PL-Wn Mus. 2099

Biblioteca Narodowa, Warsaw, Poland

partbook: First half of 17th century

Archive Biblioteca Narodowa, Warsaw, Poland (PL-Wn)
Shelfmark Mus. 2099
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 210 x 160 mm
Other Identifiers
  • CCM: LiegR 49
  • Other catalogues/source: PfudL #18
  • olim (Former shelfmark): MS 49
  • olim (Former shelfmark): 5010
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 45 pieces from 21 composers
General Description

A Sextus partbook from an incomplete set of five volumes. Repertory in four sections. Copied by several scribes, including 'Tob. Schönfeld.' Copied in Liegnitz (= Legnica), for use in the court chapel of Georg Rudolf, Duke of Liegnitz (1595-1653), an amateur musician and collector of music. Ducal library ('Bibliotheca Rudolfina') housed in Johanniskirche in Liegnitz until 1698, then transferred to nearby ducal palace. In 1741, it was incorporated into the library of the Königliche Ritter-Akademie.

DIAMM, 2024
Extent

55 ff.

DIAMM, 2024
Physical Description

The Quintus (listed in CCM) is not listed in the Rudolfina catalogue and appears to have been lost; and the 8vv pieces in section 4 do not have 7a or 8a voices (presumably copied in books also now missing).

DIAMM, 2024
Binding

Original parchment covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Some original foliation and numbering of pieces. The other books are in four sections: in this book there are pieces from sections 3 and 4 only.

Modern pencil foliation used in index and above.

DIAMM, 2024
Index

Original indices for each section in Discantus book: for sections 1 & 2 at the front of the book, for sections 3 & 4 at the end of each section

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 1 Magnificat, 1 canticle, 7 office hymns, 1 processional hymn, 3 Passions (2 in German), 62 motets, 120 German sacred pieces =196

F. Anerio-1, Samuel Besler-1, Burck-1, Capilupi-1, Eccard-13, Erbach-1, C. Festa-1, Formellis-1, Fritsch-1, Georg Rudolf, Duke of Liegnitz [G.R.H]-1, Gesius-15, Giovanelli-1, Händl-9, Hassler-3, Knöfel-1, Lange-2, Lassus [Orlandi]-9, J. Lindemann-1, (Longaval/Obrecht/Venture-anon)-1, Luython-1, Meiland-2, Moritz, Landgrave of Hesse [M.L.H.]-2, Nucius-1, Palestrina [Johan. Petri Aloisii]-1, Palladius-1, Stabile-1, anon-122

6 paper partbooks (DATBQS-number of folios not known), 210 x 160. Original parchment covers. Original index at front and back of D book. Repertory in four sections. Copied by several scribes, including "Tob. Schönfeld."

First half of 17th century (dates 1612, 1613, 1624, and 1625 in manuscript). Copied in Liegnitz (= Legnica), for use in the court chapel of Georg Rudolf, Duke of Liegnitz (1595-1653), an amateur musician and collector of music. Subsequent history same as for LiegR 18.

DIAMM, 2024

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Magnificat Nasce la pena mia Orlandi
Appears on: 1–2
Genres: BVM, Canticle, Magnificat
Source Attribution: Orlandi
2v–3v Der Herr ist mein Hirt [anon] Anonymous
Appears on: 2v–3v
Genres: Psalm
Source Attribution: [anon]
4–5 Verbum caro factum est de virgine Maria Hasleri
Appears on: 4–5
Genres: Motet
Source Attribution: Hasleri
5v–9v [blank pages] - -

[blank pages]

Appears on: 5v–9v
10–10v Nuptiae factae sunt - 1a pars (of 4): Nuptiae factae sunt in Cana Galilaeae Orlandi
Appears on: 10–10v
Genres: Motet
Source Attribution: Orlandi
11–11v Nuptiae factae sunt - 2a pars (of 4): Dixit mater eius ministris quodcumque -
Appears on: 11–11v
Genres: Motet
11v Nuptiae factae sunt - 3a pars (of 4): Et dicit eis Jesus haurite nunc -
Appears on: 11v
Genres: Motet
General Note

tacet in this pars

11v–12v Nuptiae factae sunt - 4a pars (of 4): Omnis homo primum bonum vinum ponit -
Appears on: 11v–12v
Genres: Motet
12v–13 Domine Jesu Christe non sum dignus [Clavius]
Appears on: 12v–13
Genres: Motet
Source Attribution: [Clavius]
13–13v O decus celsi genus atque caeli nate Orlandi
Appears on: 13–13v
Genres: Motet
Source Attribution: Orlandi
14–14v Gloria tibi trinitas aequalis una Deitas Handelii
Appears on: 14–14v
Genres: Antiphon
Source Attribution: Handelii
15–15v [blank pages] - -

