An Altus partbook from a set of four volumes. Copied by a single scribe. Probably copied in Lyons (Call). Once owned by member of Fugger family (NowakM). Fugger library purchased by Emperor Ferdinand III and brought to Vienna in 1656.
| Archive | Österreichische Nationalbibliothek, Wien (Vienna), Austria (A-Wn) |
|---|---|
| Shelfmark | Mus.Hs. 18811 [Altus] |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 150 x 206 mm |
| Notations |
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General Description
Binding
Original covers of brown leather, gold stamped with fleurs-de-lis, voice designations, and representation of lion
Watermark
on back flyleaf of Discantus book are the initials "IR" (not in Briquet); all other folios lack watermarks.
Notation
black void mensural
Ruling
Staff height 14mm
Foliation
Modern pencil foliation, I-V + original ink foliation, 1-72, in each book (first and last flyleaves not numbered)
Decoration
Black inked initials. Edges of folios gilded and gauffered.
Index
Original index on ff. II-IV of each book groups pieces alphabetically by first letter of text.
Surface
paper
Set: Mus.Hs. 18811 Mus
Type: Partbooks
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‡ denotes primary source study
Adams, Courtney S. 1974. The Three-Part Chanson during the Sixteenth Century: Changes in Its Style and Importance. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 162, 199, 304. Notes: contents list (partial); concordances (partial).
Diehl, George Karl. 1974. The Partbooks of a Renaissance Merchant. Cambrai: Bibliothèque municipale, MSS 125-128. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 650-2, 759-60. Dissertation by Jerry Call in progress (University of Illinois). Notes: contents list (partial); concordances (partial); incipits (partial).
Allaire, Gaston Georges, and Isabelle Anne-Marie Cazeaux (editors). 1970. Claudin de Sermisy: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III, xv, xvii, xxi IV, ix, xi, xiii. Notes: contents list (partial); concordances (partial).
Bernstein, Lawrence F. 1969. The Cantus-Firmus Chansons of Tylman Susato. Journal of the American Musicological Society, 197-240. Pages: 205, 207, 216. Notes: contents list (partial); concordances (partial).
Bernstein, Lawrence F. 1969. Cantus Firmus in the French Chanson for Two and Three Voices, 1500-1550. New York University, Unpublished Ph.D. dissertation. Pages: 347ff, passim. Notes: contents list (partial); concordances (partial).
Expert, Henry (editor). 1966-. Mahres Anciens de la Musique Française. Paris. Pages: III, vii-ix IV, v, vii. Notes: contents list (partial); concordances (partial).
Brown, Howard Mayer. 1963. Music in the French Secular Theater, 1400-1550. Cambridge, Massachusetts. Pages: 266, 281. Notes: contents list (partial); concordances (partial).
Cazeaux, Isabelle Anne-Marie. 1961. The Secular Music of Claudin de Sermisy. Columbia University, Unpublished Ph.D. dissertation. Pages: I, 85, 122, 194, 235, 266, 311. Notes: contents list (partial); concordances (partial).
Nowak, Leopold. 1948. Die Musikhandschriften aus Fuggerschem Besitz in der Österreichischen Nationalbibliothek. Die Österreichische Nationalbibliothek. Festschrift herausgegeben zum 25 jährigen Dienstjubiläum des Generaldirektors Univ.-Prof. Dr. Josef Bick, edited by Leopold Nowak, Vienna: H. Bauer-Verlag. Notes: physical description (partial); mention of MS; discussion.
Mantuani, Joseph. 1864-99 R 1965. Tabulae Codicum Manu Scriptorum in Bibliotheca Palatina Vindobonensi Asservatorum. 10 vols. Vienna: (1864-99) Graz: (1965 reprint). Pages: X, 224-9. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Ruling Note; Surface Note