: 116v
Genres: Song
117 La bella Francescina la sede sot un pin - Anonymous

La bella Francescina la sede sot un pin

Anonymous
Appears on: 117
Genres: Italian secular
117 Con tempesta e con vele strazate Text incipit only no music in D - Anonymous

Con tempesta e con vele strazate Text incipit only no music in D

Anonymous
Appears on: 117
Genres: Italian secular
117 Poi che in tanti affanni e guaÿ - Anonymous

Poi che in tanti affanni e guaÿ

Anonymous
Appears on: 117
Genres: Italian secular
117v Tu mi lassi io non ti lasso -
Majo, Gian Francesco de (di)

Tu mi lassi io non ti lasso

Majo, Gian Francesco de (di)
Appears on: 117v
Genres: Italian secular
117v Ach Jupiter hetzt du gewalt so manigfalt Adamus de Fulda
von Fulda, Adam (ca. 1445–1505)

Ach Jupiter hetzt du gewalt so manigfalt

von Fulda, Adam (ca. 1445–1505)
Appears on: 117v
Genres: Song
Source Attribution: Adamus de Fulda
118 Se ben soletto vado el tristo core - Anonymous

Se ben soletto vado el tristo core

Anonymous
Appears on: 118
Genres: Italian secular
118 Consumo la mia vita a poco a poco -
Prioris, Johannes (Denis, Dionisius) (–1515)

Consumo la mia vita a poco a poco

Prioris, Johannes (Denis, Dionisius) (–1515)
Appears on: 118
Genres: Motet
118 Viel Hinterlist jetzt üben ist Venus - Anonymous

Viel Hinterlist jetzt üben ist Venus

Anonymous
Appears on: 118
Genres: Song
118 F. du mein schatz Dein süsser schwatz - Anonymous

F. du mein schatz Dein süsser schwatz

Anonymous
Appears on: 118
Genres: Song
118v Ich bin ir langzit hold gesin - Anonymous

Ich bin ir langzit hold gesin

Anonymous
Appears on: 118v
Genres: Song
118v Zucht Ehr und Lob ihr wohnet bei -
Hofhaimer, Paul

Zucht Ehr und Lob ihr wohnet bei

Hofhaimer, Paul
Appears on: 118v
Genres: Secular
119 Je ris et si ay larme a l'oeil 28.18 -
Despres, Josquin (ca. 1450–1521)

Je ris et si ay larme a l'oeil 28.18

Despres, Josquin (ca. 1450–1521)
Appears on: 119
Genres: Chanson
119 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Heinricus Isaac
Isaac, Heinrich (ca. 1450–1517)

La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)

Isaac, Heinrich (ca. 1450–1517)
Appears on: 119
Genres: Italian secular
Source Attribution: Heinricus Isaac
119v Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Iosquinus Pratensis
Despres, Josquin (ca. 1450–1521)

Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command

Despres, Josquin (ca. 1450–1521)
Appears on: 119v
Genres: Chanson
Source Attribution: Iosquinus Pratensis
119v Alons fere nus barbes Compere
Compère, Loyset (ca. 1445–1518)

Alons fere nus barbes

Compère, Loyset (ca. 1445–1518)
Appears on: 119v
Genres: Chanson
Source Attribution: Compere
120 Hé logierons nous céans l'hôtesse. -
Isaac, Heinrich (ca. 1450–1517)

Hé logierons nous céans l'hôtesse.

Isaac, Heinrich (ca. 1450–1517)
Appears on: 120
Genres: Chanson
120 Helas que il est a mon gré Japaret
Japart, Jean

Helas que il est a mon gré

Japart, Jean
Appears on: 120
Genres: Italian secular
Source Attribution: Japaret
120v–122 [blank staves] - -

[blank staves]

Appears on: 120v–122
General Note

perhaps a couple of pages were turned in error while copying?
122v Ego me diligentes diligo et qui mane -
Clemens non Papa, Jacob (ca. 1510–ca. 1556)

Ego me diligentes diligo et qui mane

Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Appears on: 122v
Genres: Motet
123 Ne vous chaille mon coeur si vous aves -
Werrecore, Matthias Hermann (?)
Richafort, Jean (ca. 1480–ca. 1550) (?)

Ne vous chaille mon coeur si vous aves

Werrecore, Matthias Hermann (?)
Richafort, Jean (ca. 1480–ca. 1550) (?)
Appears on: 123
Genres: Chanson
Layout

Altus & Quint vox, below one anothe ron the page
123v–124 Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine -
Compère, Loyset (ca. 1445–1518)

Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine

Compère, Loyset (ca. 1445–1518)
Appears on: 123v–124
Genres: Motet
Layout

Altus & Quinta vox on facing pages
123v–124 Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine -
Compère, Loyset (ca. 1445–1518)

Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine

Compère, Loyset (ca. 1445–1518)
Appears on: 123v–124
Genres: Motet
General Note

Altus & Quinta vox on facing pages
123v–124 Quis numerare - 3a pars (of 3): Fundant preces Itali exorent -
Compère, Loyset (ca. 1445–1518)