[blank pages]

Appears on: 15–15v
16–17 Cantate Domino canticum novum (6vv) [anon] Anonymous
Appears on: 16–17
Genres: Psalm
Source Attribution: [anon]
17–18v Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum [Longueval/Obrecht/Venture]
Appears on: 17–18v
Genres: Liturgical work, Motet, Passion
Source Attribution: [Longueval/Obrecht/Venture]
18v–19v Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus -
Appears on: 18v–19v
Genres: Passion
20–22 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus -
Appears on: 20–22
Genres: Motet
22–22v Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque Jac: Meilandi
Appears on: 22–22v
Genres: Motet
Source Attribution: Jac: Meilandi
22v–23 Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino -
Appears on: 22v–23
Genres: Motet
23v–24 Veniet tempus in quo salvabitur populus Jacobi Galli
Appears on: 23v–24
Genres: Motet
Source Attribution: Jacobi Galli
24v–29v [blank pages] - -

[blank pages]

Appears on: 24v–29v
30–30v Quid admiramini quid opiniamini filiae Handelii
Appears on: 30–30v
Genres: Motet
Source Attribution: Handelii
31–31v Deus in adjutorium meum intende Domine (6vv) Orlandi
Appears on: 31–31v
Genres: Motet
Source Attribution: Orlandi
31v–32v Nunc dimittis servum tuum Domine Orlandi
Appears on: 31v–32v
Genres: Canticle, Motet
Source Attribution: Orlandi
32v–33 Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua Handelii
Appears on: 32v–33
Genres: Motet
Source Attribution: Handelii
33v–34 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 33v–34
Genres: Motet
34v–35 Deus misereatur nostri et benedicat nobis Orlandi
Appears on: 34v–35
Genres: Motet
Source Attribution: Orlandi
35v–36 Domine Dominus noster quam admirabile est (6vv) Orlandi
Appears on: 35v–36
Genres: Motet
Source Attribution: Orlandi
36v–37v Laudate pueri Dominum Laudate nomen Domini (8vv) Hasleri
Appears on: 36v–37v
Genres: Motet
Source Attribution: Hasleri
38–39 Quid gloriars in malitia (2p. Videbunt justi et timebunt) Handelii
Appears on: 38–39
Genres: Motet
Source Attribution: Handelii
39v Exultate iusti - 1a pars (of 2): Exultate iusti in Domino Orlandi
Appears on: 39v
Genres: Motet
Source Attribution: Orlandi
40–40v Exultate iusti - 2a pars (of 2): Cantate ei canticum novum -
Appears on: 40–40v
Genres: Motet
40v–41v Domine quando veneris judicare terram Händelii
Appears on: 40v–41v
Genres: Motet
Source Attribution: Händelii
41v–43 Kyrie eleison, Christe exaudi nos (8vv) Hannibal Stabilis
Appears on: 41v–43
Genres: Motet
Source Attribution: Hannibal Stabilis
43v O Domine Jesu Christe adoro te in cruce Johan: Petri Aloisii [Palestrina]
Appears on: 43v
Genres: Motet
Source Attribution: Johan: Petri Aloisii [Palestrina]
44–44v Vespera nunc venit, nobiscum CHriste maneto Palladii
Appears on: 44–44v
Genres: Motet
Source Attribution: Palladii
45–45v Alleluia in resurrectione tua Christe (8vv) Jacobi Händl
Appears on: 45–45v
Genres: Motet
Source Attribution: Jacobi Händl
46–46v Jubilate Deo omnis terra cantate Ruggieri Giovanelli
Appears on: 46–46v
Genres: Motet
Source Attribution: Ruggieri Giovanelli
47–47v Cantate Domino canticum novum cantate Formellii
Appears on: 47–47v
Genres: Motet
Source Attribution: Formellii
47v–48 Ecce quam bonum et quam jucundum Johannis Nucis Abbatis Gemielnicensis
Appears on: 47v–48
Genres: Motet
Source Attribution: Johannis Nucis Abbatis Gemielnicensis
48v–49 Tibi laus tibi gloria Foelicis Anerii
Appears on: 48v–49
Genres: Motet
Source Attribution: Foelicis Anerii
49v–50 Omnes gentes plaudite (8vv) Geminiani Capi Lupi
Appears on: 49v–50
Genres: Motet
Source Attribution: Geminiani Capi Lupi
50v–51 Hodie nobis caelorum rex Händl
Appears on: 50v–51
Genres: Motet
Source Attribution: Händl
51v–52 Ego rogabo patrem et alium paraclitum [G. Gabrieli]
Appears on: 51v–52
Genres: Motet
Source Attribution: [G. Gabrieli]
52v–53 Veni in hortum meum [J. Praetorius]
Appears on: 52v–53
Genres: Motet
Source Attribution: [J. Praetorius]
53v–55v [blank staves] - -

