D-Mbs Mus. MS 1503b [Quintus]

Bayerische Staatsbibliothek, Munich, Germany

partbook:

Archive	Bayerische Staatsbibliothek, Munich, Germany (D-Mbs)
Shelfmark	Mus. MS 1503b [Quintus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	147-61 x 212-22 (f. 5 measures c. 75 x 210) mm
Notations	black void mensural
Copyists	scribal concordance [63] Music scribal concordance [66] Text and Music scribal concordance [64] Text and Music scribal concordance [65] Text and Music
Relationships	Wilhelm V (1548–1626) (owner) Herwart, Johann Heinrich (1520–1583) (owner) Schatzkammer - ducal court library (owner)
External Links	images
External Authorities	RISM Online (sources/456054758)
Provenance	Augsburg, Flanders
Contents	Contains 10 compositions, 4 from 4 composers, 6 are anonymous.

General Description

A Quintus partbook from a set of six volumes. Modern compilation (by J. J. Maier) of originally separate items, of varying sizes. Copied by eight scribes—I: #1; II: #2-3; III: #4-5, #9; IV: #6, #14-15 (also wrote MunBS 1505); V: #7 (also wrote #5 of MunBS 274a); VI: #8 (also wrote ParisBNC 1408 and # 4 and # 7 of ParisBNC 1591); VII: # 10; VIII: #11-13, #16 (also wrote parts of MunBS 274a and #1 of ParisBNC 1591) (Rifkin). Some items probably copied in Augsburg; others probably of French or Netherlandish origin. Owned by Johann Heinrich Herwart (1520-83) of Augsburg. Herwart collection purchased by Wilhelm V, Duke of Bavaria, in 1585; placed in court library at Munich, whose holdings formed foundation of present Bayerische Staatsbibliothek.

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Binding

Modern covers of grey-blue paper.

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Watermark

(1) Briquet #1241; (2) Briquet #2110; (3) anchor in circle, with star; (4) Gothic letter "P" (resembles Briquet #8880-1); (5) Gothic letter "P" with initial "A"; (6) bear; (7) crown; (8) coat of arms with three fleurs-de-lis (similar to Briquet #1669-76). Some watermarks also appear in MunBS 274a and MunBS 1503a

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Notation

black void mensural

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Foliation

New pencil foliation in each book

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Foliation

Other numberings: Modern numbering of pieces, 1-16.

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Decoration

No initials or decoration

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Index

Modern list of represented composers (by Maier) on flyleaves at beginning of Discantus book gives some concordant printed sources for several pieces

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Surface

paper

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Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	Vater under in himmelreich	-	Anonymous
Vater under in himmelreich Anonymous Appears on: 1–1v Genres: Motet, Pater noster
2	Jam non dicam - 1a pars (of 2): Jam non dicam vos servos	Jo Richafort	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 2 Genres: Motet Source Attribution: Jo Richafort
2–2v	Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis	-	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 2–2v Genres: Motet
2v	Confirma hoc - 1a pars (of 2): Confirma hoc Deus, quod operatus es in nobis	-	Anonymous
Confirma hoc - 1a pars (of 2): Confirma hoc Deus, quod operatus es in nobis Anonymous Appears on: 2v Genres: Motet
2v	Confirma hoc - 2a pars (of 2): Gloria Patri	-	Anonymous
Confirma hoc - 2a pars (of 2): Gloria Patri Anonymous Appears on: 2v Genres: Doxology, Motet
3	Gloriosae virginis - 1a pars (of 2): Gloriosae virginis Mariae	-	Anonymous
Gloriosae virginis - 1a pars (of 2): Gloriosae virginis Mariae Anonymous Appears on: 3 Genres: Motet
3v	Gloriosae virginis - 2a pars (of 2): Cum jucunditate nativitatem, beatae Mariae celebremus	-	Anonymous
Gloriosae virginis - 2a pars (of 2): Cum jucunditate nativitatem, beatae Mariae celebremus Anonymous Appears on: 3v Genres: Motet
4	Quisquis requiem quaeris feminam cave	Casparus Othmayr	Othmayr, Caspar
Quisquis requiem quaeris feminam cave Othmayr, Caspar Appears on: 4 Genres: Motet Source Attribution: Casparus Othmayr
5	Verbum Domini manet (6vv)	Huldrichus Braetellius	Bratel, Ulrich
Verbum Domini manet (6vv) Bratel, Ulrich Appears on: 5 Genres: Motet Source Attribution: Huldrichus Braetellius
6–6v	O mater nostra felix regina Anna	-	Anonymous
O mater nostra felix regina Anna Anonymous Appears on: 6–6v Genres: Motet