Quis numerare - 3a pars (of 3): Fundant preces Itali exorent

Compère, Loyset (ca. 1445–1518)
Appears on: 123v–124
Genres: Motet
General Note

Altus & Quinta vox on facing pages
124v–125 Fors seulement lattente que ie meure - Anonymous

Fors seulement lattente que ie meure

Anonymous
Appears on: 124v–125
Genres: Chanson
Layout

Altus & Quinta vox on facing pages
125v–126 Fors seulement lattente que ie meure (2 partes) - Anonymous

Fors seulement lattente que ie meure (2 partes)

Anonymous
Appears on: 125v–126
Genres: Chanson
Layout

Altus & Quinta vox on facing pages
125v–126 Virgo caelesti decorata partu semper Compere
Compère, Loyset (ca. 1445–1518)

Virgo caelesti decorata partu semper

Compère, Loyset (ca. 1445–1518)
Appears on: 125v–126
Genres: Motet
Source Attribution: Compere
Layout

Altus & Quinta vox on facing pages
126v–127 Je l'ai aimée bien sept ans et demi -
Willaert, Adrian (ca. 1490–1562)

Je l'ai aimée bien sept ans et demi

Willaert, Adrian (ca. 1490–1562)
Appears on: 126v–127
Genres: Chanson
Layout

Altus & Quinta vox on facing pages
126v–127 Incessamment mon pouvre coeur lamente 29.9 Petrus de la rue
Despres, Josquin (ca. 1450–1521) (?)
Rue, Pierre de la (ca. 1452–1518) (?)

Incessamment mon pouvre coeur lamente 29.9

Despres, Josquin (ca. 1450–1521) (?)
Rue, Pierre de la (ca. 1452–1518) (?)
Appears on: 126v–127
Genres: Chanson
Source Attribution: Petrus de la rue
Layout

Altus & Quinta vox on facing pages
127v–128 Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis) Richafort
Richafort, Jean (ca. 1480–ca. 1550)

Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis)

Richafort, Jean (ca. 1480–ca. 1550)
Appears on: 127v–128
Genres: Motet
Source Attribution: Richafort
Layout

Altus & Quinta vox on facing pages
127v–129 Confirma hoc Deus quod operatus es (2p. Gloria patri et filio et spiritui) Bisgueria
Bisgueria

Confirma hoc Deus quod operatus es (2p. Gloria patri et filio et spiritui)

Bisgueria
Appears on: 127v–129
Genres: Motet
Source Attribution: Bisgueria
Layout

Altus & Quinta vox on facing pages
128v–129 Adieu solas tout plaisir et liesse - Anonymous

Adieu solas tout plaisir et liesse

Anonymous
Appears on: 128v–129
Genres: Chanson
Layout

Altus & Quinta vox on facing pages
129v–130 Maria virgo praescripta genitrix deo -
Festa, Costanzo (ca. 1485–1545)

Maria virgo praescripta genitrix deo

Festa, Costanzo (ca. 1485–1545)
Appears on: 129v–130
Genres: Motet
Layout

Altus & Quinta vox on facing pages
130v–131 Je recommance mes douleurs en plains F. Dulot
Dulot, Francois

Je recommance mes douleurs en plains

Dulot, Francois
Appears on: 130v–131
Genres: Chanson
Source Attribution: F. Dulot
Layout

Altus & Quinta vox on facing pages
130v–131 Cela sans plus et plus hola Leo papa Decimus
Leo X (Medici) (1475–1521)

Cela sans plus et plus hola

Leo X (Medici) (1475–1521)
Appears on: 130v–131
Genres: Chanson
Source Attribution: Leo papa Decimus
Layout

Altus & Quinta vox on facing pages
130v–131 D'amour je suis desherite et plaindre Richafort
Richafort, Jean (ca. 1480–ca. 1550)

D'amour je suis desherite et plaindre

Richafort, Jean (ca. 1480–ca. 1550)
Appears on: 130v–131
Genres: Chanson
Source Attribution: Richafort
Layout

Altus & Quinta vox on facing pages
131v–132 Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria Iosquin
Despres, Josquin (ca. 1450–1521)

Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria

Despres, Josquin (ca. 1450–1521)
Appears on: 131v–132
Genres: Motet
Source Attribution: Iosquin
Layout

Altus & Quinta vox on facing pages
131v–132 Inviolata integra et casta 24.4 - 2a pars (of 3): Que nunc flagitant devota corda -
Despres, Josquin (ca. 1450–1521)

Inviolata integra et casta 24.4 - 2a pars (of 3): Que nunc flagitant devota corda

Despres, Josquin (ca. 1450–1521)
Appears on: 131v–132
Genres: Motet
Layout

Altus & Quinta vox on facing pages
131v–132 Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria -
Despres, Josquin (ca. 1450–1521)

Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria

Despres, Josquin (ca. 1450–1521)
Appears on: 131v–132
Genres: Motet
Layout

Altus & Quinta vox on facing pages
131v–132 Adoramus te Domine Jesu Christe et benedicimus (2p. Hoc signum crucis erit in caelo) Wannenmacher
Wannenmacher, Johannes (ca. 1485–1551)

Adoramus te Domine Jesu Christe et benedicimus (2p. Hoc signum crucis erit in caelo)

Wannenmacher, Johannes (ca. 1485–1551)
Appears on: 131v–132
Genres: Motet
Source Attribution: Wannenmacher
Layout

Altus & Vagans (Sexta) vox on facing pages
132v–134 Cum pervenisset beatus Andreas ad locum (2p. O bona crux diu desiderata; 3p. Ita et tu exultans suscipe me) Anon. (Tschudi apparently copied this piece from SGallS 464, in which "Andres Crutz" appears over the music. The piece "Adoramus te domine" on the facing page in SGallS 464 bears the title "Schwiczer Crutz", the scribe then wrote the heading "Andres Crutz" for "Cum pervenisset" (whose text recounts the crucifixion of St. Andrew), to distinguish it from the other "cross" piece. "Andres" (German for "another") perhaps intended also as a witty pun on St. Andrew's name. Tschudi, misinterpreting this title, copied a composer attribution to a non-existent composer = "Andreas Crütz" on f. 71v of SGallS 463) Anonymous

Cum pervenisset beatus Andreas ad locum (2p. O bona crux diu desiderata; 3p. Ita et tu exultans suscipe me)

Anonymous
Appears on: 132v–134
Genres: Motet
Source Attribution: Anon. (Tschudi apparently copied this piece from SGallS 464, in which "Andres Crutz" appears over the music. The piece "Adoramus te domine" on the facing page in SGallS 464 bears the title "Schwiczer Crutz", the scribe then wrote the heading "Andres Crutz" for "Cum pervenisset" (whose text recounts the crucifixion of St. Andrew), to distinguish it from the other "cross" piece. "Andres" (German for "another") perhaps intended also as a witty pun on St. Andrew's name. Tschudi, misinterpreting this title, copied a composer attribution to a non-existent composer = "Andreas Crütz" on f. 71v of SGallS 463)
Layout

Altus & Sexta vox on facing pages

General Note

'Andreas Crux' at top: Tschudi apparently copied this piece from SGallS 464, in which "Andres Crutz" appears over the music. The piece "Adoramus te domine" on the facing page in SGallS 464 bears the title "Schwiczer Crutz", the scribe then wrote the heading "Andres Crutz" for "Cum pervenisset" (whose text recounts the crucifixion of St. Andrew), to distinguish it from the other "cross" piece. "Andres" (German for "another") perhaps intended also as a witty pun on St. Andrew's name. Tschudi, misinterpreting this title, copied a composer attribution to a non-existent composer = "Andreas Crütz" on f. 71v of SGallS 463.
133v–134 Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia Henricus Isaac
Isaac, Heinrich (ca. 1450–1517)

Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia

Isaac, Heinrich (ca. 1450–1517)
Appears on: 133v–134
Genres: Motet
Source Attribution: Henricus Isaac
Layout

Altus & Sexta on facing pages
134v–135 Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur -
Isaac, Heinrich (ca. 1450–1517)

Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur

Isaac, Heinrich (ca. 1450–1517)
Appears on: 134v–135
Genres: Motet
Layout

Altus & Sexta on facing pages
135v–136 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Iosquin
Despres, Josquin (ca. 1450–1521)

Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus

Despres, Josquin (ca. 1450–1521)
Appears on: 135v–136
Genres: Motet
Source Attribution: Iosquin
Layout

Altus & Sexta on facing pages
135v–136 Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud -
Despres, Josquin (ca. 1450–1521)

Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud

Despres, Josquin (ca. 1450–1521)
Appears on: 135v–136
Genres: Motet
Layout

Altus & Sexta on facing pages
135v–136 Missa Hercules dux Ferrariae 11.1: Agnus Dei Iosquin
Despres, Josquin (ca. 1450–1521)

Missa Hercules dux Ferrariae 11.1: Agnus Dei

Despres, Josquin (ca. 1450–1521)
Appears on: 135v–136
Genres: Agnus Dei, Mass Ordinary
Source Attribution: Iosquin
Layout

Altus & Sexta on facing pages
136v–137 Se congié prens de mes belles amours 30.11 Iosquin
Despres, Josquin (ca. 1450–1521)

Se congié prens de mes belles amours 30.11

Despres, Josquin (ca. 1450–1521)
Appears on: 136v–137
Genres: Chanson
Source Attribution: Iosquin
Layout

Altus & Sexta on facing pages
137v–138 Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Iosquin
Despres, Josquin (ca. 1450–1521)

Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo

Despres, Josquin (ca. 1450–1521)
Appears on: 137v–138
Genres: Motet
Source Attribution: Iosquin
Layout

