D-Z Mus. 32,33 [Bassus 1]

Ratsschulbibliothek, Zwickau, Germany

partbook: Last third of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mus. 32,33 [Bassus 1]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Measurements 163-70 x 210-20 mm
Other Identifiers
  • CCM: ZwiR 32/33
  • Other catalogues/source: VollBM [see bibliography] 18; 545
  • Alternative names: MS XXXII,33
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 28 pieces from 19 composers
General Description

A Bassus I partbook from a set of eight volumes. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (VollBM). Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Physical Description

Loss of pages in A1 & T2 books leaving several pieces incomplete.

DIAMM, 2022
Binding

Modern paper covers; partbooks now kept in modern green cardboard folder

DIAMM, 2017
Watermark

man in moon? (not in Briquet); same mark also appears in ZwiR 74/1 and ZwiR 100/5.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Partial original numbering of pieces.

DIAMM, 2017
Foliation

Modern foliation.

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Credos, 1 Magnificat, 22 motets = 25

(Clemens non Papa)-1, (Clemens non Papa/Crecquillon)-1, (A. Gabrieli)-4, (Gombert)-1, (Gombert/Josquin)-1, C. Hollander-1, (Jacotin/Jaquet of Mantua)-1, (Lassus)-2, Mahu [SM]-1, (Massaini)-1, (Phinot)-1, (Scandello)-2, (A. Schwartz)-1, Senfl [LS]-1, (Stabile)-1, (Vaet)-2, anon-3

8 paper partbooks (D1-43 folios, D2-41, A1-4, A2-43, T1-43, T2-29, B1-39, B2-42), 163-70 x 210-20. Most of A1 book now missing. No foliation or pagination. Partial original numbering of pieces. Modern paper covers; partbooks now kept in modern green cardboard folder. No index. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (VollBM); see general index for other manuscripts copied by the same scribe. No initials or decoration. Watermark: man in moon? (not in Briquet); same mark also appears in ZwiR 74/1 and ZwiR 100/5.