Composer	Compositions
Anonymous	Confirma hoc - 1a pars (of 2): Confirma hoc Deus, quod operatus es in nobis – 2v Confirma hoc - 2a pars (of 2): Gloria Patri – 2v Gloriosae virginis - 1a pars (of 2): Gloriosae virginis Mariae – 3 Gloriosae virginis - 2a pars (of 2): Cum jucunditate nativitatem, beatae Mariae celebremus – 3v O mater nostra felix regina Anna – 6–6v Vater under in himmelreich – 1–1v
Bratel, Ulrich	Verbum Domini manet (6vv) – 5
Hellinck, Lupus (ca. 1494-1541)	(?) Jam non dicam - 1a pars (of 2): Jam non dicam vos servos – 2 (?) Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis – 2–2v
Othmayr, Caspar	Quisquis requiem quaeris feminam cave – 4
Richafort, Jean (ca. 1480-ca. 1550)	Jam non dicam - 1a pars (of 2): Jam non dicam vos servos – 2 Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis – 2–2v

Composition	Composers (? Uncertain)	Folios / Pages
Confirma hoc - 1a pars (of 2): Confirma hoc Deus, quod operatus es in nobis	Anonymous	2v
Confirma hoc - 2a pars (of 2): Gloria Patri	Anonymous	2v
Gloriosae virginis - 1a pars (of 2): Gloriosae virginis Mariae	Anonymous	3
Gloriosae virginis - 2a pars (of 2): Cum jucunditate nativitatem, beatae Mariae celebremus	Anonymous	3v
Jam non dicam - 1a pars (of 2): Jam non dicam vos servos	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)	2
Jam non dicam - 2a pars (of 2): Cum venerit ille spiritus veritatis	Richafort, Jean (ca. 1480–ca. 1550) Hellinck, Lupus (ca. 1494–1541) (?)	2–2v
O mater nostra felix regina Anna	Anonymous	6–6v
Quisquis requiem quaeris feminam cave	Othmayr, Caspar	4
Vater under in himmelreich	Anonymous	1–1v
Verbum Domini manet (6vv)	Bratel, Ulrich	5

Set: Mus. MS 1503b

Type: Partbooks

No images available

D-Mbs Mus. MS 1503b [Altus]

No images available

D-Mbs Mus. MS 1503b [Bassus]

No images available

D-Mbs Mus. MS 1503b [Discantus]

No images available

D-Mbs Mus. MS 1503b [Quintus]

No images available

D-Mbs Mus. MS 1503b [Sextus]

No images available

D-Mbs Mus. MS 1503b [Tenor]

‡ denotes primary source study

Göllner, Marie Louise. 1979. Bayerische Staatsbibliothek: Katalog der Musikhandschriften. 2: Tabulaturen und Stimmbücher bis zur Mitte des 17. Jahrhunderts. Kataloge Bayerischer Musiksammlungen, vol. 5/2. Munich. Pages: 60-2. Notes: physical description; contents list; concordances (partial); incipits (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 769. Notes: contents list (partial); concordances (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 75-6. Notes: contents list (partial); concordances (partial).

Dunning, Albert. 1969. Die Staatsmotette 1480-1555. Utrecht. Pages: 224-6, 335. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Crawford, David Eugene. 1967. Vespers Polyphony at Modem's Cathedral in the First Half of the Sixteenth Century. University of Illinois, Unpublished Ph.D. dissertation. Pages: 87. Notes: contents list (partial); concordances (partial).

Sowa, Georg. 1967. Die Liederhandschrift 1544: Manuskript Iserlohn (Westfalen). Archiv für Musikwissenschaft, 24: 266-82. Pages: 277. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 77. Notes: contents list (partial); concordances (partial).

Bente, Martin. 1962. Ulrich Brätel. Über Leben und Werk des ersten württembergischen Hofkomponisten der Reformationszeit. Hans Albrecht in Memoriam, 63-74, 63-74. Kassel. Pages: 68-9. Notes: mention of MS; contents list (partial).

Bruning, Elisens (editor). 1959-. Monumenta Musica Neerlandica. Amsterdam. Pages: IX/2, xii. Notes: contents list (partial); concordances (partial).

Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: I, 40. Notes: contents list (partial); concordances (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel, vol. 1. Kassel and Basel. Pages: 40. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXVI, 153, 164. Notes: physical description (partial); contents list (partial); concordances (partial).

Doorslaer, G van. 1929. Jean Richafort, Maître de chapelle-compositeur, 1480? -+ 1548. Bulletin de Académie Royale d'Archéologie de Belgique, 103-61. Pages: 151. Notes: contents list (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 86-7. Notes: physical description (partial); contents list; concordances.

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DIAMM, 2016

Monday, 23 January, 2017

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