Altus & Sexta on facing pages
137v–138 Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit -
Despres, Josquin (ca. 1450–1521)

Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit

Despres, Josquin (ca. 1450–1521)
Appears on: 137v–138
Genres: Motet
Layout

Altus & Sexta on facing pages
138v–139 Miserere mei Deus 18.3 (with added sexta vox) - 1a pars (of 3): Miserere mei Deus secundum magnam Iosquin / Bidon
Bidon (Colebault), Antoine (–ca. 1525)
Despres, Josquin (ca. 1450–1521)

Miserere mei Deus 18.3 (with added sexta vox) - 1a pars (of 3): Miserere mei Deus secundum magnam

Bidon (Colebault), Antoine (–ca. 1525)
Despres, Josquin (ca. 1450–1521)
Appears on: 138v–139
Genres: Miserere mei Deus, Motet
Source Attribution: Iosquin / Bidon
Layout

Altus & Sexta on facing pages

Layout

Altus & Sexta on facing pages

General Note

Sexta vox attributed to Bidon
139v–140 Miserere mei Deus 18.3 (with added sexta vox) - 2a pars (of 3): Auditui meo dabis gaudium [Josquin] / Bidon (sexta vox)
Bidon (Colebault), Antoine (–ca. 1525)
Despres, Josquin (ca. 1450–1521)

Miserere mei Deus 18.3 (with added sexta vox) - 2a pars (of 3): Auditui meo dabis gaudium

Bidon (Colebault), Antoine (–ca. 1525)
Despres, Josquin (ca. 1450–1521)
Appears on: 139v–140
Genres: Miserere mei Deus, Motet
Source Attribution: [Josquin] / Bidon (sexta vox)
Layout

Altus & Sexta on facing pages

General Note

Sexta vox attributed to Bidon

Layout

Altus & Sexta on facing pages

General Note

Sexta vox attributed to Bidon
140v–141 Miserere mei Deus 18.3 (with added sexta vox) - 3a pars (of 3): Domine labia mea aperies et os [Josquin] / Bidon (sexta vox)
Despres, Josquin (ca. 1450–1521)
Bidon (Colebault), Antoine (–ca. 1525)

Miserere mei Deus 18.3 (with added sexta vox) - 3a pars (of 3): Domine labia mea aperies et os

Despres, Josquin (ca. 1450–1521)
Bidon (Colebault), Antoine (–ca. 1525)
Appears on: 140v–141
Genres: Miserere mei Deus, Motet
Source Attribution: [Josquin] / Bidon (sexta vox)
Layout

Altus & Sexta on facing pages

General Note

Sexta vox attributed to Bidon
141v–142 Fortuna desperata que te dementia vertit Robertus Fabri
Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Fabri, Robertus

Fortuna desperata que te dementia vertit

Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Fabri, Robertus
Appears on: 141v–142
Genres: Italian secular
Source Attribution: Robertus Fabri
Layout

Altus & Sexta on facing pages
141v–142 Nesciens mater virgo virum peperit Ioannes Mouton
Mouton, Jean (ca. 1459–1522)

Nesciens mater virgo virum peperit

Mouton, Jean (ca. 1459–1522)
Appears on: 141v–142
Genres: Motet
Source Attribution: Ioannes Mouton
Layout

