4 folios containing a single motet; recto of each folio contains different voice part, versos blank. Now glued to modern cardboard strip. The music scribe also wrote #8 of MunBS 1503b and #4 and #7 of ParisBNC 1591 (Rifkin).
F-Pn Rés. F. 1408
Bibliothèque nationale de France, Département de la Musique, Paris, France
manuscript of polyphony: Mid 16th century
| Archive | Bibliothèque nationale de France, Département de la Musique, Paris, France (F-Pn) |
|---|---|
| Shelfmark | Rés. F. 1408 |
| Image Availability | DIAMM does not have images of this source. |
| Numbering System | Foliation |
| Measurements | ca. 290 x 220 mm |
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General Description
Binding
Preserved in modern cardboard folder
Notation
black void mensural
Ruling
Staff height 16
Foliation
New pencil foliation, 1-4
Decoration
No initials or decoration.
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
1 motet Verdelot
4 paper folios, ca. 290 x 220. Recto of each folio contains different voice part. Versos blank; now glued to modern cardboard strip. New pencil foliation, 1-4. Preserved in modern cardboard folder. The music scribe also wrote #8 of MunBS 1503b and #4 and #7 of ParisBNC 1591 (Rifkin). Staff height 16. No initials or decoration.
Mid 16th century. Copied in Low Countries? Possibly owned ca. 1822 by "Jos. Mayer" (based on collateral relationship to ParisBNC 1591). Probably later owned by the Dresden librarian and collector Carl Falkenstein. Acquired by Robert Julien van Maldeghem (1810-93), probably at 1856 sale of Falkenstein's library; manuscript apparently served as source material for the Tresor Musical. Purchased by J. B. Weckerlin for library of Paris Conservatory of Music at sale of van Maldeghem's books in 1894.
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‡ denotes primary source study
Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 364, 804. Notes: contents list; concordances.
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 100-1. Notes: contents list; concordances; concordances.
Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot. Frankfurt am Main. Pages: 308-10. Notes: contents list; concordances; incipits.
Bragard, Anne-Marie (editor). 1966-. Philippe Verdelot: Opera Omnia. Corpus mensurabilis musicae, vol. 28. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, x. Notes: contents list; concordances.
Wallon, Simone. 1955. Les Acquisitions de la Bibliothèque du Conservatoire de Paris à la Vente de la Collection van Maldeghem. Revue Belge de Musicologie, 9: 36-46. Pages: 41. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description