Last third of 16th century. Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–4 Patrem omnipotentem [Credo] (8vv) -
Appears on: 1–4
Genres: Credo (patrem omnipotentem), Mass Ordinary
4v–5 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) -
Appears on: 4v–5
Genres: Motet
5v–6 Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) -
Appears on: 5v–6
Genres: Alleluia, Motet
6–8 Patrem omnipotentem [Credo] -
Appears on: 6–8
Genres: Credo (patrem omnipotentem), Mass Ordinary
8v–9 Da pacem Domine in diebus nostris S. M. (=Stephan Mahu)
Appears on: 8v–9
Genres: Motet
Source Attribution: S. M. (=Stephan Mahu)
9v–11 Veni sancte spiritus reple tuorum corda (8vv) [M120] L. S. (=Ludwig Senfl)
Appears on: 9v–11
Genres: Motet, Veni sancte spiritus
Source Attribution: L. S. (=Ludwig Senfl)
10–11 Estote ergo misericordes sicut et pater (7vv) -
Appears on: 10–11
Genres: Motet
11–12 Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te -
Appears on: 11–12
Genres: Motet
12–13 Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 12–13
Genres: Motet
14–15 Sancta Trinitas unus Deus miserere nobis (6vv) -
Appears on: 14–15
Genres: Motet
15–16v Salve regina (VIII - 8vv) -
Appears on: 15–16v
Genres: Motet, Salve Regina
17–18 Praeter rerum seriem - 1a pars (of 2): Praeter rerum seriem parit Deum - Anonymous
Appears on: 17–18
Genres: Motet
18–19 Praeter rerum seriem - 2a pars (of 2): Virtus sancti spiritus opus illud - Anonymous
Appears on: 18–19
Genres: Motet
19–20v Egressus Jesus secessit in partes Tyri et Sidoni -
Appears on: 19–20v
Genres: Motet
20v–22 Alleluia. Noli flere Maria -
Appears on: 20v–22
Genres: Alleluia, Motet
22v–23 Tanto tempore vobiscum sum et non cognovistis (8vv) -
Appears on: 22v–23
Genres: Motet
23v–24 Judaea et Jerusalem nolite timere cras -
Appears on: 23v–24
Genres: Motet
24v–26 Jubilate Deo omnis terra servite Domino - Anonymous
Appears on: 24v–26
Genres: Motet
26–28 Magnificat octavi toni: Anima mea [K.440] -
Appears on: 26–28
Genres: BVM, Canticle, Magnificat
28v–29 Miserere mei Deus - 1a pars (of 2): Miserere mei Deus secundum magnam - Anonymous
Appears on: 28v–29
Genres: Miserere mei Deus, Motet
29–29v Miserere mei Deus - 2a pars (of 2): Tibi soli peccavi et malum coram - Anonymous
Appears on: 29–29v
Genres: Motet
30–31 Maria Magdalene et altera Maria ibant (9vv) -
Appears on: 30–31
Genres: Motet
31v–32v Casta novenarum jacet aula sub acta sororum -
Appears on: 31v–32v
Genres: Motet
32v–33 Quaeramus cum pastoribus verbum incarnatum -
Appears on: 32v–33
Genres: Motet
34–34v Hodie Christus natus est hodie salvator -
Appears on: 34–34v
Genres: Motet
35–36 Maria Magdalenae Maria Jacobi et Salome emerunt aromata -
Appears on: 35–36
Genres: Motet
36–36v Congratulamini mihi omnes qui diligitis -
Appears on: 36–36v
Genres: Motet
37–38 Quem vidistis pastores dicite annunciate -
Appears on: 37–38
Genres: Motet
Composer Compositions
Anonymous
Bruck, Arnold von (ca. 1500–1554)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Fevin, Antoine de (ca. 1470–ca. 1512)
Gabrieli, Andrea (ca. 1532–1585)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Mahu, Stephan
Massaino, Tiburzio
Phinot, Dominique
Scandello, Antonio
Schwartz, Andreas
Senfl, Ludwig (ca. 1486–ca. 1543)
Stabile, Annibale (ca. 1535–1595)
Vaet, Jacobus (ca. 1529–ca. 1567)
Wert, Giaches [Jaches] de (1535–1596)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Noli flere Maria 20v–22
Casta novenarum jacet aula sub acta sororum 31v–32v
Congratulamini mihi omnes qui diligitis 36–36v
Da pacem Domine in diebus nostris 8v–9
Egressus Jesus secessit in partes Tyri et Sidoni 19–20v
Estote ergo misericordes sicut et pater (7vv) 10–11
Hodie Christus natus est hodie salvator 34–34v
Jubilate Deo omnis terra servite Domino Anonymous 24v–26
Judaea et Jerusalem nolite timere cras 23v–24
Magnificat octavi toni: Anima mea [K.440] 26–28
Maria Magdalenae Maria Jacobi et Salome emerunt aromata 35–36
Maria Magdalene et altera Maria ibant (9vv) 30–31
Miserere mei Deus - 1a pars (of 2): Miserere mei Deus secundum magnam Anonymous 28v–29
Miserere mei Deus - 2a pars (of 2): Tibi soli peccavi et malum coram Anonymous 29–29v
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 11–12
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 12–13
Patrem omnipotentem [Credo] 6–8
Patrem omnipotentem [Credo] (8vv) 1–4
Praeter rerum seriem - 1a pars (of 2): Praeter rerum seriem parit Deum Anonymous 17–18
Praeter rerum seriem - 2a pars (of 2): Virtus sancti spiritus opus illud Anonymous 18–19
Quaeramus cum pastoribus verbum incarnatum 32v–33
Quem vidistis pastores dicite annunciate 37–38
Salve regina (VIII - 8vv) 15–16v
Sancta Trinitas unus Deus miserere nobis (6vv) 14–15
Tanto tempore vobiscum sum et non cognovistis (8vv) 22v–23
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 4v–5
Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) 5v–6
Veni sancte spiritus reple tuorum corda (8vv) [M120] 9v–11

Set: MS 32,33

Type: Partbooks

No images available

D-Z Mus. 32,33 [Altus 1]

No images available

D-Z Mus. 32,33 [Altus 2]

No images available

D-Z Mus. 32,33 [Bassus 1]

No images available

D-Z Mus. 32,33 [Bassus 2]

No images available

D-Z Mus. 32,33 [Discantus 1]

No images available

D-Z Mus. 32,33 [Discantus 2]

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D-Z Mus. 32,33 [Tenor 1]

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D-Z Mus. 32,33 [Tenor 2]

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 682. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 174 [Magnificat #440, listed here as anonymous, is by Scandello]. Notes: contents list (partial); incipits (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 38-9,204. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note