Altus & Octava vox on facing pages
Composer Compositions
Anonymous
Aquanus, Adam (ca. 1492–)
Azzaiolo, Filippo (fl. 1557-69)
Barbireau, Jacobus (1455–1491)
Barra, Hotinet (fl. 1510-23)
Biaumont, Petrus
Bidon (Colebault), Antoine (–ca. 1525)
Bisgueria
Brack, Georg
Brumel, Antoine (ca. 1460–ca. 1513)
Busnoys, Antoine (ca. 1430–1492)
Cara, Marchetto
Carpentras, Elzear Genet (ca. 1470–1548)
Champion, Nicolas (ca. 1475–1533)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Compère, Loyset (ca. 1445–1518)
Despres, Josquin (ca. 1450–1521)
Dietrich, Sixt (ca. 1493–1548)
Ducis, Benedictus
Dulot, Francois
Elimon (Elimot)
Enrique
Fabri, Robertus
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Finck, Heinrich
Frydanck, Alexander
Ghiselin (Verbonnet), Johannes
Grefinger, Wolfgang
Heintz, Wolff
Hofhaimer, Paul
Hostia, Pietro da
Isaac, Heinrich (ca. 1450–1517)
Japart, Jean
Leo X (Medici) (1475–1521)
Lheritier, Jean (ca. 1480–ca. 1551)
Low, Felix
Maffoni, Hieronymus
Majo, Gian Francesco de (di)
Malchinger
Moulu, Pierre (ca. 1484–ca. 1550)
Mouton, Jean (ca. 1459–1522)
Obrecht, Jacobus (ca. 1457–1505)
Patavino, Francesco (ca. 1487–ca. 1556)
Petit, Nino le (fl. c1500)
Prioris, Johannes (Denis, Dionisius) (–1515)
Rein, Conrad (ca. 1475–1522)
Richafort, Jean (ca. 1480–ca. 1550)
Rue, Pierre de la (ca. 1452–1518)
Schönfelder, Jörg
Senfl, Ludwig (ca. 1486–ca. 1543)
Swartz, Stephanus Sedunensis
Urrede (Wrede), Juan de (fl. 1451-c1482)
Vacqueras, Bertrandus (ca. 1450–1507)
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Vinea, Antonius de
Wannenmacher, Johannes (ca. 1485–1551)
Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Werrecore, Matthias Hermann
Willaert, Adrian (ca. 1490–1562)
von Fulda, Adam (ca. 1445–1505)
Composition Composers (? Uncertain) Folios / Pages
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi Anonymous 96v
Ach hilf mich leid und sehnlich klag
von Fulda, Adam (ca. 1445–1505)
116v
Ach Jupiter hetzt du gewalt so manigfalt
von Fulda, Adam (ca. 1445–1505)
117v
Ach werter Mund, von dir ist wund Anonymous 83
Ach werter Mund, von dir ist wund Anonymous 83
Ade mit leid ich von dir scheid
Hofhaimer, Paul
83
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command
Despres, Josquin (ca. 1450–1521)
119v
Adieu solas tout plaisir et liesse Anonymous 128v–129
Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam)
Weerbecke, Gaspar van (ca. 1445–ca. 1516)
95v
Adoramus te Domine Jesu Christe et benedicimus (2p. Hoc signum crucis erit in caelo)
Wannenmacher, Johannes (ca. 1485–1551)
131v–132
Alons fere nus barbes
Compère, Loyset (ca. 1445–1518)
119v
Anima mea liquefacta est ut dilectus meus
Weerbecke, Gaspar van (ca. 1445–ca. 1516)
95
Apollo aller Kunst ein hort, vernimm mein Wort
von Fulda, Adam (ca. 1445–1505)
86
Aspice Domine quia factus est desolata
Biaumont, Petrus
108v
Auf diesr Erd mein Herz begehrt (Uff diser erd min herz begert) Anonymous 85v
Aus Herzen Grund bin ich verwund (Uss Herzen grund bin ich verwundt) Anonymous 84v
Aus Herzen Grund für ich mein Klag (Uss Herzen grund für ich min klag) Anonymous 95
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena
Despres, Josquin (ca. 1450–1521)
114v
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas
Despres, Josquin (ca. 1450–1521)
114v
Ave sanctissima mater Dei regina caeli Anonymous 96
Benedicta sit creatrix et gubernatrix Anonymous 105v
Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine
Carpentras, Elzear Genet (ca. 1470–1548) (?)
Despres, Josquin (ca. 1450–1521) (?)
88v
Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me
Despres, Josquin (ca. 1450–1521) (?)
Carpentras, Elzear Genet (ca. 1470–1548) (?)
89
Cela sans plus et plus hola
Leo X (Medici) (1475–1521)
130v–131
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium
Senfl, Ludwig (ca. 1486–ca. 1543)
102
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine
Senfl, Ludwig (ca. 1486–ca. 1543)
102v
Con tempesta e con vele strazate Text incipit only no music in D Anonymous 117
Confirma hoc Deus quod operatus es (2p. Gloria patri et filio et spiritui)
Bisgueria
127v–129
Confundantur superbi quia injuste inquitatem Anonymous 90v
Consumo la mia vita a poco a poco
Prioris, Johannes (Denis, Dionisius) (–1515)
118
Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium
Compère, Loyset (ca. 1445–1518)
90v–91
Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale
Compère, Loyset (ca. 1445–1518)
91
Cum pervenisset beatus Andreas ad locum (2p. O bona crux diu desiderata; 3p. Ita et tu exultans suscipe me) Anonymous 132v–134
Cupido hat ihm jetzt erdacht ein Elend Anonymous 82v
D'amour je suis desherite et plaindre
Richafort, Jean (ca. 1480–ca. 1550)
130v–131
De dulce mia signora che m'hai cotanto
Cara, Marchetto
116v
De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine
Despres, Josquin (ca. 1450–1521)
Champion, Nicolas (ca. 1475–1533) (?)
106
De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem
Champion, Nicolas (ca. 1475–1533) (?)
Despres, Josquin (ca. 1450–1521)
106
Der unfal reit mich gantz und gar Anonymous 83v
Descendi in ortum meum ut viderem Anonymous 101
Descendi in ortum meum ut viderem Anonymous 112
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem
Maffoni, Hieronymus (?)
Ducis, Benedictus (?)
86v
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam
Ducis, Benedictus (?)
Maffoni, Hieronymus (?)
86v–87
Do ich min herz dir eigen gab
Hofhaimer, Paul (?)
97
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra
Vacqueras, Bertrandus (ca. 1450–1507)
93v
Domine non secundum - 2a pars (of 3): Domine ne memineris
Vacqueras, Bertrandus (ca. 1450–1507)
93v
Domine non secundum - 3a pars (of 3): Adjuva nos Deus
Vacqueras, Bertrandus (ca. 1450–1507)
93v–94
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra
Despres, Josquin (ca. 1450–1521)
92v
