An Altus partbook from a set of six volumes. Perhaps copied by Michael Kittelius. Inscription in Bassus volume names Kittelius as owner rather than scribe, but Kittelius' documented scribal activity suggests possibility he may also have copied WrocS 14. Copied in Breslau, for use in local evangelical services, probably at Church of St. Mary Magdalene. Later transferred to Breslau Stadtbibliothek. Missing since World War II; contents and composers known from BohH.
D-B Sammlung Bohn Mus. MS 14 [Altus]
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany
partbook:
Archive | Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B) |
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Shelfmark | Sammlung Bohn Mus. MS 14 [Altus] |
Image Availability | DIAMM does not have images of this source. |
Surface | Paper |
Numbering System | None |
Measurements | 310 x 205 mm |
Notations |
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General Description
Liminary Note
Inscription in Bassus book: 'Donum et memoria / Michaelis Kittelii / Lawen-steinensis, Misnensis Signatoris / huius ecclesiastici chori / Anno 1626, 23 Martii / pie defuncti.'
Notation
black void mensural
Surface
paper
Set: Sammlung Bohn Mus. MS 14
Type: Partbooks
‡ denotes primary source study
Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe. München.
Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 53. Notes: contents list (partial); concordances (partial).
Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 194, 479-80, 550. Notes: contents list (partial); concordances (partial); incipits (partial).
Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I, 262, 359-61. Notes: contents list (partial); concordances (partial).
Perz, Miroslaw. 1969. Rekopismienne Partesy Olkuskie. Muzyka, 18-44. Pages: 39. Notes: contents list (partial); concordances (partial).
Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa. Kassel. Pages: 165, 177. Notes: physical description (partial); contents list (partial); concordances (partial).
Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: II, 12, 41, 98. Notes: contents list (partial); concordances (partial); incipits (partial).
Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe. Kassel and Basel. Pages: XIII, xxix, xxxiii-xxxiv. Notes: physical description (partial); contents list (partial); concordances (partial).
Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel. Kassel and Basel. Pages: 41, 45. Notes: contents list (partial); concordances (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXII, 85, 90-1. Notes: physical description (partial); contents list (partial); concordances (partial).
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XCVIII, 132. Notes: contents list (partial); concordances (partial).
Bohn, Emil. 1890. Die musikalischen Handschriften des XVI. und XVII. Jahrhunderts in der Stadtbibliothek zu Breslau. Breslau. Pages: 40-3. Notes: physical description (partial); contents list.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Liminary Note; Notation Note; Surface Note