D-Z Mus. 32,33 [Tenor 2]

Ratsschulbibliothek, Zwickau, Germany

partbook: Last third of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark Mus. 32,33 [Tenor 2]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Measurements 163-70 x 210-20 mm
Other Identifiers
  • CCM: ZwiR 32/33
  • Other catalogues/source: VollBM [see bibliography] 18; 545
  • Alternative names: MS XXXII,33
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 18 pieces from 14 composers
General Description

A Tenor II partbook from a set of eight volumes. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (VollBM). Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Physical Description

Loss of pages in A1 & T2 books leaving several pieces incomplete.

DIAMM, 2022
Binding

Modern paper covers; partbooks now kept in modern green cardboard folder

DIAMM, 2017
Watermark

man in moon? (not in Briquet); same mark also appears in ZwiR 74/1 and ZwiR 100/5.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Modern foliation.

DIAMM, 2017
Foliation

Other numberings: Partial original numbering of pieces.

DIAMM, 2017
Decoration

No initials or decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Credos, 1 Magnificat, 22 motets = 25

(Clemens non Papa)-1, (Clemens non Papa/Crecquillon)-1, (A. Gabrieli)-4, (Gombert)-1, (Gombert/Josquin)-1, C. Hollander-1, (Jacotin/Jaquet of Mantua)-1, (Lassus)-2, Mahu [SM]-1, (Massaini)-1, (Phinot)-1, (Scandello)-2, (A. Schwartz)-1, Senfl [LS]-1, (Stabile)-1, (Vaet)-2, anon-3

8 paper partbooks (D1-43 folios, D2-41, A1-4, A2-43, T1-43, T2-29, B1-39, B2-42), 163-70 x 210-20. Most of A1 book now missing. No foliation or pagination. Partial original numbering of pieces. Modern paper covers; partbooks now kept in modern green cardboard folder. No index. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (VollBM); see general index for other manuscripts copied by the same scribe. No initials or decoration. Watermark: man in moon? (not in Briquet); same mark also appears in ZwiR 74/1 and ZwiR 100/5.

Last third of 16th century. Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–4 Patrem omnipotentem [Credo] (8vv) -
Appears on: 1–4
Genres: Credo (patrem omnipotentem), Mass Ordinary
4–5 Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) -
Appears on: 4–5
Genres: Motet
5–6 Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) -
Appears on: 5–6
Genres: Alleluia, Motet
6v–9v Patrem omnipotentem [Credo] -
Appears on: 6v–9v
Genres: Credo (patrem omnipotentem), Mass Ordinary
10–10v Da pacem Domine in diebus nostris S. M. (=Stephan Mahu)
Appears on: 10–10v
Genres: Motet
Source Attribution: S. M. (=Stephan Mahu)
10v–12 Veni sancte spiritus reple tuorum corda (8vv) [M120] L. S. (=Ludwig Senfl)
Appears on: 10v–12
Genres: Motet, Veni sancte spiritus
Source Attribution: L. S. (=Ludwig Senfl)
12–12v Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te -
Appears on: 12–12v
Genres: Motet
General Note

lacks ending owing to missing folio between f. 12 & f. 13

13–13v Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 13–13v
Genres: Motet
General Note

lacks beginning owing to missing folio between f. 12 & f. 13

14 Judaea et Jerusalem nolite timere cras -
Appears on: 14
Genres: Motet
General Note

incomplete, ending only owing to missing pages

14–15 Decantabat populus Israel alleluia (7vv) -
Appears on: 14–15
Genres: Motet
15–16v Jubilate Deo omnis terra servite Domino - Anonymous
Appears on: 15–16v
Genres: Motet
16v–19 Magnificat octavi toni: Anima mea [K.440] -
Appears on: 16v–19
Genres: BVM, Canticle, Magnificat
19–20v Maria Magdalene et altera Maria ibant (9vv) -
Appears on: 19–20v
Genres: Motet
20v–21v Casta novenarum jacet aula sub acta sororum -
Appears on: 20v–21v
Genres: Motet
21v–23 Quaeramus cum pastoribus verbum incarnatum -
Appears on: 21v–23
Genres: Motet
23–24 Maria Magdalenae Maria Jacobi et Salome emerunt aromata -
Appears on: 23–24
Genres: Motet
24v–25 Congratulamini mihi omnes qui diligitis -
Appears on: 24v–25
Genres: Motet
25v–26 Quem vidistis pastores dicite annunciate -
Appears on: 25v–26
Genres: Motet
Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Despres, Josquin (ca. 1450–1521)
Gabrieli, Andrea (ca. 1532–1585)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hollander, Christian
Lassus, Orlande de (ca. 1532–1594)
Mahu, Stephan
Massaino, Tiburzio
Scandello, Antonio
Schwartz, Andreas
Senfl, Ludwig (ca. 1486–ca. 1543)
Stabile, Annibale (ca. 1535–1595)
Composition Composers (? Uncertain) Folios / Pages
Casta novenarum jacet aula sub acta sororum 20v–21v
Congratulamini mihi omnes qui diligitis 24v–25
Da pacem Domine in diebus nostris 10–10v
Decantabat populus Israel alleluia (7vv) 14–15
Jubilate Deo omnis terra servite Domino Anonymous 15–16v
Judaea et Jerusalem nolite timere cras 14
Magnificat octavi toni: Anima mea [K.440] 16v–19
Maria Magdalenae Maria Jacobi et Salome emerunt aromata 23–24
Maria Magdalene et altera Maria ibant (9vv) 19–20v
Pater peccavi (8vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 12–12v
Pater peccavi (8vv) - 2a pars (of 2): Quanti mercenarii in domo patris 13–13v
Patrem omnipotentem [Credo] 6v–9v
Patrem omnipotentem [Credo] (8vv) 1–4
Quaeramus cum pastoribus verbum incarnatum 21v–23
Quem vidistis pastores dicite annunciate 25v–26
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 4–5
Tulerunt Dominum (8vv) 14.7 - 2a pars (of 2): Alleluia. Noli flere Maria alleluia (= Porro rex operuit caput suum) 5–6
Veni sancte spiritus reple tuorum corda (8vv) [M120] 10v–12

Set: MS 32,33

Type: Partbooks

No images available

D-Z Mus. 32,33 [Altus 1]

No images available

D-Z Mus. 32,33 [Altus 2]

No images available

D-Z Mus. 32,33 [Bassus 1]

No images available

D-Z Mus. 32,33 [Bassus 2]

No images available

D-Z Mus. 32,33 [Discantus 1]

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D-Z Mus. 32,33 [Discantus 2]

No images available

D-Z Mus. 32,33 [Tenor 1]

No images available

D-Z Mus. 32,33 [Tenor 2]

denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 682. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 174 [Magnificat #440, listed here as anonymous, is by Scandello]. Notes: contents list (partial); incipits (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 38-9,204. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note