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris
Despres, Josquin (ca. 1450–1521)
92v
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis
Despres, Josquin (ca. 1450–1521)
92v
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto
Despres, Josquin (ca. 1450–1521)
93
Dulces exuviae dum fata Deusque
Ghiselin (Verbonnet), Johannes
108
Dulcis amica Dei rosa vernans stella
Prioris, Johannes (Denis, Dionisius) (–1515)
111
Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti
Vinea, Antonius de
95v
Ego dormio et cor - 2a pars (of 2): Misit manum meam
Vinea, Antonius de
95v
Ego me diligentes diligo et qui mane
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
122v
Ein frölich wesen hab ich erlesen
Barbireau, Jacobus (1455–1491) (?)
Isaac, Heinrich (ca. 1450–1517) (?)
Obrecht, Jacobus (ca. 1457–1505) (?)
115v
Einiger trost uff erden Anonymous 110
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter
Richafort, Jean (ca. 1480–ca. 1550)
108v–109
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris
Richafort, Jean (ca. 1480–ca. 1550)
109
Es lit so hart = Es leit so hart on wart fast all
Dietrich, Sixt (ca. 1493–1548)
107v
F. du mein schatz Dein süsser schwatz Anonymous 118
Fama malum quo non aliud velocius 28.14
Despres, Josquin (ca. 1450–1521)
107v
Fille vous have mal guarde / Ave sanctissima Maria
Isaac, Heinrich (ca. 1450–1517)
110
Fors seulement lattente que ie meure Anonymous 124v–125
Fors seulement lattente que ie meure (2 partes) Anonymous 125v–126
Fortuna desperata quae te dementia cepit
Busnoys, Antoine (ca. 1430–1492) (?)
112
Fortuna desperata que te dementia vertit
Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Fabri, Robertus
141v–142
Freundlicher grüss mit buss ward mir heimlich Anonymous 105v
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) Anonymous 104v
Gwalt gunst und gelt herrscht in der welt Anonymous 111
Helas que il est a mon gré
Japart, Jean
120
Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo
Despres, Josquin (ca. 1450–1521)
137v–138
Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit
Despres, Josquin (ca. 1450–1521)
137v–138
Hé logierons nous céans l'hôtesse.
Isaac, Heinrich (ca. 1450–1517)
120
Ich bin ir langzit hold gesin Anonymous 118v
Ich reu und klag dass ich mein tag
Brack, Georg
82v
Ich stell leicht ab von solcher hab
Grefinger, Wolfgang
86
Ich wil und muss ein bulen haben Anonymous 85
Il schnell gelück gen disem nüw Anonymous 82
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum
Mouton, Jean (ca. 1459–1522) (?)
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Vinders, Jheronimus (fl. c1525-1526) (?)
106v–107
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Vinders, Jheronimus (fl. c1525-1526) (?)
Mouton, Jean (ca. 1459–1522) (?)
107
Incessamment mon pouvre coeur lamente 29.9
Despres, Josquin (ca. 1450–1521) (?)
Rue, Pierre de la (ca. 1452–1518) (?)
126v–127
Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria
Despres, Josquin (ca. 1450–1521)
131v–132
Inviolata integra et casta 24.4 - 2a pars (of 3): Que nunc flagitant devota corda
Despres, Josquin (ca. 1450–1521)
131v–132
Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria
Despres, Josquin (ca. 1450–1521)
131v–132
Io non posso piu soffrire Text incipit only no music in D
Majo, Gian Francesco de (di)
115v
Je l'ai aimée bien sept ans et demi
Willaert, Adrian (ca. 1490–1562)
126v–127
Je recommance mes douleurs en plains
Dulot, Francois
130v–131
Je ris et si ay larme a l'oeil 28.18
Despres, Josquin (ca. 1450–1521)
119
La bella Francescina la sede sot un pin Anonymous 117
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)
Isaac, Heinrich (ca. 1450–1517)
119
Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major
Brumel, Antoine (ca. 1460–ca. 1513)
103v–104
Lieb mag nit lang on leid bestan
Low, Felix
85v
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich (?)
99
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum
Despres, Josquin (ca. 1450–1521)
Finck, Heinrich (?)
99
Maria virgo praescripta genitrix deo
Festa, Costanzo (ca. 1485–1545)
129v–130
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo
Despres, Josquin (ca. 1450–1521)
87v
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire
Despres, Josquin (ca. 1450–1521)
88
Mijn herz altijt heeft verlanghen
Rue, Pierre de la (ca. 1452–1518) (?)
Obrecht, Jacobus (ca. 1457–1505) (?)
84
Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei
Richafort, Jean (ca. 1480–ca. 1550) (?)
Mouton, Jean (ca. 1459–1522) (?)
Despres, Josquin (ca. 1450–1521) (?)
109v
Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est
Richafort, Jean (ca. 1480–ca. 1550) (?)
Mouton, Jean (ca. 1459–1522) (?)
Despres, Josquin (ca. 1450–1521) (?)
109v
Miserere mei Deus 18.3 (with added sexta vox) - 1a pars (of 3): Miserere mei Deus secundum magnam
Bidon (Colebault), Antoine (–ca. 1525)
Despres, Josquin (ca. 1450–1521)
138v–139
Miserere mei Deus 18.3 (with added sexta vox) - 2a pars (of 3): Auditui meo dabis gaudium
Bidon (Colebault), Antoine (–ca. 1525)
Despres, Josquin (ca. 1450–1521)
139v–140
Miserere mei Deus 18.3 (with added sexta vox) - 3a pars (of 3): Domine labia mea aperies et os
Despres, Josquin (ca. 1450–1521)
Bidon (Colebault), Antoine (–ca. 1525)
140v–141
Missa Hercules dux Ferrariae 11.1: Agnus Dei
Despres, Josquin (ca. 1450–1521)
135v–136
Müterli ich bin uff der bulschafft gelegen Anonymous 83v
Nach Willen Dein mich dir allein in treuen
Hofhaimer, Paul
85
Ne vous chaille mon coeur si vous aves
Werrecore, Matthias Hermann (?)
Richafort, Jean (ca. 1480–ca. 1550) (?)
123
Nesciens mater virgo virum peperit
Mouton, Jean (ca. 1459–1522)
141v–142
Nie noch niemer verrüwet min gemüt Anonymous 116
Nunca fue pena mayor / Numquam fuit pena magior
Urrede (Wrede), Juan de (fl. 1451-c1482) (?)
Enrique (?)
116
Nuptiae factae sunt in Chana Gallileae