[blank staves]

Appears on: 53v–55v
Composer Compositions
Anerio, Felice (ca. 1560–1614)
Anonymous
Capilupi, Gemignano (1573–1616)
Clavius, Christophorus
Formellis, Wilhelmus (ca. 1541–1582)
Gabrieli, Giovanni (ca. 1554–1612)
Giovannelli, Ruggiero (ca. 1560–1625)
Handl (Gallus), Jacobus (1550–1591)
Hassler, Hans Leo (1564–1612)
Lassus, Ferdinand de
Lassus, Orlande de (ca. 1532–1594)
Longueval, Antoine de (fl. 1498-1525)
Meiland, Jacob (1542–1577)
Morari (Mortari), Antonio
Nucius, Johannes (ca. 1556–1620)
Obrecht, Jacobus (ca. 1457–1505)
Palestrina, Giovanni Pierluigi da (1525–1594)
Palladius, David
Praetorius II, Jacob
Stabile, Annibale (ca. 1535–1595)
Venture, Johannes a la (fl. c1500)
Composition Composers (? Uncertain) Folios / Pages
Alleluia in resurrectione tua Christe (8vv) 45–45v
Cantate Domino canticum novum (6vv) Anonymous 16–17
Cantate Domino canticum novum cantate 47–47v
Der Herr ist mein Hirt Anonymous 2v–3v
Deus in adjutorium meum intende Domine (6vv) 31–31v
Deus misereatur nostri et benedicat nobis 34v–35
Domine Dominus noster quam admirabile est (6vv) 35v–36
Domine Jesu Christe non sum dignus 12v–13
Domine quando veneris judicare terram 40v–41v
Ecce quam bonum et quam jucundum 47v–48
Ego rogabo patrem et alium paraclitum 51v–52
Exultate iusti - 1a pars (of 2): Exultate iusti in Domino 39v
Exultate iusti - 2a pars (of 2): Cantate ei canticum novum 40–40v
Gloria tibi trinitas aequalis una Deitas 14–14v
Hodie nobis caelorum rex 50v–51
Jubilate Deo omnis terra cantate 46–46v
Kyrie eleison, Christe exaudi nos (8vv) 41v–43
Laudate pueri Dominum Laudate nomen Domini (8vv) 36v–37v
Magnificat Nasce la pena mia 1–2
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque 22–22v
Non auferetur sceptrum - 2a pars (of 2): Lavabit in vino 22v–23
Nunc dimittis servum tuum Domine 31v–32v
Nuptiae factae sunt - 1a pars (of 4): Nuptiae factae sunt in Cana Galilaeae 10–10v
Nuptiae factae sunt - 2a pars (of 4): Dixit mater eius ministris quodcumque 11–11v
Nuptiae factae sunt - 3a pars (of 4): Et dicit eis Jesus haurite nunc 11v
Nuptiae factae sunt - 4a pars (of 4): Omnis homo primum bonum vinum ponit 11v–12v
O decus celsi genus atque caeli nate 13–13v
O Domine Jesu Christe adoro te in cruce 43v
Omnes gentes plaudite (8vv) 49v–50
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum 17–18v
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus 18v–19v
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus 20–22
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 32v–33
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 33v–34
Quid admiramini quid opiniamini filiae 30–30v
Quid gloriars in malitia (2p. Videbunt justi et timebunt) 38–39
Tibi laus tibi gloria 48v–49
Veni in hortum meum 52v–53
Veniet tempus in quo salvabitur populus 23v–24
Verbum caro factum est de virgine Maria 4–5
Vespera nunc venit, nobiscum CHriste maneto 44–44v

Set: Mus. 2095-2099

Type: Partbooks

No images available

PL-Wn Mus. 2095

No images available

PL-Wn Mus. 2096

No images available

PL-Wn Mus. 2097

No images available

PL-Wn Mus. 2098

No images available

PL-Wn Mus. 2099

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 752-3. Notes: contents list (partial); concordances (partial).

Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 84-108. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart.  Wiesbaden. Pages: 30, 69-70 [sometimes referred to as "Liegnitz 18," sometimes as "Liegnitz 49"]. Notes: contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: XXVIII, [v-viii], 21-48. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Pfudel, Ernst. 1886. Die Musik-Handschriften der Königl. Ritter-Akademie zu Liegnitz. Monatshefte für Musikgeschichte, . Pages: 25-30. Notes: physical description (partial); contents list.

Pfudel, Ernst. 1876-78. Mittheilungen über die Bibliotheca Rudolfina der Königl. Ritter-Akademie zu Liegnitz. Königliche Ritter-Akademie zu Liegnitz: Oster-Programm, . Pages: 119. Notes: physical description (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Contents Note; Surface Note