Barra, Hotinet (fl. 1510-23) (?)
Elimon (Elimot) (?)
92
O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam
Despres, Josquin (ca. 1450–1521)
90
O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare
Despres, Josquin (ca. 1450–1521)
90
O quam metuendus est locus iste vere
Frydanck, Alexander
112v
Ob aller schön ir wiblich er tut mir Anonymous 87
Parce Domine populo tuo et ne des hereditatem
Isaac, Heinrich (ca. 1450–1517)
106v
Parce Domine populo tuo quia pius es
Obrecht, Jacobus (ca. 1457–1505)
106v
Pasca nostrum Immolatus est Christus
Rein, Conrad (ca. 1475–1522) (?)
Isaac, Heinrich (ca. 1450–1517) (?)
114
Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis)
Richafort, Jean (ca. 1480–ca. 1550)
127v–128
Pavanna Anonymous 116
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi
Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)
112v–113
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia
Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)
113
Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit
Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)
113v
Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha
Petit, Nino le (fl. c1500) (?)
Despres, Josquin (ca. 1450–1521) (?)
113v–114
Poi che in tanti affanni e guaÿ Anonymous 117
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus
Despres, Josquin (ca. 1450–1521)
135v–136
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud
Despres, Josquin (ca. 1450–1521)
135v–136
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit
Swartz, Stephanus Sedunensis
103
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea
Despres, Josquin (ca. 1450–1521) (?)
Mouton, Jean (ca. 1459–1522) (?)
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
101v
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia
Despres, Josquin (ca. 1450–1521) (?)
Mouton, Jean (ca. 1459–1522) (?)
Moulu, Pierre (ca. 1484–ca. 1550) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
101v
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines
Richafort, Jean (ca. 1480–ca. 1550)
110v
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit
Richafort, Jean (ca. 1480–ca. 1550)
110v–111
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)
Mouton, Jean (ca. 1459–1522)
Despres, Josquin (ca. 1450–1521) (?)
111v
Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine
Compère, Loyset (ca. 1445–1518)
123v–124
Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine
Compère, Loyset (ca. 1445–1518)
123v–124
Quis numerare - 3a pars (of 3): Fundant preces Itali exorent
Compère, Loyset (ca. 1445–1518)
123v–124
Requiem aeternam. Dona eis domine
Brumel, Antoine (ca. 1460–ca. 1513)
100
Rex autem David cooperto capite incedens
Willaert, Adrian (ca. 1490–1562) (?)
97
Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes
Mouton, Jean (ca. 1459–1522) (?)
Lheritier, Jean (ca. 1480–ca. 1551) (?)
104v
Salvator mundi - 2a pars (of 2): Eya ergo advocemus
Lheritier, Jean (ca. 1480–ca. 1551) (?)
Mouton, Jean (ca. 1459–1522) (?)
105
Salve mater salvatoris vas electum
Mouton, Jean (ca. 1459–1522)
89v
Se ben soletto vado el tristo core Anonymous 118
Se congié prens de mes belles amours 30.11
Despres, Josquin (ca. 1450–1521)
136v–137
Se la de laqua sta la mia morosa
Patavino, Francesco (ca. 1487–ca. 1556)
115
Signora un che ve adora e'l vostro nome
Cara, Marchetto
115
So wünsch ich irn! ein gute nacht
Heintz, Wolff
89v
Sub tuum praesidium confugimus sancta Dei
Aquanus, Adam (ca. 1492–)
100v–101
Surge virgo et nostras sponso preces (2p. Pulchra Sion filia pro mortali tunica) Anonymous 99v
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula
Isaac, Heinrich (ca. 1450–1517)
97v
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes
Isaac, Heinrich (ca. 1450–1517)
97v–98
Tu mi lassi io non ti lasso
Majo, Gian Francesco de (di)
117v
Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)
Despres, Josquin (ca. 1450–1521)
91v
Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi
Despres, Josquin (ca. 1450–1521)
98
Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit
Despres, Josquin (ca. 1450–1521)
98v
Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea
Despres, Josquin (ca. 1450–1521)
98v
Un cavalier di Spagna cavalcha per la via
Azzaiolo, Filippo (fl. 1557-69) (?)
Patavino, Francesco (ca. 1487–ca. 1556) (?)
Hostia, Pietro da (?)
115
Unfal wie tust must du allein mein Anonymous 82v
Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo Anonymous 96v
Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer
Despres, Josquin (ca. 1450–1521)
94v
Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens
Despres, Josquin (ca. 1450–1521)
94v
Viderunt Omnes fines terrae salutare Dei
Swartz, Stephanus Sedunensis
100v
Viel Hinterlist jetzt üben ist Venus Anonymous 118
Virgo caelesti decorata partu semper
Compère, Loyset (ca. 1445–1518)
125v–126
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia
Isaac, Heinrich (ca. 1450–1517)
133v–134
Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur
Isaac, Heinrich (ca. 1450–1517)
134v–135
Virgo prudentissima quo progrederis 25.12
Despres, Josquin (ca. 1450–1521)
94
Von edler Art, auch rein und zart bist du
Schönfelder, Jörg
100
Was wird es doch des wunders noch [S329 - 4vv/7vv]
Senfl, Ludwig (ca. 1486–ca. 1543)
85
Wegwart din art mit tugend ist Anonymous 81v
Wer mut well han Anonymous 78
Wer säch [sehe] dich für ein solche an
Malchinger
84v
Wie möcht ich fröhlich werden kein trost Anonymous 84v
Wollt Gott, dass ich zu dienen mich Anonymous 84
Wort darff es nit das weist du wol Anonymous 82
Zu Trost erwählt lieblich gesellt in Freud Anonymous 85v
Zucht Ehr und Lob ihr wohnet bei
Hofhaimer, Paul
118v
Zwischen Berg und tiefe Tal, da liegt
Isaac, Heinrich (ca. 1450–1517)
81v
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Set: MS 463

Type: Partbooks

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CH-SGs Cod. Sang. 463 [Altus] (Tschudi Liederbuch)

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CH-SGs Cod. Sang. 463 [Discantus] (Tschudi Liederbuch)

‡ denotes primary source study

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten.  Munich and Salzburg. Pages: II,9, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xi-xii,xix-xx, 129-30. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus.  Kassel, Basel, and London. Pages: 273-88. Notes: contents list; incipits.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: II,176,424. Notes: physical description (partial); contents list (partial); concordances (partial).

Dunning, Albert. 1969. Die Staatsmotette 1480-1555.  Utrecht. Pages: 44-5,340. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances (partial); transcription (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxiii,xliv,li, liii-liv. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II,62,150-1, passim. Notes: physical description; contents list (partial); concordances (partial).

Perkins, Leeman L. 1965. The Motets of Jean Lhéritier. Yale University, Unpublished Ph.D. dissertation. Pages: I,49-50,152-3,224. Notes: physical description (partial); contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 369-70. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: XIII,928-9. Notes: physical description (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: V, 110, 116; VI,95; VII,xiv-xvi. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV,143ff; XXXIV,398,402-3. Notes: physical description; contents list (partial); concordances (partial).

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 91-2,227-32. Notes: contents list; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: I, ix-x,xiii; II, vii,1x-x; III, ix,xiv-xv; V,vii,ix; VI,v,viii-xii; VII,vii-xi; VIII,xiii-xv; X.vi-vii; XI,xiii-xiv; XXV, xliv. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken.  Amsterdam. Pages: I,v,xv; IV, vii-x,xv-xviii; V,vii,l-4. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: IV, viii,x-xi; XV/XVI,viii-ff; XXX, viii-x [source for "Si sumpsero" incorrectly listed as SGallS 462 motet actually in SGallS 463]). Notes: physical description; contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XXVIII, 173-4,191-3; XXXII, 239; LXXII, 102ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Scherrer, Gustav. 1875. Verzeichniss der Handschriften der Stiftsbibliothek von St. Gallen.  Halle. Pages: 152. Notes: physical description (partial).

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